- 2 days ago
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00:28BTV
00:31I have to write a letter for a letter for literature.
00:35Harry from Katina, Gensho from Bacarena Fabrica, Ivo Kotkata.
00:39Ah, Ivo Kotkata is great!
00:45We have a complaint.
00:47To help one child.
00:49To know your daughter.
00:50The money is not a problem.
00:55Gennadyev.
00:57The President.
00:57The President.
00:58The President wants to meet you.
01:01The truth is, the truth is!
01:19Why should they take care of us?
01:22Why should them not reach the floor?
01:23The President is looking for a museum.
01:26We'll catch up with us, and the people are going to take it.
01:30Heyerville, представiam si.
01:32Hey, here is Panagyur's Secret, here is the Rougen's Secret.
01:36Where are the stars?
01:39The stars will be in the room for the latest history.
01:43There's a piece of paper on the Estonia, which is written for the European Union.
01:45Why not take us to the Palatka? We should go and get to the camping.
01:48How do you know that it's all gone?
01:50I don't know how many people are.
01:51I don't know how many people are.
01:53They had about 35-7 thousand dollars.
01:56Even though they were there with the pijama.
01:58Nocti-cats.
01:59I'm not sure how much they were.
02:02I'm not sure how much they were.
02:07I'm not sure how much they were.
02:08I'm not sure how many people were.
02:11I was not sure how many people were.
02:12I was not watching TV.
02:13How did you know?
02:14Three big TVs were on live.
02:16I was just watching the channel.
02:17I'm not sure how many people are.
02:19It's a great question.
02:21They love the people.
02:22But when I was there,
02:25I was there.
02:26I was already there.
02:28And I was just crying.
02:29My name is...
02:31We've got a lot of songs to sing.
02:34But...
02:36I'm not sure how many songs are.
02:37I'm not sure how many songs are.
02:37I'm not sure how many songs are.
02:37I'm not sure how many songs are.
02:40I'm not sure how many songs are on the street.
02:41But I'm not sure how many songs are on the street.
02:43But I'm just lying on the street.
02:45I know...
02:56I was missing my życie.
02:59I came here.
03:01I don't know how many songs are.
03:03Oh, I'm not sure how many songs are suites.
03:05Ha, ha, ha, ha, he, he, he, he.
03:49He, he, he, he...
03:50He, he, he, he, he, he, he, he, he, he, he.
03:54Where did he come to face the cross's position?
03:55He was waiting to face the cross's point where did he do it?
03:59He'll never allow me to leave the cross's point in get your eyes,
04:01he never got an enemy.
04:03I'm going to put it in red.
04:04What are you doing with this guy?
04:07I'm just going to sell them,
04:10I'm going to go on an excursion with my father to Japan.
04:12I'm going to take a few brochures for the brochures.
04:18Now, stay and look at how I sell brochures for the brochures.
04:22What do you mean?
04:25When someone comes in a car,
04:27you're going to make a place,
04:29you're going to say,
04:29you're going to sell brochures for the brochures.
04:31If someone sees it,
04:33you'll get an infarction.
04:40It's from another side.
04:46I'm going to leave the brochures,
04:48but I'll do it very quickly.
04:50I'll stay in the store,
04:52in the store,
04:53in the store.
04:55So,
04:55so,
04:56you know,
04:57you can get out of the drawer.
04:59I don't know.
05:00I don't know.
05:15I don't know.
05:27I don't know.
05:30I don't know.
05:30I don't know what you're doing.
05:33I don't know.
05:36I don't know.
05:38I don't know.
05:38I don't know.
05:39I'll do it.
05:40I don't know.
05:41I'm going to go to the store.
05:42I'm going to go to the store.
05:49You know what this news means?
05:54Who's going to buy in the store?
05:57Who's going to buy in the store?
05:57How are you?
05:59I'm free!
06:01I'm free!
06:02Tell me what to buy in the store!
06:05We don't have to buy in the store!
06:06Oh, I love to buy in the store!
06:08Another!
06:09I'm going to buy in the store!
06:12I'm in the store for toilet!
06:13I love the store for toilet!
06:15Come on, come on!
06:17A little bit more!
06:18I love the store!
06:20I love the store!
06:26Where are you?
06:27What do you say?
06:29Then...
06:30Open Dizel is with the door.
06:32At the end, he won't be able to get the door.
06:35Open Dizel,
06:37who doesn't find the door,
06:38who doesn't find the door.
06:40If I don't want to buy anything,
06:43I'll go back, and then back,
06:45and back, and back.
06:47Let's go.
06:49Let's go with me.
06:50What?
06:52It's time to get a little out of here.
06:54It's absurd.
06:56I'm not ready for such a thing, Yordane.
06:59No, no, no, no, no, no, no.
07:01But two months ago,
07:02you didn't get out of here.
07:05Pato,
07:06a little to breathe through the air.
07:08I want to go, Dancho,
07:10but I can't.
07:11How can it happen?
07:12I'll come back to the door,
07:14and come back to the door.
07:16No way.
07:22You understand?
07:23We're in the first floor,
07:24the official hall.
07:25The hall hall.
07:26The hall hall.
07:27And we're just I, and the president.
07:29And I said,
07:29I, Mr. Chakhanov,
07:30I love you.
07:31The people love you.
07:33Don't know?
07:35You are right.
07:36You should never get out of here.
07:40I don't want you to talk about it.
07:42You're talking about it.
07:43You're talking about the GERBO's room.
07:45There, where the Order of the Stare Plane,
07:47where there are famous foreigners.
07:48And the President and the President
07:50are going to kill the country.
07:52Is it interesting?
07:53Okay, let's go.
07:57Tell me, I'll tell you.
07:57I'll tell you.
07:58I'll tell you, I'll tell you,
08:00I'll tell you where I got.
08:01Oh!
08:01I'll tell you, I'll tell you where I got.
08:03Oh!
08:04How are you going to tell me?
08:08It's not a strange thing,
08:10but I'll tell you that I'm going to get here.
08:12So I'm going to get out of the room.
08:17I'm sure they are from the historic museum.
08:19Wait, wait, wait!
08:21Give him the owner.
08:21He's going to give him a little bit.
08:24Or he's going to give him to the new Louvre.
08:27Do you know?
08:31Hey, look, look!
08:32Look, look, look!
08:34Come on, look, look!
08:39Who's going to take a fire?
08:41Where's the newspaper?
08:42Where do you have the newspaper?
08:43Where are you?
08:44Where do you say it?
08:45How do you say it?
08:48How do you say something?
08:50How?
08:51I'll say it's a bit later,
08:52and I'll say it's a 12.00.
08:56Then I'll say it's a bit later.
08:57I'll say it's a 12.00.
09:01Why not?
09:03Because the war is a bit later, Radko.
09:07Hey, for this!
09:08Radko,
09:09let's take care of the house,
09:11so you can take the terrace from the top.
09:15Yesterday,
09:15I'll say it's a bit later.
09:17It's a little bit...
09:19It's like a premiere.
09:25Ah, Radko...
09:34Hey, how good it's to be,
09:36it's a sun.
09:38I'll say it's a bit of a head up.
09:40How do you do it?
09:41I'll say it's a bit later.
09:41Hey, the police!
09:45And it's not...
09:48What's the type of a seat you take?
09:50Well, I'm going to get out of here.
09:53I'm going to get out of here.
09:54You don't have anything?
09:56Come on, come on.
09:57How are you?
09:59They were two gone before two months on the channel.
10:02Come on, go ahead.
10:04No worries.
10:05Please, if they don't do anything, hold on me.
10:13Oh, I'm sorry.
10:16It's not like before two months.
10:18Everything is already quiet, quiet.
10:21The people have broken up.
10:23It's coming.
10:25Let's do it.
10:25Let's do it.
10:26Let's do it.
10:27Let's do it.
10:28Let's do it.
10:29Let's do it.
10:31Let's do it.
10:32Let's do it.
10:33Yes, that's better.
10:38Ah!
10:40Zlatkov is not going to go?
10:41Dr. Zlatkov is going to be in another D.K.C.
10:45I can't show you anything.
10:47I can't show you anything.
10:50Hello.
10:52I'm going to show you what I'm going to show you.
10:55Here I am.
10:56This is the colonnage of the Vavilon.
10:59This is the Rodos' Colossus.
11:01And this is the Hercules' Colossus.
11:04This is the Rodos' Colossus' Colossus' I love.
11:06Look at this incredible work.
11:09Look at this.
11:10The best names.
11:12They sound like an offer from a tourist site.
11:15The names have no meaning.
11:16The prices are concurrent.
11:17Eto, 18, 15 и 10 l.
11:19Where do you find such a light, healthy and convenient bastun?
11:27Look, let's not lie from the beginning.
11:30Bastun is a good one.
11:32Tell me directly what you want.
11:35If you advise my bastun on your patients,
11:39there will be free for you.
11:40For you, for your friends, for your friends.
11:44This sounds serious, please.
11:48There are no excursions?
11:50There are no excursions?
11:51What do you mean excursions?
11:52What do you mean excursions?
11:54For example, 1000 bastun, excursions in Egypt.
11:585000 in Dubai.
12:0010 000 in Maldives.
12:04We are a young company and we don't have these kinds of things.
12:08What do you mean by the way?
12:09You can't think so.
12:10Look, colleague.
12:13If you're a colleague, you should know all of these things.
12:16I always write American aspirin.
12:19And I've been three times to go to Niagara Falls.
12:23But after the first time, isn't it scary?
12:27I don't want time to get in.
12:29I've got time to go to Niagara Falls.
12:50I've got something to not go to Niagara Falls.
12:54It's such a little bit.
12:58What are you doing? What are you doing?
13:00This is a stone! That's how you take care of yourself!
13:03Give 10 lbs!
13:05Who are you looking for? You don't have a stone!
13:07Give 10 lbs!
13:13Give 10 lbs!
13:14Give 10 lbs!
13:17What are you looking for?
13:18He's already got a lot of money!
13:26Good day, dear journalists!
13:30I have to give you one of the new premieres.
13:33Mrs. Chekanova, how is it to be the premieres?
13:36I don't know.
13:40It's nice, maybe.
13:42Mrs. Chekanova, do you think you're very...
13:45How do you say?
13:46You're a premieres.
13:48What do you think?
13:56How do you speak?
13:57Do you have any education?
13:59How are you working at the moment?
14:00I'm sure you're just a single one!
14:06I'm just a single one!
14:08But...
14:10One moment...
14:15You're a journalist! You're a little bit!
14:17Why, my friend?
14:19You don't have any education!
14:20You don't have any education!
14:21But...
14:23I'm sure...
14:24But...
14:25I'm not sure you should say it for one day!
14:30I'll take you to come.
14:32I'll go home, my friend!
14:34You were promised to come!
14:35I said, I'm a mother!
14:37I said, Mom!
14:37You're a doctor!
14:40Come on!
14:41You're as any kind of neighbors?
14:41As you're a man!
14:43You're a Christian!
14:45I'm an accountant!
14:47You're a lawyer, on your own.
14:53I don't know what to do.
14:54Oh, I don't know what to do.
14:56We're going to put them in my shoes.
14:58We're not too much.
15:00Well, we're not too much.
15:01But...
15:01Is there any extra?
15:04Excursions?
15:05Do you want to go to the Niagara Falls?
15:08I don't want to go.
15:10We're not too close.
15:12I don't know.
15:14I don't have a chance, man.
15:16I don't have a chance to go.
15:18Okay.
15:19There's something in Bulgaria.
15:20The Atlantic.
15:22The Atlantic.
15:23There's something in the sea.
15:24I don't want anything.
15:27I don't want anything.
15:29I'll give it to my house.
15:30I'll give it to my house.
15:31I'll give it to my house.
15:46I'll give it to my house.
15:50I'll give it to my house.
15:51What do you think?
15:52You know, this sport can cause many things.
15:57You'll be able to do it.
15:58You'll be able to go to the future.
15:59What do you do?
16:00We're 15 years old.
16:02Yes, but you're 15 years old.
16:04You have to go to the back.
16:04You have to get your head.
16:07You get it.
16:09I'll give you an investment in the future.
16:12Here.
16:13I'll give it a chance.
16:14I'll give it to my house only 10.
16:23You're not 15 years old!
16:36Hey, Maiko!
16:39Is Pramotarov not a village in the Balkan?
16:42Please ask him if he doesn't have a chance to get a bus for a month to get a bus.
16:46I'm not sure, I'm a bus.
16:49Hey, Maiko!
16:51I said that there was no danger to the store.
16:53We went to the store, we went to the store, and we went back to the store.
16:55We went to the store, and we went to the store.
16:55I didn't know that.
16:55And we went to the store.
17:03Why did you get your bus at the store?
17:05I don't want to go...
17:08I'm going to go to the store.
17:12I'm going to go to the store.
17:14I'm going to go to the store.
17:14You can't take the store, you can't take the store.
17:16I don't know whether I can go.
17:18I'll go to the store.
17:19Where are you?
17:20I'm going to go to the store.
17:23Come on, get the store.
17:27How does it go and start off with the store?
17:30I don't know.
17:34Who is the store?
17:36Who is the store?
17:38Who is the store?
17:39Who is it?
17:39Who is the store?
17:40Who, who is the store?
17:40Who is the store?
17:41Is this censure?
17:42Will there be an end to the store?
17:47There is no president.
17:48There is an actual.
17:48There is Slaveia Burova.
17:49It's not an ex-reputant.
17:51She's the former ex-deputy.
17:54What do you think?
17:54What do you think?
17:56What do you think of the government?
17:57I'm sorry.
17:58I'm sorry.
17:58Why did I get out of politics?
18:00I'm sorry.
18:04I'm sorry.
18:04I'm sorry.
18:04I'm sorry.
18:04I'm sorry.
18:06I'm sorry.
18:07I'm sorry.
18:13You know what I'm saying from Chekanova after the recording of Grimioran?
18:16That Andrew is a woman for a woman.
18:19And...
18:19You mean it's not a gay?
18:21That's why it's out.
18:22I don't know what I'm going to do and it's quite as soon as I am.
18:25I can't remember the actual journalism.
18:27I'm just a normal person.
18:28Yeah, I'm normal.
18:31I'm so sorry, he doesn't know me.
18:31I'm after everybody's meeting with me.
18:32I'm just sitting here watching him, he's watching him.
18:34And he calls me to tell him only about my job.
18:37You're so happy to be you.
18:40Yeah, I don't have anything.
18:41I'm just...
18:42I'm just...
18:43He's a guy.
18:45He's not a guy.
18:46He's a guy.
18:47I've never heard him.
18:48He's a guy.
18:49He's all.
18:50I'm not a person.
18:52But for me it's passive.
18:54You can't be his type.
18:57I don't have a type of type.
18:59That's it.
19:02You know how it can be?
19:04He's been gay.
19:05But when he was a journalist,
19:07he was like this.
19:09He said that he's been a companion.
19:13Even he's got a cute one.
19:16Look.
19:16I don't want to go.
19:18With such a woman like me,
19:21he's going to be a companion.
19:24Okay. Just show me,
19:26you're going to show me interest.
19:29My mother should have to break your principles
19:31and for the first part of my life,
19:33I'm going to die a man.
19:37You know, my son you hit a bomb.
19:39He's going to kill the media with a censure.
19:41The premieres are holding this position?
19:44You see,
19:45at the moment the premieres are in the bank
19:46and I don't have to talk about it.
19:48Is it possible?
19:50If we wait here,
19:51we're going to get here.
19:53What do you want to get here?
19:54What do you want to get here, baby?
19:57I have a message.
19:59For you,
19:59tomorrow,
20:00in the morning,
20:02you will be in the morning,
20:05you will be in the war.
20:06The premieres will be meeting with the media.
20:08That's all.
20:09Let's go.
20:10Let's go.
20:13Listen.
20:13Listen.
20:14and say to the television
20:15that they are going to increase the pension.
20:17And if it may have an additional 5 percent,
20:22enough,
20:23let's go!
20:25Let's go.
20:26Tell your son.
20:40Come on, come on!
20:40Here it is!
20:46The door is open!
20:51What are you doing? How did you get out of here?
20:55How did you get out of here?
20:56How did you get out of here?
20:57It's all about journalists.
20:59You can't stay out of here.
21:01And here you can't.
21:02I said I'm in a monitor.
21:04What do you want to do?
21:05What do you want to do?
21:06What do you want to do?
21:07What do you want to do?
21:09You're a smart guy!
21:15He's been a monitor, so?
21:18You're upset a man.
21:19I have problems with my son.
21:21You're a little bit.
21:22You're not a able to talk to me!
21:24I'm telling you that it's a little bit.
21:26You're a little bit.
21:27You have to go and tell you,
21:29maybe you're a bit closer to the other one.
21:30Wait a minute!
21:32You're going to cut auzzle,
21:33a failure,
21:33a little bit to change it.
21:35I said everything.
21:37I don't know.
21:38I have to tell you!
21:38How do you do that?
21:41How did you do that?
21:43I'm going to tell you.
21:43Nothing to tell you.
21:46Nothing to tell you!
21:48What?
21:49I don't care.
21:50Paço is left behind you.
21:51And how do I stay?
21:52And how do I stay?
21:52If I stay in my house, then I stay in my house.
21:54Hey!
21:55I stay in my house.
21:56From here, I'm going to die.
21:59How do I get out of my house?
22:01Are you normal?
22:02Yes, you are normal.
22:03You're not normal.
22:04You're not talking to me.
22:05You're not talking to me.
22:05You're not talking to me.
22:06You're not talking to me.
22:06You're not talking to me.
22:15Come on!
22:21Come on!
22:25Come on!
22:29Come on!
22:31Come on!
22:32Come on, n't you gotta go.
22:33Come on!
22:35Come on, stop it!
22:36Don't wait, stop it!
22:37Come on, stop it!
22:38Come on, stop it!
22:39Come on, come on, step it!
22:39Step it up.
22:44Get out here!
22:45Go! Go! Go!
22:54Good day.
23:04Hello.
23:05I'm sorry.
23:06I'm sorry, but I'm in your time. Is it okay?
23:09Oh, it's okay.
23:09I'm sorry.
23:14How are you doing?
23:16I can't wait to see you in the same way.
23:19Good job.
23:26But here, when I'm here, it's very nice.
23:31Let's go, let's go.
23:35I'm sorry.
23:44I'm sorry.
23:45I'm looking at the interview with Ms. Chekanova and I found many mistakes.
23:48And?
23:50And to see you in the same way.
23:52And to see you in the same way.
23:53I think it's really nice and easy.
23:55But I'm given the same way to go.
23:56Then we were going to tell you what didn't have to go.
23:58And to create a criteria for me.
24:04I don't know how to go.
24:08And to see you in the same way,
24:10And to see you in the same way.
24:13And to see you in the same way,
24:15you can try it.
24:17And then you just know about your time.
24:20And you have to go,
24:24Yes, it's just that it's appropriate.
24:27You're with Pepper.
24:29I like to be a journalist.
24:31This is an appropriate job.
24:35Work as a job?
24:39You've been with a journalist.
24:43They are different, and they are different.
24:49That's where to go?
24:49I don't know.
24:52I don't know.
24:53I said something.
24:55I said something.
24:55I said something.
24:58I'm going to see you.
25:00I'm going to see you on the computer.
25:14I'm going to see you on the computer.
25:19The first question to you is, do you like a friend of a man?
25:36It's very difficult to do your job, my colleague.
25:38The whole day, no one will not you.
25:39Now, we're here to do it.
25:42You can read the book.
25:49I want to wipe your hands,
25:52as in the Bible.
25:53That you will be in the end of my life.
25:56Because I'm a good man, I'm a fisherman.
25:58I'm sorry I saw you in the wrong way.
26:03But I'm in the two of us.
26:05The two of us, the demons, the demons, and the demons.
26:08Come on, the dog.
26:20But this dog looks like a real thing.
26:26They are very good to see you from Sinoda.
26:30Tell me what you think of me in Centralia.
26:33Do you want me to come back?
26:38Huh?
26:41It's a pundra, from Turkey.
26:44From the land of the Apostle Pavl.
26:47A friend of mine goes to the river in Antalya.
26:51Wait, wait, wait, wait.
26:52You're a lot, friend.
26:55Tell me.
26:57Tell me, you don't say anything about my question.
27:09So, you don't say anything about my question.
27:12Let's see your head again.
27:15Let's go with your head.
27:17Let's go with your head.
27:19Let's go with your head.
27:20Let's go with your head.
27:27Wait a little, wait a little.
27:30You don't say something, Matei.
27:3425th, 35th.
27:36I've been hungry and I've been hungry and I've been hungry.
27:42I've been hungry and I've been hungry and I've been hungry.
27:42How could I have to burn?
27:44How could I have to burn?
27:47You're only here for my mom.
27:49And someone sees me with a binnacle, what's going on?
27:54Huh?
27:55I'll do the things I've been doing.
27:59I'm not a bad boy.
28:01I'm not a bad boy.
28:07Have a meal.
28:08Hey, friends.
28:10Come in, ладно, make me grow.
28:13Come in, brother.
28:13Come in if I can run.
28:14Come in and see, my friend, from Central Hall
28:17an elder brother, that finds me the Bible.
28:26The first question to you is, is you like a friend of a man?
28:29What kind of a friend of a friend of a friend?
28:32How did you say that?
28:33At this point, for example, I'm going to go for a minute.
28:40The journalist, the truth is that it is really sad.
28:43It's very sad.
28:45No, I'm not leaving you alone.
28:48If I want to.
28:50If I want you to tell me.
28:53Can you do anything?
28:55I'm not leaving you alone.
28:58Is it a cold?
29:01Yes, but it's not a cold.
29:06But it's not a cold.
29:16Yes, it is.
29:17I'll tell you.
29:18You're not a bad guy.
29:21You're not a bad guy.
29:23I'm not a bad guy.
29:25I'm not a bad guy.
29:29You're not a bad guy.
29:32What?
29:33What?
29:35You're not a bad guy.
29:38Did you tell you?
29:40She told me.
29:42I don't understand why you have split up your eyes.
29:47You're not a bad guy.
29:57You're not a bad guy.
30:00If you work, it's nice to know.
30:03I'm not a bad guy.
30:06I'm not a bad guy.
30:08Will you watch a video?
30:11I'm not a bad guy.
30:11You can wait.
30:13I'm not a bad guy.
30:15What do you ask?
30:16I can remember what I ask.
30:18For example,
30:20whether you have a bad guy.
30:52Astrid!
30:52Why?
30:53Wait, wait!
30:57Hey, Andrévichu!
30:59Hello!
31:01You have a cool divan.
31:03I can't sleep on him.
31:07It's a bit more, man.
31:08It's a bit more.
31:09It's a bit more.
31:10It's a bit more.
31:12Shhh!
31:13You hear me?
31:15I don't want to be a guy.
31:20It's a bit more.
31:21And the whole life is in the house.
31:24I'm like so,
31:26when I'm without money.
31:28I'm like in the store,
31:29I want to say,
31:30give me five cups.
31:31But I don't have a cup and I'm like.
31:33No, no, no, no!
31:36No, no, no!
31:37No, no, no!
31:37No, no!
31:38No, no!
31:53What's up?
31:58I met a hallucinical thing for me.
32:02One woman from Brzygovo
32:05can't speak any.
32:06She had one door at the Bible
32:08and was now a speaker at the local radio.
32:13Guys!
32:13Look at that.
32:14It's going to get out of here.
32:18Let's get out of here.
32:19Not here, out of here.
32:21There's no way to see them with a binocular.
32:57Good.
32:58You can see that you are healthy.
32:58Why not do you buy those bansons and pay them to your pensioners?
33:02Bonus for Kolev!
33:04We can't see other priorities at this point.
33:07I know the priorities.
33:09Do you want an additional motivation to go to the Balkan or the Niagara River?
33:15No, we don't work with Roshveti, we work with budget.
33:19Budget, budget!
33:20Get out of the budget and buy one of the pensioners.
33:24The budget is already set up for a pair.
33:27Here, we've closed here all the floors,
33:31all the new granite walls,
33:31all the floors in the cabinets,
33:33all the coffee machines,
33:34they have budget for health,
33:36and they are not...
33:37...without.
33:38What are you talking about?
33:39The coffee machines will make you sick?
33:41The medical care of the coffee,
33:43has always been studied.
33:46I'm not aware of it.
33:47The sensor?
33:49They have to use the battery.
33:52They have to work in the prevention area.
33:54I'm a doctor!
33:55What are you talking about?
33:57You idiot!
33:59You idiot!
34:10The dust,
34:11The dust,
34:11mae,
34:11the dust,
34:12the dust,
34:12the past!
34:12The dust,
34:13the dust,
34:13things!
34:14What are we doing now?
34:15What are you doing now?
34:16You're doing now?
34:17you are doing now!
34:21You're doing now!
34:25You're doing now!
34:26It's a single day!
34:30I do not know?
34:31I'm doing it!
34:34Then the first time she's a part of Primetime!
34:35And after that, she's a star!
34:38And after she's a dollop in Camelia...
34:39But no, but...
34:42How? But no, she'll do that first time in Primetime.
34:45Well, yeah.
34:46You know what I've done with her?
34:48What?
34:49It's a musical therapy in the conservatory.
34:51What?
34:52It's a musical therapy.
34:53You've met other people like this?
34:56And I'm not...
34:59And I'm so tired of waiting.
35:02And, look at that rockliza in front of the camera, super!
35:06But why don't you try it?
35:07And, look at the price.
35:10Oh...
35:11I'm waiting for the birthday day, then after the week.
35:14And so I'm going to get it.
35:15How cool is it that I'm going to do it?
35:17Well, I'm going to give it to the birthday day.
35:19Can I wait for the birthday day?
35:21Yeah, I'm going to wait for the birthday day.
35:21Super!
35:25Hello?
35:27Hello, Eri.
35:27I have a big problem.
35:29From the television, they don't want to participate in the project.
35:34Come on, I'm with her right now.
35:37I'm going to go to the office.
35:38But, look at her to not see her.
35:40Super, let's go.
35:45Super!
35:46I hate it for the camera.
35:48But...
35:49It's okay.
35:51It's okay.
35:51It's okay.
35:51It's okay.
35:52It's okay.
35:54It's okay.
35:55It's okay.
35:56It's okay.
35:57It's okay.
35:57But it's okay.
35:59It's okay.
36:00I'm not talking about it.
36:01It's okay.
36:02I'm not sure.
36:03But my father is not on phone.
36:05It's okay.
36:06It's okay.
36:08I'm going to try to get out of the way.
36:09Well, how do we do this?
36:12I'm going to do more and more.
36:14In my life, there are other chances.
36:25What do you want to do?
36:26I don't see how I'm going to sleep.
36:28What do you want to do?
36:32But you're talking.
36:34Yes, I'm talking.
36:40What do you want to do?
36:42I'm going to do a career.
36:45I'm going to do a career.
36:46I'm going to do a career.
36:47Grigor, a man.
36:50I'm going to monitor the stupid things.
36:52How long do I'm going to sleep here?
37:03Are you nervous?
37:08I'm going to do a job.
37:10I'm going to do something.
37:11Do you want me to do something?
37:12Yes, yes.
37:13Yes, yes.
37:14Yes, yes.
37:15Yes, yes.
37:15Then you tell me that you do.
37:18Yes.
37:18How do you do?
37:19Yes, I tell you that you do everything is in order
37:22and I'll go back to work in the church.
37:24Yes, I'm going to do something.
37:27Okay.
37:29Then what's going to do aton?
37:31She's working here.
37:36But, is it clear that you have to leave the door?
37:48Here, here's the question.
37:51Yes, I have to leave.
37:54Let's talk about this.
37:56It was before the end.
37:58Now I'm another man.
37:59Do you know what I'm doing?
38:00I'm sure I'm going to leave.
38:03Then I'm going to go and buy something for me.
38:05Yes, I'm going to go.
38:06Wait.
38:08Wait.
38:09But then you don't want to take care of it.
38:11As a kid.
38:14I'm going to take care of it.
38:16I'm going to take care of it.
38:17Okay.
38:19Bira?
38:20Alkohol?
38:21I don't want to take care of it.
38:22I'm going to take care of it.
38:36Do I want to take care of it?
38:37I do not want to take care of it.
38:39I'm going to take care of it.
38:40I'm going to leave it.
38:41I don't want to get care of the television.
38:43What do I want to do?
38:44Oh, she's coming to the screen.
38:47We always have to take another project, but we need to take another one.
38:51Yes, and we're going to take another project.
38:53We're going to go first and we're going to go first.
38:56Okay, who will tell you?
38:57You!
38:58Ah, no, I'm not.
39:01No, I'm not.
39:02I'm not.
39:11Hey, hello, hello!
39:12Hey, hey!
39:13Hi!
39:14And what are you doing here?
39:15You're in a meeting with your wife.
39:18I said it on the birthday of the day.
39:20I don't think so.
39:21Look how I love you!
39:23If you think about it, I'm going to buy a car.
39:27Camille, I'm going to tell you something.
39:33What's going on?
39:34You're in Sofia for the birthday of the day.
39:36No, no, no.
39:38No, no, no.
39:40No, no, that's my contract.
39:43They didn't sell us any to assisting all the boats?
39:47Almost.
39:50No.
39:51I can't 작업 with you at work!
39:54If you go, I'm going to work!
39:57If you go, don't what you're gonna do.
39:58Camille, now, put yourself in a minute.
40:03Not a bit!
40:04Why are you making two things?
40:06Andro, you're in.
40:07What are you doing?
40:10Well, Camelia...
40:14...on television said...
40:18...that you are more suitable for another project.
40:20Not for this one.
40:21Who is another project?
40:24One more than there.
40:26Eventual.
40:27Eventual, yes.
40:31Give me the laptop again.
40:37Do you want to find a job?
40:39No.
40:41They will deal with music.
40:49Dear relatives,
40:52brothers and sisters,
40:54I want to prepare for these two months
40:56not only to prepare the country
40:57for the long-term elections,
40:59but also to save the economy.
41:01To balance social institutions
41:04and to improve
41:05the international image of Bulgaria.
41:06I know.
41:07I know that you don't want to go for the first time,
41:10but you know that I,
41:12Rangel Cekhanov,
41:13I'm talking about the truth.
41:14And I...
41:26I'll come back to the president.
41:28Okay.
41:36Good morning.
41:37Good morning, gentlemen,
41:39Seem the great,
41:48gentlemen.
41:49Good morning, Amsterdam.
41:49Good morning, gentlemen.
41:54Good morning, gentlemen.
41:56If he doesn't do second job, he doesn't do the first job.
42:01But I can explain.
42:03How do you explain?
42:04Let me explain my friend.
42:08Why does he mean he is Rangelov?
42:10He is a man.
42:12First he is a man.
42:14How many times do I repeat?
42:16Yes, he is, but he doesn't have to do the mood for the people.
42:20I can't do the same thing for the people.
42:24How do you know he is?
42:26Vangelov, do you know him?
42:28How do you know him?
42:29Of course he is.
42:30Of course he is.
42:31Of course he is.
42:31Of course he is.
42:33Or you don't have to say anything.
42:39Is it clear?
42:40Yes.
42:41Yes, I did.
42:45Then...
42:47I'm going to take a look.
42:49With God.
42:50I'm going to gosh,
42:52I'm going to name him.
43:07I'm going to take a look.
43:12From this point we are wrestling.
43:13It's our man in the office.
43:15Why a man?
43:17She's a good woman.
43:25It's been 8 hours.
43:29Just to hear Rahmaninov.
43:32I'm going to go.
43:36No, I'm going to go.
43:38I'm going to go.
43:38I'm going to go.
43:44I'm going to go.
43:45I'm going to go.
43:46I'm going to go.
43:48How can you do it with us?
43:52I'm going to go.
43:57I'm going to go.
44:00I'm going to go.
44:02I wish you luck.
44:05Oh, my brother.
44:07Hello?
44:08What?
44:09What?
44:11...
44:11It's a terrible accident.
44:13You've been the first guest.
44:14You've been the one, man.
44:16You've been the man.
44:19Come on tomorrow with me
44:21and we'll sign the договор.
44:25But do you want to?