- 4 hours ago
Emily in Paris S05 - Episode 2
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00:13¡SuscrÃbete al canal!
00:36¡SuscrÃbete al canal!
01:02¡SuscrÃbete al canal!
01:30¡SuscrÃbete al canal!
01:49¡Gracias!
01:50¡SuscrÃbete al canal!
02:04¡SuscrÃbete al canal!
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05:16¡SuscrÃbete al canal!
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05:19¡SuscrÃbete al canal!
05:20¡SuscrÃbete al canal!
05:23¡SuscrÃbete al canal!
05:24Usted deberÃa visitar la ciudad.
05:27Ven a pasar el dÃa conmigo en Solitano.
05:31Bueno, eso es una idea increÃble.
05:36Ah, me gustarÃa.
05:39Y voy a tener mi CFO conmigo.
05:50Huele incluso mejor durante el dÃa.
05:56No, no.
05:57Next time you're booking client travel,
05:58please organize an airport transfer.
06:00Mindy had to take a taxi,
06:02which was an ordeal.
06:03For me.
06:04Of course.
06:05Sorry.
06:05I didn't know Mindy was a client.
06:08She's not.
06:08She's here to perform at the Babadza event.
06:10It's just hard keeping track of who's a client
06:13and who's dating a client,
06:16like Mindy and Alfie.
06:18How long have they been together?
06:21They're not.
06:22Well, they sure looked cozy outside of Gabriel's restaurant.
06:27Alfie is Emily's ex.
06:29Another one?
06:29Geneviève, I think you should focus on work
06:31and stop spreading rumors.
06:33Arrivederci.
06:34I know people at Ferrari, Ferrero, Ceregamo.
06:38All the Fs.
06:39Fantastic.
06:43Jane, you must be looking for Sylvie.
06:46Actually, I was just telling Luke about all the brands
06:49I can connect you with in Rome.
06:51Do either of you like speed boats?
06:53To look like I would.
06:54I love boats.
06:55I live on one.
06:57That feels right.
06:59Oh, Jane can get us a speed boat.
07:02For a fee.
07:02So, where's my office?
07:05You're working here now?
07:08Yes.
07:09Jane is consulting for us.
07:11Senior executive of brand relationships.
07:13And as promised, I have landed you a meeting with the head of marketing at Fendi.
07:18That's incredible.
07:20For a fee.
07:20We're meeting with Fendi?
07:21That's huge.
07:22Who said anything about you?
07:25Wait, you can't meet with Fendi's head of marketing without the head of your office.
07:29You're all the head of the office.
07:30That's still under consideration.
07:36Grazie tesoro.
07:42You shouldn't get hung up on titles.
07:47Thank you for the advice, princess.
07:55You asked me to run this office.
07:57What changed?
07:58That's when we only had one account.
08:00Now I'm trying to build something more substantial here.
08:03And senior executive of brand relationships?
08:07That's under consideration.
08:10Find a way to work with Jane.
08:14If the office is going to succeed, we need people with connections.
08:18Not just followers.
08:35So, after an aperitivo, next was antipasti.
08:39Si.
08:40Then primi, the pasta course.
08:42I overdid on the cacio e pepe.
08:43I barely had room for secundi.
08:45Seconds?
08:46No, that's main course.
08:48Oh.
08:49Everything was so delicious.
08:51I'm as stuffed as those zucchini flowers.
08:54Oh.
08:54That's why we take a passeggiata, a stroll to walk of dinner.
08:58Aw.
08:58Or even better, we dance and all.
09:01What?
09:02Oh, oh.
09:18Look at you, drinking and dancing on a work night.
09:22Rome Emily is the best.
09:24Oh, I know.
09:26Oh, looks like Marcello found a friend.
09:32Oh, say hi.
09:34Oh, okay.
09:38Oh, Emily, this is Lucia, Lucia, Emily.
09:43Ciao.
09:43Ciao.
09:45Marcello!
09:46Oh, I'll be right back.
09:49So, you're American?
09:53Marcello's never did it one before.
09:55Oh, well, there's a first time for everything, I guess.
09:59He's so sweet.
10:02Just don't get too...
10:03I don't know how you say it in English.
10:07Attached?
10:08Yeah.
10:09Yeah, that's how he say it.
10:13Yeah.
10:16Yeah.
10:18Yeah.
10:20Yeah.
10:20It's a good one.
10:21You're on the ground!
10:22Yes, sir.
10:37You okay?
10:38You seem like Paris Emily again.
10:41I do, don't I?
10:43Meeting his ex just brought up old feelings.
10:46About Gabrielle,
10:47and how Camille was always hovering around
10:49like a ghost trapped in limbo.
10:51Yeah, I know, it's dumb.
10:52No, no it's not.
10:54That was a really tough time for you.
10:56But people can be friends with their exes,
10:59and it's not complicated.
11:00Like, you and Alfie.
11:01You two are just friends, right?
11:04Like, there are no feelings there anymore, right?
11:07No. Yeah, no there's not. You're right.
11:09Good point.
11:10Yeah.
11:11So, I have a meeting.
11:13Ooh, with one of my favorite brands today.
11:17No! Fendi?
11:19Oh, if grandma could see me now.
11:21Oh no.
11:22Is Gran a ghost too?
11:23What? No, she lives in Lake Bluff.
11:25I still can't believe that she gave this to me.
11:27She loved it so much.
11:29You've never let me see it in daylight.
11:31It's stunning.
11:32No natural oils until the beeswax leather conditioner dries.
11:35Okay.
11:37I'm surprised you brought it to Rome.
11:38What, and leave it with you in Paris?
11:40Who knows what you'd get up to while I was away?
11:43Oh, don't forget we have your rehearsal for Bavazza later.
11:46Cool, cool. I'll meet you there.
11:47And Em?
11:49About Marcello, don't open the X-Files.
11:52The truth is not out there.
12:14Wow, I am such a Fendi fan.
12:16They're celebrating their 100th anniversary this year so we could help usher them into a new era.
12:21And he doesn't need our help.
12:22This meeting is about making a good impression.
12:24What the Italians call fare bella figura.
12:27Wait, you don't think I'm making a good impression?
12:29I have a few notes.
12:30Fare bella figura isn't just about what you wear.
12:33It's how you hold yourself, conduct yourself.
12:35I think Emilia has a very bella figura.
12:38Well, thank you, Luke.
12:40Molto bella.
12:41Just let me do the talking, huh?
12:45To commemorate our centennial, we will be holding events in major cities across the world,
12:50starting in Rome and ending in Paris.
12:52And at each stop, we will be releasing a new baguette bag inspired by the city.
12:56A runway road show.
12:59Exactamente.
13:00Well, since Agence Crateau has a foothold in Rome and Paris, we're well suited to share expertise in both cities.
13:07Good to know.
13:08Not to put you on the spot, but since you're Parisians, I'm open to hearing your ideas for the new
13:14Paris baguette design.
13:15Nothing to do with the Eiffel Tower of Iparago.
13:21Why not a baguette designed to look like an actual French baguette?
13:26A playful note to its original inspiration.
13:29It could even smell like a baguette.
13:33Very amusing.
13:35Maybe not couture enough for our anniversary.
13:41Excuse me.
13:43What is that?
13:45Oh, I thought you'd like it.
13:46It's an original 1997 release from my grandmother.
13:50May I?
13:51Of course.
13:58I'm sorry, my dear, but this is a fake.
14:05No, it's not.
14:06I think she knows a fake when she sees one.
14:09You see these uneven spaces between the stitches?
14:11The clasp.
14:12Very poor quality.
14:13The logo isn't as sharp either.
14:15It's very easy to trick the untrained eye.
14:17That's why it's so important to pay close attention to details.
14:21Please give us time to workshop more ideas and...
14:24But what about a fake Fendi?
14:30Scusi?
14:32Why not create a baguette that celebrates, no, embraces its imperfections and errors?
14:39A real fake Fendi.
14:41So, is it real or fake?
14:44Exactly.
14:45That's the question that will be on everyone's lips.
14:48It's fake, but it's real.
14:51Get it?
14:52I get it.
14:53Very clever.
14:55Not suitable for Paris.
14:58Too...
14:59Americanata.
15:01Maybe it would work in Los Angeles.
15:04Si.
15:05Better for Los Angeles.
15:13Well, that went well.
15:14Nope, it didn't.
15:15She said si.
15:17I mean, sure, it wasn't an idea for Paris.
15:19When Italians say yes, they don't always mean it.
15:22They value politeness, they don't want to offend, so they say yes even if they don't agree.
15:27Ah, like how the French always start everything with a no.
15:31No, we don't.
15:32Well, at least answering no give you the option of later saying yes.
15:36If you start with yes, then you're stuck.
15:38Not in Italy.
15:40They just take it back later.
15:41Do you think Fendi will ever give us another chance?
15:44That's a no.
15:50Oh, my God.
15:51You offended Fendi.
15:53I thought I had something special, but it wasn't real.
15:56All that beeswax leather conditioner for nothing.
15:59Grazie for doing this, Mindy.
16:01Of course.
16:02Your chariot awaits.
16:04Oh.
16:04Why is the martini so dirty?
16:08It's a grande bavazzatini.
16:11Oh, yeah.
16:11I'm not sure I want to splash around in muddy waters.
16:16You don't want to swim in the espresso martini?
16:19Um...
16:20How are you two not seeing what we're seeing?
16:23Oh, I see what's wrong with it.
16:26Yeah.
16:26Finally.
16:31We forgot the coffee beans.
16:33Oh!
16:37So much better.
16:39Ground water with loaders.
16:41Now it's an unflushed toilet.
16:43Luke, was this your first idea?
16:45No, number two.
16:46Okay, I got you.
16:48Yeah, I think we can do better.
16:49Okay.
16:52Lovely.
17:04Is this considered an aperitivo?
17:07Uh, no.
17:09This is dolce and cafe rolled into one.
17:12Delicious and dangerous.
17:14Yeah, that's not my kind of drink.
17:18Excuse me.
17:19Marcello Muratori, I'd like you to meet Giancarlo Petri,
17:22who's attached to direct our Muratori fragrance film.
17:25That's wonderful news.
17:26I'm such a fan.
17:27Laoto della Fuga is one of my favorite films.
17:29Oh, thank you.
17:29You're too kind.
17:30I look forward to seeing how you capture my family's brand.
17:34Bavazzatini?
17:34Oh, no, no, no.
17:35After what happened today, I need a real drink.
17:38I'll find you a glass of wine.
17:39I'll join you.
17:42I'm sorry again about Fendi.
17:46Okay, what is done is done.
17:48But you need to learn that you don't always have to have the answer.
17:52Admitting you don't know something is stronger and more honest.
17:58I will take note of that.
18:01Who in the world would buy a real fake Fendi?
18:03It's super meta and self-referential.
18:05Okay?
18:06And that's exactly where fashion is headed.
18:08Emily, it's important to know what's real.
18:10Huh?
18:18Hey.
18:19Hey.
18:21It's showtime.
18:22Emily, thanks for saving Mendez Dan's number.
18:26No problem.
18:27Jane's connections really came through.
18:30It's a great party.
18:33Just one more.
18:46Okay, let's see.
18:48Go see.
18:49They've wanted to eat.
18:49Come on, girls.
18:51Let's see.
18:54Let's see.
18:55Let's see.
18:56Let's see.
18:59I don't know.
19:00Oh, and I know what I see.
19:01Let's see.
19:02Let's see.
19:02Oh, and I can't believe this.
19:30¡Gracias!
20:00¡Gracias!
20:14¡Gracias!
20:14What are you doing here?
20:15Well, I wasn't going to miss that.
20:17Wait, did you follow me to Rome?
20:20Yeah, I did.
20:23I just can't stop thinking about you.
20:29No, you idiot.
20:30I'm here for work.
20:31Oh. Oh my God, hi, you're here.
20:34Hi.
20:35Antoine wanted me to negotiate the moratorium deal.
20:38Oh. Yeah. Nice. Moratorium, yeah.
20:40Great.
20:41Excuse me, it was fantastic.
20:43I have a crazy talent.
20:45I think. Mindy Chan, right?
20:48Yes.
20:49I knew I recognized you.
20:51I must have watched your ruined song on TikTok
20:54a thousand times.
20:56How long are you in Rome?
20:58I'm leaving tomorrow.
20:59No, you can't.
21:00I need you on ballando, ballando, ballando.
21:04Oh.
21:07Dance, dance, dance.
21:08It's the biggest celebrity dance-off on Italian television.
21:11Oh my God.
21:13Si, I'd love to.
21:14Fantastic. Here's my card.
21:17Grazie mille.
21:17Call me tomorrow, okay?
21:19Yes.
21:20Aw, look at us.
21:22Oh, you're in Rome together!
21:25Yay!
21:26Oh, I need to put more clothes on.
21:28Okay, bye-bye.
21:29Bye.
21:32Ciao. Bye-bye.
21:34Ciao.
21:35Don't you ciao me.
21:36Something is going on between you two.
21:38Who?
21:40People are talking.
21:42About me and Alfie?
21:45Gross. Look at him.
21:47His shirt is way too tight.
21:49I'm not into muscles.
21:51Ah, yes you are. Who isn't?
21:53Nothing's going on, Julian.
21:55Just drop it.
22:05Bye-bye.
22:08Emily?
22:09This is Celia.
22:11Hi, nice to meet you.
22:12You too.
22:14Oh, three.
22:16Three is for close family and friends.
22:18Well, any friend of Marcello is a friend of mine.
22:22Isn't he the greatest?
22:23He is.
22:25How do you two know each other?
22:26Uh, our parents are friends.
22:29Well, they tried very hard to push us down the aisle,
22:31and they almost succeeded.
22:33Yeah.
22:35Celia's family owns this hotel.
22:36Oh, what a coincidence.
22:38Not really.
22:40Luke asked me for venue recommendations,
22:42and I told him you can't beat Celaposta Vecchia.
22:45It's so beautiful.
22:46Yeah.
22:46Allora, perché non volevi mai stare qui quando eravamo insieme?
22:49Non stai scherzando.
22:50No.
22:50Stavamo sempre a cuore.
22:51Non è vero.
22:52Doesn't matter, sorry.
22:53Yeah.
22:56Um.
22:57Uh, yeah, I should, I should get back to work.
22:59All right.
23:00Excuse me.
23:02Ma perché devi sempre a mattire?
23:03I non capisco.
23:04I'm too a big part.
23:05No, I'm too a big part.
23:07So, was anyone else in the running to direct a muratore film?
23:10Oh, it was very competitive, but somehow I knew you could handle it.
23:15Hmm, I'm sure I can.
23:18Let's get a room here tonight.
23:20Hmm, I'm sure I can arrange that.
23:22Hmm.
23:23Sylvie!
23:26Isn't that your husband?
23:28Laurent?
23:29Qu'est-ce que tu fais là ?
23:30Surprise?
23:32Beh, imaginez passer la nuit avec toi, mais apparemment la place est déjà prise.
23:37Giancarlo.
23:38I know who you are.
23:41Sérieusement.
23:42Le seul mec que je t'ai demandé d'éviter.
23:44Depuis quand est-ce qu'il y a des règles dans notre mariage?
23:47Je t'ai jamais imposé quoi que ce soit, même quand il s'agissait de la mère de ta fille.
23:51Oui.
23:51Dans son défense, Sylvie a été confronté sur votre mariage dès le début.
23:56Non, je n'ai pas besoin de défense.
23:57Et restez hors d'autres relations.
24:00Get to Rome.
24:00Elle choisit de rester ici pour une raison.
24:02Oui, pour travailler.
24:03Si ?
24:04Vous êtes juste un fling comme tous les autres.
24:06C'est ce qu'elle fait.
24:07Une fois que les gens se sont trop près, elle s'enlève.
24:10Je dois savoir.
24:12Je suis venu à Paris, maintenant à Rome.
24:14Mais peut-être, Sylvie, je devrais arrêter de te chercher.
24:20Maintenant, calme-toi et laisse me parler privé avec ma femme.
24:23Je ne vais pas aller.
24:24Elle est avec moi.
24:25Nous sommes mariés.
24:26Barely.
24:27Just leave.
24:28Tu vas.
24:29Ok, je vais.
24:32Sylvie !
24:34Sylvie !
24:35Where are you ?
24:36Sylvie !
24:38Qu'est-ce que tu fais ?
24:40Do you even know how to drive a boat ?
24:43She does.
24:46Non c'è pace stasera, guarda.
24:49Ti sorride la luna piena.
24:51Qui la vista un po' t'inganna.
24:53Nella pancia della balena.
24:56Poetico e silenzio.
24:58Quello fatto di bottoni.
25:01Che chiudi e poi riapri.
25:03Senza perdere eccezioni.
25:06La cosa più bella che hai.
25:08La mia estata mia.
25:10À tu bai e il muro qui.
25:18È una bata.
25:19Ok.
25:21C'è.
25:26Oh, c'est rough.
25:30I've known that family a long time.
25:32He's a player.
25:33Y ya.
25:34Y ya está.
25:35Y ya está.
25:36Y ya está.
25:38Y ya está.
25:39Y ya está.
25:40Y ya está.
25:41Y ya está.
25:42Y ya está.
25:44Y ya está.
25:44Es tu familia rico.
25:46¿Qué?
25:46No.
25:47Bueno, mi esposa pensaba que me casara por mi dinero.
25:50Y yo pensaba que él se casara por sus.
25:52Y nos fuimos.
25:55Chicos como nosotros no pueden ser tan cuidado.
26:03Y ya está.
26:10Emily, wait.
26:14Are you leaving?
26:16No, I didn't think you'd notice you seemed pretty busy flirting with Celia.
26:20Flirting?
26:21What are you talking about?
26:23I've been down this road before.
26:24Okay, I don't want to be in a relationship where I'm constantly looking over my shoulder worried about your ex.
26:29It doesn't feel good.
26:31Celia and I are friends.
26:33That's all.
26:34She's engaged.
26:35Oh, come on.
26:36Your hands were all over each other.
26:38That's how Italians talk.
26:39We are very physical.
26:40It doesn't mean anything.
26:41Well, I don't know what anything means in this country.
26:42I don't...
26:43I don't...
26:43Are we really together?
26:44Or are you just a player and I'm your next ex?
26:48Where is this coming from?
26:52I thought my grandmother's bag was real.
26:53Okay?
26:54I thought that I was running the Rome office.
26:55I thought that yes meant yes.
26:57I thought that...
26:58I just, I...
27:01I thought that I'd found someone special.
27:05And now I'm not so sure.
27:07Okay?
27:08You have these impossibly beautiful women in your life.
27:11And I'm just worried that you're a fake Fendi.
27:18That what we have isn't real.
27:26Can I pick you up at your apartment tomorrow morning?
27:31There is someone I'd like to take you.
27:36Sure.
27:54Buongiorno.
27:59You look beautiful this morning.
28:02I find that hard to believe because I didn't sleep at all.
28:06Me neither.
28:09I was thinking about what you said.
28:12And I want you to know that all those women are in my past.
28:17Ancient history.
28:18Yeah, well that's the problem with Rome.
28:20Ancient history is everywhere.
28:23True, but you and me.
28:27This is the future.
28:30Look, I don't know what's happened with your ex.
28:34But I'm not that guy.
28:36I've never lied to you.
28:38And I never will.
28:46Oh.
28:48There she is.
28:50Thank you for saying that.
28:54I think I just got in my head and projected my ancient history onto you.
29:03Now you're gonna tell me where we're going?
29:05You know how I feel about surprises?
29:07It's a good one.
29:08I promise.
29:10I promise.
29:11I promise.
29:11You know what's going on?
29:30It's a good one.
29:34Cause it's a good one.
29:35I promise.
29:36And Gary!
29:36Who are they?
29:37Who listen to me here?
29:40I'm not good at all.
29:41But not everybody.
29:41And you see the best talk in Herzog,
29:50¡SuscrÃbete al canal!
30:11I've recovered from my whole fake Fendi fiasco
30:14This isn't about a bag
30:17I want you to know you have the real thing
30:23Because from the moment I met you, I knew I did
30:41I think I love you, yeah
30:42It's real, man
30:45I feel I need you
30:47To be real, yeah
30:54What to find, yeah
30:57I think I love you, yeah
31:01I feel I need you
31:03To be real, it's got to find real
31:10To be real, it's got to find real
31:14To be real
31:18To be real
31:41To be real
31:51To be real
32:19To be real
32:44Gracias.
33:14Gracias.
33:44Gracias.
34:14Gracias.
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