- 4 hours ago
Emily in Paris S05 - Episode 3
Category
📺
TVTranscript
00:18¡SuscrÃbete al canal!
00:38¡SuscrÃbete al canal!
01:27No, no, no.
01:28I've got so much choreo to learn for the show, and it's tomorrow.
01:31Emily, I can't believe I agreed to do this.
01:34Sorry again, Mindy.
01:36No big D.
01:39As in deal.
01:40No big deal.
01:42Your D was perfect.
01:45You know what?
01:46I'm going to go.
02:11Do you have enough of my son?
02:13Oh, yes, gracias, Sistoretta.
02:16Todo bien.
02:22Hi.
02:24Buongiorno.
02:25Do you mind if we sit?
02:27Oh, yeah.
02:27No, not at all.
02:28Please, please.
02:29I told you you'd speak English.
02:31Hi, I'm David.
02:32This is my wife, Katie.
02:33Nice to meet you.
02:34I'm Luke.
02:35Americans?
02:36Ohioans.
02:37Our first time to Europe.
02:38Can you believe how cheap this place is?
02:41Aside from the 11 o'clock curfew and the shared bathrooms, it's as good as any hotel.
02:46Exactamente, that's why I'm here.
02:49And Sister Christina's frittata is.
02:53I heard the eggs are blessed.
02:55Eggs Benedictine, huh?
02:59The commercial starts on a beautiful woman sitting alone in a movie theater.
03:06When the lights go down, she's joined by a man.
03:10He puts his hand on her knee and it's clear they know each other.
03:13The movie playing on the screen will be a series of quick cuts.
03:17First of a little boy and a little girl chasing each other through Solitano.
03:22Then it's the little girl and the little boy as teenagers, flirting, stealing glances.
03:29And back in the movie theater, the man's hand begins to move to the woman's thigh.
03:35On the screen, we see the teenagers walking through the village, unable to keep their hands
03:40off each other.
03:41Eventually, they're sharing their first kiss.
03:44We cut back to the theater and it's just a beautiful woman watching the film alone,
03:49smiling at the memories.
03:50Or was it just a fantasy?
03:54It's so good.
03:56Feels classically Italian.
03:58Almost like Cinema Paradiso.
03:59That's true.
04:00Cinema Paradiso is one of my favorite films.
04:04Umberto's true.
04:05He loved movies.
04:07That's why we had the theater built.
04:09Well, then maybe we could call the fragrance Muratori Paradiso.
04:14Muratori Paradiso.
04:16I like that.
04:17I like it too, but if the goal is for the brand to appeal to a global audience, then maybe
04:22the commercial should be more cosmopolitan.
04:25Maybe we shoot it in Rome or Milan or even New York.
04:30No, it doesn't feel right at all.
04:32Well, we do want to make sure that the commercial is something that people from all over can
04:38connect with.
04:38That's why you hired me.
04:40Don't worry, it's going to be beautiful.
04:44I know how smitten you are, but Antonia's the one we have to please, not Marcello.
04:49I'm trying to please both.
04:51Well, just the one we'll do.
04:54Don't be our liability, Emily.
05:06Again?
05:08Di nuovo.
05:09Di nuovo.
05:11Ok.
05:18Ok.
05:19You know what?
05:20Let's call it.
05:21Proviamo dall'inizio.
05:22Ok.
05:23Mm-hmm.
05:24Giro.
05:25Fuori.
05:26La mano.
05:27La mano.
05:28Tre.
05:29Due.
05:29Uno.
05:31Oh!
05:31Oh!
05:32Sorry, I'm so sorry.
05:33Oh, Cristo!
05:34I know my knees are really sharp.
05:36Gianna, ti prego, vieni qua.
05:37Ciao.
05:37Sto cercando di ballare con un frigorifero.
05:40È una principiante.
05:41Ok.
05:43Hi, Mindy.
05:44Ciao.
05:45Sì, Mindy il frigorifero, che non ce la fa fare una presa.
05:48In alto?
05:49Sì, una liva del primo anno potrebbe farla.
05:51È una cantante su TikTok.
05:52Me ne rendo conto.
05:54Guarda.
06:02Facile.
06:03Cool, facile.
06:05I know what that means.
06:06Dai, di nuovo.
06:09Dai, ti aiuto.
06:10Oh, I don't speak Italian.
06:11Oh, I guess I can sense.
06:14Cinque, sei, sette, otto.
06:17Arm.
06:19Wow, that's low.
06:21Jeez.
06:22This and this.
06:24Maybe, maybe we can think of another end of the dance.
06:28Yeah, maybe, maybe we do like a deep bow.
06:31Di nuovo.
06:33Di nuovo.
06:34Di nuovo.
06:38Okay.
06:58So, after the embarrassment at Fendi, we need to sign another luxury client.
07:03Not only to preserve our reputation, but also to justify keeping an office.
07:07Hello, team.
07:09Now, do you want to tell them, or shall I?
07:11I was just about to tell them.
07:13Oh, well, luckily for all of you, I was able to get us a meeting at Intimissimi.
07:19The underwear brand?
07:21Lingerie.
07:23Oh, lingerie and underwear are two entirely different things.
07:27It's form over function.
07:29Good gas mileage versus sporty handling.
07:32Are you two really mansplaining lingerie to me?
07:35I mean, have either of you ever tried any?
07:36Surprisingly, no.
07:38Panties on me is like putting a muzzle on a polar bear.
07:41But I think I should be considered for the cunt.
07:44I already have some ideas.
07:46Something dark and sexy.
07:48Do you remember the film The Night Polar with Charlotte Rampling?
07:53Huh?
07:54Uh-uh.
07:54It's about a former SS officer, and she was his prisoner.
07:58We could explore themes of fascism and submission.
08:02That would be a hot take for Lingerie.
08:05I'm feeling it.
08:07Really?
08:07I think Emily is the right person for the account.
08:11You got a chance to redeem yourself after the Fendi fiasco.
08:14Boy, as my Jewish grandmother would say.
08:16Go home, think about it.
08:18Maybe try some things on.
08:21Send us some pictures.
08:22No.
08:23I want to prove the French can sell sex better than the Italians.
08:27But I'm American.
08:29Oh, that's your problem.
08:30Don't make it ours.
08:40Thanks for helping me.
08:42It's better than the other night watching Anton chew his wine.
08:45You're really good.
08:46I was forced to take ballroom lessons as a kid.
08:48Oh.
08:49My mom said they'd pay off one day.
08:51I actually believe she was right.
08:55You ready for the leap?
08:58Maybe.
09:00No, I can't do this.
09:02You can do this.
09:06I don't think I can.
09:08I really don't.
09:09No, just stop thinking about it.
09:11Turn off your brain and jump.
09:20Okay.
09:22Let's take it from the head flicky thingy.
09:24You're going to start with a sassy bitch.
09:26Stop it.
09:46Ready?
09:49Yeah.
09:56¡Oh, Dios mÃo!
09:57¡I te lo hiciste!
10:04¡Final!
10:06¡Final!
10:10¡No, no!
10:26¡Final!
10:35Get it on so he can get it off.
10:39Hmm.
10:40How about just get it on.
10:43Intimissimi.
10:44Get it on.
10:46Are you working right now?
10:47Well, I could go sit alone in an office and try coming up with a lingerie campaign, but I thought
10:52this would be more fun.
10:53How about Intimissimi. Better on the floor.
10:58Hmm, not bad.
10:59Eh?
10:59What about...
11:02Make four play last.
11:04Make it five play.
11:06Mmm.
11:07Non bene.
11:08Yeah.
11:10Yeah, non bene.
11:11See?
11:12Good ideas and good taste.
11:13No wonder you're a titan of industry in the making.
11:16Yeah.
11:17Tell that to my mother.
11:18She has no faith in me.
11:20Otherwise, I'd be running Muratori by now.
11:23Yeah, well, she's probably just having trouble letting go of the reins.
11:26Yeah, because she still thinks of me as the wild, responsible kid who was always in trouble with the nuns.
11:31Yeah, but you know, parents sometimes project their own fears onto their kids.
11:35Seems like it's just me.
11:43I'm sorry. I know how that feels.
11:46Your parents are like that too?
11:49Not exactly. I was thinking more Sylvie.
11:51I mean, she put me in charge of the Rome office, but she doesn't seem to have any faith in
11:55my ability to actually run it.
11:57Sylvie and my mother definitely have one thing in common.
12:01I don't want to think about either of them right now.
12:05Me neither.
12:10Is it time to take the lingerie off yet?
12:12I still have to figure out this campaign.
12:15Fine. If it's better for work, you can leave the lingerie off.
12:19It might be even sexier.
12:25That's not a bad idea.
12:28Sexier than naked.
12:35Yes. We see a couple kissing passionately. She goes to take off her lingerie, but he stops her.
12:42Leave it on, he says.
12:44Is he gay?
12:46What? No.
12:47No. No, the lingerie is just so beautiful, it takes center stage. You want to see it.
12:53We want this lingerie to make people connect. This is to a surface. And a little confusing.
12:59Well, how about I take all these notes and rethink? I could have you something by...
13:05We can meet tomorrow at the same time. We are on a deadline to make our decision.
13:11Great. Well, let's make that happen.
13:13I'm not going to be able to meet tomorrow.
13:15Oh. We'll miss you.
13:26I'm losing my touch. You know, I... I don't think my ideas are translating in Rome. I mean, I thought
13:32Italians liked sex.
13:33Actually, they are very repressed.
13:35Oh, well, that hasn't been my experience so far.
13:39What's going on in here?
13:40Nothing.
13:40Just Emily intimacy issues.
13:43Oh, we are finally talking about it.
13:47From the moment you walked into the office in Paris, I noticed you had a wallop.
13:52No, Luke...
13:53No, who could blame you?
13:55I mean, a young woman in a foreign land, in a foreign office.
13:59But as time went on, I saw it was more than that.
14:02The very curated online presence, the bald outfit stealing focus from what's underneath.
14:07Maybe you've been hurt in the past.
14:09Luke, I don't have a problem with intimacy, okay? I have a problem with intimacy-me the brand.
14:15Oh.
14:16I'm misunderstood.
14:18Yeah.
14:19Or maybe not.
14:28I still have my Night Potter idea.
14:42I see you later on in the past.
14:43One more just like that.
14:45No, the boy's attitude.
14:47He seems defeated.
14:48He should act like they're playing a game.
14:51Keep rolling or cut?
14:53Cut.
14:54Cut!
14:56The little boy is sad at first, and then he realizes it's a game.
15:00I think we should keep it light from the beginning.
15:07I can do a take where it starts playful.
15:09Thank you.
15:11Sure.
15:14Okay, let's do it again.
15:16Okay, back to one.
15:17Thank you.
15:22Thank you.
15:30Ah.
15:32Italian women, you're always late.
15:35Yes, but we're always worth the wait.
15:37Sorry, my sweet.
15:40Is that for me?
15:42Yes.
15:47It's gorgeous.
15:48Cheers.
15:50Should we go see how it fits?
15:52It's your place.
15:53I have to be back at the office, but I can come over tonight after balando, balando, balando.
15:58Can I go to my place?
15:59My father's staying with me now, and his breathing machine is very loud.
16:03But I can come to your hotel.
16:06Okay.
16:07But you have to be there before 11.
16:09Don't be late.
16:10I wouldn't gym a bit.
16:21I wouldn't gym a bit.
16:26Are you enjoying this, or are you anxious for it to be over?
16:30I just wonder what Umberto would think.
16:33This would all be a little Hollywood to him.
16:36You always agree with what Umberto thought?
16:39Almost never.
16:41But it was nice to have someone to push back against.
16:44The success or failure of the company is all in my hands now.
16:47It's a lot of responsibility and a little lonely.
16:51I know that feeling.
16:57What if we ended the commercial on the idea of the couple together rather than the woman alone?
17:05Oh.
17:07I like that.
17:10Bravo.
17:12Excuse me.
17:14Giancarlo.
17:17It's totally different from what I planned.
17:20Yeah, but I think it works better.
17:22I spoke to Antonia.
17:23She actually prefers this version.
17:25So then, I guess I don't have a choice.
17:28Oh, still, your vision.
17:29It's not if the ending's different.
17:31I didn't realize you were so precious about this.
17:33I didn't realize we were directing by committee.
17:36Giancarlo, we're here to please the client.
17:38And that's what the client wants.
17:39I think it's what you want.
17:41And you always do what you want.
17:43Isn't that right?
17:44Giancarlo, basta.
17:45You're behaving like one of the children on set.
17:47Do you want me to ask one of them to direct instead?
17:50I have a better idea.
17:54Tommaso.
17:56She's directing this now.
17:59Giancarlo!
18:01Doesn't feel great to be left, does it?
18:23She looks like she's already won.
18:25Oh, I know.
18:30And this is the girl who had debilitating stage fright.
18:33She used to have to get one before performing just to calm down.
18:36Get one?
18:37You know, orgasm.
18:40Is that what you said?
18:43Maybe.
18:50What is it?
18:52I'm just going to meet you in the seats.
18:54Okay.
18:56When I get nervous, I sweat and then things scoot around.
18:59So I just need you to spray my butt with glue.
19:04Honestly, I'm relieved that's all you're asking.
19:06Oh, I just, I'm going to make a fool out of myself, Emily.
19:09You're going to be great.
19:10I don't think so.
19:11There's a big leap at the end and I've only gotten it right one time.
19:15Okay, well, do you remember what you did that one time?
19:17Yes.
19:18Yes, I do.
19:18Well, then just do that.
19:19Oh, right.
19:20Yeah, yeah.
19:21Yeah.
19:22Yes, I, that's good.
19:24Just breathe.
19:30Okay, maybe don't breathe.
19:31Really get in there.
19:33Luke said I have intimacy issues.
19:35If only he could see me now.
19:36Well, you definitely don't have intimacy issues with me.
19:39What, you think I have intimacy issues with other people?
19:41Well, I just think you need to be pushed slightly to open up.
19:45Like, if someone were to share something personal with you,
19:47then I think you'd share something personal about yourself.
19:50Yeah, exactly.
19:51But I didn't do that.
19:53Marcella opened up to me about his mom,
19:55but then I sort of pivoted to work.
19:57Oh, that's fine.
20:00You really think that's fine?
20:01No, I don't.
20:02But can we talk about this another time, please?
20:03I have to leap over a man's head,
20:05engage my core, point my toes,
20:07and then try not to pee when his thumbs jab into my bladder.
20:09So it's hard for me to think about anything else right now.
20:11Oh, copy.
20:17Oh, my God!
20:31Don't worry, I practiced all night.
20:34I've got it.
20:35Bene.
20:36Yeah.
20:36A ballare il tango con il suo partner,
20:38Orlando Aello,
20:39e la canta avvice,
20:41l'induce.
21:00Oh, my God!
21:01Thank you so much.
21:01Thank you so much.
21:01Thank you so much.
21:01Thank you so much.
21:01Thank you so much.
21:03Thank you so much.
21:10Thank you so much.
21:39Gracias por ver el video.
22:08Gracias por ver el video.
22:11Oh, that was amazing.
22:40Oh, good.
22:43No, no, no.
22:49I know what idiota means.
22:51You're the idiota.
22:53Oh, yeah, I know.
23:03I hate to dash off, but Bianca is coming over and I have a curfew, so ciao, ragazzi.
23:10Oh, it doesn't mean a curfew.
23:12Oh, sometimes it's better not to know.
23:14Um, I'm going to go to give her a hug for me, hmm?
23:19Hey.
23:20How are you doing?
23:21I don't want to talk about it.
23:22I don't want to think about it.
23:23I'm fine.
23:24Orlando may have slipped to just though.
23:26Well, it was all his fault, right?
23:27Look, it didn't even look like he was trying to catch her.
23:29Yeah, he wasn't.
23:31I love how a translator suddenly appears after there's an incident, but not a second before.
23:36What if we walk around the city and forget about the day?
23:39Create some new memories.
23:40Oh, I'm exhausted.
23:42I think I just got to go back to the hotel.
23:44Well, we could share a cab.
23:48Marjorie?
23:49Great.
23:50Nice.
23:51Okay.
23:52See you later, mate.
23:52Bye.
23:53Bye.
23:54Thanks for coming.
24:01So, how did the pitch to me to me go?
24:04Not my finest moment, but I have some more ideas.
24:08Do you want to tell them to me?
24:11Actually, I'd rather not talk about work, if that's okay.
24:15Va benissimo.
24:17Thank you.
24:48Sister, please.
24:51Can you wait just a few minutes, please?
24:53The Lord shows no partiality, Luke.
24:56But could you?
24:58Just this once.
25:02Come on.
25:18It's past curfew, my dear.
25:20Curfew?
25:21I cannot let you in.
25:23God bless.
25:33Bianca!
25:34Bianca!
25:35Up here!
25:36Are you staying in a convent?
25:38Yes, it's a really good rate.
25:40Very central.
25:41Okay.
25:42Yeah, I am so sorry.
25:44The curfew is very inconvenient, and I so badly want to lay eyes on you, but I also want
25:50to respect the sisters.
25:52You know what I mean?
25:53You're such a sweet man.
25:56I don't want to leave without showing you your surprise.
26:13Jesus loved prostitutes.
26:16But a curfew is a curfew.
26:19David, get out here quick.
26:22There's a hooker trying to get in.
26:24This makes up for no TV.
26:35This is Mercati di Traiano, built between the years 100 and about 120-ish.
26:42It's world's first shopping mall.
26:44Are you serious?
26:47Mm-hmm.
26:47Ha!
26:49Oh!
26:50Okay, oh my god, I totally see it.
26:53Versace.
26:54Armani.
26:55Muratori.
26:57Oh, ah.
26:58Dancing fountain over there.
27:00Ooh, food court over there.
27:02It's beautiful.
27:09Hey.
27:12Is there a problem?
27:16I've just, I've been thinking a lot about what you said about your mom.
27:20My family's not so different.
27:23They always made me feel like, um, I had to succeed in life to matter.
27:30Good grades, good job.
27:33Yeah, and they're good people, you know, don't get me wrong.
27:36It's just existing was never going to be enough.
27:40Achieving is what life is about.
27:44So I, I try really hard.
27:49And I push to make everything work.
27:51And I want to be perfect, you know.
27:54And then I, I come to a place like this and it is just, it's so beautiful.
27:59It takes my breath away.
28:01And it's, you know, it's because of all the imperfections.
28:05The, the cracks and, and, and the crumbling columns.
28:09And I, it just, it makes me think that maybe I don't have to push or fix or try so
28:18hard.
28:20Maybe I can just let things be and it will all be fine.
28:24Maybe even better than fine.
28:48Maybe even better than fine.
28:49Maybe even better than fine.
28:53Maybe even better than fine.
29:05I'm going to make it.
29:17I'm going to make it.
29:18¿Vale a hacer un espresso?
29:24¿Vale? ¿Y ahora estás usando un vestido de suerte?
29:36¡Hola, Rumi!
29:45¡No, no llé ni nada llé.
29:47¡Es bueno!
29:47Um, how about, I'll FaceTime you when I'm getting ready.
29:50Okay.
29:51Ciao for now.
29:53Ciao.
29:56¿Es Amelie?
29:57¡Shh!
29:59¡Yes!
30:09This campaign is about one of the most intimate things you can do with your partner.
30:14Talk.
30:17¡Qué brava!
30:19¡Qué brava!
30:19¡Mi piace un sacco, sÃ!
30:21¡Esto podemos usarlo también para las fotos!
30:23¡Exacto!
30:35¡SÃ!
30:35I would like to ask if they ever have any lightly won returns that they want to give away to
30:40charity.
30:41Hmm.
30:42What charity is that?
30:43St. Luke's House of Fetishes?
30:45No, for the nuns in the convent I'm staying in.
30:47They're big fans.
30:59Where are you staying?
31:03Where are you staying?
31:07Where are you staying?
31:17All right, tag.
31:20Giancarlo walked off set and refused to come back.
31:24And I had to finish directing the entire shoot.
31:28¿Qué pasó?
31:33Es un mes, Emine, es un mes.
31:35Después de todo el trabajo que hemos hecho,
31:38podrÃa haber perdido toda la campaña.
32:26¡Gracias!
32:54¡Gracias!
33:23¡Gracias!
33:54¡Gracias!
34:24¡Gracias!
34:54¡Gracias!
35:24¡Gracias!
35:39¡Gracias!
Comments