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Emily in Paris S05 - Episode 9

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00:15¡Suscríbete al canal!
00:30No, money's been tight, so I called in a favor from an old friend.
00:35This belongs to Pierre Cadot, and it's yours if you want it.
00:40Wow, that's so generous.
00:42I mentioned your name, and he said no problem.
00:44And also to send his love to Zio Lorenzo.
00:49Uncle Lorenzo.
00:51He worked for the company for many years.
00:53He charmed the pants of everyone in the fashion industry, literally.
01:00Oh, this is...
01:03Scary.
01:05Exciting.
01:07¿Cómo se puede mover en?
01:08¿Cómo se puede mover?
01:10¡No!
01:11¡No!
01:12¡No!
01:19¿Cómo estoy haciendo esto?
01:21No he sido una fit modela.
01:22¡You're perfecto!
01:23Ok.
01:24Pierre Cordeaux está listo para Zoom.
01:25¡He has news!
01:25¡Go, go, go!
01:27¡Bye!
01:29Sorry, guy.
01:33There's our fairy godfather.
01:35What did you call me?
01:36Bonjour, Pierre.
01:37Thank you again for this gift.
01:38It's changed everything.
01:40You said you had some news.
01:41Any luck on Paris Fashion Week?
01:43Despite all the cloaks I wear,
01:46I'm not a wizard.
01:47It's impossible to get an unknown designer
01:50into Paris Fashion Week,
01:52especially when he's being sued
01:54by his own mother.
01:55You said you had good news?
01:57I found you a much more suitable event.
02:00Venice Fashion Week.
02:02Venice has a fashion week?
02:04It's more for emerging designers.
02:07Well, then that's perfect.
02:08An Italian newcomer making a splash in Venice, literally.
02:12You'll sink or swim.
02:14Either way, prepare to show in two weeks.
02:17What?
02:17That's no possible.
02:19Oh, my darling boy.
02:21Fashion is all about making the impossible possible.
02:25Bonne chance, mes amis.
02:34Bonne chance, mes amis.
02:34Michelle Pascal,
02:35we're very excited to share our ideas with you
02:38for the launch of your absinthe,
02:39Le Rêve Verre.
02:40To celebrate,
02:41we'll be throwing a decadent party
02:43in the style of La Belle Époque.
02:45There'll be con con dancers
02:47...as well as waiters in period costumes.
02:50And no absinthe party is complete without a visit from the green fairy herself.
02:55Nice touch.
02:56When guests arrive, we greet them with a shot of le rêve vert served on sugar cubes.
03:01But just a splash, we can't have anyone going mad.
03:04That's just a myth, right?
03:07Is it really hallucinogen?
03:09No, it's real. Absinthe was banned for almost a century in France.
03:13It was the molly of the Belle Epoque.
03:15What do you know about molly?
03:16You don't know who I am.
03:19It's a strong drink, but I assure you, le rêve vert is nothing like molly.
03:24It will not make you lose your mind.
03:26During the Belle Epoque, regulations weren't strict.
03:29We weren't there, so who can say?
03:31I wish I had been there.
03:34La Belle Epoque wasn't about restriction.
03:36It was about experimentation, about progress in art, in technology, in science, in everything.
03:42It was the birth of cinema.
03:43It was the birth of La Tour Eiffel.
03:45And the epicenter of it all was Maxime's, so I'm very, very glad you were able to book the venue
03:51for the event.
03:52We did?
03:55Oh, yeah, we did, of course.
03:57Thank you, bien sûr.
04:05Luc?
04:06Why is Pascal's party at Maxime's?
04:08I thought you were booking Laurel's club.
04:10I mean, it's a perfect fit for the party.
04:12And you could use the business.
04:13I called to reserve the space, but I was told it isn't available.
04:16We even offered to change the date, but they said no.
04:19Should we ask again?
04:21No.
04:22No.
04:23Too late anyway.
04:25Emily, are you free tonight?
04:27I'm feeling nostalgic, and I would love to show you my Belle Epoque Paris.
04:31Aw, that sounds lovely.
04:33Marcello's busy working tonight, so count me in.
04:35An artist working late into the night, it is just like the Belle Epoque, without all the syphilis and the
04:42smells.
04:43Do you know about the Great Stink of 1880?
04:46What? Ew, no.
04:47The city was unbearable, and I can't wait to tell you all about it.
04:53Hello?
04:54Have fun.
04:59Yes, I can have a marketing plan ready by tomorrow, but if they get two weeks for the line,
05:03can I please just at least get two days to prep the rollout?
05:09Okay, thank you.
05:13Sounded intense.
05:15Who was that?
05:16Nico, he's pretty freaked out.
05:18Can you maybe try to cut him, like, a little slack?
05:21Money's really tight right now.
05:23He's worried about money, really?
05:25Yeah.
05:26Oh, do you not know that when he left JVMA, it violated his trust, so he's locked out of that.
05:32He cashed in some stocks that his grandfather gave him, so he's basically betting his whole inheritance on Marcello's business.
05:39Wow, I had no idea.
05:41It's gonna be fine.
05:42He knows what he's doing, but I feel like I need to start contributing more.
05:45You know?
05:46I mean, if I nail this audition tomorrow, I can cover his rent.
05:49Do you have an audition?
05:50For what?
05:52Did I not tell you?
05:53So, these movie producers saw me at Crazy Horse and they want me to read for Satine in an animated
06:00Moulin Rouge.
06:01Oh my God, I love that movie.
06:02You'll be an amazing Satine.
06:04Aww, thanks.
06:05Okay, how do I say break a leg in French?
06:08The French version is merred.
06:10Okay, well then.
06:12Merred.
06:13I'll take it.
06:14I need all the merred I can get.
06:17I'll take it.
06:18S'il y a dans ton cahier, une page qui se perd, un coin d'obscurité...
06:22...en dessin, même une feuille, merci.
06:25Merci.
06:32Je suis très heureuse que tu aies pu te libérer.
06:34Il paraît que vous êtes très, très occupé.
06:36Oh, t'imagines même pas.
06:39Je suis désolé d'ailleurs pour ta soirée absinthe.
06:41On est réservé sur des semaines.
06:43Non mais c'est pas grave.
06:45C'est des bonnes nouvelles.
06:47Oui.
06:52Tu me manquais.
06:55Tu m'as demandé de l'air, je t'ai donné de l'air, mais...
06:58J'étais très content que tu m'aies appelé.
07:03Moi aussi, j'étais...
07:04Je suis contente de te voir.
07:08Et t'étais où, tous ces temps ?
07:10Dans le sud, surtout.
07:13Paris marche très bien, mais c'est rien à côté de Saint-Tropez.
07:16À propos de Saint-Tropez...
07:19J'ai retrouvé un petit truc.
07:24Ça date de l'ouverture.
07:26C'est toi qui avais fait la photo, non, je crois ?
07:27Oui.
07:28J'avais posé, j'avais mis le timer, j'avais conçu le flyer, j'ai tout fait.
07:32T'es incroyable.
07:35Tu l'es toujours.
07:38On était en fusion à l'époque.
07:40On pouvait pas se séparer l'un de l'autre.
07:42Je suppose que c'était notre belle époque.
07:47Qui sait ? Peut-être que le meilleur reste à venir.
07:52Il suffit de le vouloir.
07:56Qu'on le fait.
07:59On va toujours faire du temps...
08:04Il suffit de le faire, pour faire un voce de l'air de ce j'endroit.
08:18Maintenant, on va à l'chaînes.
08:18On va à l'échelle.
08:19Il suffit de ça.
08:19Au bout de l'autre.
08:20Il suffit de la chose d'amuser.
08:23Il suffit de faire, il suffit de l'un de la seule jour.
08:53So, this is Le Bateau Lavois. Matisse, Cocteau, Modigliani, they all gathered here.
09:00Oh, and Picasso, too. Wow.
09:02I would have killed to be among them, but I was more like him.
09:07Selling my works by day and painting new ones at night.
09:10You really were an artist. How romantic.
09:13It was a brutal existence. No money, no sleep, just me and my art.
09:23I was never happier.
09:25Oh, do you still have any of your paintings?
09:28No. I sold a few.
09:31The rest I used as firewood when I realized I had no talent.
09:35Oh, what did you used to paint?
09:38Oh, my speciality was portraits.
09:42Oh, cool. Self-portraits.
09:45Nude self-portraits, to be precise.
09:48Oh.
09:49I wish you could have seen them. I got a striking figure in my youth.
09:53Oh, my loss.
10:00Okay, final absente. Merci, merci. This is my last one.
10:05Any more and I'll start hallucinating.
10:09Are you feeling it, too?
10:10I am feeling a little tipsy.
10:15Oh, and maybe I am hallucinating.
10:19Gabrielle! Gabrielle! No way!
10:22You have to answer!
10:27Hi, Gabrielle. How are you? Where are you?
10:29Are you still on the yacht?
10:31I'm actually in Amsterdam. The yacht is in dry dock for repair.
10:35So we're moving to Edderton's summer home in Monaco.
10:38Mmm, sounds fancy.
10:40It is, but I didn't call to brag.
10:43Listen, I left in such a rush that I forgot some of my knives.
10:48I'll be passing through Paris tomorrow, but I don't have much time in between trains,
10:52so I was wondering if you would be willing to come to the train station and bring them to me.
10:58I know it's a big ask.
11:01Uh, what time?
11:02I'll be there at one o'clock for about an hour.
11:04We could have a quick lunch if you'd like.
11:07It would be nice to see you.
11:09Um, yeah, yeah, I think I could do that.
11:12Thank you, Emily. Honestly, you're a lifesaver.
11:15Um, listen, I'll shoot you a picture so you know what to look for and make sure the Guardian knows
11:19to let you in.
11:20Okay, I'll see you tomorrow at Le Tremblue, uh, Gare de Lyon at 1 p.m.
11:25Okay, yeah, um, yeah, I'll see you tomorrow. Bye.
11:31Just in case you were wondering, you were not hallucinating, that call was very real.
11:37It definitely was.
11:47Marcello?
11:49Livia?
11:50Cosa ci fai qua?
11:51Quindi è vero, stai lavorando all'atelier di Pierre Cardot.
11:54Ciao.
11:56Nicola, this is my sister, Livia.
11:59Ciao, Livia. Nice to meet you.
12:01So you're the one behind this.
12:03This was my decision.
12:05Did Mama send you?
12:06She doesn't know I'm here.
12:08Don't agree with what she's doing, but...
12:10But?
12:11I don't know what you're doing.
12:13You never designed anything in your life, and suddenly you're doing a whole collection.
12:16If I may, your brother is very talented.
12:21Clearly it runs in the family.
12:23Why don't you take a look at the line?
12:26We'd love to get an outside opinion.
12:28Good idea.
12:29I'd love to know what you think.
12:37Hmm?
12:38They're beautiful.
12:40Really well constructed.
12:43But, Marcello, why do we want to tear our family apart over this?
12:48It's not even that different from our own brand.
12:50You just put a colorful horse on it.
12:52You're not seeing the whole picture.
12:54Neither are you.
12:56Please stop this before it's too late.
13:01Excuse me.
13:10Aw, hey you. What's up?
13:12Emily, I need you to cancel Venice.
13:14What? What do you mean?
13:16We have to shut everything down.
13:18What's going on?
13:19It was a huge mistake.
13:21I'm not a designer.
13:23Of course you are.
13:24Just because you keep saying it doesn't mean it's true.
13:27We've wasted so much money.
13:28I can't show this collection.
13:30I never should have listened.
13:32Wait.
13:34What happened?
13:35Where is this coming from?
13:36My sister came here to see the line, and she said it's not good enough.
13:41And she's right.
13:42She's right.
13:43I'm going to humiliate myself.
13:44That's not true, okay?
13:46Don't let her get into your head.
13:48The line is great.
13:49Emily, stop.
13:50She's right.
13:51It's boring crap.
13:53No, it's not.
13:54Maybe we can add some accessories to liven it up.
13:57I said stop.
13:59You always want to fix everything.
14:02But there are some things you can't fix.
14:07Just stop.
14:08Please.
14:12Okay.
14:13Um, let me see what I can do.
14:33Emily.
14:44Sri Lanka was so beautiful.
14:46Like nothing I've ever seen before.
14:48But I think my favorite place was Thailand.
14:50The people are so friendly.
14:52And the food, ah.
14:54Your episode of Chef's Table is going to be incredible.
14:58I still can't believe you just packed up and left.
15:01It was a crazy thing to do, but I had to do it.
15:06I had gotten everything I thought I wanted, and I was miserable.
15:11So I decided to do the exact opposite.
15:13Instead of stability and routine, I ran for the unknown.
15:18It just woke me up.
15:21I don't know.
15:22I...
15:23I'm talking too much.
15:25How have you been?
15:26Oh, um, I'm fine.
15:28Yeah, the usual.
15:32Marcello and I are back together.
15:34How are you guys doing?
15:35We don't have to talk about it if...
15:37No, no, no.
15:37It's okay.
15:38Um, we're good.
15:40Well, he's starting a fashion company.
15:42He's actually designing the line himself.
15:44I didn't know he was a designer.
15:47Well, he wasn't.
15:48But then we lost the one that we had.
15:49And I saw his sketches, which were incredible.
15:51So I insisted that he take over.
15:55And we're supposed to show at Fashion Week,
15:57but now he wants to trash the entire collection.
16:00So...
16:00Well, I missed so much.
16:03It all happened so fast.
16:05You know, maybe a little too fast.
16:08Maybe I shouldn't have pushed him to do it.
16:14Can I ask you something?
16:15Of course.
16:16Did I push you for the Michelin star?
16:21The Michelin star was my dream.
16:23But you were miserable.
16:25And you ran halfway across the world to escape from it.
16:29And...
16:30I don't know.
16:32Maybe from me.
16:36Emily, all I can tell you is that you supported me.
16:39You had faith in me.
16:41Probably more than I ever deserved.
16:44That's a good thing.
16:45I just don't think that's how Marcello feels.
16:48He's so upset.
16:49And I feel like it's my fault.
16:53Although...
16:55Maybe that could be because of the lawsuit.
16:57Because on top of everything else, his mom is suing him.
16:59That's terrible.
17:00And his business partner, Nico.
17:02Oh, Mendy's boyfriend.
17:03You remember him?
17:04The billionaire?
17:05Well, no, not anymore.
17:06It's a really long story.
17:09You know what I forgot how dramatic Paris can get?
17:11Yeah.
17:17This restaurant is so gorgeous.
17:19We should have had our Belle Epoque party here.
17:21It's Art Nouveau, right?
17:23You know what?
17:24I believe it is.
17:26I look at you.
17:27You're such a cultured Parisian now.
17:29There was a time where you didn't even know which floor you were on.
17:32Oh, God.
17:32Remember when that was my biggest problem?
17:35Oh.
17:36I feel like that was my Belle Epoque.
17:40Everything was so new and exciting.
17:43Like a fantasy.
17:45Now it all just feels so difficult and real.
17:52We tend to romanticize the past.
17:54Things were pretty hard back then, too.
17:57You didn't know what you were doing at work.
18:00You were kissing people that had girlfriends.
18:03Which I didn't know.
18:04And they were kissing back, by the way.
18:06That's very true.
18:07But not only that.
18:08There were secrets and pacts and fake Michelin inspectors.
18:13And also good memories like sex on the roof.
18:18Now who's romanticizing the vibe?
18:21You know, when I left for the yacht, I thought my best days were behind me.
18:29But no, I'm excited for the future.
18:31Wherever it brings me, I think you should be, too.
18:41Never knew I could feel like this.
18:46Like I've never seen the sky before.
18:54I wanna vanish inside your kiss.
19:01Every day I love you more and more.
19:08Listen to my heart, can you hear it sing?
19:16Telling me to give you everything.
19:23Seasons may change.
19:27Winter to spring.
19:29Thank you for meeting me.
19:31It was good to see you.
19:34Give Marcella some time.
19:36You two are good together.
19:39What makes you say that?
19:42Because I saw the two of you in Rome.
19:45When were you in Rome?
19:49After you decided to leave Paris, I had this crazy idea to follow you.
19:55And...
19:56I saw you with them.
19:58Why didn't you ever tell me?
20:00Because you looked...
20:02Happy.
20:06And that's all I ever wanted for you.
20:10It's all I ever wanted for you, too.
20:15For both of us.
20:20You know they didn't start calling it La Belly Puck until after it had passed.
20:25Nobody knows if they're living their golden age.
20:27Maybe we're living ours now.
20:34Just send me a postcard, okay?
20:37A real one.
20:39With a stamp.
20:39And there's no mountain too high.
20:45No river too high.
20:50Sing out this song and I'll be there by your side.
21:03Oh!
21:04Oh my God!
21:05You...
21:06Gabrielle, you're knives!
21:07Wait!
21:13Oh!
21:18Thank you!
21:19Thank you.
21:24We're a good friend.
21:49Hey, where is everyone?
21:52I send them home.
21:55Did you cancel the show in Venice?
21:58Not yet.
21:59Are you sure that's what you want to do?
22:02It's what needs to be done.
22:06You know, sometimes when things don't work out,
22:08it helps to look at it from a different perspective.
22:11Do the opposite.
22:13Like if I'm thinking black, I run towards white.
22:16What? Black is white, up is down.
22:20Something like that, yeah.
22:23All I can think of is how I'm disappointing everyone.
22:27Well, then think of the opposite.
22:30Listen, I don't need you to be a designer
22:34or a titan of industry
22:37or anything other than the wonderful man that you are.
22:47Whatever you decide, I'm with you.
22:55I'm with you.
22:56I'm with you.
23:01I'm with you.
23:02You said it was urgent.
23:05I'm happy to see you too.
23:07What is this urgent?
23:09Have you seen your husband last night?
23:11Yes, I saw him last night.
23:12He took a little distance, but we're reconnected.
23:16Oh, that's wonderful.
23:18Can you tell me to connect with me too?
23:20To explain why his clientele is taking me?
23:23Pardon?
23:24He's in charge of payment, especially.
23:27His alcohol license, his offer,
23:29even some of his employees.
23:30But no, but I don't understand.
23:32He told me that his business worked great.
23:34He told me that he was paying 2 millions
23:36in an apartment.
23:38My lawyer took it.
23:39Are you sure of what you're saying?
23:41Of course, I'm sure.
23:43But he's no longer money,
23:44so let me take him.
23:46I wouldn't have to admit to him.
23:49And you, too.
24:27Bravo, bravo.
24:29Thank you all so much.
24:31It's perfect.
24:31It's exactly how I pictured Maxime's
24:34during the Belle Époque.
24:35Merci.
24:36It's been our pleasure.
24:37Now, if you'll excuse me,
24:39I have a date with the green fairy.
24:41She's in love with me.
24:48Are we sure this doesn't make you hallucinate?
24:51Mm-hmm.
24:55Is everything okay?
24:57I thought you'd have the time of your life here.
24:59No, c'est magnifique, but being here made all this beauty.
25:04I wish I hadn't given up on my art.
25:08Luke, I think you're romanticizing the past.
25:11Do you remember how hard it was?
25:12And look at you, okay?
25:14You have a great life.
25:16You have great friends and a great job.
25:19And, well, you, you live on a boat.
25:24Yes, it's true.
25:26But, uh, I wasn't talented enough anyway.
25:30Just another dream that dying.
25:34Luke, there is something you have to see.
25:48Oh, my God, is that...
25:51It's me.
25:53All of these years I've been hanging in Maxim's.
25:56Maybe a little too well hung?
25:59Artistic license.
26:00I can't believe it.
26:02I did make it as an artist.
26:03Emily, can you take a photo of me with my masterpiece, please?
26:06Oh, of course, yeah.
26:08Okay, let's see.
26:11Uh...
26:11Oh, you know what? Here, you want to just hold this?
26:13Okay.
26:14Um, just a little, a little higher.
26:16Tilt it to the left.
26:17Yeah, up, up, up.
26:19Perfect.
26:23Hello.
26:25May I join you?
26:27Uh, sure.
26:28But no dancing tonight.
26:30Deal.
26:31I can't do the can-can anyway.
26:37You all right?
26:39It's so stupid.
26:41Try me.
26:43Well, I guess I have to tell somebody.
26:45I booked the role of Satine in Moulin Rouge.
26:48It's an animated movie musical.
26:51Well, congratulations.
26:52That's great.
26:53Isn't it?
26:55It is.
26:56I mean, I could use the cash,
26:58because I was really excited to tell Nico
26:59that I could cover the rent for a while.
27:01But?
27:02But they just sent me the script and some sketches,
27:05and the full title is Mulan Rat.
27:09I'm a rat.
27:11Hold on, hold on, hold on.
27:12That can't be the right translation.
27:14I mean, what's French for rat?
27:16It's fucking rat.
27:17What?
27:18I'm rat-teen.
27:20Who's rat-teen?
27:21A cartoon rat prostitute.
27:23No, see, this is why I didn't want to tell Nico.
27:25This is so humiliating.
27:27Who cares?
27:28Cash that check.
27:29That rat sex worker would.
27:33Honestly, yeah.
27:35Yeah.
27:36You all right, mate.
27:37What's so funny?
27:41I booked a job.
27:44I'm rat-teen.
27:45That's great.
27:47Wait.
27:48Who?
27:49A rat prostitute in a top hat.
27:51Stop.
27:52No, no, no.
27:53It's Moulin Rouge with rats.
27:57I get it.
27:58Funny.
27:59No, no, no.
28:00It's not that funny.
28:01But the salary's great and rent is on me.
28:05That's amazing.
28:07Yeah.
28:11Mm.
28:13I'm gonna go grab another drink.
28:17Congrats.
28:28Emily.
28:30Did Laurent check-in?
28:32I didn't see him yet, but I was only at the check-in for the first hour, so...
28:35Oh!
28:35I think he just walked in.
28:39Laurent.
28:43Laurent.
28:45Ma chérie.
28:49You lied to me.
28:51I know about the loan.
28:53I can explain.
28:54I need to pay off some debts in Saint-Tropez.
28:56I don't care why you did it.
28:58You took advantage of my mother.
29:01I'm so done with you.
29:03Sylvie, please.
29:04I want a divorce.
29:16Hey, what's going on?
29:18Oh, Emily, I'm sorry about earlier.
29:21You've been so supportive during this.
29:22It's been so difficult, and...
29:25I need to tell you something.
29:27I love you.
29:28You're cancelling the line...
29:29Cancelling?
29:31No, say your thing again.
29:33I love you, Emily.
29:35I love that you believe in my crazy dream even when I don't.
29:38I love that you won't let me give up.
29:41I love you too.
29:43I love you too.
29:44And like I told you before, none of this business stuff matters to me.
29:47I hope that's not true.
29:50Go.
29:55What is all of this?
29:57I took your advice about thinking differently.
30:00And I'm doing the opposite.
30:01The paleo is bright and loud.
30:03That's what the collection should be.
30:04Not a colorful pony on neutral fabrics, but a neutral pony on big, bold, colorful designs.
30:09But who were you on the phone to before? I thought you were so upset.
30:13Oh, that was my textile supplier, and I wasn't angry. I was excited.
30:20If we are going to make it to Venice, we don't have much time.
30:25We're going to Venice?
30:26Mm-hmm.
30:30We're going to Venice!
30:46We're going to Venice!
31:11We're going to Venice..
31:13We're going to paradise.
31:14Oh!
31:14Yeah.
31:17Oh,
31:26de la man is squirt.
31:59¡Suscríbete al canal!
32:28¡Suscríbete al canal!
32:58¡Suscríbete al canal!
33:28¡Suscríbete al canal!
33:58¡Suscríbete al canal!
34:01¡Suscríbete al canal!
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