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00:04The victim is Tony Salinger.
00:05He was found dead in his hotel room by his sister Ruth.
00:07From now on, no more secrets.
00:09What do you think he meant by that?
00:11I have no idea.
00:12This thing with the daughter, is that a conflict of interest?
00:14No, it was a too-minute conversation.
00:15I'll ask her to CCTV just so we can eliminate her.
00:17You said you were leaving.
00:18I changed my mind.
00:19To Kim.
00:20I think I can't remember.
00:22I drank.
00:23What was the occasion?
00:24Ian Monkford, I'm arresting you on suspicion of...
00:26The victim is this great detective, but you're greedy and you're impulsive.
00:31And that makes you dangerous to be around.
00:38You went to a trip to the coast?
00:52How's things with your daughter?
00:55Uh, yeah.
00:56She's not speaking to me.
00:59Nope.
01:00She won't be.
01:02She's going to punish you about 50 times before she eventually gives you the time of day.
01:07What do I do until then?
01:10Keep showing up, regardless of how much she tries to push you away.
01:14And eventually those 50 punishments will run down to zero.
01:21She's leaving soon.
01:23You'd better get cracking then.
01:32This car was found over there.
01:35With the keys still in it and the suicide note on the dashboard.
01:40I want to know a bit more about Alan.
01:44This incident with Monica and the knife, when was it?
01:48A few days before he died.
01:50But you didn't see it?
01:51No, I told you.
01:52I was at uni.
01:53He told me about it.
01:56Thanks.
01:57But in the years before I left, Monica and Dad would argue a lot.
02:02Not blazing rows, just sort of tents, small sort of snipings.
02:07Do you remember what about?
02:10Michael, mostly.
02:12How Monica and Molly coddled him, how Dad wanted him out from underneath them.
02:16And me.
02:18How Dad was easier on me, at least according to her.
02:22How that was giving Michael a complex.
02:26Dad wanted out.
02:28Well, I know he did, but not like this.
02:46Why are you looking into all this again?
02:49Well, it's possible that when Tony said no more secrets, he was talking to Monica.
02:54And you think that my dad is the secret?
02:57I think...
03:03I'm late for work.
03:03I'm late for work.
03:06I'm late for work.
03:52Clifftop only opened to the public two months before Alan Barton was reported missing, presumed.
03:58Since then, we've sadly had one further suicide and an accidental death there.
04:02Now, the tide is very predictable, even in extreme weather, and both of those times, the body washed up in
04:08the bay half a mile down the coast.
04:10Alan's body didn't, and no-one questioned it at the time because, I guess, no-one knew about the tide
04:15patterns.
04:15Kara and I have been back to the hotel to check on Tony's sight lines.
04:18When Tony said, no more secrets, he was looking in a mirror at Monica.
04:25So, what was the secret?
04:27We've got two theories.
04:28Either Monica killed Alan, Tony knew and was threatening to expose her.
04:33But what was Monica's motive for killing Alan?
04:35I mean, he had a couple of grander savings, but that was about it.
04:38Like, what, the cottage, maybe?
04:40That's what we need to find out.
04:41The bit I don't get is why she'd then tell Tony.
04:43I mean, you'd keep that to yourself, right?
04:45Again, that's what we need to find out.
04:48The other theory is that Tony was summoning up the courage to tell Monica that he lied about his job
04:53and his money.
04:55Now, Monica says that Tony told her the week before the wedding.
04:58What if he didn't?
04:59What if he told her that night?
05:01What, and then she killed him?
05:02That's quite a reaction, isn't it?
05:04Yeah, well, even if she didn't kill her first husband, Alan, the daughter said that Monica once threatened him with
05:09a knife.
05:09So we're dealing with someone potentially prone to aggression, violent outbursts.
05:14Cara, Sally, Dan, go back through the reports into Alan's suicide.
05:19We need to see if there's anything that they missed.
05:20Simon, Liam, Katie, talk to Monica's friends.
05:23Did she mention Tony's financial situation to anyone?
05:26And, crucially, when did he tell her?
05:28And we still haven't figured out who this figure in the coat is.
05:35Bonnie.
05:36All right, all right, all right, all right, all right.
05:39Yeah, yeah, yeah, good to see you, all right.
05:41They've discharged you from the hospital?
05:43I mean, not technically.
05:44I thought you'd all be missing me by now.
05:46Are you okay?
05:47Oh, yeah.
05:48Doctors said it's a scratch.
05:50Sorry, Jim, you carry on.
05:52No, it's okay, we were just finishing.
05:54Uh, thank you, everyone.
06:00May.
06:02Hey, boss.
06:07Cheers, mate.
06:08Yes, mate.
06:09Good to have you back.
06:10How you feeling?
06:11Like I just got stabbed.
06:12So maybe you shouldn't be here.
06:14What am I supposed to do?
06:14I can't go to the gym.
06:17Let me bring you up to speed.
06:19Yeah, all right.
06:20Um, lots to fill you in on.
06:27Um, lots to fill you in on.
06:49Killing Carl and to swapping the bloods and, uh, obviously to the attack on you.
06:54He's Adam and he didn't kill Tony.
06:56You believe him?
06:58I do.
07:01Wish I didn't.
07:25So, yeah, the current focus is Monica.
07:28And, uh, well, there's a possibility that her first husband's suicide was actually staged.
07:33Yeah, and Tony knew and threatened to expose her.
07:34That's what Nicola said, right?
07:35Yeah.
07:36The other theory is that Tony told her about his financial situation.
07:39And she lost her shit, yeah.
07:45Uh, about what you said at the hospital.
07:47I just...
07:49What happened was really shit.
07:50I'd like to put it behind me, okay?
07:51We're good.
08:00What happened there?
08:03I've no idea.
08:04Barney.
08:06I didn't expect to see you back so soon.
08:08Discharged this morning?
08:10That's...
08:11Surprising after such a close shave.
08:13And got Jim arrived when he did.
08:15Take it steady, Barney.
08:17Understood, Mum.
08:19About time some of the others did some work, eh?
08:38Gladiated this morning.
08:38Let's go.
08:38Wait.
08:38It didn't.
08:41Not yet.
08:48We're good.
08:48Well, there was good.
08:48Yeah, I'm so pretty good.
08:49We're not so pretty.
08:49We're still happy to take care of her.
08:49We're not so pretty.
08:50We're not so pretty.
08:54And so um, let you only look back up at this thing.
08:57I'm so pretty.
09:00I'm so pretty good.
09:07Boss, have you got a minute?
09:08Well, yeah.
09:10So the footage from the night of Tony's murder came in.
09:13What footage?
09:14Costello's, the restaurant.
09:16The footage of you and Nicola Barton.
09:18When you disclosed you had contact with Nicola the night of,
09:21you said it was a two-minute conversation.
09:24It wasn't.
09:25It was longer.
09:26Really?
09:27Way longer.
09:29It was 43 minutes.
09:3043 minutes?
09:3144 minutes.
09:33Wow, okay, yeah.
09:34You do understand I need to put this on the CMS, don't you?
09:37Yeah, of course.
09:38Which means that everyone in here can access that footage.
09:41Yeah, I know how the CMS works, Karen.
09:42And see that your two-minute conversation with the person connected to the case
09:46was actually much longer and much more cosy than you initially let...
09:50Cosy?
09:50Uh, is a bit subjective.
09:52Maybe.
09:53But the timestamp isn't.
09:57Look, maybe you lost track of time.
09:59Or maybe you thought it was inconsequential.
10:03But please, get your fucking story straight, sir.
10:10No.
10:39I thought you'd gone back to Manchester.
10:42I decided to stick around, visit some old haunts.
10:46Like the cliff.
10:49A friend saw you there this morning.
10:51Sorry, that sounds like...
10:53I mean, you can do what you like.
10:55I just mean that I...
10:56I wish I'd known you were still here.
10:59We could spend a bit of time together.
11:03And done what?
11:05I thought we'd made some progress, Nick.
11:07I explained how your father was.
11:10I know that it must have been difficult for you to...
11:12But...
11:13You know...
11:13I thought it might have answered some questions for you.
11:17No.
11:18It did.
11:21It's just being back in Jersey...
11:24It's harder than I thought it would be.
11:27Being back around me, you mean.
11:37Have you heard about love languages?
11:42People have different ways of demonstrating their love.
11:46And I think that I had a way of showing you that I loved you...
11:49Because I did.
11:52I do.
11:54And I think it's something that I learned from my mum.
11:57She was...
11:59She was practical.
12:01She was endlessly practical.
12:03So, the house was clean, and we were clean, and there was food, and...
12:08You know?
12:10I think that that's what I associate with love.
12:13And it's just as deep as something more demonstrative.
12:18But maybe it's not how you needed to be loved.
12:25Yeah.
12:27That would make a lot of sense if I hadn't seen you do it with Michael.
12:33You weren't practical with him.
12:38You engaged with him.
12:40You gave him energy.
12:42And time.
12:44And love.
12:46And I got...
12:49What was left?
12:51Well, Michael just demanded more.
12:53He needed more.
12:54You didn't have to give it to him.
12:56You could have said no.
12:57You can't say no to a child like that.
12:59So, I'm left with this impossible choice of what to believe.
13:04Yeah?
13:05That, oh, you couldn't love me because of some...
13:10flaw in you,
13:12some bit in you that's missing,
13:15or that ultimately because I'm just too hard to love.
13:20What?
13:20No, that's not Christ, no.
13:23He doesn't stop!
13:24Shh!
13:34This is why I didn't want to see you.
13:38Because these conversations are too hard.
13:46I'm sorry about Tony,
13:50but I want you to leave now.
14:02Have kids.
14:04Then we'll talk.
14:15Kim,
14:17I know you're furious with me,
14:18and you have every right to be.
14:21But you're leaving soon, you know,
14:23and I would just love it
14:25if you would consider
14:27forgiving me just a bit quicker than you would normally.
14:32Yeah, I have forgiven you.
14:34Yeah, I mean, it just doesn't feel like that.
14:36I'm just tired.
14:40Er, thanks for the lift.
14:4649 to go.
14:58Jim.
15:00Nigel, um,
15:02I'm sorry,
15:03doesn't even come close.
15:06It's okay, Jim, really.
15:07It was, uh,
15:08it was an accident.
15:09No, it's not okay.
15:10It's...
15:11It was, it was out of line,
15:12and, uh,
15:13look, I'm sorry.
15:15Apology unnecessary,
15:16but accepted.
15:19Er, is, is Charlie in?
15:23Um...
15:24Christ.
15:25Er...
15:26Well, if you're sure.
15:40Hi, Charlie.
15:43I just wanted to say,
15:45um,
15:46how,
15:46how sorry I am
15:47and by the party.
15:50Is that it?
15:53Well, yeah,
15:55I don't know what else there is to say.
16:03When Rachel died,
16:05you were devastated,
16:06as was I.
16:07As was everyone.
16:09In many ways,
16:11we will never fully recover.
16:13I appreciate that.
16:15But the rest of us,
16:17even her daughter,
16:19are managing
16:19to function now.
16:22And so for you
16:23to still be spreading
16:25such Olympic standard chaos
16:27would suggest
16:28an element of choice.
16:30Of choice?
16:32At the risk of sound,
16:33I'm condescending, Charlie.
16:35You do know that I'm an alcoholic.
16:36Really?
16:37Oh, you should have mentioned that.
16:39Oh, wait.
16:40You do.
16:42Endlessly.
16:43You know,
16:45Rachel was exquisite.
16:46She was,
16:47she was perfect.
16:49She was better than me
16:50in every single way,
16:51but
16:52she never made me feel
16:53like I didn't deserve her.
16:56But from the moment we met,
16:58I have spent every single day
17:00trying to prove myself worthy
17:01to you.
17:06I have lowered the bar
17:07as far as I can for you, Jim.
17:09Any lower,
17:10it'll be in the cellar.
17:12Not getting drunk
17:13at Kim's leaving party
17:15was all
17:15that was required of you.
17:18I'm sorry,
17:19even that proved too much.
17:25Jim.
17:27That actually went better
17:28than I expected.
17:30How do you deal with her?
17:32Well,
17:33when you get to my age
17:34and you've
17:35been through some,
17:38some stuff,
17:40not to suggest
17:41you haven't had
17:41your own share of
17:43stuff,
17:44but
17:49I lost a child.
17:52My first wife and I,
17:55when he was only two.
17:57God.
17:59Nigel,
18:00I'm,
18:00I'm sorry.
18:02And obviously,
18:03that's something
18:04Charlie and I
18:05have in common.
18:06And
18:08the one thing
18:09about something
18:10so
18:11unfair,
18:12so
18:14so savage
18:16is
18:19it gives you
18:20some perspective
18:23and some patience.
18:28I'll talk to her.
18:30All shall be well
18:32and all manner of things
18:34shall be well.
18:38I'm sorry again.
18:39Oh,
18:41you should see
18:41the other guy.
18:42Okay.
18:45Okay.
18:50Okay.
19:02Simon,
19:02talk to me.
19:03Oh, yeah.
19:05Monica was telling
19:06the truth.
19:07I spoke to one
19:08of her bridesmaids
19:09and according to her,
19:10Tony had told
19:11Monica about
19:12his financial situation
19:13a week before
19:13the wedding.
19:14Okay.
19:14Did you say
19:15how Monica responded?
19:16Well,
19:16I'm not thrilled,
19:17but not filled
19:17with murderous rage
19:18either.
19:19Okay.
19:19And I take it
19:20we're still nowhere
19:20with the figure in the coat?
19:21Yeah.
19:23Like, yeah,
19:24we're,
19:24we aren't.
19:26Uh, Cara?
19:27I had a look
19:28at Alan's phone records
19:29and I found some calls
19:30that the original
19:31investigation must have missed.
19:33Who are Phillips
19:34and Hawthorne?
19:34Solicitors on the mainland
19:35who happen to
19:36specialize in divorce.
19:37I spoke to them.
19:39They dug out the notes.
19:40They said
19:41Alan Barton spoke to them
19:42about divorcing Monica
19:43two weeks before he died.
19:45Monica didn't mention it
19:46in either investigation.
19:48Which means
19:48she didn't know.
19:49Or she concealed it.
19:50Yeah.
19:50Read the third paragraph.
19:59Okay.
19:59Well,
19:59there we go.
20:00Uh,
20:00I'm going to put this
20:01to Monica.
20:03And yeah,
20:04obviously you can come too,
20:05Bonnie.
20:08You should come too.
20:09Yeah,
20:09if you're up for it.
20:10I think I can manage
20:11sitting in the car
20:12and then sitting in a chair
20:13in her living room.
20:16Good.
20:18Yeah,
20:18brilliant.
20:19Let's go.
20:22Thanks.
20:23Yeah,
20:24see you in the car.
20:31If they get divorced,
20:32you're going into foster care.
20:33Oh,
20:34don't say that.
20:36Listen,
20:37I thought you should know
20:38I was with Jim Bergerac today.
20:41I finally got him to look
20:42into my dad's death again.
20:44Right.
20:47So,
20:47you're still looping all this
20:48back to Monica then?
20:50She threatened my dad
20:50with a knife.
20:51I'd call that a red flag.
20:55I'm confused.
20:57I thought you thought
20:57Monica did it too.
21:02When I saw her,
21:04Michael was there
21:05and he got into an argument
21:07with his neighbor.
21:08He was out of control.
21:10Just the rage.
21:12Monica actually had to hold him back.
21:14I just think maybe we're looking
21:16in the wrong place.
21:17You think Michael
21:19might have killed Tony?
21:21Maybe.
21:24And maybe not just Tony.
21:27My dad too?
21:28Oh,
21:29come on.
21:29Well,
21:30we've talked a lot
21:31about whether Monica did it,
21:32but never how.
21:32How did she overpower
21:34two husbands,
21:35two fully grown men
21:36who would have fought back?
21:51Let me just have
21:51a couple more things
21:52we'd like to run by you.
21:54How would you describe
21:55your relationship with Alan
21:57around the time of his death?
21:59Well,
21:59what's this got to do
22:00with Tony's death?
22:02We're still trying
22:02to establish what Tony meant
22:03when he said
22:05no more secrets.
22:06You described Alan
22:07as in a dark place
22:08before his death?
22:10Well,
22:11he,
22:11um,
22:12he killed himself.
22:13Unless I've read
22:14too much into that.
22:18You said
22:18that he was
22:19erratic
22:20and unpredictable,
22:22yet we found
22:23no evidence
22:23to corroborate that.
22:24If anything,
22:26Mrs. Salinger,
22:26we found that he was
22:27making plans
22:28for his future.
22:29You've been talking
22:30to Nicola.
22:33I don't know why
22:34she's dredging
22:34all this up again.
22:35I thought we'd
22:36settled this.
22:36Were you aware
22:37that shortly before
22:38his death,
22:38Alan contacted
22:39a divorce lawyer?
22:42What?
22:42Um,
22:43no.
22:44No,
22:45I didn't know that.
22:46They had two conversations.
22:48The solicitor
22:49described him
22:49as buoyed
22:50by their discussions
22:51and hopeful
22:52for his future.
22:54He said the final straw
22:55was a fight
22:56the two of you had
22:57where you threatened
22:57him with a knife.
22:59No,
23:00that never happened.
23:03I know this is hard,
23:04Monica,
23:05but we're still
23:05exactly where we were
23:07on the night
23:07of Tony's death.
23:08And look,
23:08no more secrets
23:10meant something,
23:11okay?
23:11You don't upend
23:11your wedding day
23:12for a joke.
23:14Now,
23:14there are people
23:14who love Tony.
23:15You loved Tony,
23:16and so we owe it
23:17to all of you
23:18to explore every lead,
23:20answer every question.
23:20I'm really sorry,
23:21but that's led us
23:21to Alan's death.
23:22And look,
23:23if there is nothing,
23:24if there is no relevance,
23:25then I swear to you
23:26we will move on.
23:29But we won't know
23:30until we ask.
23:41Okay.
23:42What?
23:45It's true,
23:46the knife.
23:47It's true.
23:48But when Alan
23:51spoke to Nicola
23:52and this solicitor,
23:54he left out
23:54some pretty crucial context.
23:57He did change.
23:58His behavior
23:59did change.
24:01And I hid it too,
24:03because I didn't want
24:04people to think ill
24:06of this
24:07beautiful,
24:09kind man
24:10that I loved.
24:15One night,
24:16he hit me.
24:20And I grabbed a knife
24:21because
24:23he kept coming
24:24towards me.
24:25And I told him
24:26to get out
24:28of the house.
24:29And I didn't see him
24:30for a few days,
24:30so that must have been
24:31when he spoke
24:33to Nicola
24:33and this lawyer.
24:35Anyway,
24:36after a while,
24:37he came home
24:38and he was full
24:40of this indignation.
24:43And he said
24:44that I had
24:45attacked him
24:46and I said,
24:47no, Alan,
24:48you hit me.
24:51Because I
24:52still had the bruise.
24:55And he was
24:57devastated
24:57because his father
24:59was abusive
24:59towards his mother
25:00and him
25:01and his brother.
25:02And there he was
25:06completing the cycle.
25:08Becoming
25:08the thing
25:10that he swore
25:10he'd never be.
25:12I see it in Michael
25:13too,
25:14sometimes.
25:17And a few days later,
25:19he died.
25:20I couldn't help
25:22the kids.
25:22I mean,
25:24Nicola would never
25:24believe me.
25:25She will never
25:26let this go.
25:31Michael!
25:32You all right?
25:33I'm fine.
25:37Michael!
25:38Michael, please!
25:40Michael!
25:42Michael, please!
25:43Come back!
25:45Oh my God!
25:46You've got to go
25:47after him.
25:47Why?
25:48Well, he must have
25:49heard everything
25:49that I said
25:50about Alan.
25:51He didn't know
25:51any of that.
25:52I'm sure he'll be fine.
25:52No, no, no.
25:53Look, you don't understand.
25:54He's fragile.
25:55He's been going
25:56to the cliffs
25:56where Alan died.
25:57When he's like this,
25:58I have no idea
25:59what he's capable
26:00of.
26:00Please.
26:02Please.
26:08We need all
26:09available units
26:10dispatched to
26:11the Morbury
26:11cliffside
26:12and a polo
26:13put out
26:13for Michael
26:14Bart
26:14driving a
26:15blue
26:15VW polo.
26:54Oh shit.
26:56Hi!
26:58History!
26:58No sign! No sign of his car, either!
27:02We've got a visual on Michael's car.
27:04Where?
27:05Pulling into the Clifton Hotel.
27:06Jesus.
27:09What?
27:09We need a unit at the Clifton immediately.
27:12Quiet approach.
27:13We're in 401. We do not want him spooked.
27:15Wait. What is in 401?
27:17It's Nicola Button's room.
27:19We don't know what Michael's capable of.
27:20He's not the one in danger.
27:21Nicola is.
27:24Come on!
27:32Come on!
28:03We've got laws against doing that.
28:11How did you know her room number?
28:13What?
28:15Doesn't matter.
28:34Hello. Welcome to the Clifton. Do you have a...
28:37Room for we're on?
28:37Fourth floor.
28:39But you'll need a key card.
28:45Hey, we need a room pass for room 401.
28:48Okay.
28:48I just need a credit card to activate the room pass.
28:53Thank you so much.
28:55Okay.
28:55Just...
28:56401.
28:57Yeah.
28:57Please, please, please, can you just hurry?
29:00All righty.
29:01There we go.
29:02There's your room card.
29:03Oh, sorry.
29:04The lift's undergoing maintenance at this present moment in time.
29:07Of course it is.
29:24You all right?
29:25I'm fine.
29:26Just go.
29:29Come on.
29:29Oh, no.
29:36Wait, wait.
29:37Wait, wait, wait, wait, wait.
29:38Hey, it's a boy.
29:40You fucking son.
29:40You'll make a house with me now.
29:42You're making my hand.
29:44Don't stand.
29:44You will not fuss around you.
29:46You will stay in Manchester and track yourself to death, but no.
29:49You had to matter.
29:50Stop.
29:51Well, enough is enough.
29:52Go, go, go.
29:54Hey, please!
29:55Hey, hey, hey, hey.
29:56Hey, hey, hey.
29:56I didn't do anything.
29:57I didn't do anything.
29:58I didn't do anything, I swear!
30:00Are you okay?
30:02Nicola, what is it?
30:04Nicola!
30:06What is this?
30:09Bermuda.
30:12I can't believe it.
30:14Well, it's true.
30:16So you can stop now.
30:18You can finally leave us alone.
30:20I don't understand. What is this?
30:21What's the confusing bit, huh?
30:23It's from him.
30:25Alan, my father.
30:33He's not dead.
30:50It arrived the day before my 30th birthday.
30:56A few months earlier, Dad had been officially declared dead and Mum had arranged a little
31:01gathering for us to say goodbye.
31:05And Nicola came.
31:07Wreaking of vodka, as per.
31:10And that's when she first suggested that our mother, a woman who has to literally ask
31:14me to open jars for her, killed our father.
31:17I mean, it's ludicrous.
31:21Anyway, that's when the card arrived.
31:23At first I thought it was Nicola playing some sort of joke.
31:27But then, the postmark.
31:31The date.
31:32And you didn't tell Monica.
31:34Oh, Mum, by the way, Dad's alive.
31:37He'd just rather you think he was dead than ever talk to you again.
31:42And then, no, I didn't.
31:44I didn't tell anyone.
31:47The police had ruled her to suicide for the second time.
31:50Nicola had been extradited back up to her northern town.
31:53I didn't think that there was any point in exhuming it all again.
31:55But then, Tony died.
31:59And when Nicola reappeared and started trotting out her greatest hits,
32:03I did think about telling her then.
32:06But the next minute she was leaving, so I didn't bother.
32:11Except, she didn't.
32:14Did she?
32:16Hmm?
32:21I saw you with her.
32:25At the cliffs.
32:28And sure enough,
32:29you descended on my mother,
32:32parroting Nicola's slurred fantasies like they were facts.
32:35Right.
32:36I thought enough is enough.
32:39You're taking quite a big risk there, your father.
32:42How did he know that you wouldn't tell your mother and Nicola straight away?
32:46Nicola likes to tell everyone about this
32:50special relationship she had with Dad.
32:52But I was the son.
32:54I was his blood.
32:56He could trust me.
32:59Now look,
33:01don't get me wrong.
33:03I mean,
33:05I feel sorry for her.
33:08It must be quite a shock.
33:10No, to find out that someone would literally fake their own death,
33:16rather than spend time with you.
33:20I mean,
33:22that's bound to smart little.
33:31Forensics have checked the postmark.
33:33It's authentic.
33:35Definitely sent from Bermuda.
33:37What about the handwriting?
33:38They've only been able to do a preliminary analysis.
33:40They still need to do full bells and whistles.
33:42But they compared the card with confirmed examples of Alan's handwriting.
33:46And it's a match.
33:50All right,
33:50so Monica didn't kill Tony because of the money.
33:52She didn't kill him because
33:53he was about to tell the world that she killed Alan,
33:56which would suggest
33:57she didn't kill Tony.
34:00Okay, so
34:00we keep looking.
34:02We keep digging.
34:02Jim,
34:03I'd like a word with you.
34:07Can someone tell Monica Salinger
34:09her first husband is alive and well
34:10and living in Bermuda?
34:12I'll call their family liaison.
34:14Cara,
34:14did the footage come back from the bar of Nicola Barton?
34:17Er, yeah.
34:17It's on the CMS.
34:18Yeah, and?
34:20Looks deemed irrelevant.
34:50What's your next move?
34:52I have absolutely no idea.
34:54Well, whatever it is,
34:55it won't involve Barney.
34:56You need to send him home.
34:58He's practically green.
34:59Yeah, that's my fault.
35:01We're allowing him to accompany me to interview Monica.
35:04I'll make sure he stays behind his desk from now on.
35:06You seem uncharacteristically eager to keep him here.
35:08Normally I have to sit you two as far apart as possible.
35:11Er, well, he's an exceptional officer
35:12and an integral part of the team.
35:14Now I'm really suspicious.
35:17Why did he go and see Ian Monkford without backup?
35:20We were working in parallel
35:22and we both uncovered different strands of evidence against him.
35:26That's not what I asked.
35:27He went without telling his colleagues,
35:29specifically you, suggesting a troubling,
35:31and in this case potentially fatal,
35:33breakdown in communication.
35:36Something's going on.
35:37And it's becoming a problem.
35:39Sort it out, Jim.
35:41Redraw some boundaries.
35:42Sigh.
35:47Sigh.
35:49Sigh.
35:52Sigh.
35:58Sigh.
35:59Sigh.
36:01Sigh.
36:03Sigh.
36:04Sigh.
36:05Sigh.
36:06Uh, listen.
36:06Don't start.
36:07I'm fine.
36:08You're not.
36:08You need to go home.
36:09Does that come from home, huh?
36:11Me.
36:11It's coming from me.
36:12Take your time.
36:13Get better.
36:13Christ.
36:14At this rate, when you come back...
36:15I'm just in the middle of something here.
36:16Do you need me to leave this second,
36:18or can I finish?
36:46Yes.
37:07You all right?
37:09Absolutely sensational.
37:11Good.
37:13Though I know that despite your best efforts to conceal it,
37:16Kim leaving is...
37:18challenging for you,
37:19so it'd be all right if things weren't all right.
37:21Yes, it is challenging for me.
37:23But I think it's important Kim isn't privy to that.
37:26The last thing she needs is to feel guilty about what she's leaving behind.
37:30That would be selfish.
37:32And I'll leave that to her father.
37:36What was Jim like before Rachel died?
37:39Very different.
37:42Capable.
37:43Besotted with the two girls.
37:46But...
37:47Steady.
37:49Reliable.
37:50Right, so this isn't him.
37:51He's still hijacked by the grief.
37:53He's...
37:54a man possessed.
37:59Why did you become a functioning adult again?
38:02How long did it take?
38:05It's a work in progress.
38:08I'm saying...
38:09be patient with him.
38:12I'm not making any promises.
38:14That's my goal.
38:23I'd like to give you the money for the restaurant.
38:26You would be alone, obviously, but...
38:28seems rather silly.
38:30You need the money and I've got it sitting in my bank account.
38:34Um...
38:35Right.
38:37That's very kind of you.
38:39But no.
38:40No what?
38:42No thank you.
38:43But why not?
38:47Because it would be emasculating and utterly humiliating.
38:51Oh, for God's sake, so this is about pride, is it?
38:53It's all I have, Charlie.
38:54I...
38:55I don't have any property.
38:57I...
38:57I don't have any investments.
38:59I...
38:59I don't even have a family.
39:01My pride is the one thing I've been able to cling on to, so no.
39:06But again...
39:07thank you.
39:10Where are you going?
39:11I need to pee.
39:13I don't need any help with that either.
39:20Good night, boss.
39:21Good night.
39:22Good night.
39:22Good night.
39:28Good night.
40:04I'm in here.
40:07Nicola?
40:11Hi.
40:13I'm in here.
40:19Free upgrade, due to the door, so thank you.
40:30It's Monica, she keeps calling.
40:32Uh, that will, yeah, someone will have just told her.
40:35I'm sorry, it's looking like the card is genuine.
40:38It can't be.
40:41I'm sorry.
40:42Because my dad is dead.
40:46He wouldn't do this to me.
40:53He wouldn't do this to me.
40:57Hey, it's...
40:59It's okay.
41:12It's okay.
41:25Oh, Christ, is that Monica again?
41:29Oh, it's Kim.
41:31Um...
41:32I'll take this outside.
41:35Hi.
41:35Hey, sweetheart.
41:37I'm seeing another night at Granny's.
41:39Yeah, okay, yeah.
41:41Uh, that's... that's fine.
41:42Uh, will I...
41:43I'll pick you up tomorrow.
41:44I'll text you.
41:50I didn't even make it to the door.
41:52She rang you, though.
41:54She rang you, though.
41:54She could have just texted.
41:57She wants a dialogue.
41:59Yeah, you really think so?
42:03Is this what being a parent is like?
42:05Your kid becomes like someone you have a crush on at school
42:08and you're constantly trying to decipher every single interaction.
42:12Oh, and she asked me earlier for a lift.
42:19I think she likes you, Jim.
42:22Yeah, you see, now you've made it weird.
42:27She's just... she's trying to keep the channels open.
42:29She just wants to run it down from 50 to zero as...
42:33as much as you.
42:42What are you doing, Jim?
42:44In what sense?
42:45In any sense.
42:47The case.
42:51Us.
42:53There can't be any us.
42:56So stop showing up at my hotel.
42:59I know. I'm sorry.
43:18Just, um, hold that thought.
43:21I, um...
43:23I just...
43:24I gotta pee.
43:29Oh, my God.
43:39Uh, where's the minibar?
43:42Uh, you're kidding, right?
43:44Well, I thought we could share a sparkling water.
43:47Yeah, let's push the boat out.
43:50It's in the wardrobe.
44:03Oh, my God.
44:17I'm sorry.
44:17Yeah, let's go.
44:21Let's go.
44:25You found it.
44:30Jim?
44:55Okay.
45:02Okay.
45:32Okay.
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