- hace 22 horas
Un coup de fusil de chasse opportun, tiré par le comte de Rougerac (alias Lupin), arrête un train sous lequel allait se jeter la belle Amélie. Celle-ci est ruinée, son seul bien, une toile de Van Beuken, «La danseuse aux sabots», lui a été volée. L'expert Denger, ayant certifié à l'assureur Blatt que cette toile était une copie, Amélie n'a touché qu'une somme ridicule pour la dédommager du vol. Lupin aime trop les jolies femmes pour ne pas intervenir dans cette affaire qui lui semble douteuse.
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00:00Let's go!
00:41Let's go!
01:00This beautiful city of Rottenburg
01:04And all those beautiful German landscapes
01:13Are we going to burgle it right away or am I going to prepare the picnic?
01:17Let's get ready!
01:20GOOD !
01:22Pognard!
01:23The twins!
01:44The touts are in place!
01:45Attention! Stop!
01:48In position!
01:53Oh! Holy damn it!
02:04Bye !
02:06Bye !
02:08Let's go!
02:40We're having a run of bad luck, gentlemen!
02:41The hunt is over for today!
02:43Come on, let's go home!
02:46Sleep the body!
02:49For the first time, I was happy to hold a rifle!
02:52THANKS !
02:54And to your health, miss!
02:59That said, statistically speaking, you are a curiosity!
03:04Women generally prefer to commit suicide...
03:07Sleeping pills!
03:09Secondly, gas!
03:11And the locomotive only comes at the very bottom of the list!
03:14And again, thanks to Anna Karenina!
03:16Are you Russian, by any chance?
03:19Oh! Forgive me!
03:21I'm always joking!
03:24A broken heart?
03:25No !
03:26Why should there only be heartbreak?
03:29I have other reasons to be unhappy!
03:31And your intervention changes absolutely nothing about my problems!
03:35If you'd like, we can discuss your concerns later!
03:38For now, let's eat and drink, my angel!
03:46What is it?
03:47I'm just surprised you call me your angel, that's all!
04:35That's where he was!
04:37That's where he was!
04:39Ah!
04:41Okay, come on, explain everything to me, Amélie!
04:43It's very simple!
04:45About two weeks ago, I noticed that the painting was no longer
04:48there !
04:49Not a single clue!
04:51For the moment, the police are only assuming that the thief entered via the balcony, that's all.
04:54What we know!
04:56Yeah !
05:00Yes, I like paintings myself!
05:03They give me a strange, subtle fascination!
05:09But to go so far as to commit suicide if I lost one, frankly, no!
05:14It's not about fascination, but about the difficulties that are assailing me!
05:22I was recently forced to ask my bank for a loan.
05:26She demanded a guarantee, and the only one I could give her was this painting.
05:30And now, the credit is suspended.
05:33You weren't insured?
05:34For more than 100,000 brands?
05:36At the time, I didn't really regret that the painting was stolen.
05:41I cared about it a lot, of course, but in truth, the money would have been useful to me in other ways.
05:46But you haven't been paid?
05:482,000 brands, that's all they gave me.
05:51By claiming that the painting was not authentic.
05:53There had been no expert assessment beforehand?
05:55Yes, but the insurance company had another one done.
06:01Okay, so where is this company located?
06:05Here ?
06:06In Rottenbourg?
06:07Yes.
06:11Well, Amélie, congratulations!
06:14Your family has just grown with the addition of a distant cousin, the Count of Rougerac,
06:19who will accompany you to the insurance companies.
06:22I completely understand that you are concerned about the affairs of your unfortunate cousin,
06:28And...
06:29Mr. de...
06:30Rougerac.
06:32Rougerac.
06:34But our contract is in order.
06:36And unfortunately, there's a good chance that the dancer with the clog isn't a real funboken.
06:42Was there an expert assessment?
06:44Two expert opinions.
06:45You see, according to our usual conditions, conditions confirmed and therefore accepted by the signing of the contract by the
06:51'assured,
06:51And the signature was duly given, according to our usual conditions; the insurance company has the right to proceed with
06:56a second expert assessment, separate from that of the insured.
06:58We have therefore simply exercised this right.
07:01And I must add that in the event of a dispute, a clause in our contract specifies that
07:05'To the exclusion of all others, only our expertise will be authoritative.
07:09And who is your expert?
07:10Professor Dunger, the one and only.
07:12The professor?
07:13Dunger. His authority is undisputed.
07:17And he's the one who thinks the painting isn't authentic?
07:20The professor is adamant on this point, if you wish to read his report.
07:24I'm going to speak to you openly.
07:26We have had an investigation carried out into the financial situation of your cousin, Anne Léguer, Briant.
07:30The intention to alleviate financial difficulties through insurance fraud does not appear to be ruled out.
07:35At least in theory, if this were to be verified, the company would be obligated to notify the public prosecutor's office.
07:40which would take up the case, initiate proceedings, etc.
07:45Do you understand me?
07:51Well, I'll go to Munich first, to see what the little dancer in the clog is dancing.
07:57Ah, old soldier.
07:58I'm going on a trip.
08:00So don't leave this house.
08:01Don't take your eyes off me, miss.
08:03No walk to the railway bridge, no visit to the pharmacies, and no cooking at the
08:08gas.
08:08Make sure she eats well.
08:10And if a creditor appears, pay him half of what he demands, and send him home.
08:14You are too generous.
08:17THANKS.
08:18Bye.
08:47So, do you like your dancer?
08:49Yes, Professor Denger, you sent me to the right address.
08:53Is it over, Felix?
08:55The lacquer isn't quite dry yet, and then it will need to be aged. Without that, the whole thing...
08:59The world will know it's a copy.
09:00It absolutely mustn't look real.
09:02It needs to look almost real.
09:04I'm not going so far as to ask you to make a fake, Félix.
09:13Okay, it will be ready in half an hour.
09:15Understood.
09:17The best thing is for you to wait for it so you can take it with you.
09:20Very well, Mrs. Zimmermann.
09:21Bye.
09:22Bye.
09:22Goodbye, Felix.
09:29How much exactly are you paying him for this copy?
09:31Two thousand.
09:31Two thousand?
09:33You're ruining the market; half would have been enough.
09:35I know.
09:36With the rest, I buy his silence.
09:38That's my business, trust me, professor.
09:40You see, in this kind of business, you absolutely mustn't skimp on anything.
09:44I am not willing to destroy the reputation of my gallery.
09:48Goodbye!
10:20Last year, in Nymphenburg.
10:24It was raining less than at Marianne Madde.
10:31Oh, Klausen!
10:32So, you're not cracking safes anymore?
10:34It's over, I've changed careers, Mr. Lupin.
10:37I now work in a different sector.
10:41The police?
10:42Oh no, I haven't gone that far.
10:48Argus, Argus & Co.
10:50It's me, the Co.
10:52That seems to surprise you.
10:55Oh, not at all.
10:56There was a certain Vidocq who started out as a petty crook.
10:59He ended up as the chief of police in Paris.
11:01SO ?
11:02What information was found at Argus, Argus & Co?
11:05I've discovered three painting garlis that will certainly interest you.
11:08Here, I have the addresses.
11:10As for Van Baeken's largest private collection,
11:12She is in Santiago, Chile.
11:14It belongs to a certain Sebastiano Sparmiento, a billionaire.
11:17Well done.
11:18And what about Professor Denguer?
11:20Easy to find, he is a member of our Academy of Fine Arts.
11:22A light?
11:23Excellent reputation, in any case.
11:25A specialist?
11:26Yes, Romanesque sculpture.
11:27So why on earth did he have the dancer with the clog examined?
11:30Which is not a sculpture and which is not Romanesque.
11:33That's how he gets rich.
11:35Denguer is capable of providing you with expert advice on the rules and pyramids if you wish.
11:38And if I wanted, he would declare that they are false.
11:41That would depend on the price.
11:42In any case, the other specialists agree with his opinion.
11:45Now, let's take a tour of these galleries.
11:52Ah, yes, yes, the dancer with the clog, Professor Salmonetti.
11:55I know, it's not one of Feidbanken's best, but it's a very good painting.
12:03It belongs to a wealthy individual.
12:06Ah, yes, yes, yes.
12:07And this individual let him go recently, didn't he?
12:12Isn't that right?
12:14So, we can imagine that the painting will now reappear on the market in Munich.
12:21Ah, that's impossible. I certainly would have been warned.
12:24Okay, yes, yes, yes, yes.
12:26And you surely have contacts with, let's say, certain intermediaries?
12:34Naturally not.
12:35That's not at all the kind of thing we do here.
12:37However, I do sometimes receive confidential information.
12:40when an extraordinary situation arises.
12:43I'm sorry, sir.
12:45Ah, yes, yes, yes, yes, yes.
12:50And Sebastiano Sparmiento,
12:52The Silian collector, are you familiar with him?
12:55If I know him, his Van Boyken collection is the richest in the world.
12:59So, he must be interested in the dancer with the sapo.
13:03Maybe.
13:05But, if I may give you my opinion,
13:09Trying to compete with Mr. Sparmiento would be completely insane.
13:15And why?
13:16When he decided to acquire a painting,
13:19Nothing and no one could stop him.
13:22Ah.
13:24Ah.
13:26Everything about Sparmiento.
13:27I'm giving you 12 hours.
13:28And if you ever lack ambition,
13:30Think of Lupin.
13:32Okay, central station.
13:51I don't know, I don't know, I know, it's me.
14:05I don't know.
14:07I don't know.
14:20Caratitou
14:32Help, police!
14:34Quickly !
14:35Stop this man!
14:37Stop him!
14:38Hurry up !
14:40What? There's nobody here?
14:42He fled, born over there – you.
14:43You didn't see it?
14:47Don't play around with that side of things.
14:48Hurry, he can't be far.
14:50I repeat, put down that device.
14:51Seriously, he's not loaded.
14:53Don't be an idiot!
14:54It's an old nail.
14:55Okay, let's see, what happened?
14:56He attacked me, but I scared him off with my revolver.
14:59He tried to kill me with a kitchen knife, with a blade like that, but I was the most
15:02strong.
15:03Thankfully, he didn't slit your throat.
15:05You can say that.
15:06I shouted, "If you don't run away, I'll blow your brains out," and he ran off.
15:09Without that, I was like a little mouse.
15:11Well, that's stupid, there's nothing worth mowing here.
15:13Oh, nothing, on the contrary, he brought something.
15:16Look, this painting.
15:17Imagine, he wanted me to buy it for him.
15:20I glanced at it, without saying anything.
15:23So, perhaps he saw on my face that I was rather suspicious,
15:26and maybe he realized that I had discreetly called the police.
15:29Nevertheless, he lunged at me like a madman, threatening me with his dagger.
15:34So I threw a vase at his head,
15:36And then I took the revolver out of the cabinet; otherwise, I think he would have...
15:38Yes, yes, yes, yes, that's fine, I know the rest, don't tire yourself out.
15:42Yes, but...
15:42And all of this doesn't explain to me why you're getting into this state.
15:45Well, I never.
15:46This guy just wanted to sell you a painting, and that's all.
15:48But he was asking for 300 brands, sergeant.
15:50That's what made me want to call the police immediately.
15:53300 brands.
15:54So, it was too expensive?
15:57He's a fanboy.
16:00Yes, it's pretty.
16:01I don't know its exact value, but to get it, I'll give you my entire shop in exchange.
16:05At 100,000, it will still be a bargain.
16:07Ah, I understand. In short, you think this guy stole it.
16:10You don't really think we only did this to him, do you?
16:13Yes, given that the Munich police returned the canvas to me,
16:15I mean, sent it back to our company,
16:17We immediately wondered if you wanted to see her again.
16:20That's obvious. Why the question?
16:22You see, miss, according to our usual conditions,
16:25The painting is now our property.
16:27since we have paid you, as planned, the sum of... as compensation
16:30Yes, I know, 2,000 brands.
16:322,000 marks for a painting worth at least 100,000.
16:34Yes, yes, we are not executioners.
16:36Of course, you will get your painting back as soon as you have reimbursed us.
16:39But the thing is, I no longer have that money.
16:41I spent it down to the last penny.
16:43Come now, don't be sad, dear little lady.
16:45We will find a solution.
16:47How about, for example, a small loan?
16:49No.
16:52No credit.
16:54I pay cash.
16:55Ah, sir, your cousin.
16:57But I'm confused.
16:59Here are your 2,000 brands, Mr. Blatt.
17:00I'm giving you a receipt.
17:01No, no, no, you send that to my cousin by mail.
17:04And thank you for taking the time to come, Mr. Blatt.
17:06Oh.
17:07She's lucky to have you.
17:08Here.
17:09Family is family. We know what that is.
17:11Goodbye, Mr. Blatt. And thank you.
17:13Bye.
17:15You shouldn't have. You're too generous.
17:17I'm afraid I'll never be able to reimburse you.
17:19Don't worry.
17:22I would know how to get revenge on him.
17:27Are you sure this is your painting?
17:29Naturally, not you.
17:31GOOD.
17:40So, if this is really your painting,
17:45Professor Denguer
17:47He did his assessment well.
17:52It's a fake.
17:55And he'll swear it's that one
17:57who examined it.
17:58And how do you know that?
18:00That's how such affairs are plotted.
18:05Another creditor, but it will never end.
18:07Don't panic, Amélie.
18:09Grognard knows what needs to be done.
18:14A telegram.
18:16I see.
18:17Shipping costs to be paid by the recipient.
18:19How much is it?
18:20In other words, I'm sorry, but...
18:22248 brands.
18:23What ?
18:29Keep everything.
18:31Thank you very much.
18:36Boss !
18:37A telegram from Munich.
18:39Good.
18:41Shh!
18:41Go through here.
18:50But it's not a telegram.
18:52It's a Rome in river form.
18:55Signed Argus Argus Enko, boss.
18:57Yes.
18:58That's all about Sebastiano Sparmiento.
19:01It's coming along, my little grumbler.
19:02Original, extremely rich.
19:04He likes women.
19:05Doesn't that ring a bell?
19:06Divorced three times.
19:07Twice widowed.
19:08Sworn enemies of the press and the crowd.
19:10Stop!
19:11No interviews.
19:12Stop!
19:12No photos.
19:13Do you hear that, old chap?
19:15Stop!
19:16He smashes the reporters' equipment.
19:17as soon as they approach.
19:19Stop!
19:20Prefers checkered suits
19:21and golf pants.
19:23Ah!
19:24One month ago
19:25asked the dancer with the clog
19:27to the art galleries of Munich.
19:29Ha ha ha ha!
19:31Mrs. Zimmermann lied.
19:35Ah!
19:36Hmm...
19:37No result.
19:39Ah!
19:40He arrives on his private yacht
19:41at the Amsterdam Olympic Games.
19:43It is crossing in front of the Azores.
19:45Stop!
19:46Did you hear that, old soldier?
19:47It is crossing in front of the Azores.
19:50Okay, so we have at least
19:51three weeks ahead of us.
19:52Forget his aversion to the press
19:54and organize me
19:55a magnificent welcome.
19:58Ha ha ha!
20:10Ha ha ha!
20:21It seems that this is the man
20:21the richest in Chemistry.
20:23Apparently he's a great lord.
20:26He is a great lord.
20:46Sparmiento, a question.
20:47No, no, no, don't bother me.
20:49No press.
20:50No, no photographer.
20:51I'm going to smash all the appliances.
20:53I'm not saying no photos.
20:53I'm going to smash everything.
20:54Repeat that to me.
20:55Oh, my tripe.
20:58Bearable, where's the director?
20:59Eh ?
21:00Where is the director?
21:01Ah, so you're the director.
21:03It is I, Lord Sparmiento.
21:04I hate this charade.
21:06We must apologize, Lord Sparmiento,
21:08But we no longer have...
21:09Where are the police?
21:10This is Mr. Federline.
21:11Commissioner Federline.
21:12Okay, manuelito, sort this out.
21:16Very, very, very.
21:22Very, very.
21:22Very, very.
21:25Very, very.
21:25Yes yes.
21:27Yes.
21:29Yes.
21:31If.
21:33Ah!
21:34Ah!
21:34What's wrong with me?
21:36I had ordered outings and burps.
21:38I have it, the cellars.
21:39If.
21:40A lamentable mistake, Lord Sparmiento.
21:42Ah!
21:43Issa!
21:44Eh ?
21:45You will do what is necessary, Lord Sparmiento.
21:48Yes, yes.
21:52Okay, okay, thank you, goodbye.
21:54My...
21:55What do you call that?
21:56My secretary will send you my orders.
21:59Oh! Oh!
22:00Where did these flowers come from?
22:02If.
22:04Oh! Issa!
22:05Get that away from me, it's horrible.
22:07Your wishes are commands, Lord Sparmiento.
22:14Commissioner Federline, head of the Rottenburg police, requests a meeting.
22:18Ah!
22:18Good !
22:21So, what's he doing? Huh? Is he dreaming?
22:24Oh, well, Federline!
22:27Federline.
22:29Not very bright, eh, Commissioner, eh?
22:32Yantan will no longer be bothered by journalists in the future.
22:36I take note of that, sir.
22:37Yes, well, I'm not asking you to take note.
22:39I ask you to act.
22:41And...
22:43And remember, right?
22:45No press.
22:47No advertising.
22:50No...
22:51Alright.
22:53Here.
22:54It's written in all the newspapers.
22:57Sebastiano Sparmiento in Rottenburg.
22:59And you deem it unnecessary to keep me informed of this news?
23:02But I didn't know that myself, Mrs. Zimmerman.
23:05We had agreed that nothing he did would escape your notice.
23:07But how would I have done it?
23:09The last telegrams I received were returned with the message "address unknown".
23:12Is it my fault that he's away on a trip?
23:14He is currently in Rottenburg.
23:17The fellow is very well-trained.
23:18I think he must have learned that the dancer with the clog is in Rottenburg.
23:21That's awful.
23:23Where will we end up if he starts looking for her himself?
23:25He won't find anything but a copy, my dear.
23:28But still, this theft story is likely to arouse his suspicions.
23:33We are leaving for Rottenburg without delay.
23:35Yes.
23:38When I was little, I used to come here often.
23:41To play and dream.
23:45If you only knew how happy I was, then...
23:49Do you know what I discovered last night?
23:53Mmh...
23:55What ?
23:56I have never truly known happiness in the sense that adults use the word.
24:02I don't know what it is.
24:05Believe me, that's going to change.
24:09Really ?
24:11I promise you.
24:16The dancer with the clog caused you a lot of trouble, but believe me.
24:21She's a sweet little girl, she only has good intentions.
24:24From now on, she will only bring you happiness.
24:37Boss !
24:38It's starting, boss.
24:40You have a visitor.
24:41Madame Zimmermann, from the Munich gallery.
24:50Madam !
24:54How did you come to be here in my Sambre?
24:57My name is Rita Zimmermann, I run an art gallery.
25:00You wrote to me to tell me that...
25:01Yes, yes, by the way, by the way.
25:02So, I telegraphed you as soon as I might have the opportunity to sell you
25:06The dancer with the wooden clog by Van Boyen.
25:09Okay, so, do you have this painting or not?
25:11I brought it.
25:13Ah! Okay, then, show it to me.
25:17Yes, that's it.
25:19Downhill, downhill.
25:20If you know, there's no time.
25:25Ah!
25:25Ah!
25:27Ah, very good.
25:29Okay, let's remove that.
25:38As for the conditions, we must consider...
25:41Yes, but how many?
25:43I believe it's 300,000.
25:44Hmm?
25:45No, the real price.
25:47Eh ?
25:47It's a horror to waste my time.
25:51250,000.
25:53Ah!
25:54Okay, so he accepts.
25:56Leave the painting here, I will have it appraised, and you will be informed afterwards.
26:00But...
26:00No, no, no, no, no.
26:01There's no need to be afraid.
26:02My suite is guarded by three police officers.
26:06Ah...
26:06Yes.
26:08What ?
26:09What? Uh, anything else?
26:11No.
26:12Nothing.
26:13Ah!
26:14Ah!
26:15I am...
26:15I am absolutely charmed by your way of handling a case.
26:19Oh !
26:20Madam.
26:22It would be horrifying to talk about arsan with pretty women.
26:26Beautiful women are like flowers, little birds, the poetry of existence.
26:34Eh ?
26:36What would you like to have for dinner tonight?
26:41Let's say...
26:42Nine o'clock.
26:44With the greatest joy, Lord.
26:46Nine o'clock.
27:20Did it work?
27:21Yes, he'll take it.
27:22Ah, for how much?
27:24Two hundred and fifty thousand.
27:26You have one.
27:27He's right, at that price it's a steal.
27:29What do you mean, Mr. Blas?
27:30I completely disapprove of your working methods.
27:32I'm telling you what I think.
27:33If I had known, all of this would have led us there.
27:35So what?
27:36Don't forget that you'll benefit from it.
27:38And now, what will happen?
27:41Oh, he's going to have the canvas examined by experts.
27:43And by whom?
27:44By you, indeed.
27:45That would be too good to be true.
27:46Why would Sparmiento address me?
27:48Rest assured, I will take care of convincing him.
27:50I'm having dinner with Sparmiento tonight.
27:53One-on-one.
27:55Yes, that's very clear.
27:56In my opinion, there is no room for doubt.
27:58By observing the quality of the dough, that is to say its structure,
28:02rough, dynamic, as well as diffuse textures,
28:05and the subtle nuances, I will comment on a later period.
28:08Yes, yes, yes.
28:09Go! Go! Go.
28:09Not literature for everything.
28:10Is the painting authentic or not?
28:12He's a genuine fanboy, make no mistake about it.
28:15Okay, very good.
28:16Then, my secretary will put a typewriter at your disposal.
28:20so that you can write your report.
28:22Do you recognize Professor Denguer's expertise as valid?
28:25That goes without saying, Sparmiento.
28:26Professor Denguer is one of our top experts.
28:29I know. Mrs. Zimmermann already told me that.
28:33She also told me that you were the best insurance agent in Rottenbourg.
28:37Okay. So, when will you have the contract?
28:40I've already prepared it, Sparmiento.
28:44So.
28:45GOOD.
28:47Yes.
28:48Yes.
28:49Yes.
28:50No. No.
28:53He is horrified by anything printed in small print.
28:55Excuse me, this is Sparmiento, but these are our usual conditions.
28:59Manuelito.
29:01Cavallero.
29:03Call another insurance company and it's a nightmare to discuss.
29:05But...
29:06Too late.
29:09Okay, so it's a breach of all the rules, but oh well.
29:12Alright.
29:13So, that's not all, you're going to add a clause.
29:21Wait.
29:23You will add that, in case of theft, the insured sum will be paid immediately without waiting for the outcome of the investigation.
29:31police.
29:31It's clear.
29:32Ah, excuse me!
29:33I also need guarantees.
29:35It's clear.
29:53No, thank you.
30:05So, old fogey, do you like our little dancer with the clog?
30:08Oh...
30:09What? Oh...
30:10Now that you have the painting, you're not going to keep it.
30:12No, I'm going to sell it.
30:14Sell it?
30:14Yes.
30:15Do you think that's okay?
30:16Why not.
30:17It still belongs to Miss Amélie.
30:18She needs no more money than a painting of his, the idiot.
30:22And who are you going to sell it to?
30:26Asparmiento, parveux.
30:28And the money?
30:29I will give the proceeds from the sale to Amélie.
30:33Ah, perfect.
30:35But what do we, the boss, gain from this?
30:38Insurance.
30:40It's not bad, I think.
30:42And not so much.
30:43Grognard.
30:45Ready anywhere.
30:47We are going to organize a grand reception.
30:51I need an audience.
30:54From advertising.
30:55As a witness.
30:58Without it, my talent cannot flourish.
31:00Yes, boss.
31:01So, all the bigwigs in town, Sunday after mass.
31:04Yes, boss.
31:05Finally, since I'm telling you that I have to talk to him.
31:07What's going on, huh?
31:09What's going on?
31:11I wanted to tell you, huh?
31:13But please, let me through, it's very important.
31:17So, for heaven's sake, send that guard dog back to me.
31:20Yet I did everything I could to stop him, Lord Sparmiento.
31:22Ah, that's enough.
31:23That's very good.
31:24Thank you so much.
31:25Let him in now.
31:26Perfect.
31:31So, Klaus!
31:32Disaster.
31:33What, a catastrophe?
31:34Lord Sparmiento.
31:35A disaster.
31:36What, what, what? Explain yourself.
31:37So, Sparmiento, Sparmiento.
31:39His yacht sank.
31:40Is he dead?
31:41No, no, no.
31:42He got out alive and the Bremen took him on board.
31:45The Bremen?
31:46Which is currently in Amsterdam on a layover.
31:49But the most tragic thing is that Sparmiento is coming to live the good life in Germany.
31:53Funny, don't you think?
31:54I don't know.
31:55In any case, the day after tomorrow, he will have arrived here in Rottenbourg.
31:58You must leave immediately.
32:03Impossible.
32:04I still need three days to finish what I have to do.
32:07Go away, I repeat.
32:08In two days, Sparmiento will be here.
32:11Everything is ruined.
32:20There is a plan.
32:25Go for it !
32:26Go ahead, you're ready!
32:47A telegram from Sparmiento?
32:49Yes.
32:50And information that you possess, clog-wearing dancer.
32:53Offer any price.
32:54Awaiting you for negotiations in Asmenhausen, Crown Hotel, signed Sparmiento.
32:58But this is... this is a disaster, boss.
33:00Amélie will be there before us.
33:01No, it's not that serious.
33:03I even think he'll quickly understand that Amélie is only offering him a copy.
33:06And what if he then learns that the real painting is in Rottenbourg?
33:09If Sparmiento arrives in Rottenbourg before I've collected Blatt's insurance payout, I assure you that
33:15You'll have to deal with me.
33:16But what can I do? I await your orders.
33:18Go away! Asmenhausen!
33:23Good morning, gentlemen.
33:24Commissioner.
33:25There is only one door following Lord Sparmiento.
33:27I want it locked.
33:29The guests have all arrived.
33:30You will keep the key with you and you will be responsible.
33:32Remember this well.
33:33No one is allowed to leave without my permission.
33:35Okay, Commissioner.
33:37I have just been given some confidential information, gentlemen.
33:39The famous Arsène Lupin...
33:41Arsène Lupin?
33:42...is currently in the vicinity.
33:44I am counting on your vigilance.
33:57And coming from distant Silly, I was given here the opportunity of Henri Cyr,
34:04my collection of paintings which, I can say without false pretense,
34:08is appreciated by all collectors.
34:10Henri Cyr says of it a very charming and precious piece,
34:17Van Boyken's clog dancer.
34:20So this is my opportunity, ladies and gentlemen,
34:24to share my joy with you,
34:26And that is why I invited you this evening.
34:29And thank you for coming.
34:30Thank you, thank you, thank you.
34:39And if you don't mind, ladies and gentlemen,
34:41A cold buffet is served alongside.
34:43I wish you a pleasant meal.
34:56SO ?
34:56Everything is fine, you have time.
34:58Clausen, Arcus, Arcus and company.
35:03And nothing from Emily?
35:04No.
35:05And now, boss?
35:07And now ?
35:10Arsène Lupin will give a grand performance.
35:15Come closer, come closer, ladies and gentlemen.
35:18You'll see what you'll see.
35:24It's beautiful, isn't it?
35:26It's beautiful, isn't it?
35:56Where is the commissioner?
35:59Where is the commissioner?
36:01There's a bomb in the bathroom.
36:02Quickly, call the police commissioner.
36:17A bombshell.
36:18You, reassure the guests.
36:20You, make sure that no one leaves.
36:21You, come with me.
36:33Stop, you're lighting the fuse!
36:36Give it to me!
36:37Give it to me!
36:38Give it to me!
36:43Spoil me there!
36:46Spoil me there!
36:47Spoil me there!
36:48Spoil me there!
36:48Spoil me there!
36:48Wet this towel for me!
36:49Please !
36:50Please !
36:51Let's all calm down, ladies and gentlemen!
36:52Calm down!
36:52Don't panic!
36:54But what did you see?
36:55What kind of panic are you talking about?
36:55There is absolutely no cause for alarm.
36:57A small incident occurred in the bathroom.
36:59It's not a big deal at all.
37:02Olives for the gentleman.
37:06So, no progress, my friend!
37:08The towel, quick!
37:09Yes, yes, yes, Commissioner.
37:13And the worst part is, we don't know.
37:15What is this bomb? It might be quite big.
37:17so that it changes the air throughout the entire hotel.
37:18The towel!
37:22Do what you want, I'm leaving.
37:33A ladder!
37:36A ladder!
37:37Where do you expect me to find a ladder at this hour?
37:39Send it!
37:52Bravo! Bravo, Lord Spar, soon! Bravo!
37:55Well done !
37:57But how come this idea didn't occur to you?
37:59But what an idea!
37:59Be quiet and put that ladder against the walls!
38:03That's great.
38:05Everyone to their posts now.
38:08I'm going to defuse the bomb; it's up to me to do it.
38:12Shouldn't we...
38:13Get out of here!
38:14At your service.
38:16You too, Lord Spar, should soon go out; it may be dangerous.
38:21Yador, the danger, Commissioner.
38:23GOOD.
38:24Alright.
38:45...
38:49...
38:50...
38:52...
38:55...
38:56...
38:57...
38:59...
39:00...
39:01...
39:06...
39:17...
39:18...
39:20...
39:22...
39:23...
39:30...
39:30...
39:31Lupine.
39:34Commissioner!
39:36Commissioner!
39:38The painting, Commissioner!
39:41Ah! Marked by that!
39:42Oh, that!
39:56So.
39:57The identities have been verified.
39:59SO ?
40:00Nothing.
40:04My compliments, Commissioner!
40:07I don't know what to say.
40:09I don't know what to say.
40:11I had all the guests searched.
40:13These are citizens above suspicion.
40:15No foreigners were able to slip in.
40:18My agents searched the entire apartment
40:20carefully, three times.
40:22They left no stone unturned.
40:24without finding the slightest trace of the painting
40:26nor the thief.
40:28Ah, you see, I don't understand!
40:29Arsène Lupin didn't actually walk through walls!
40:34We must believe so, sir.
40:36I am deeply sorry.
40:46THANKS.
40:48Thank you, gentlemen.
40:59What a humiliation!
41:00What a humiliation for the entire city!
41:03Yes, and what a loss for your company, eh!
41:07GOOD !
41:09I have to leave Rottenbourg today.
41:11I therefore ask you to honor your commitment.
41:15Hmm?
41:15The small additional clause.
41:19Do you remember?
41:28Ah, Mr. Director Blatt.
41:31One last word.
41:34If I were you, I wouldn't publicize this matter too much.
41:38Otherwise, we might learn from the circumstances
41:42who could provide you and your friends with dinner.
41:47Sister Mrs. Zimmermann and Professor Denguer?
41:51I understand.
41:52That's great.
41:55GOOD.
42:07Thank you, Mr. Director Blatt.
42:11And goodbye.
42:12Bye.
42:14Bye.
42:21And now, boss, would you like to tell me
42:23Where did you hide the dancer in the clogs?
42:27But she didn't budge an inch, old grunt.
42:31GOOD.
42:5812 more kilometers to Aspenhas.
43:01Well, speed up.
43:0212 kilometers to Amélie.
43:17Where is Lord Sparmiento?
43:19I'm sorry, sir.
43:20We will warn Lord Sparmiento,
43:21But for now, he is still in training.
43:24At training?
43:25Yes.
43:25We've completely messed things up.
43:27He just arrived from Amsterdam.
43:28Come, come, come, come, come, follow me.
43:30Quickly.
43:30What are you talking about?
43:34Come.
43:36Come and see.
43:38That's him.
43:41What ?
43:42Sebastiano Sparmiento?
43:43Yes.
43:44That's him.
43:57If this painting did not come from your property,
44:00Count of Rougerac,
44:00And if I didn't have the expert reports in front of me,
44:03it is almost certain
44:04that I would have been duped by that little cheat.
44:07What a little cheat!
44:08Someone already gave me the same dancer.
44:11A young girl from Rottenburg.
44:14Oh, but that's just a misunderstanding.
44:16The young girl was allegedly deceived.
44:18She didn't know.
44:19You're not going to hand her over to the police, are you?
44:22Rest assured, I'm not a big bad wolf.
44:23I will settle this dispute myself.
44:28In any case, dear Count,
44:29I would like to express my gratitude to you.
44:32for providing me with the original.
44:37Yes yes.
44:38I didn't do it for nothing.
44:40300,000, you were saying, I believe?
44:42I was saying, yes.
44:44You're in luck.
44:45If I hadn't been in such a hurry,
44:47I would certainly have haggled.
44:49Obviously, you want to leave with the painting.
44:51No.
44:53On the contrary, I'm thinking of giving it as a gift.
44:56Yes, to my fiancée.
44:57A big surprise.
44:59as a wedding gift.
45:01How strange.
45:03Are you getting married?
45:04Yes, the day after tomorrow.
45:06That seems to surprise you.
45:07I was convinced I had all the information about you.
45:10There was never any question of a fiancée.
45:12Your information probably concerned my father.
45:16Sebastiano, this among a senior rate.
45:18I am Sebastiano Junior.
45:20Ah!
45:21He will be very surprised, my dear ancestor.
45:24I wanted to surprise him
45:26to return from the Olympic Games
45:27with a fanboyken.
45:30I'm afraid he only has the copy.
45:32But he'll have something better.
45:34A delightfully beautiful girl.
45:36Ah, but perhaps he doesn't know.
45:37that you are going to get married.
45:38No, I didn't know that myself.
45:41Because I never imagined that.
45:43Love at first sight, my dear.
45:45THANKS.
45:49Fantastic.
45:50No, that would be a real shame.
45:52to wait for the wedding day.
45:53Every day that passes without contemplating such a masterpiece
45:56It's a joyless day, isn't it?
45:57I think you're right.
45:59I'm going to give it to him right now.
46:07Amélie, do you want to come?
46:14I've prepared a little surprise for you.
46:20I will introduce them to you in a little while.
46:23But first, I want you to close your eyes.
46:28So.
46:30Now you can reopen them.
46:39So, Amélie?
46:42It's wonderful.
46:46I prefer this one to the other.
46:52It's yours.
46:53This will be your wedding gift.
46:55No.
46:57If.
47:00So, you were aware of this whole dark story.
47:04No.
47:08Happy.
47:13Someone predicted to me one day
47:15that I will eventually know happiness.
47:18I would so love to thank him
47:19and tell him that he was right.
47:36Ah, one moment, please.
47:39Do you want to hand this in?
47:40to the young lady,
47:41But discreetly?
47:42Understood, sir.
47:45Here.
47:47No, no, no, no, no, no, no, no.
47:48On the terrace.
48:00Here's your ranchade, miss.
48:02Thank you, put it there.
48:14Bye.
48:15Bye.
48:17Do you want to?
48:18See you in Nymphenburg in a year.
48:20Bye.
48:26Bye.
48:48Hey, boss, you're gay.
48:51Eh ?
48:52Doesn't that doutrache the being?
48:54I got rid of a capricious dancer
48:56And I brought good luck to someone.
48:59May the devil understand something.
49:00Where is Amélie?
49:02Amélie?
49:04Where she belongs.
49:06She's head over heels in love.
49:08Sir.
49:09Yes ?
49:11Excuse me, sir.
49:12You had left your hat
49:13at Lord Sparmiento's house.
49:14I brought it down for you.
49:15Ah.
49:16THANKS.
49:21Goodbye, Amélie.
49:23And good luck.
49:40He's the biggest devil.
49:46Yes, but he's a gentleman.
49:50And every woman has her own soul.
49:56And every woman has her own soul
49:57dreams of seeing his face
50:02from actress to dancer.
50:08To the wife, the best.
50:13To the wife, the best.
50:35He takes hold of your values
50:40without threatening you with a soul.
50:46When he robs a woman
50:52He sent flowers to her
50:58I'm a breeder, as it seems
51:04But he's a true lord
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