- 11 hours ago
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00:14I'm so ashamed that when something happens, we get out of ourselves and we don't have to worry about it.
00:24How much I just felt that they called me for the romance,
00:29when they called me, whether they want, whether they don't.
00:34How much I was nervous because of a million stupidities.
00:38We're going to sit with us for one vincent.
00:42It could be.
00:43Yes, it could.
00:44Here we go.
00:48It's nice that you picked a winner.
00:51Thank you very much.
00:52Listen, when you've already lost,
00:55it would have been a little bit to talk about yourself.
01:00What happened?
01:04Nothing.
01:05Something strange that you thought about.
01:10Nothing.
01:11Everything.
01:17I want to hear what's going on.
01:19What's going on?
01:21You know what I have to do.
01:23I know.
01:24But you say,
01:25God,
01:26God,
01:26you never have this fool.
01:30This fool.
01:31What's going on?
01:41Okay.
01:43What's going on?
01:52No.
01:52No.
01:53No.
01:55No.
01:55No.
01:56No.
01:58No.
01:59No.
01:59No.
02:00No.
02:01No.
02:02No.
02:03No.
02:13No.
02:15No.
02:15Oh himself.
02:21No.
02:22I'm going to talk to you later, I'm going to talk to you later.
02:27And I will always love you.
02:38Okay, okay. Sit down when I tell you.
02:42What about you?
02:44What?
02:45You called it a magazine.
02:48You've never done it yet.
02:50Do you want to say something?
02:52I don't understand it.
02:55It's natural.
02:58It's a problem that you don't think about it.
03:02I was upset after what you said.
03:04Okay, Biljana.
03:06There are a lot of people in the service.
03:09There are a lot of people that can be used to a career.
03:12There are a lot of people that can be used to a life.
03:17Life.
03:18The story of Viktor's story.
03:22It has to be forever.
03:24For every price.
03:28I am out.
03:35I am out.
03:36In a moment of our lives, we went to the living room.
03:39The style has been changed.
03:41She has been doing a public work.
03:45The matter is not true.
03:47Ah, that's a very famous girl, isn't it?
03:51Oh, fine, fine, every part of it.
03:54But I don't understand you.
03:57That's what it is from the public life, isn't it?
04:00Amin.
04:01I understand that you want to make a mega star in the world of fashion.
04:05That's the plan, right?
04:07That's not the same.
04:10We are not-stop friends and parents,
04:13but my sensitivity doesn't really matter.
04:16Let's go, let's go, let's go.
04:18Let's go, let's go, let's go.
04:18Let's go, let's go, let's go.
04:25What do you think of our conversation?
04:28No, no, I don't think I can hear it.
04:31We have to be quiet.
04:33I've got to finish something now,
04:36and you sit here and drink some coffee,
04:39a little bit of a mess,
04:41and it goes to my account.
04:43So, let's go.
04:47I don't think of my.
04:48I don't think of myself,
04:49but I think it's okay.
04:50There's no socialization.
04:53Let's go.
08:59Thank you very much, thank you very much.
09:03If you have anything that needs, you can see me in the room.
09:07Do you see?
09:08See you soon.
09:11See you soon.
09:12See you soon.
09:21How are you feeling?
09:23It's really nice.
09:27Asija, this is a new beginning for us.
09:31I don't know which time, but...
09:34I hope we will only be able to live peacefully.
09:38I hope we will not be able to live in the house and other stupidity.
09:43All right, everything will be okay.
09:46I love you, mama.
09:48I love you, my dear.
09:51Let's go, let's go.
10:04Let's go.
10:13Where is this man?
10:15Where is this man?
10:15What?
10:17Where is this man?
10:18I got his hand to call back to me.
10:19He was drunk on a couple of hours.
10:20He was sleeping on a kind of thing.
10:22What?
10:24What do you think?
10:25I have a skin tone every day.
10:27I'm afraid to pick you up with the body...
10:31You're right on the way to pick you up,
10:32it's just like...
10:32...I don't know about you.
10:33How about you?
10:34I don't want to pick you up with your kind
10:35and, as I said,
10:37you say,
10:37and you look at your own way.
10:39Do you think it's not the right thing?
10:42Yes.
10:44Is it just on the left leg or you have any specific reasons?
10:47I've realized something.
10:49What is it, brother?
10:51I'm holding you.
10:52You don't have to be careful.
10:53You don't have to be careful.
10:55You're better to work, you're less perceptive.
10:58You're a step forward.
11:00You're a step forward.
11:00You're a step forward.
11:01You're a step forward.
11:02You're a step forward.
11:04You're a step forward.
11:05If you think about this last thing...
11:08You're a step forward.
11:10Another problem.
11:12...and take the gun to take the gun.
11:14So he won't find it.
11:14Then he won't find it.
11:16He won't be able to get the gun.
11:18You're a step forward.
11:23I've realized that my team will take the gun.
11:27What's your time?
11:28Grg'an.
11:29And the gun.
11:31My son.
11:33He's a son who asks me for everything.
11:36You're a step forward.
11:37You're a step forward.
11:37You're a step forward.
11:41You're a step forward.
11:43You're a step forward.
11:44You're a step forward.
11:47I have a step forward.
11:51How?
12:09Good, Midda.
12:10Good, Midda.
12:11Look, everything will be done.
12:13We're playing the song, the song, the fragment.
12:15Everything will be done.
12:16Today is nice to open the eyes and see you next time.
12:20Okay?
12:21Olga, do you want to be known?
12:24You're full of hard work.
12:26I believe you.
12:30We'll see you next time.
12:31We'll see you next time.
12:33See you.
12:42I'm proud of you.
12:43I'm proud of you.
12:44I'm proud of you.
12:44.
12:45.
12:45.
12:45.
12:45.
12:45.
12:45I would love to be a Phyongan.
12:46I thought I was a very good guy.
12:50I think I was a good guy.
12:51I think that's something better.
12:53How cool I'm just asking.
12:55Is she just looking at it?
12:56Are you thinking about it?
12:57Or a bit.
12:59They're just saying that.
13:01I think that's something better.
13:01And everything is a very amazing girl.
13:08How did you know that I'm talking about it.
13:10I'm talking about it.
13:11Maybe she would have to do it with a lot of work.
13:14Did you get it?
13:17Yes, I got it.
13:18Now I'm going to put it a little,
13:20and then I'll have some tea.
13:25That's great.
13:39You have to be more useful.
13:44You have to be more useful.
13:48You have to give him a special gift.
13:50He'll only learn how to respect you.
13:53You'll have to be more useful than you.
13:55I've done everything that you need.
13:57Yes, but you're weak,
13:59and you don't really know anyone.
14:02Do you have any specific advice,
14:04or is this a false philosophy?
14:07Yes, I've done everything,
14:08but let's talk about it later.
14:18I've done everything.
14:19I've done everything.
14:22I've done everything.
14:25I've done everything.
14:27I've done everything.
14:29I'll send it to my parents.
14:31Yes.
14:32Go to the hospital.
14:34You're going to go?
14:55Kajo, what happened?
15:01I spoke with Medo.
15:04And what does he say?
15:06He said that Milita was a very proud of his friends,
15:14and that he didn't want to be alone.
15:19Okay, it's okay.
15:21I mean, Mila was always a motivator.
15:23It's just that it's not clear.
15:25I don't know.
15:26I've never seen him like that.
15:27I've never seen him like that.
15:29When I think something like that,
15:33I think that maybe it's right.
15:36I don't know.
15:38But now, you know where to be,
15:39that he didn't get away from you like someone else,
15:42but that he was away from pain.
15:44Weird.
15:44Where is it from pain?
15:45Tell me.
15:47Give me a place where it is from pain
15:51and why you don't want to go?
15:54You just go, you're going, you're going,
15:55you're going, you're going, you're going,
15:56you're going, you're going, you're going,
15:58why don't you do that?
15:59I want you to tell me why.
16:01Why?
16:02Why?
16:03Why don't you leave without anything?
16:04The silence is the worst.
16:05Believe me.
16:07Believe me.
16:08Believe me.
16:08But if Mido says that she is good,
16:10it's certainly so,
16:11they're both close.
16:12Yes.
16:14Okay.
16:14I accepted it.
16:15I accepted it.
16:17I accepted it.
16:17Let it be like that.
16:19I love everything.
16:21I don't know what to do.
16:21But I'm afraid that it's not like that.
16:24I'm afraid that maybe that
16:26she didn't move on,
16:28she didn't move on,
16:28she didn't do it because she didn't do it.
16:31Do you understand?
16:31No.
16:32It's not sure.
16:33How can you be sure?
16:35Sorry.
16:36I know.
16:37I found the card.
16:39The card told me that she is safe
16:41and that she is safe
16:42and that she will return
16:44when she is suffering her pain.
16:48Do you want me to read it?
16:52Do you want me to read it?
17:00Gabriela, she didn't even call me.
17:03Let's go slow,
17:03maybe I'm not sure.
17:04I don't believe it,
17:06but what do you think?
17:07It's the end of it that Gala left.
17:09No, no, no.
17:10No, no.
17:10I left Gala nothing.
17:11Everything I did.
17:12All the documentation.
17:13And the external communication.
17:14I got nothing inside.
17:16It is too much that Gala was taken,
17:17she didn't leave a такие.
17:19No.
17:20It's a great duty.
17:20zo that woman Murray is playing well for you.
17:22And that's not the way…
17:25But for me the that was not necessary.
17:26You want to know revealed what you role do is I am fine so I am fine.
17:30You are fine talking with her sounds.
17:31So we got better than her.
17:32Well we know how she can be in communications.
17:33Of course, like how do you call me?
17:34I does not realize that she is a good answer.
17:37You know the truth is that you can answer it during house.
17:41You know that you want to know probably what you want to say.
17:44Stop.
17:45Right.
17:46Aha.
17:49Give me my fingers.
17:56I don't believe.
17:58I don't believe what you're talking about.
17:59You're a normal person.
18:00I don't care about any tarot.
18:02I don't believe that.
18:03But you have to believe that he is alive and that he will return.
18:06Aha.
18:07Super.
18:07I believe.
18:08You know what I believe?
18:10The only thing I believe is the actions.
18:13You know what they say?
18:15That he doesn't.
18:16That he doesn't.
18:17That he doesn't, Milena.
18:18Those are the actions.
18:19I pray that you can make me a drink.
18:20I don't know where I am.
18:21And everything else.
18:23I want to see you in the room.
18:24I want you to stop.
18:26I don't know what I deserve.
18:30Is it possible that I have a job only with idiots?
18:33I don't have a job anymore.
18:34I don't have a mother anymore.
18:36Oh.
18:36A.
18:39Dama in the store.
18:41It's not possible.
18:44It's time to say thank you.
18:47It's not possible.
18:47But it's not possible.
18:48Yeah, it's time to try and do it.
18:50I've had.
18:51I've had to come back and take a nap.
18:53You know what I can do with you.
18:57And I've had to come back and do it all.
18:58I wouldn't have to come back and do it all.
18:59I couldn't tell you.
19:00And to go back and do it all at all.
19:01Yes.
19:02No.
19:03I have no idea of you.
19:04No, no.
19:04You know what I have to do later.
19:05I have no idea of you later.
19:06I have to come back and do it all.
19:10I'm talking nice with the lady.
19:13Do you think I'm afraid of you?
19:15Do you think I'm afraid of you?
19:18No, I'm afraid of you.
19:19What are you doing?
19:20You're an ordinary man.
19:22Man?
19:23Yes.
19:24I like how it sounds from your eyes.
19:26That's your personal husband.
19:29Where is he now?
19:31Where is he?
19:33He's gone.
19:34And I'm here.
19:36Let me tell you some things.
19:39My husband, unlike you, is neither a criminal nor a mafia.
19:43He's a man full of feelings, unlike you.
19:47You're right, Joe?
19:48Yes.
19:50Are you right to leave a beautiful woman alone?
19:55That's right to you.
20:16No lot of animals are no Indian right.
20:20Magare, that's all true.
20:22No.
20:22Since this matters, I'm not really sure about you.
20:24Look at my mother, to me.
20:27If you're a man who won't like you?
20:27No, you're not not.
20:29You know what?
20:29And so until I ever need you, never knew him.
20:32When I go back, what are you doing now?
20:34Who are you doing now?
20:35Where are you doing now?
20:36Good job, I go.
20:37Sit down a little bit.
20:38What are you doing now?
20:40What are you doing now?
20:41What are you doing now?
20:42I'm going to play my mother.
20:43I'm going to play with you.
20:46Let's go.
20:47That would have been set up.
20:48Let's go.
20:50Let's go.
20:51Let's go.
20:52No.
20:54No.
20:54No.
20:55No.
20:55No.
20:58He's gone.
21:00No, he's gone.
21:01He's gone.
21:02Well, he's gone.
21:05Yes, he's gone.
21:05But he'll call me...
21:06That's the case.
21:06No, he'll talk about us, Ivan.
21:07No.
21:08He's gone.
21:09He's gone.
21:10No.
21:10He didn't give me the money to me.
21:11I need to live for him.
21:13Oh, okay.
21:13I'm going to play for my next problem.
21:17I don't know how to say I'll probably say to him.
21:20I need to job with him.
21:22No, no, no.
21:23No.
21:24She knows that she has a nice wife.
21:27No, she didn't give up.
21:29Sorry, please. I didn't think I had to do that.
21:32I have to leave my brother. I have to leave you a little.
21:35I understand.
21:36And you, at the end of the day,
21:38be a man who was not a man.
21:40Press it and hit it.
21:42I don't think she's going to do anything.
21:43Press it and tell her.
21:47I said to her,
21:49that's the biggest problem.
21:51What if she doesn't want to live with a young man?
21:55I think I'm a young man.
21:57What if she leaves me?
21:59If she finds someone else?
22:01Olga, let me know.
22:03You know what I'm saying?
22:05Olga is a blessed woman.
22:07I would never have done that.
22:10And the other thing to tell you,
22:11even today, there is a medical intervention.
22:15Do you understand?
22:17Do you understand?
22:19What if she doesn't want to live with a young man?
22:21You'll be right, my mother.
22:21I'm right.
22:23You know what?
22:24Let me tell you something.
22:26Don't let you lie.
22:28Don't want to be hurt.
22:29You're lying.
22:30You're lying.
22:31Don't be lying.
22:33You're lying.
22:35You're lying.
22:37You're lying.
22:38You're lying.
22:40You're lying.
22:41You're lying.
22:42You're lying.
22:43You're lying.
22:56You're lying.
22:58What's rude?
22:59What is your festivals today?!
23:01Nevers wrong that nothing something laughed.
23:03It's always clear.
23:04What art can you say?
23:06I don't like him.
23:07I don't like him.
23:07You're a real girl who's dead in the race and a cold.
23:10You're a real girl.
23:11I'll never see you in my house!
23:14You're a real girl!
23:16What do you do?
23:18You're a little girl to save you.
23:20I don't like him.
23:23I'm there.
23:23I'm there.
23:25They'll be able to help you.
23:27They'll be able to make things happen.
23:29You're a little girl who likes you,
23:34But you don't like him.
23:37It's just fine to laugh.
23:38Get out of here! Get out of here!
23:42Come on, boy.
23:44We don't see anything. We'll see you again.
23:59Kajo, what happened? You didn't watch a card without me?
24:15No.
24:15Ivane, listen to me.
24:17Did I lose sight of you?
24:19No.
24:20No.
24:21It's necessary to see you with the doctor and others.
24:25Do you understand?
24:26Did you tell me when you got the diagnosis?
24:30No. No.
24:31No.
24:31No.
24:32No.
24:35No.
25:06No.
25:07No.
25:07No.
25:07No.
25:08No.
25:09No.
25:10No.
25:10No.
25:10No.
25:12No.
25:13No.
25:15No.
25:28No.
25:58No.
25:59No.
26:01No.
26:05No.
26:07No.
26:09No.
26:09No.
26:16No.
26:19No.
26:19No.
26:20No.
26:22No.
26:32No.
26:32of the previous director?
26:34Of course, I don't want to take advantage of it.
26:37My goal is to remain high.
26:41My goal is to get a new marketing campaign.
26:46Yes.
26:47It's very important that, as it relates to,
26:49you can stay in the budget.
26:51I'm a little worried about the budget.
26:56But you don't need to worry about it.
26:59You need to solve the problem.
27:02I'm fine, but I don't believe that something can be spectacular
27:06to be done with such a small means.
27:08Suna, your job is to manage yourself
27:12and to make the task that you've received.
27:15Are you right?
27:17You're right.
27:19I'm going to leave you on the job.
27:29How did you do it?
27:32How did you do it?
27:32You have to know who I am.
27:35And that's how it's going to follow the Vatran church.
27:43Is everything okay?
27:44Okay.
27:49Let's go.
27:50Banja.
27:51Don't ask yourself a stupid question.
27:53Let's go ahead.
27:54Please.
27:55No.
27:55Why are you sitting there?
27:56Go ahead.
27:56I said I have a job.
27:58No.
28:00No.
28:01No.
28:23I said I have a job.
28:27I should go ahead.
28:28No.
28:29What are you doing?
28:30I will be the girl.
28:31I'm the girl.
28:32I'm the girl.
28:33I just came to say I love you, ta-ta-ra!
28:42What are you doing?
28:43You know how I'm happy today.
28:45I'm so nice.
28:46Everything is nice.
28:46Even you, baby.
28:51Now you need to ask me how I was singing at the time.
28:57What are you doing?
28:58It's a bit strange.
28:59What do you think?
29:00What are you doing?
29:02What are you doing?
29:03What are you doing?
29:05What are you doing?
29:06What are you doing?
29:08What are you doing?
29:10Tell me.
29:12Olga said that I'm the real potential.
29:16I'm becoming a star.
29:19I'm going to be a couple things.
29:21What are you doing?
29:22It's important to me that I'm a talent.
29:25Okay.
29:26Do you know what I'm saying?
29:28What?
29:28She told me that I'm a lot of potential.
29:31Then she asked me to play thrillers.
29:33Do you know what are thrillers?
29:34How do you know?
29:36The film genre, right?
29:38Yes.
29:40No, baby.
29:41I thought I was going to play for a film.
29:45It's really music.
29:47Do you understand?
29:48What a stupid joke.
29:57What a practical joke.
30:03No, baby.
30:04Okay, I'll tell you about it.
30:05Good.
30:05You're a coward.
30:06That's awesome.
30:08You're all right.
30:09Good.
30:10You're a coward.
30:11You're a coward.
30:12You're a coward.
30:12You'll amount the to the thrillers.
30:13You'll be the potential.
30:14Come on, you're a coward.
30:17Okay, baby, I thought I was going to ask you how it goes on those hours.
30:26That's someone who has lured you on the job.
30:29That's right.
30:30You need someone to hold you a little bit, to let you go.
30:37I have to do something.
30:39I have to do something.
30:40I have to do something.
30:41I have to do something.
30:43I am starting.
30:44I want to say something.
30:49Da-na-na.
30:51Na-na.
30:53Na-na-na-na-na.
31:12It's open, it's open.
31:15Help me out.
31:16Take this trip.
31:17Anyway.
31:20It's open.
31:20All we are playing today are the same이었 You have to take off you.
31:21I'll try it!
31:22Evo mi je, ona mi je!
31:26Evo, dužo mojo, ljubav moja, demojka velika, sunce moje, dozla mi je, ona mi je, dozla.
31:35A ja, a ja...
31:36O, mama ljubomorna.
31:38I ti živi, dozla i ti živi, dozla.
31:41Idemo brzo da ti pokažem tvoju sobicu.
31:44Ajde, držite ovo, nosite.
31:45Gdje ćeš sada da mi budeš?
31:47Ajde, ajde.
31:47Nema, nema.
31:49Posle ćemo.
31:49Tamo je sve.
31:51Trči da ti pak i tvoja pokaže sve.
31:53Trči, trči!
31:55Nado, ajde da jednu katvicu ja stavim.
31:59A može da jednu rakicu s kafu?
32:01Može, sve, može, sve.
32:04A pod jednim uslovom?
32:05Da ja skuvam kafu.
32:07Možeš ti da kuvaš kafu, ti i samo ti.
32:10Jel ti kuvaš kafu, kako sam te učila po mojoj meri i ukusu dušo moj.
32:17Ajde, da nam je džesma.
32:18Gdje je džesma?
32:19Gdje je džesma?
32:21Gdje je džesma?
32:21Gdje je kuhinja?
32:22Gdje smo to mi?
32:23Dobro, nemoj.
32:24Ajde, džesma, ajde.
32:26Džesma je na starom mjestu.
32:27Na starom mjestu.
32:28Sluši ti prdavče, matori.
32:30Čulo sam te za rakiju.
32:31Riječ nisu rekaš.
32:32Molim, prdavče, jedan starji.
32:34Staj, ja ne čujem.
32:35Dobro, jeli?
32:36Jeli?
32:37Ne, ne, kaži to, pa četam.
32:39Džesma je na starom mjestu.
32:41Stupaki.
32:43A ovo?
32:45Odkad ovo držiš kod džesme?
32:47Hm?
32:52Ja.
33:08Olga, moram nešto važno ti kažem.
33:13Nije dobro, nije dobro, nije dobro.
33:15Nije.
33:19Još malo, ja neću videti ništa.
33:26Olga, vidi.
33:30Uskoro će se naše životi mnogo promeniti.
33:35Ne, ne, ne.
33:36Nije dobro, suviše dramatično.
33:39Reći ću joj.
33:42Vidi, Olga, bio sam kod lekara.
33:46I prognoze nisu dobre.
33:49Moj vid je dosta oslabio i uskoro možda...
33:55Ma ne, ne, ne, ne, ne, ne, ne.
33:58Ništa, reći joj direktno.
34:01Bio sam kod lekara i on mi je rekao da ću verovatno izgubiti vid.
34:06Da, tako ču, tako ču da kažem.
34:16Moj videti mi je.
34:19Moj videti mi je.
34:20Moj videti mi je.
34:21Moj videti.
34:22And let's go.
34:38Oh, how...
34:41Oh, how...
34:42Oh, what?
34:45Oh, what?
34:47Yes, yes.
34:51Good morning.
34:56How are you?
34:58Great. Good morning.
35:01Yes, now I'm good for now, but it will be difficult,
35:06because now I'm not going to the other place,
35:10I'm going to move on.
35:12I'll be fine.
35:14I don't think so.
35:15Really.
35:16Just tell me, I'll leave you alone.
35:20Problematical.
35:22If you need something, I pray for you to me.
35:26I have one.
35:38Great girl.
35:40I think we don't drink from the same extent.
35:44What?
35:45Let's go.
35:46Hey, come on.
35:47Hey, hey.
35:48Hey, hey.
35:49Hey, hey.
35:49Hey, hey.
35:50Hey, hey.
36:08Hey, hey.
36:11Hey, hey, hey.
36:13We'll take you in game.
36:15Give me more games.
36:16On time!
36:17You've got all that out of here.
36:24Now I'm going to kill you!
36:37I just want to tell you, I think it's the right moment
36:41that I'm going to run even deeper into a job
36:43and that you'll find me somewhere
36:44a next step at a super cool place.
36:52What am I going to hear?
36:55Wait, do you want to be a star?
36:57Yes.
36:58How do you do that?
37:00A lot of jokes.
37:00A lot of jokes.
37:01A lot of jokes.
37:02A lot of jokes.
37:02A lot of jokes.
37:03A lot of jokes.
37:05A lot of jokes.
37:06How do you do that?
37:07Well, Diana, I'm going to sing any one.
37:10How do you think you're going to sing any one?
37:26Could you hear me?
37:27The East Man!
37:28The East Man!
37:29The East Man.
37:31The East Man!
37:34The East Man!
37:36When did you try you?
37:40Where did you sit down?
37:40Where did you go from?
37:41Yes.
37:43Wow.
37:43Where are you?
37:45We didn't see you.
37:46No, don't kidding.
37:47Who did you get at the same time?
37:49I don't know.
38:01I'm here to bring you good news. I hope you'll be good.
38:04I'm listening.
38:05It looks like it came to mind what we were talking about.
38:09Who is it?
38:11Reli.
38:12Reli?
38:13Yes.
38:14I don't know what happened.
38:17I don't know what happened. I hope you're right. I can't win my mom anymore.
38:34I didn't understand that, but I thought it was probably a bigger purpose and it was necessary to help you.
38:40I wouldn't be able to help, but this is a specific task, because of the fact that for the campaign,
38:49we have zero dinars.
38:50I don't know what happened.
39:19Aha.
39:20I don't know what you have to say.
39:23I'm not sure what you have to say.
39:46I want you to tell me who you are.
39:48That's not coming, I told you.