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00:00Transcription by CastingWords
00:30Това е нашия мотор. Не си ли го спомняш?
00:32Ай, сега си спомниш.
00:34Ти тръгна сам и прегърна те морето
00:37Ще ти на пълния цел за мен!
00:40За мен! За мен!
00:43Усеща мая злоба в сърцето
00:46Ще си изкараш ли живота си с мен!
00:51Айде певицата да ми отвори кислите красни.
00:54Въвчки!
00:55Си случая, това е моторът, с който за първи път те завървах на дискотека.
01:00Не, Коцани!
01:01За първи път ме заведе с кола,
01:03която бутахме, защото беше завърдил бензин за 4 лева.
01:07Не! Тогава въобще не успяхме да отидем!
01:11Помня!
01:11Аз ти говоря за когато успяхме!
01:15Виж какво, дори да сме имали такъв мотор,
01:17при всички случаи не е бил толкова...
01:20Мощен!
01:22Очукан!
01:23Я, я, я, седи! Си спомниш!
01:24Си спомниш!
01:26Дах ти взел една възгналница,
01:28и по следата на път ще се скъса и фърча перошина зад нас.
01:32Спомниш?
01:35Си ли спомниш?
01:37Та тарата...
01:38Качи, не си спомнил да се има откъв мотор.
01:41Ни как се в рача?
01:43Виж го, същия.
01:45Сала му добави 10 години, наоткрито в Автоморга.
01:50Значи, се е пък си го взе от боклуха, така ли?
01:52Ах, Казино!
01:54Еми, видях го.
01:57Не се стърпях като нахлуха ни спомени.
02:00И си платил за него, така ли?
02:02Oh, that's the time of the day.
02:04Do you have so much kiseli krastavichki?
02:05You're a lot of philosophy.
02:09You're a lot of the time that you had to remember.
02:11But the time that you had to remember.
02:13But that's why I don't remember him.
02:16And I'm going to throw you from here.
02:22How can you remember him, Peter?
02:58I'm going to show you how to show you.
03:02And how much time do we need to do it?
03:05For the first time, it was about 10 minutes.
03:11Yes, I'm sure I'm young and motivated.
03:155 minutes.
03:17Who is the number?
03:194.
03:20For the fact?
03:21It's for the fact.
03:23Okay.
03:27Good morning.
03:28Good morning.
03:30Good morning.
03:31Good morning.
03:32Good morning.
03:36Good morning.
03:36You, близнаците, are a amazing thing.
03:39You are a amazing thing.
03:41What is this?
03:43It's a cactus.
03:48So, I'll ask you a question for you.
03:52Are you ready?
03:56I'm sorry.
03:59I'm sorry.
04:06I'm sorry.
04:08I'm sorry.
04:20I'm sorry.
04:37I know, I'm sorry.
04:37I don't want to live there because we don't have a apartment.
04:37He doesn't like to drink beer, he doesn't drink beer instead of water.
04:45So maybe it's better to live with your baby, regardless of what you are doing.
04:49It's not so comfortable.
04:51She lives on the second stage,
04:53but we only have special guests.
04:56Yes, yes, and everyone calls Mama Emy.
05:00So, you said that and Vujo is living with you.
05:03Yes, he has a laboratory in the maze.
05:05In the rare cases, when he comes out there, he goes like a lion.
05:09Look, I'm going to get up in the morning for you,
05:13so I'm going to get a little closer to your case.
05:16Why am I going to get up?
05:18I'm going to get up, yes.
05:20Let's go, let's go.
05:35Let's go.
05:37Let's go.
05:38Let's go.
05:39Let's go.
05:41Let's go.
05:42Let's go.
05:43Let's go.
05:46Let's go.
05:46Is there? There is.
05:48Do you remember? I tried to cut the shorts out of dance.
05:54Do you remember how to cut it in a night?
05:56How is that?
05:58The electrician, as I see, I tried to explain it.
06:05This was my favorite part.
06:11Disco!
06:15It's a rock and roll, baby!
06:18Go, go, go, go!
06:19Yeah!
06:21Oh, yeah!
06:22Oh, yeah!
06:25Oh, yeah!
06:26Hey!
06:29Look at how it was at the time, huh?
06:31I don't want to have a win.
06:34Do you know what it is?
06:35A sausage.
06:36What a sausage? It's not a sausage.
06:38This is Chalvar.
06:39This is Charleston.
06:41And my mother, how sweet it was at the time.
06:43Oh, yeah, yeah.
06:45I got a hookah again.
06:47Now I got a hookah.
06:48I got a hookah.
06:49I got a hookah.
06:49I got a hookah.
06:54I got a hookah.
06:58Oh, God.
06:59I got a hookah.
07:02I got a hookah.
07:03I got a hookah.
07:04Yeah.
07:04I got a hookah.
07:07I got a hookah.
07:12Oh, yeah!
07:13If you see in such a situation, you'll be free from a month.
07:30This is something that works for sure.
07:37I told you...
07:39I don't want you to die.
07:41It's strange that you don't want me to die.
07:58Hello?
07:59I'm a psychologist in the department.
08:04Hello.
08:05I'm sorry.
08:06I'm sorry for that.
08:08Just my new life and I'm not a man.
08:13Don't do it.
08:14I'm fine.
08:14I'm fine.
08:15I'm fine.
08:16I'm fine.
08:17No, I'm fine.
08:18I'm fine.
08:19I'm fine.
08:20I'm fine.
08:21I'm fine.
08:24I'm fine.
08:24Okay, okay?
08:26I'm ready.
08:30Let's go now.
08:32There's no problem, don't let me go.
08:34What is your mom?
08:36In the toilet.
08:38She's a little bit crazy.
08:40Is it a lot of times?
08:41What?
08:42That's a lot of men.
08:44I don't know.
08:45I don't know.
08:51Kocy,
08:53the school psychologist
08:54on Lachko Izara is here.
08:57Kocy, Kocy,
08:58I'm happy.
09:00Spokoi.
09:03Sednete.
09:06What did you do to the time,
09:08I love you.
09:10I didn't miss you.
09:12I didn't miss you.
09:14But you did it with the old people.
09:17I got a lot of friends.
09:19I will never get back to the old people.
09:20I'm sorry to go.
09:28I'm sorry.
09:28I'll give you this one.
09:29I'll give you this one.
09:30I'll give you this one.
09:30I'll give you the one.
09:44They are such a lot.
09:46You know? But what do I do? I don't want to get them out of the street.
09:51You are probably my mother Emy.
09:54Yes.
09:55I'm a psychologist for the school.
09:56I'm a psychologist for the school.
09:57Bravo!
09:58After someone knows that these children have a need for professional help.
10:03It's not a problem for the children.
10:05I'm not sure what you see.
10:06You are so beautiful.
10:08You are a psychologist for the school.
10:10Why do you wear this bracelet?
10:12They are very ugly.
10:15No, no, no.
10:16They have a color and taste.
10:20It's like that.
10:22They are so long.
10:23I'm not sure what I'll call that.
10:26I'm a doctor.
10:26I'm a doctor.
10:27And I'll come back to you.
10:29I'm going to get you.
10:31I'm a doctor.
10:33I'm a doctor.
10:34I'm a doctor.
10:37I'm a doctor.
10:37Iskara.
10:37Emko, what are you looking for at this horrible place?
10:41I'm going to get out of here.
10:44No.
10:45No.
10:45No, I don't think I'm going to try to check if I didn't miss anything at the end of the
10:50day.
10:52Something that you see on the end of the day?
10:55No, I'm telling you that you're the one in the laboratory for drugs.
10:59What are you doing?
11:02I hate you.
11:04I work and experiment only with substances that are allowed by the law.
11:08I'm sorry.
11:08I'm sorry, but after everything that I saw, I'm going to go to social media.
11:15What social media?
11:17The children are scared.
11:18Your sister is a pyroman, your mother, your mother, your mother, your mother.
11:24She wants to work in the public.
11:30Anastasia...
11:31She made a caramel cream.
11:33She's been eating with the media, but...
11:35But...
11:37But...
11:39Mom...
11:40We can't criticize her.
11:42We all live in the house.
11:44Okay.
11:45I'm going to do a sequence with the whole family.
11:49But I'm going to do it for you.
11:51Just for you.
11:58And so, let's start.
12:00Let's start.
12:01As you know, after the conversation with the children in school, yesterday, I decided to get to meet with the
12:07family.
12:07But...
12:08But...
12:09What nonsense are you talking about.
12:11I hope that this is the last time.
12:13The last time.
12:14The words didn't have to warn you.
12:15I'm going to warn you.
12:16I'm going to get to meet you, my mother.
12:19That's why this is the question.
12:21I'm going to ask you, my mother.
12:21Look, in a family, the children always have to feel that they can track their parents and share their parents.
12:27And...
12:28How do you deal with the situation, my mother?
12:30I'm not a woman.
12:32I'm a woman.
12:33I'm a woman.
12:33I'm a woman.
12:33I'm a woman.
12:34I'm a woman.
12:37I'm 27.
12:38Yes, I'm 27.
12:41And if you have an serious relationship with a woman, that means that you have a problem with your marriage.
12:47You have the day.
12:50You have no clue and you have on your marriage.
12:56You have the say.
12:57Yes.
12:57It is creditors with my mother.
13:00Mmmm means that it is an marriage that Omar we are paying for you.
13:04You have the last date.
13:05I'm a mother.
13:05Yes.
13:05It's not that way.
13:07That's not the reason for this Call of color.
13:10That's a sign, demura.
13:15Let's try my oboeufs.
13:18Give me a crotchet.
13:19But these oboeufs are garcons.
13:21It means they are not for you like this.
13:24Now if you try my oboeufs,
13:26you see the top, you see the color,
13:28you see the red,
13:30you see the red,
13:32I'll give you the red.
13:34I'll give you the red.
13:36Mrs.
13:37I like the top top,
13:39but you know that woman
13:41never gives any advice without any kind of thought.
13:44What can I do from high oboeufs?
13:48I don't know.
13:50You can see the red,
13:51you can see the red,
13:54you can see the red,
13:55you can see the red.
13:56Or you can see the prince in your heart.
13:59You know what I'm thinking about?
14:02According to me,
14:04the inside of you is against me.
14:07He decided,
14:07you don't want to have children.
14:09But,
14:10there is an inside of you,
14:13you know,
14:14there is an inside of you,
14:15you know,
14:17you want to have children.
14:17And you,
14:18you,
14:19you,
14:19you,
14:19you,
14:20you,
14:20you,
14:24you,
14:29you,
14:45you,
14:46you,
14:46you,
14:47you,
14:47you,
14:51you,
14:51you,
14:56you,
14:57you,
14:57you,
14:58you,
14:58you,
15:00you,
15:00you,
15:01you,
15:02you,
15:02you,
15:04you,
15:06you,
15:07you,
15:07you,
15:08you,
15:08you,
15:09you,
15:19you,
15:21you,
15:21you,
15:22you,
15:27you,
15:27you,
15:28you,
15:28you,
15:29you,
15:30you,
15:31you,
15:31you,
15:31you,
15:32you,
15:33you,
15:33you,
15:34you,
15:34you,
15:35you,
15:36I don't think you should be a victim of my own complexion.
15:40Another way.
15:41A moment.
15:45Let me ask...
15:48How do you make a person to remember something?
15:52In the moment, professional confidence is very hard.
15:56But in principle, the theory is to make a full reconstruction of the situation.
16:01A reconstruction.
16:02A reconstruction, aha.
16:04Let's live, my girl.
16:09Let's go, let's go, let's go.
16:14I told you about my mind.
16:19Help!
16:21How are you doing?
16:23Let's go!
16:25Let's go!
16:26Let's go!
16:28Let's go!
16:31Let's go!
16:33Let's go!
16:35Let's go!
16:36Let's go!
16:40I'm done!
16:57I don't know what to say.
16:59You remember me?
16:59Oh, you will be able to get me.
17:02Oh, that's how I said before 15 years.
17:05You remember me?
17:07No, nothing.
17:08No.
17:09Why?
17:10Why?
17:12I'm not going to go.
17:14I'm not going to go.
17:16How are you going to go with the other hand?
17:20I'm going to go.
17:23I'm going to go.
17:24I'm going to go.
17:24I'm going to go.
17:25I'm going to go.
17:26I'm going to go.
17:31I remember a wonderful evening after we were left.
17:35I'm going to go.
17:36I'm going to go.
17:39I'm going to go.
18:02I'm going to go.
18:06I'm going to go.
18:10I'm going to go.
18:11No, seriously, do you want me to do it?
18:16Hey, hey, hey, hey.
18:24I'm trying to figure out how to make my calendar.
18:27Maybe he, who wrote it, will die.
18:30Do you want me to open it?
18:36Do you want me to open it?
18:38Why?
18:39I don't want to tell me that they are in the school.
18:42And I don't want to tell me that they are in the school.
18:45I don't want to start.
18:51Hey, is there anyone?
18:53Oh, lady, come on!
18:55Oh, lady, come on!
19:00I'm going to go!
19:05I'm going to go!
19:06But you are the evening evening?
19:09Yes, we will leave it to decide.
19:12Yes, they where are?
19:13They where are?
19:13For two weeks.
19:15Two weeks?
19:16Yes, we will leave it.
19:18We will only tell you that we will leave it.
19:22Yes.
19:23So...
19:24Come on.
19:26Where are you?
19:27Where are you?
19:27We are here.
19:28I can't wait for you to leave it in this place.
19:31It's a mess.
19:34It's a mess.
19:34It's a mess.
19:35It's a mess.
19:35It's a mess.
19:37It's a mess.
19:37It's a mess.
19:38It's a mess.
19:52Good morning.
19:54Good morning.
19:58Good morning.
20:00Good morning.
20:04Constantine.
20:06Do you have something to tell me when you look like this?
20:12How are you doing?
20:13You don't want to be so stupid. Where are you?
20:19Where are you?
20:19Where are you?
20:22Yes, but I have two. Where is the other one?
20:25Do you see the children?
20:28No, don't change the topic. I have a dessert.
20:31I have a drink.
20:33Kostadine, did you see the children?
20:35I've never been looking for the whole house.
20:37Maybe they are at the university.
20:39Kostadine, what did you do today?
20:42They may not know.
20:46Why are you talking to me?
20:48I'm enjoying the peace, which is our home,
20:51before the two-lutrasvukes are bought.
20:57I'm going to go to Nadia.
20:58It's been a dream.
21:02I'm going to go to Nadia.
21:03I'm going to go to Nadia.
21:05I'm going to go to Nadia.
21:06What did you do?
21:07I'm going to go.
21:08No, Nadia.
21:09What's your concern?
21:11Kostadine, why are you concerned?
21:11You're going to get a cup of tea.
21:13And when you go to my house, I think you don't trust.
21:16I'm going to go.
21:17No, I'm going to go.
21:18Let's go!
21:22You can tell me what happened to you.
21:27I'm very sorry.
21:29Yesterday I had to tell you that I'm sorry.
21:31But I told you that I'm sorry.
21:34And I took you with me.
21:35But you can take me when you took me.
21:39No, no, no, thank you.
21:41I don't have to take you.
21:42I've seen such beings.
21:44These are not the children.
21:46What?
21:46What?
21:48What?
21:49That's what we said before you came to me.
21:52I'm very sorry.
21:54What?
22:00A baby.
22:01A baby.
22:03A baby.
22:03What a baby.
22:07A baby.
22:18What a baby.
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