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00:00We only eat spaghetti.
00:01We go to the apartment of my mother.
00:03Why don't you tell me that you live in your house?
00:05I want to see you in your house.
00:09Yes, for this evening.
00:11When we're out, we forget the opportunity...
00:14...to make peace again in the morning.
00:18The last time, when I'm in the car,
00:19I'm getting to Russia.
00:22Hello, dear friend.
00:25Do you know your wife?
00:27Yes.
00:28Yes.
00:30You can start now.
00:31If this evening the hotel is in the car,
00:35he will stay at our house.
00:40Tony!
00:41Yes.
00:44Where is your house?
00:46My house is your house.
00:50Tell me, that's not a joke.
00:54It's not a joke.
00:54It's not a joke.
00:58It's not a joke.
01:00It's not a joke.
01:13It's the best.
01:15...
01:17It's a joke.
01:24It's a joke scene
01:25That, as long as you can get most holier.
01:28It has heard of chemicals.
01:34She knows that love and show business always goes back to the side.
01:45Back to all the reports, my wife is going to reach 49 and is going to be like a balloon.
01:55And my mother knows that she doesn't have any problems with her.
02:02And my mother knows that she doesn't have any problems with her.
02:03And for her husband, who doesn't have any problems with her,
02:06after her husband, she has to pay for everything.
02:09And that's why the new family's name is
02:11The client is on everything.
02:14I think that you have a problem with her.
02:15I think that you have to pay for many people.
02:17I think that you have to pay for at least 10 minutes.
02:20And patients who have to pay for it.
02:24And that you have to pay for 10 minutes?
02:26Yes.
02:27That's why you have to pay for it.
02:28And you have to pay for it.
02:31And we have to pay for it.
02:33Because the two of us are very angry.
02:40And with some of the other people,
02:42we have to pay for it well.
02:45But besides that, we're in the car and we're in the car.
02:48And the car is…
02:51…and the car is extremely successful.
02:53And you can even get to the car.
02:56We've done it everywhere.
02:58We've done it.
02:58On the stadium.
02:59On the car.
03:00On the car.
03:01On the car.
03:02On the car.
03:02On the car.
03:03On the car.
03:07On the car.
03:08On the car.
03:10On the car.
03:10On the car.
03:11On the car.
03:14On the car.
03:15On the car.
03:17On the car.
03:18On the car.
03:19On the car.
03:21On the car.
03:23On the car.
03:24On the car.
03:35On the car.
03:39On the car.
03:53On the car.
03:55On the car.
03:58On the car.
03:59On the car.
04:00I told you that to get into the mind of the people,
04:03I'm going to tell you about it.
04:05Except for this, I'm going to exclude you from the description.
04:08But the idea that you talk about other people,
04:09is that you don't have to go on?
04:11I'm going to go on with you.
04:12I'm going to go on with you.
04:14Well, doctor, I'm going to say yes.
04:19Yes or no, to write a book.
04:21To write a book or not.
04:23To write a book or to write a book.
04:24To write a book or to write a book.
04:26That's it.
04:26I tell you.
04:27Yes, you tell me.
04:29Do you want to write a book or not?
04:31Seriously, you want to take a book out of your book?
04:35Because if I'm like this, I'll meet you with the editor.
04:40I'm a good writer.
04:42I'm a good writer.
04:42I'm a good writer.
04:44The next day I'll give you a bit.
04:46I'll give you a bit of money.
04:48Okay.
04:49I'll know how to motivate you.
04:53I'll see you.
04:56I'll see you.
04:59I didn't say anything.
05:01Oh, I can't remember how I'm sorry for the abuse of the Liya.
05:06I'm sorry, Tony. I want to hear him again.
05:10Mickey?
05:11Prezerva TV.
05:13Not a bag for a bag.
05:14And if you haven't been using it, there's no explanation.
05:18It's not something to have another.
05:22Maybe we can give it to you.
05:24I know.
05:26Maybe some advertising campaign.
05:28They do so.
05:30Yeah.
05:30Maybe they're in the hospital.
05:32Maybe they're in the hospital.
05:33Maybe I don't have any evidence.
05:35But you don't want to show them the truth.
05:39You know what?
05:41I'll be following them.
05:43And I'll be back with the back of the car.
05:47You'll be in the detective agency.
05:49And if you're not a victim, nothing is going to happen.
05:52You can't remember that 20 hours of the car.
05:54I don't have any money.
05:55You know what you mean?
05:57You can't remember that 25 hours of the car.
05:58I don't know.
06:04I'm sorry.
06:04I don't know.
06:05I don't know what you think.
06:08I don't know.
06:09I don't know.
06:10I don't know.
06:11It's the only one, the most efficient one, who doesn't have anything to do.
06:16Sex.
06:17You'll make it with sex.
06:19Please?
06:20You want to do it constantly.
06:23And if another person gets in love, it doesn't have to go to you.
06:26That's the only way to do it.
06:56It's the only way to do it.
06:58What are you doing here?
07:00In the cabinet, they are very small.
07:04They are kind of snipper, and they are always looking for the next step.
07:09I want to change the style.
07:12When you look at me in the eyes?
07:16I don't want to say anything.
07:22What do you think?
07:26I don't want to change my mind.
07:29I want to change my mind.
07:30If you don't want to change my mind, you will not be able to change my mind.
07:34I don't want to change my mind.
07:39You can't do it to your wife.
07:43You want to be a good friend.
07:45You will be a good friend.
07:47Good.
07:47Good.
07:50Good.
07:51How is it?
07:52Good, Tony.
07:54You are not special.
07:55You are not special.
07:57Why did you say that you are free?
08:01When I saw you, I was able to change my mind.
08:04Who is it?
08:05Who is it?
08:05Who is it?
08:06Who is it?
08:06I don't know.
08:08I don't know.
08:09I don't want to change my mind.
08:11If you want, I want to change my mind.
08:13No, no, no.
08:15I want to change my mind because I want you to love you.
08:18That's not an idea of anything to change my mind.
08:22It's a bit strange.
08:23It's been fun.
08:23You can play a smart voice that is.
08:23I don't know.
08:23When I started to get up with you, I was free to fight.
08:26And you can come?
08:30But you can also try it with you.
08:31You have to go, I'm going.
08:34And then I'm going to go to Alexandra on the day.
08:37And I wanted to come together.
08:38Anything for me, Deb?
08:39I don't know what to do.
08:40You're not going to buy anything.
08:43I bought a lot of money.
08:44It doesn't matter.
08:46You've been married.
08:48And I've been with the client's gadget.
08:51If it's not a problem,
08:52you don't have to get in the cabinet.
08:56Everything is done.
08:57We're done.
09:02We're done.
09:02We're done.
09:03We're done.
09:03We're done.
09:03We're done.
09:10You can't get out of here.
09:29I'm not sure I'm going to turn on to Alexander.
09:32Don't ask me why you need to know.
09:35I'm not sure.
09:36I'll meet you with another partner.
09:38You're right.
09:39We'll be looking for everyone.
09:52I'm sorry for you.
10:04I'll take a nap.
10:06Oh, I'm sorry for you.
10:10Are you still talking about it?
10:18That's it.
10:20You can find me.
10:24Do you already pay attention to the pictures?
10:27I've been to the agency.
10:28I've been to two kilograms and I've been to the other one.
10:31But I'm thinking that I've been to the school.
10:34Look at that.
10:37Do you know anything?
10:40No.
10:42I'm going to see you in the school and see what I'm going to do when I'm 80 years old.
10:49So I'm going to get out with Bobby.
10:51You're not sure...
10:54I'm going to tell you something about our video.
11:05I'm going to get out with my car.
11:08I'm going to get out of the school.
11:11I'm going to get out of the school.
11:13I'm going to get out of the school.
11:15I'm going to get out of the school.
11:16Look at this.
11:18Do you see the model?
11:22It's just the young people who look for a young life.
11:26I think they're a-tock.
11:29I'm going to get out of the school.
11:38Yes.
11:38And they're a mother.
11:39My mother!
11:39Who are you trying to take up with my thing?
11:41Have I got out of school?
11:43No...
11:44How are you, Matt?
11:44Are you all interested in life?
11:48I'll find success in your movie.
11:48And then I'll find success in the picture of Picasso.
11:51The Gola women, the vere saw and boust.
11:53The Gola women was at the Christie's for 106 million.
11:56It's a million euro.
11:57It's fine.
11:58With the daughter of the wife, I'm sorry.
12:01Marie Therese Voltaire, she was a mother and a lover of Picasso.
12:05And the plot is in the top 3 of the most beautiful world.
12:10I can't imagine...
12:13Christina.
12:15Did you know art?
12:17Art.
12:19For the first time I met Art.
12:22I love art.
12:24I love art.
12:25Especially Picasso.
12:26When he painted the skulls on his body,
12:31he wanted to show...
12:35The wife has plastic hair.
12:38Sorry about that.
12:39Of course.
12:44Look at me like this.
12:46I'm a good one.
12:47Number one can do it myself.
12:51I'm a good one.
12:52I'm a good one.
12:53I'm a good one.
13:11I'm a good one.
13:20I'm a good one.
13:24I know something people say.
13:27I can't do it anymore.
13:28guests for.
13:31Cheers.
13:35Cheers,
13:46I don't know.
13:48I don't know.
13:57I don't know.
14:29I don't know.
14:31I don't know.
14:33I don't know.
14:34I don't know.
14:35I don't know.
14:37I don't know.
14:37I don't know.
14:38I think she is a little bit.
14:39I'm not a little bit.
14:41I think she's to be the most a bit.
14:42What did you say?
14:43I'm stupid.
14:45I have a desire to listen to me.
14:49I'm 20.
14:51Maybe in the morning?
14:53Yes, I'm good.
15:21I'm a good one.
15:23She tells me that the circumstances are a certain way.
15:26But what makes a考え of the future?
15:30It's amazing.
15:35I'm so sorry.
15:36I'm so sorry.
15:38I'm sorry.
15:40I'm sorry, my partner.
15:42Mama!
15:55So, I see a man and his wife, because I look towards you.
16:00But I'm traumatized by something.
16:02What?
16:05I don't know.
16:08But I'm going to turn to another street.
16:10It's not a massacre.
16:12Is it in LaGlobe or is this a metafora?
16:16I'm looking at the metaphor.
16:20I just look at you.
16:22I'm looking at this card with His love.
16:28With his love?
16:29Yes.
16:32You can find between two parts.
16:36And the two are not lying.
16:39You just have to repeat it constantly.
16:42Sex is the same.
16:45Love is the color.
16:49And humility is the same.
16:55Of course.
17:05Here is the queen, turned back.
17:10I see one...
17:13...bumped...
17:16...a young woman.
17:19She only creates problems.
17:23Does that mean there is another one?
17:26Maybe there is.
17:28Maybe there is.
17:29Maybe there is.
17:33Maybe there is.
17:34Maybe there is.
17:34The queen, which is the same.
17:38It's the same.
17:40If there is another one, there is another one.
17:43The last one, I will give you an idea.
17:56I will give you an idea.
18:08I am.
18:09The card welce doesn't say it.
18:13But it only says that when we are close to the eye it's acceptable.
18:18That's true, that's true.
18:40Hey, how are you?
18:42This is true, that's true.
18:45You mean there's another one?
18:45No, no, no.
18:47It's all my own.
18:48I'm going to move it.
18:50I'm going to move it.
18:51You have to move it.
18:53You have to move it.
18:54And if there's a other one, why should you have to move it to the other side?
18:58Why did you do it?
18:58It's a mess.
18:59But you've got to move it.
19:02I'm going to move it.
19:02Miki, start to move it.
19:04It's in the web, it's in the FBI.
19:06I've discovered that tracker for my analysis.
19:10Just to put it in the office.
19:12You're getting to get it.
19:17Do you want to give me a recipe for love magic?
19:21I don't think I'm Harry Potter.
19:27Hello?
19:32No, it's not a problem.
19:34Yes, of course, I work on the project.
19:38Yes, we can see you in half a minute.
19:40Yes, we can see you.
19:43That's what happened to me.
19:45Why?
19:46Well, it's like a baby.
19:50It's normal.
19:51Alexander Panof is the only client.
19:54After one hour, we'll have a meeting.
19:59Come on, Elia.
20:02Where are you, Kote?
20:06I'm going to leave you.
20:10I'm going to leave you.
20:14Come on, Elia.
20:16Come on, Elia.
20:30Come on, Elia.
20:32I'm going to leave you.
20:34I'm going to leave you.
20:35When I was interested in PR-cats and I realized that I was interested in it,
20:39I decided to get out of the way.
20:42But in Sancto Domingo, I thought I wanted to pay for every second,
20:46which I had to take care of,
20:47so I kept holding my great ego.
20:50And I was interested in being really cool things.
20:51And I was interested in getting out of the street.
20:55And that I had to stop no memory of children in their house.
20:59And so I would like to leave you we would need to take care of them.
21:04I thought I had to leave you.
21:04So I got to leave you.
21:05I wanted to leave you in the same way,
21:07I had to send my grandmother's way back.
21:20the diamonds, Turkish.
21:21It's now the evidence.
21:23It's nice to play with you with your new family.
21:29We'll see you soon.
21:30All right.
21:48I'll see you soon, Slavchev.
21:50How are you?
21:51The director of the Lycee?
21:52Or Rockfest in Cavarna?
21:53I'm a director of the Lycee or the Rockfest in Cavarna.
21:55Cool, can we talk about that in your cabin?
21:57So I'll ask you to be my authority.
21:58In the video, you are a pot and a dead man. How can I do it?
22:04It's a family story. And where are your friends?
22:09I am a sister and I have everything.
22:13Everything is for me. I didn't know how to repeat it in the weekend.
22:17I had friends and...
22:19And?
22:20And a lot of them have put in a lot.
22:23And a lot of them.
22:26It's a good experience, but you can try it more.
22:31Even these stupid things, which I don't believe,
22:34Who can say to the sites that they are making videos?
22:38Who can say to the reporters that they are making out of the door?
22:42Who can say to the image of our elite school?
22:47There's no one.
22:49So today I'm going to stop the course for drama.
22:53And he will go to the club.
22:56He will go to the club for the lingvistica.
22:57This can be more than that.
23:01The club in the club has been a team building.
23:04Super, you may have been a football team.
23:06I don't want to play in the game.
23:07They don't play in the game without knowing each other.
23:10We can't talk about it.
23:12We're talking only with terrorists.
23:17Oh, no!
23:18Odyssey will always be in the game.
23:21Even if not go back to the game.
23:25Can I explain to you again?
23:27Yes, I do a lot.
23:29As soon as you install it,
23:31you can already watch the show.
23:33You can watch the show.
23:36You can watch the show.
23:38You can watch the show.
23:38You can watch the show.
23:39You can watch the show.
23:39You can watch the show.
23:41Here is the USB port.
23:46USB port?
23:48It's a lot of excitement.
23:50Do you know where you are?
23:52No.
23:54I was there.
23:56It's strange that you have a brazilian.
23:59You can watch the show.
24:00I can watch the show.
24:01You can watch the picture, pictures.
24:03And you can watch the minimum a payee,
24:05which means more than infection via the bells.
24:07I have been a 6- scrib...
24:10Which means more than 160.
24:12And a running
24:13The video is with 1500 films.
24:15You can actually get out of the house.
24:18Moment.
24:25What do you do here?
24:27I have a help.
24:29Exactly now.
24:32The man from Vivacom.
24:35If you can't do anything,
24:38this is the office.
24:39No office.
24:40No office, it means.
24:50Tina, not as other people.
24:52With Tina, I can talk about everything.
24:56From Picasso to the markets.
24:59How many people who have known them,
25:01who have made the difference between the Fonds and the Fonds
25:03and the Fonds for Zelenchuk?
25:04No one.
25:05And Tina is doing it.
25:09Doctor, listen to me.
25:13And how much value you are on your scale?
25:15Who?
25:16How much value you are on your scale?
25:18Tina?
25:1910 to 10.
25:20But now the woman has not taken a gift.
25:23But now it's from Tina.
25:26From Tina?
25:26Yes.
25:27I am interested in Tina.
25:31I am interested in Tina.
25:33In the beginning, I didn't want to go.
25:34But she has a lot of a love.
25:35And how did you say?
25:37I did it.
25:38I had a lot of love.
25:39And how did you say?
25:41I had a car.
25:41Even though she was a little.
25:44Even if she was a car.
25:47Even if she was a car.
25:50Although she had no need.
25:52But she didn't leave.
25:53But she didn't leave.
25:55It's okay.
25:56Tina is a lot too.
25:59I don't know how much I think.
26:00I don't know how much I feel.
26:01I don't know...
26:04I don't know if I have a relationship.
26:06I don't know how much I feel.
26:07You've got a relationship with her.
26:10I don't know if she was a deal.
26:14Good.
26:14Yes, exactly.
26:18And then you started to get rid of the prostitute.
26:20We didn't understand that.
26:22We didn't have a problem.
26:24Doctor, what do you want to say?
26:25I'll talk about the next step.
26:28I'll do it.
26:29I'll do it.
26:39Alexander?
26:40Doctor, you tell me that you're going to kill me.
26:42Yes, exactly. But I'll do something.
26:43Also, I'll be back in your office.
26:45Yes, exactly.
26:47I'll take you to the next step.
26:49I'll get you to the next step.
26:51And I'll take you to the next step.
26:54Yes!
26:55I didn't have to go to the bar.
26:58They started drawing the article.
26:58I said, not to see the course.
27:01And I wanted to have a better story.
27:05That's right.
27:06Because I didn't have to take someone to go,
27:08and if things can depend on me,
27:10I think you're getting rid of it.
27:11You're scared.
27:15I'm actress. I'm playing electric.
27:19I'm Nina Zarechna.
27:21I'm a bus driver of the bus.
27:23No one was not my success.
27:27They tried to imitate me, but...
27:30All of them got out!
27:33Now you can become a director.
27:36No. I'm a hobby.
27:43No.
27:57Now we're going to talk about the modern art of the second half of the 20th century.
28:04Here.
28:08Professor, this isn't a monster for the moket?
28:12It's the famous picture.
28:15It's the red-green picture of Gerhard Richter.
28:19It's one of the most modernists of the 20th century.
28:22But I'm not sure.
28:24I'm not sure I'm going to show you more than ten minutes to show you.
28:28And if I need to put it here in Halle, I'm going to take care of it.
28:33I'm going to take care of it.
28:35I'm going to take care of it.
28:37I'm going to take care of it.
28:40I'm going to remind you of El Suart Kelly.
28:42He didn't have a love Kennedy.
28:44He's got a name.
28:47He's got a name.
28:48He's got a flower on Kelly.
28:52I'm going to see him.
29:06I'm going to take care of it.
29:08I'm going to take care of it.
29:11I'm going to take care of it.
29:16Yes.
29:26Trystina?
29:27Yes, Taniya.
29:32My business partner is going to meet me in the next day, I will finish.
29:40Tocca 6-1, something that should happen?
29:43Do you want me to tell you what is Tocca 6-1?
29:46According to me, I'm going to try my own quality of the roof after picking up and sending it to
29:52the object. What is that?
29:53I'm just trying to check my mind.
30:01Chef!
30:02Come on, little!
30:18Stay!
30:19For me is enough!
30:20Come on, Lina!
30:22I'm not sure I'm going to go with the house!
30:30The point is to pay attention to the price of the price of the price.
30:34I'm not paying attention to the price of the price, but I have to do something.
30:38I'm not paying attention to the price of the price.
30:40I'm ready for the price of the price.
30:41I'm sorry.
30:43How do you say this a...
30:45What would you say?
30:47That's 20,9 money...
30:49But how should I buy the house of the house见?
30:52I'm as so Verbnik of the business.
30:57Maybe it's a good job.
30:58But most of them have the chance to do something to make it,
31:01and have to prepare.
31:03What can I guarantee you that I'm going to work on?
31:05I want to be Maria.
31:07I'm a brand of intelligent students.
31:09Some of them are almost presupuesto for me.
31:11I'll pay 20,000 in the morning, if I'm a fan of the project.
31:16So we don't want to do this today?
31:18I just want to do it again.
31:2011 in office.
31:23Prepare to be killed.
31:25I don't want to meet you.
31:28Let's go.
31:29I'm going to go.
31:31I'm going to go.
31:58I'm going to go.
32:00I'm going to go.
32:02I've been given to you something else.
32:03Except for the other ones.
32:05There's already a collection.
32:07These are very much more.
32:11They remember the picture of Gerhard Richter.
32:14It's red.
32:15I'm going to go.
32:18I want to make you something.
32:28I'm going to go.
32:34I'm going to go.
32:36Hey, tell me about the pictures of the pictures.
32:40I'm going to go.
32:41I want to go.
32:42How long are you?
32:43I don't know.
32:45I'm going to Buddhism.
32:47I'm going to sleep.
32:50I'm going to go.
32:50I'm going to the bank.
32:51As soon as I finish our plan,
32:53we will be able to.
32:53Okay?
33:33Милича, какво е станало?
33:35А си почна да работиш в работа.
33:38Лицето ти?
33:40Нищо не е. Сапка се в даража.
33:44Що в чешафите ли има трети?
33:46Довършвам презентация.
33:48Ако мина успешна, утре ще подпиша договор с първия си клиент.
33:52Пак ще бъдем богати.
33:55Само за едно да не е за сметка на времето ни в работа.
34:00Неестествено.
34:01Искаш ли да ти направя масаж?
34:03Като ми кажеш неестествено или да ни си го провеждам. Да, разбира се.
34:08И за кого ще работиш?
34:09Сигурно за нея, ако е първен дед, не може да направи разлика между Рок, ако е Барок.
34:14Ти дори има го познаваш.
34:16Искал си ми повече време заедно.
34:18Миличак, обраха ни дори бижутата. Как мога да откажа проекта?
34:22Работя в кабинет. Дам лекции в университет.
34:26Вещо лице съм за да изкарвам достатъчно за един живеем нормално.
34:30Така че кое е по-важно? Аз или поръчката?
34:33Що ме караш да избира между двете?
34:36Кой ме заеден?
34:37Ще ти направя сандвич.
34:39Сандвич. Нали? Цял ден шаро блъска за сандвич.
34:43Те разбираш ли?
34:44Не, защо искам да избираш между мен и поръчката.
34:49Сандвич.
35:01Надявам се, че мяло си и добри новини.
35:04Бяха двама от надежда. След 10 минути на машината си казаха всичко.
35:09За това вече ми е доста задължен.
35:11Ако не е, той има и други в списък.
35:13За разлика от него те не са подходящи.
35:16След като е стъпил веднъж на криво, ще стъпи пак.
35:18Погрежи се да му се обавят.
35:43Плъс.
35:43Плъс.
35:44Плъс.
35:46Плъс.
36:00Плъс.
36:08Извинявайте, чесък съснях на тръжата какво подарък на племе Никс.
36:11Today it's about 6.
36:12Hey!
36:14When all of the assistants are on, I don't have to worry about it.
36:25This is Sofia in 1908.
36:28It was in which you were built in your house.
36:31After the ending of the Austrian architect Thomas Spreger,
36:35the people were cut off.
36:37The whole thing is to happen again.
36:40I made a project and realized that the original parts were disappeared.
36:45But I connected to the architecture of Thomas Spreger in Vienna.
36:50They kept archives from 106 years ago.
36:54Voilà.
36:59I'm impressed.
37:02The idea is to modernize the house without being left out of the classic.
37:06And since you're a man, I know that you want to be a place that you want to be useful
37:13and useful for your life.
37:14It starts with the entrance.
37:18But here is nothing.
37:20I've got a file.
37:22This is a file.
37:23It's a file.
37:24Yeah, exactly.
37:25It's not going to die...
37:29It's a failure.
37:30It's now a failure.
37:31Isn't it a failure to make mistakes as an architect?
37:33I'm a architect.
37:46When we're excluding the colors,
37:49what is the most difficult project?
37:53I think this is what I'm doing.
37:57I don't know how to do it, but
37:59I don't know how to do it.
38:03But I don't know how to do it,
38:04but I don't know how to do it.
38:12It's absolutely right, Doctor.
38:15She's an elite one.
38:17She's got three eggs at the same time.
38:20No.
38:24She's got a picture of the gadget from Porto Zante.
38:29And it turns out,
38:30that my gadget is his gadget.
38:33Here you go.
38:35You can see it.
38:36You can see it somewhere.
38:37The whole number is hidden in the gift.
38:40But I'm not sure how to do it.
38:41You said...
38:42I'm sorry.
38:43You're not sure.
38:44You're not sure how to do it.
38:45I'm not sure how to do it.
38:54I'm not sure how to do it.
38:59How do you do it?
39:13I'm not sure how to do it.
39:16He's got the presentation.
39:19He's got the prism.
39:21He's got the man.
39:23He's got the file for the project.
39:25He's got to do it.
39:27Because he's got to do it.
39:30Because he's got to do it.
39:32Because he's got to do it.
39:34He's got to do it.
39:35He's got to do it.
39:38Did he do sex?
39:41No.
39:42And how many months did he get to do it?
39:45He's got to do it.
39:46He's got to do it.
39:49And if there was another one,
39:51he didn't fight for me.
39:52Oh, Miki, don't you see this is a strategy?
39:54He's got to do it after he's got to do it.
39:57He's got to do it.
39:58He's got to do it.
39:59I don't want to do it anymore.
40:03There's only one person who can tell me
40:05how to find a way to find a way to go.
40:08He's got to do it.
40:09He's got to do it.
40:11He's got to do it.
40:12He's got to do it.
40:15He's got to do it.
40:16He's got to do it.
40:20He's got to do it.
40:23If we're going to do it,
40:24he needs to go and get a cook.
40:31He's got to do it.
40:33I'm now in a car in my car.
40:36If I don't want to fall,
40:37I'm going to do it.
40:39and I don't have anything to add.
40:40You are perfect for me.
40:42You've got a job for me.
40:44I'm a little bit of time,
40:46but I'm something like that for you.
40:47I'm going to offer чудесni,
40:49and I'm going to tell you the real time.
40:58Dara?
40:59Is the course still in the course?
41:09I'm a little bit.
41:09But after the night,
41:10I decided to talk to you before the night.
41:14Where is your partner?
41:16It's a writer.
41:18I'm going to do it myself.
41:25My son,
41:27I'm going to buy some money.
41:28I'm going to buy some money.
41:29And some money.
41:32My son is a man.
41:34I'm going to buy some money.
41:38I'm going to buy some money.
41:39I'll have a lot of time in the future.
41:40And if you can see you close enough,
41:42it's a lot to pay attention.
41:45Just imagine yourself.
41:47Calm down yourself.
41:49I'll keep you going to do it.
41:51How about you to put your legs up?
41:55I'm going to try it.
41:58If you tried a matrix,
41:59I have to try it-
42:00M-m-m-m-m-m-m-m-m-m-m.
42:01I've been doing it.
42:02I've been doing it.
42:03I've been doing it.
42:05I've been doing it.
42:05I've been doing it.
42:06I've been doing it...
42:07I've been doing it.
42:08It's a good thing.
42:10It's a good thing.
42:11He's going to get her.
42:14He's going to get her testosterone.
42:16You're going to look like a class.
42:18You need to look a little more sexy,
42:20if you want to put it in the leg.
42:21Let's go!
42:28What I wanted to say with you is
42:31the graphic.
42:34What is it for me?
42:34I think that you and your partner
42:38are getting special.
42:41I want to show you an exceptional therapist.
42:44Doctor, don't be shy.
42:47You're a professional.
42:49The rest of you are the only ones.
42:50I know, but I'm there.
42:52I'm extremely excited.
42:55Okay.
42:56You're going to take a shower,
42:58a hotel, just for you and for you.
43:01No, no, no.
43:02I can't leave my job.
43:03I can't leave my clients.
43:05You can't do that, right?
43:06I don't want to say that.
43:08But I'm going to say that.
43:11Well, the job is there.
43:14I'm having a lot of problems.
43:16Okay.
43:18So, I'll decide that part of it.
43:21I'll take a shower.
43:22I'll take a shower.
43:23Open it.
43:41What's that?
43:42It's not that.
43:43Open the bathroom.
43:52I'll take a shower.
43:54I'll take a shower.
43:56I'll take a shower.
43:58Then I'll take a shower.
44:01Is there a shower.
44:02I'll take a shower.
44:02Why don't you make it?
44:05Why don't you make it?
44:07Well, I cannot.
44:08We take a shower.
44:11I'm going to find a shower.
44:12And you see the treatment.
44:18Wait a minute.
44:21Hello?
44:24I'm still with clients.
44:27Nottengo?
44:28Is that the doctor?
44:31Nottengo.
44:32Nottengo?
44:33I'm not a doctor.
44:36Tango is a treatment for many of you.
44:38Yes, I am a therapist.
44:39I have to be dressed like a penguin,
44:42to solve problems.
44:43You want more time for us?
44:48I'm telling you about the client.
44:52You can't do anything for me?
44:54I'm telling you about the client.
44:56Yes.
44:57I thought you were more important.
45:01I have something for you.
45:03So?
45:06How are you?
45:08I'm telling you,
45:09I don't want to solve problems.
45:10I want to go back to my mind.
45:13Oh!
45:15My job!
45:16How did you find me?
45:18I'm a man.
45:19I have a way.
45:22Everything is here.
45:23I can't believe.
45:24I can't believe.
45:25I can't believe.
45:28Yeah.
45:29How can you do that?
45:31No.
45:37Don't.
45:39Don't.
45:40In this dance, the man is the lead.
45:43I see it again.
45:45And I show you again.
45:46Back, in front, in front, in front.
45:50We continue the body, the right hand is diagonal,
45:54and the left hand is the partner.
45:56That's easy.
45:57Yes, I was a kid with this dance.
46:00Why do you do?
46:01Because you know everything.
46:03Maybe you can show me the way.
46:06Let's ask you guys.
46:10It's very important.
46:12The other hand is more diagonal.
46:14The other hand is more diagonal.
46:15The other hand is the partner.
46:17No, it's not.
46:18It's not.
46:19It's not.
46:20It's not.
46:21It's not.
46:21It's not.
46:21It's not.
46:22Let's try the first step in music.
46:30What do you do, Miki?
46:32Don't go.
46:34Look at me, not in your hands.
46:40Oh, no.
46:40Maria, Maria.
46:41Marina, no.
46:42In this dance, the partner is a leading
46:44act.
46:45The女's is cooking for walking cambi�es.
46:47Go wait, years to figure you out she can do five minutes.
46:49Did you tell me?
46:50Okay.
46:51Like for the tango, two.
46:52See you next time.
46:54They say that the dance is a dance of the way and the way.
46:57The dance of the meeting and the way and the way.
47:00And the dance that you can easily get in the way.
47:03When that happens, the dance is two options.
47:06To continue dancing and nothing is going to happen.
47:09Or to find a new partner.
47:11Oh, I'm sorry.
47:13I'm there.
47:24The dance of the meeting and the way.
47:30Your place to me is a holiday.
47:34And maybe you are just a cold.
47:38My place to you is a holiday.
47:43On your lips, I'm in a plen.
47:48The dance of the meeting and the way.
47:53The dance of the meeting and the way.
47:55In the way, the dance of the meeting.
47:59The dance of the meeting and the way.
48:01The dance of the meeting.
48:02I'm in a plen.
48:02I asked you to go to the meeting.
48:03And you will return me now.
48:05My place to you is a cold.
48:09And I'm slowly getting into the wind.
48:13I'm looking forward to the meeting.
48:15And you will be warm at home.
48:18And I'm sober in here.
48:20You will be berming back.
48:25I'm listening in here.
48:29Now.
48:33Now.
48:38Now.
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