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00:00:13I played a film at the beginning of my career in America,
00:00:18which was a B-Film.
00:00:21I played a lot of money and played a lot of money.
00:00:24And then I used the success to make my own films.
00:00:28And I always made my own films.
00:00:32I played Stargate, which was a surprise hit.
00:00:37And then I landed on the end of Independence Day.
00:00:42And from there I was a Crossplayer.
00:00:45And of course, that helped me a lot.
00:00:49And that's why it was so good for me.
00:00:54Day after tomorrow.
00:00:56That's my subversive film.
00:00:59That makes my own films.
00:01:01That they have images that are impossible.
00:01:04What do you mean?
00:01:06It's really fascinating to me, TV to make.
00:01:10Because that's a new medium.
00:01:13It's just a surprise.
00:01:18What's going on here?
00:01:20Unbelievable.
00:01:21My mother would say,
00:01:22how it looks like.
00:01:24So.
00:01:26Fertig.
00:01:40Bye.
00:01:41Hey.
00:01:42Um.
00:01:43See you in German, right?
00:01:44In German.
00:01:45I just do English.
00:01:46We're still Swedish.
00:01:47I can do Swedish.
00:01:48I can do Swedish.
00:01:49I can do Swedish.
00:01:50I can do Swedish.
00:01:51I do English.
00:01:53I always do English.
00:01:55When I do Swedish...
00:01:59He kind of is like, from the very beginning, was like my tons of material.
00:02:20He's a very powerful director, so he can kind of do what he wants, which is a great
00:02:25thing, because it's definitely his vision, and everybody's here for that, so that's great.
00:02:30You know, he runs a really happy set, and I find that very refreshing.
00:02:37I think that he might be a Hollywood director of his own kind.
00:02:43You must be very proud of him here.
00:02:45He's just a wonderful director and a wonderful person.
00:02:48I love working with him.
00:02:49You know, he was really particular about, like, just a little more smoke or this or that,
00:02:53or make sure the flag is at a 45-degree angle or, you know, that kind of stuff, you know,
00:02:57to sort of balance the picture as he wanted it.
00:03:02He keeps shooting until he knows he has enough to really tell the story.
00:03:07He's a real artist, and he does not ever walk away from a moment until that moment is ready
00:03:14to be cut together and turned into something of import.
00:03:19Even though I've been doing this 21 years, I learned a lot from Roland.
00:03:23A hardworking man, how much effort he puts into things.
00:03:26It kind of shakes you up.
00:03:27You can get complacent as an actor, or I'm not complacent anymore.
00:03:46Roland doesn't do this for money, he doesn't do this for power, he doesn't play any of the Hollywood
00:03:51games, you can never find them at any of the Hollywood events or parties, he doesn't care.
00:03:55He makes these films because he loves these films.
00:04:0170 years, that's a big, big date, right?
00:04:06And I'm still working on working.
00:04:13For me, it's just like that I make so long films until I fall.
00:04:44In Los Angeles habe ich mein eigenes Haus, da habe ich meine eigene Welt.
00:04:49Bin meistens immer auf meinem Grundstück und dann, wenn ich hier bin, da laufe ich viel.
00:04:55Ich laufe irre viel, weil das kannst du hier machen.
00:05:03Es ist einfach für mich ein guter Ausgleich zu Los Angeles.
00:05:08Es hat Kultur, hat Theater, hat all die Sachen, die Los Angeles eigentlich nicht hat.
00:05:40Wenn ich dieses Haus kauft habe...
00:05:44It was absolutely clear that all of my friends here in London said,
00:05:50why you bought this place.
00:05:54It's the most frumpy neighborhood of London.
00:05:59So I kind of said, let's shock them.
00:06:01Let's do a kind of a really amazing shock.
00:06:08I need to speak German.
00:06:15And that's what I have.
00:06:20And there is a zebra, in every house is a zebra.
00:06:33I'm always fascinated by a little skurril.
00:06:49That's my workplace here.
00:06:52I always like to work on dark places.
00:06:56Because it's like kind of a...
00:06:58When you write, it's important that you're completely
00:07:01in your work.
00:07:11And because I'm a Regisseur,
00:07:15I need my own theater in my house.
00:07:19When I see a film, I forget everything.
00:07:24So if I can watch a film,
00:07:25I don't think about it anymore.
00:07:29So that's actually a great talent to have.
00:07:34Because when you watch a film,
00:07:37even if you've done it yourself,
00:07:40after a certain time,
00:07:42you can watch it like a normal film.
00:07:46Can you maybe like go from the other side,
00:07:49so you guys go over there?
00:07:51No, go behind him.
00:07:54I will like still pretend that you're there.
00:07:58I know a little bit about film.
00:08:02It's a magical place, right?
00:08:04Oh yeah, absolutely.
00:08:06The Kino is magical.
00:08:08Because that's exactly how the light goes out
00:08:11and a story is told.
00:08:13And that's...
00:08:15And you're like in 2-3 minutes completely inside.
00:08:27That was for me a shock.
00:08:29I was in Mexico, in Puerto Vallarta.
00:08:32I went to the RAF and took a lot of drugs.
00:08:35And then I got an accident.
00:08:40And they brought me to the doctor.
00:08:43And he said,
00:08:45that's the drugs.
00:08:47I mean...
00:08:48I told him that in a funny way
00:08:51to my house doctor.
00:08:54And he said,
00:08:54let's just let us just take an MRI.
00:08:57And then there is a huge tumor
00:09:02prostitution.
00:09:03And when I am then...
00:09:07I was scared of everything.
00:09:09I thought that I was dead
00:09:13and said,
00:09:15before I was dead
00:09:16I would make a film about
00:09:18what is most important?
00:09:20Climate change!
00:09:23The weather is a good topic.
00:09:27And there are many things
00:09:29that are happening.
00:09:30The Gulf Storm is slowing down.
00:09:33or there are weather changes.
00:09:43I've had fun with it.
00:09:45We film making fun.
00:09:47And he has a real message for it.
00:09:50That was the purpose and the goal,
00:09:55a popcorn film that has a message,
00:09:58a political message.
00:09:59It's just never been able to do it.
00:10:01And I hope that this time it's been able to do it.
00:10:07The message is,
00:10:08that if we continue to do it,
00:10:09we will destroy our Earth.
00:10:12And that the nature will probably go back.
00:10:17The winds were stronger.
00:10:19The Santa Ana is much, much stronger.
00:10:24And that's why the danger is growing in the last time.
00:10:29There were a lot of fires.
00:10:31And it's very logical,
00:10:34that it's somehow
00:10:35with climate change.
00:10:41It was the first film,
00:10:43in which I thought,
00:10:43this is really a film,
00:10:46how I would make it.
00:10:47and what we do,
00:10:48and what we will do.
00:10:51Let's go!
00:10:53This Super Bowl
00:10:5420th June
00:10:5420th June
00:10:5415th June
00:10:5815th June
00:11:17Omar, my husband, he was still young at the time.
00:11:22We met at a After-Party.
00:11:26Then I met him later, a week later, in a gay club.
00:11:32They came over and said, hey, Omar, why you don't sit with us?
00:11:36And then we went to me in a pool and swam.
00:11:42And the music heard.
00:11:44I really, really liked him.
00:11:46So, from the top.
00:11:49Hey.
00:11:50Hello.
00:11:51Hello.
00:11:52I want the dogs too.
00:11:53Oh, the dogs.
00:11:55Come on.
00:11:56The dogs.
00:11:56Hello.
00:11:58Ich genieße das, um mit meiner Schwester auszugehen,
00:12:02mit dem Husband, Faber Senior, Sable Junior.
00:12:07Und das macht mir Spaß.
00:12:09Und das gibt mir eine gewisse Sicherheit auch.
00:12:12Natürlich.
00:12:13Wir halten auch eigentlich immer zusammen.
00:12:15Zusammen.
00:12:16Es ist harmonisch.
00:12:19Und ja, es ist wichtig.
00:12:22Wir hatten eigentlich schon viele Freunde, wo wir hergezogen sind.
00:12:27Es war ein bisschen schwierig, weil die Mentalität eben ein bisschen anders ist.
00:12:33Und die waren alles ein bisschen oberflächlich.
00:12:36Aber, ich meine, jetzt ist es unsere Heimat.
00:12:41There you go.
00:12:42You're welcome.
00:12:44Wir haben beide Pässe.
00:12:45Ich hätte den amerikanischen Pass nicht angenommen, ohne meinen Deutschen zu behalten.
00:12:57Ich war so sicher, dass die Kamala Harris gewinnt.
00:13:03Alle meine Freunde haben dann gesagt,
00:13:05nee, es ist Trump will win.
00:13:07Und dann haben wir gesagt, no.
00:13:09Und ich war dann irre enttäuscht.
00:13:17Und du fragst dich irgendwie, was ist hier los?
00:13:24Aber, uh, that will be ending.
00:13:27I have the feelings we'll end up in a total disaster.
00:13:31Das willst du nicht sehen im Kino.
00:13:34Trust me.
00:13:36Ich bin eigentlich Amerikaner geworden,
00:13:39weil die den Barack Obama zum Präsidenten gemacht haben.
00:13:45Dann haben sie gesagt,
00:13:46when they cannot do something like that,
00:13:48that's a big step.
00:13:51Und deswegen bin ich damals Amerikaner geworden,
00:13:55meine Schwester auch.
00:13:56Wenn man zu einem geschworen wird,
00:13:59muss man irgendwie allegiance zu Amerika
00:14:02und keinem anderen Land, äh, also,
00:14:07wie sagt man das, schwören.
00:14:08Mhm.
00:14:09Und, äh, dann hat er es so gemacht da hinten.
00:14:16Roland war schon immer geerdet,
00:14:18und da hab ich nicht so viel mit zu tun.
00:14:21Wir sind beide geerdet.
00:14:25Das Lied, der hab ich vorher schon gesagt.
00:14:28Excuse me.
00:14:29Das ist ...
00:14:30Okay.
00:14:31Die Mutter wird wieder sagen,
00:14:33so muss der da jetzt ein Wein dazu trinken zu dem Interview.
00:14:36Immer trinken.
00:14:38Also, der trinkt mir zu viel.
00:14:40Also, der trinkt mir zu viel.
00:14:43Der trinkt mir zu viel.
00:14:44Leben und leben lassen.
00:14:46Und, äh, man muss einfach so locker sein.
00:14:52Ich meine, die Ute sagt mir da schon manchmal Bescheid, so.
00:14:57Ja, ich sag halt beide Meinungen.
00:14:59Ich meine, ich hab meine Meinung, und die sag ich dann auch.
00:15:03Ja.
00:15:03Da halt ich auch nicht zurück.
00:15:04Warum sollte ich?
00:15:05Ja.
00:15:05Aber das ist auch wichtig.
00:15:07Es gibt zu viele Ja-Sager.
00:15:08Es gibt zu viele Ja-Sager.
00:15:10Deine Agenten werden immer sagen, ach, das ist great.
00:15:14Such a good job.
00:15:16Und, äh, und das ist natürlich, weißt du, dass das nicht immer stimmt.
00:15:29Okay.
00:15:31Bon appetito.
00:15:33Bon appetito.
00:15:37Ich hoffe, du magst es.
00:15:38Ich hoffe, du magst es.
00:15:39Ich hoffe, du magst es.
00:15:42Ich spüre meine schwäbischen Wurzeln noch ziemlich starker.
00:15:47Jedes Mal, wenn irgendwie Freunde von uns zu Besuch kommen, werden immer Spätzle gemacht.
00:15:51Einmal ein Schwabe, immer ein Schwabe.
00:16:05Ich habe ja als Abschlussfilm angefangen, so ein Drehbuch zu schreiben.
00:16:11Und eigentlich, da waren geplant, dass da fünf, sechs Regisseure so ihr Budget zusammen...
00:16:20Aber dann ist einer nach dem anderen abgesprungen.
00:16:24Und dann musste ich das halt dann selber machen.
00:16:26Der Film, das war wie so ein, das war so mein Apocalypse Now.
00:16:30Ich glaube, ich habe mich so in der Druck gefühlt, dass mir das völlig wurscht war, was andere Leute gedacht
00:16:33haben.
00:16:34Und wenn irgendeiner irgendwie gedacht hat, es so nicht zu machen, habe ich gesagt, dann geh halt.
00:16:39Also das war immer so, ich war, ich habe da viel, glaube ich, da war irgendwie so, ein paar Leute
00:16:45waren da, glaube ich, ziemlich schockiert über mich.
00:16:46Und ich war eigentlich völlig ein bisschen über mich selber schockiert.
00:16:49Es war richtig schwierig, den Film zu machen, weil natürlich mir das Geld ausgegangen ist.
00:16:54Und das ist immer scheiße, wenn du überziehst.
00:16:58Dann haben wir so ein Budget gemacht und sind auf 450.000 D-Mark gekommen.
00:17:06Und am Ende war das dann halt 900 oder so.
00:17:09Ich bin fast doppelt drüber gegangen.
00:17:12Und ich habe natürlich immer mit meiner Erbschaft gespielt.
00:17:17Ja, es war schon so ein bisschen so.
00:17:21Wir hatten eine Firma, ja, die hieß Solo Kleinmotoren.
00:17:26Die haben wir jetzt gerade verkauft.
00:17:29Die Brüder haben das gegründet in meiner Großmutter Scheuer.
00:17:37Und das hieß da auch aus Stuttgarter Kleinmotoren Company.
00:17:40Aber dann haben sie es umbenannt und haben sie es dann Solo Kleinmotoren genannt.
00:17:52Und dann mein Vater, der ist mit mir auf die Bank gegangen und hat gesagt, hier, mein Sohn.
00:18:00Und die haben mich dann halt so gefragt, wärst du bereit, deinen Firmenanteil einzusetzen als Sicherheit?
00:18:09Dann habe ich gesagt, ja, klar, mein Naht. Und so, das ist dann relativ so über die Bühne gegangen.
00:18:18Und wir haben alle in der alten AOK gewohnt.
00:18:23Und selbst ich habe da manchmal geschlafen, weil da war auch der Schneideraum.
00:18:29Und da ist der verrückte Tommy Wegans gesessen und hat geschnitten.
00:18:36Und das auf einem alten Steenbeck.
00:18:41Und ich thronte dann da so mitten in dem Raum.
00:18:44Und wenn jemand zu mir kommen wollte, der musste dann erstmal so 15 Meter durch den Raum gehen.
00:18:50Und da habe ich mich wohl gefühlt. Da habe ich wochenlang gesessen und habe dann den Film montiert.
00:18:55Das war so der Anfang, ja, von, das war total, es war einfach anders.
00:19:01Wir haben das anders gemacht, obwohl viele gesagt haben, so könnt ihr das nicht machen.
00:19:05Auch später bei der Tonbearbeitung, das geht so nicht und so geht es auch nicht.
00:19:10Und wir dann irgendwie starrköpfig, wie wir waren, haben gesagt, nee, wir machen das jetzt mal so.
00:19:14Und dann haben wir schon sehen, ob das jetzt wirklich geht oder nicht geht.
00:19:16Und das war dann aber auch so ein schönes Gruppenerlebnis, dass wir zusammen den Film bis zum Ende gemacht haben.
00:19:25Später gab es dann halt immer Kaffee und Kuchen.
00:19:29Wann sind aber halt, mein Mom starrt ab und hat dann so einen Apfel und einen Zwetschgenkuchen.
00:19:37Wir sind am Anfang natürlich sehr skeptisch gewesen, aber wir haben uns auch für ihn eingesetzt und haben ihm so
00:19:46gut wie er konnten geholfen.
00:19:48Mehr konnten wir ja nicht tun.
00:19:50Wir waren sie noch nicht erschrocken.
00:19:52Um Gottes Willen, der will zum Film.
00:19:54Naja, also einen Künstler in der Familie können wir gerade noch ertragen, gell?
00:20:24My first film was I made in my home in St. Louis and then the following films were made
00:20:30I've been in my home and in my home, and in my home, and in my home, and in my
00:20:32home.
00:20:34We built a small America in an old stone, because there was a natural mold.
00:20:42It was good for us, because we didn't see anything about it.
00:20:45And then on the hill we built a kind of psycho house.
00:20:53Man had always tried to see Germany.
00:20:58There was a small world built.
00:21:02And then the American people were flying around.
00:21:33I always had to change the world.
00:21:37I always had to change the world.
00:21:42I always had to change the world.
00:21:42Everybody has to change the world.
00:21:43That's normal, right?
00:21:45I think I always have to change the world.
00:21:49Otherwise nothing changes.
00:21:53I bought a new lamp.
00:21:55Monkey, Monkey.
00:22:10Every time when I go to Hong Kong or China, I buy a few Porzellan-Figures.
00:22:18I just like that.
00:22:25Every time when I go to Hong Kong or China, I buy a few Porzellan-Figures.
00:22:27I buy two big boxes.
00:22:29The guy who sells it, or the guy who sells it,
00:22:33there is a Floh market there.
00:22:35He knows me already.
00:22:37He's always like that.
00:22:40That's funny.
00:22:44It's a communist porzellan.
00:22:46In London, in my house, I have a lot of freshness with propaganda.
00:22:51I like it.
00:22:52I like it.
00:22:54I always knew that when you buy a house,
00:22:59that the location is very important.
00:23:02And then you just buy something.
00:23:06And if you don't have to sell it,
00:23:08if you don't have to sell it for 10, 15 years,
00:23:11then you make a lot of money.
00:23:13When, say we say, a World-Wirtschaft-Krise comes,
00:23:17then the buildings or the houses are not so much worth it.
00:23:21But it could come, every time.
00:23:23I'm sure.
00:23:27But I don't have to worry about it.
00:23:30I have to work.
00:23:34And then, offensichtlich,
00:23:37there will be more Regisseurs.
00:23:41And then, offensichtlich,
00:23:42it's not a dream.
00:23:44Otherwise, I'm somewhere in a small building.
00:23:48With a banking-teller job.
00:23:53No, no.
00:23:54It's always so,
00:23:55I'm aware that I'm in a dream.
00:23:57I mean,
00:23:58that's the house here.
00:24:00And what I can allow.
00:24:04And what I have a job.
00:24:06And what I have a job.
00:24:06That's really cool.
00:24:08I always say that to everyone.
00:24:12I think,
00:24:14Regisseur is actually the best person in the world.
00:24:39My brother,
00:24:40My brother,
00:24:40my game was broken.
00:24:44And I'm always researching.
00:24:46I'm always trying to build something together,
00:24:48to see what there was.
00:24:51There was often.
00:24:52There was always broken.
00:24:54And there was always something happened.
00:24:58or?
00:24:58With four children.
00:25:00There was always happening.
00:25:01there was always a day one of the way.
00:25:06Of course. But yeah.
00:25:09There was always something about us.
00:25:11There were always people there.
00:25:13But it was funny when we watched the TV on it.
00:25:16We sat down there and we talked about it and we talked about it.
00:25:20And we went to jail.
00:25:22We went to jail.
00:25:23We went to jail.
00:25:24We were doing it.
00:25:27I started with 14, 15.
00:25:30It was a Raucher-Haushalt. My father had to do it.
00:25:34I am happy that I was going on.
00:25:37That was a bad habit.
00:25:40He always wanted to stop, but he didn't achieve it.
00:25:43He didn't achieve it.
00:25:45That he didn't like it.
00:25:47That I was interested in the film,
00:25:49that he couldn't afford it.
00:25:53What?
00:25:55He said, it was like that.
00:25:57My father thought,
00:26:00if the film doesn't matter,
00:26:03then he can take the advertising department.
00:26:07He always told me,
00:26:08I can't afford it.
00:26:13That's how it was.
00:26:15That's how it was.
00:26:15That's how it was.
00:26:16A ball I even like that and I could do it from my office.
00:26:16Dude, that's a freie Bahn.
00:26:17Yeah.
00:26:24It's supposed to be like that,
00:26:25that's scar that,
00:26:30that's the, that's how it was starved.
00:26:35Yeah.
00:26:41That's the, that's how it's the...,
00:26:45That's my friend, Andy, my dead brother Wolfgang, and that's the Ute.
00:26:57She looks really like this.
00:27:00She's got a good job.
00:27:02Yeah, I think.
00:27:04Yeah, it fits.
00:27:15Meine Schwester ist sehr ehrlich.
00:27:18Die gibt nie eine Plattform, egal wer es ist.
00:27:22Das ist manchmal erstaunlich.
00:27:24Meine Schwester hat überhaupt keinen Respekt vor niemandem,
00:27:27was ich wirklich als Frau eine ganz tolle Eigenschaft finde.
00:27:33Meine Schwester und ich haben auf eine ganz natürliche Weise angefangen zusammenzuarbeiten.
00:27:37Meine Schwester ist fast fünf Jahre jünger.
00:27:40Sie hat auch gesehen, wie ich Filme mache.
00:27:43Und dann über die Jahre ist sie immer mehr in eine Rolle reingeraten.
00:27:47Sie hat entdeckt, dass sie wirklich gerne beim Drehen dabei ist und dann hilft,
00:27:52allgemein diesen Film zu leiten.
00:27:55Ute ist immer so ein bisschen so die Frau, die mich auf den Boden holt.
00:28:01Ja, aber das ist gut, weil ich meine, das brauchst du in dem Job auf jeden Fall.
00:28:11Ja, vor allem auch jemandem, dem du vertrauen kannst, der dir irgendwie kein BS gibt.
00:28:19Was ist ein BS?
00:28:21Bullshit.
00:28:21Bullshit.
00:28:23Da sind wir doch schon bodenständiger.
00:28:26Da gibt es immer wieder welche, die das ausnutzen.
00:28:30Und ich habe natürlich ein Problem, Nein zu sagen.
00:28:34Und sie hat ein bisschen besser.
00:28:42Aber ich meine, ich kann dir auch nur sagen, was ich denke.
00:28:46Und dann musst du letztendlich selber entscheiden.
00:28:49Ja, genau.
00:28:49Und so ist es dann auch.
00:28:51Er weiß ganz genau, was er will.
00:28:54Ja.
00:28:54Er hat seine Idee, seine Umsetzung im Kopf und weiß auch ganz genau, wenn er ans Set kommt.
00:29:07Er ist vorbereitet, hat seine Shotlist.
00:29:09Und also besser kann man es eigentlich nicht sich vorbereiten.
00:29:23Ich wollte eigentlich immer irgendwie entweder Kunst studieren oder Architektur.
00:29:29Und ich habe damals immer wie gesagt, ich will nicht Regisseur werden, ich will Filmausstatter werden.
00:29:37Aber ich hätte nie mehr vorstellen können, dass ich ein Regisseur werde.
00:29:42Ich könnte mir das einfach nicht vorstellen.
00:29:44Wir sehen das Binnokular, wie er erscheint.
00:29:46Und dann zieht man das Binnokular.
00:29:48Wir nehmen das Binnokular und ich bewege in deinem Gesicht.
00:29:52Okay.
00:29:53Okay.
00:29:59Ich bin irgendwann mal auf die Kunstakademie gegangen.
00:30:03Aber die waren mir alle zu versponnen.
00:30:06Das war für mich nicht das Richtige.
00:30:09Aber da gab es eine Filmschule in München.
00:30:14Und dann habe ich gesagt, boah, das hört sich gut an.
00:30:16Und dann habe ich da einfach mich mal beworben.
00:30:19Da haben sich dann immer so tausend Leute beworben.
00:30:25Dreitausend oder wieviel?
00:30:26Für fünfzehn Plätze.
00:30:28Ja, ja.
00:30:28Nee, zwölf.
00:30:30Zwölf nur.
00:30:31Und da war ich dann, habe ich dann Glück gehabt und bin angenommen worden.
00:30:38Da ging irgendwie so ein Virus los, dass ich, ich konnte einfach nichts mehr anderes machen.
00:30:47So.
00:30:50Es war absolut klar für mich.
00:30:53Jetzt hör mir mal gut zu, du Klugscheißer.
00:30:55Auf einen Typ wie dich habe ich geradezu sehnsüchtig gewartet.
00:31:00Du wirst mir viel Freude machen.
00:31:04Denn ich werde ein Auge auf dich haben.
00:31:13Ganz ruhig.
00:31:15Ich habe das nie vergessen.
00:31:16Ich war in Berlin und habe den Mund für die Folge gezeigt.
00:31:19Und dann habe ich mir irgendwie so sechs oder sieben Stunden lang von Journalisten irgendwelche Beleidigungen anhören müssen.
00:31:24Und eine der meistgefragten Sachen ist so, dann geh doch nach Amerika, aber die wollen dich ja eh nicht.
00:31:30Und dann habe ich gesagt, fuck you guys.
00:31:35Anyhow, ich habe gesagt, go to hell.
00:31:38Da bin ich einfach aufgestanden gegangen damals und habe gesagt, weil damals hatte ich schon einen Anruf bekommen von Mario
00:31:49Casar.
00:31:50Also der Produzent von Terminator und Total Recall und den ganzen Rocky Filmen, die suchten einen Regisseur für ein Stallone
00:32:00Projekt.
00:32:00Er hat gerade ein Film in Deutschland gemacht, ich denke, das heißt Moon 44.
00:32:05Und ich sah den Film und sagte, mein Gott, dieser Mann ist sehr talentlos.
00:32:09Und Roland, ja, der hat gesagt, okay, ich habe da jetzt ein Angebot in Los Angeles einen Film zu machen.
00:32:15Also entweder mir gehen alle oder ich gehe nicht.
00:32:19Ja, genau.
00:32:19So war es.
00:32:21Ich habe gesagt, let's leave, let's leave and try our luck somewhere else.
00:32:30immediatust thug.
00:32:38Jingle Musik
00:32:41Musik
00:32:41Musik
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