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00:03It's not your fault, Sherlock. It's not your fault.
00:30Find me Sherlock, and find me.
00:35One's for sorrow, two's for joy, three's for a girl and four's for a boy, five's for silver, six's for
00:55gold.
01:18You're all right. I got you. Men all getting shot, eh? That was a terribly stupid thing to do.
01:20You're all right. I got you. Men all getting shot, eh? That was a terribly stupid thing to do.
01:25Here, let's get you up. No, no, no, Shuan. Shuan, she directs his ship, my father. We have to stop
01:31her.
01:31I'm not leaving you, don't you? Shut up!
01:35Oh, he's bleeding. Say, I think that has something to do with the bullet in his abdomen.
01:38Yes. I'm sorry to be a burden, brother dear. No burden, brother dear.
01:41Come on, let's get more. Wait, wait, wait. If she gets to my father, we may never find Beatrice.
01:45Go. Drop him. Go, James, go!
01:49Now, you listen to me, we are going to get this fixed up.
01:52Are you crying? No. Why not? One, two, three, up!
02:02He's been shot. Oh, my poor boy! We'll have to find a hospital.
02:06A dash of roping would be greatly appreciated.
02:18This way. Why? How do you know?
02:20Because only one hospital is still open. Sadly, it's where the gunfire is coming from.
02:33Right, put him down.
02:35Take him, take him down.
02:38I need a key!
02:41One, two, three!
02:44Come on!
02:45There you go!
02:53Hey! Hey! Hey!
02:56What are you doing?
02:57Give me that. I'm stopping you from shooting out the head.
02:59Why? Because that's Sherlock's fighter!
03:02That's his fighter!
03:04I didn't know.
03:05Easy, easy!
03:09Whoa! I'll be taken there.
03:12Thank you kindly.
03:16Off we go! Over the top!
03:21Right in the back!
03:22Where are we going?
03:23I'm afraid we're going to have to go the long way round, brother.
03:26All aboard! Off we go!
03:29You may be in my way, James.
03:30But I have no wish to see you dead.
03:32Mind a favor, everyone, huh?
03:34Because you shot Sherlock!
03:36Not intentional!
03:37Oh, right. It wasn't intentional. I suppose that makes it okay, then!
03:40I'll be sure to tell him!
03:42How is he?
03:44He's alive.
03:45You'll be glad to hear.
03:47His brother's looking after him.
03:50Is Sherlock looking for his father?
03:52Yes.
03:53Where are you going?
03:54To find Sherlock.
03:55He's looking for Silas, I'm looking for Silas.
03:58And Sherlock has a rather stubborn habit of finding people.
04:00There's only one hospital still open in Paris.
04:03That's where my craft will take it.
04:06Come in.
04:07Hey, let me go!
04:08Let me go!
04:34You had no choice.
04:36There'll be more of them.
04:38We need to go.
04:45James!
04:46We need to go!
05:03Oh!
05:07Oh!
05:09What a...
05:10Oh!
05:11I don't know who this!
05:12Oh!
05:13Oh!
05:14Oh!
05:16Oh!
05:17Oh!
05:19Oh!
05:19Oh!
05:19Oh!
05:23What happened on the wound?
05:24Oh!
05:27Oh! Oh!
05:30I beg you, I got caught up on my son.
05:33Look around you, madam.
05:35Everything is broken.
05:36Yes, but I beg you.
05:38Come on, who's going to make my life bloody impossible to get around here?
05:41And I, if you don't care about it.
05:47It's gold, it's gold.
05:49Take it for the revolution, yes.
05:52But you must, you must take care of yourself immediately,
05:56by pity.
05:57Monsieur, s'il vous plaît.
05:58Quickly, quickly.
05:59Monsieur, here, here.
06:01Let me see.
06:01Yes.
06:03Inspector, prepare for a surgical operation.
06:07Come on, please.
06:09You can't stay.
06:10Please, please.
06:10Let me do my work.
06:13Thank you, sir.
06:14Thank you, sir.
06:20He's stubborn as a mule.
06:21Yes, he is.
06:22He'll be up and drowning.
06:23I spoke mad in no time.
06:24You watch.
06:48I spoke no news is good news.
06:50I spoke no news is good news.
07:03You know what?
07:07Oh, my God.
07:09I spoke no news is good news.
07:11I mean, I have to be in the middle of my life.
07:11Oh, my God.
07:13I have to be in the middle of my life.
07:13Oh, my God.
07:14Oh, my God.
07:17Oh, my God.
07:19Oh, my God.
07:21Oh, my God.
07:28Let's go.
07:51Come on, Sherlock.
07:52Fight.
08:09Mother.
08:13My darling boy.
08:15Sherlock.
08:18There he is.
08:19Little brother.
08:21Luckiest Englishman alive.
08:23Can I get you some water?
08:28Ah, he's too stubborn to die.
08:31James, where on earth have you been?
08:33Are you all right?
08:35Are you all right?
08:41I'm fine.
08:43James.
08:44I'm fine.
08:46I'm fine.
08:47You're still lazing about, I see.
08:50Up you get.
08:51What?
08:52There's work to be done.
08:53Oh, I'm only missing Mrs. Holmes.
08:57It's good to see you.
09:01Did you stop her?
09:05I did.
09:08And I brought her here.
09:10Now don't piss your bedpan.
09:12She's on out.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:22I need to speak with you.
09:23An inch to the left.
09:24My brother would be dead.
09:25I wasn't aiming at him.
09:27I was aiming at your father.
09:28Ah!
09:29Well, that is understandable.
09:31I've tried to shoot him twice myself and missed both times.
09:34James?
09:35Why is she here?
09:37Because I think you need to hear what she has to say.
09:43My name is Showei.
09:46I come from the village of Taian in Gansu.
09:50High in the hills.
09:55This is the effect of what the scientists in Oxford were working on.
09:59What you saw in that tunnel.
10:02They first tested on my village.
10:06On my parents.
10:10There's a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:17And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:24But Professor Malik betrayed him.
10:26Sold it at the highest bidder.
10:28A private buyer.
10:31My fault.
10:34Yes.
10:39I'm so profoundly sorry.
10:43It's not your pity I need, but your help.
10:46To ensure this can never happen again to anyone.
10:49Anywhere.
10:50You want to stop our father.
10:52And you want to find him.
10:53Yes.
10:54I propose we combine our talents, double our chances of tracking him down.
10:59Yes.
11:00But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:06So you cannot touch him until we have that information.
11:09And after that?
11:11Oh, after that you can do whatever you like to him.
11:13And provided my sons don't have any objection, of course.
11:16Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:25But if that's what it takes to find Beatrice, that's what it takes.
11:30He's still in Paris.
11:36At the demonstration, the buyers were told to follow the usual channels at the Two Corners.
11:42For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:46Two Corners.
11:47Two Corners.
11:50An intersection.
11:51Doesn't exactly narrow it down, Sherlock.
12:03Matchboxes.
12:05What do you mean, darling?
12:06On the table where Father was sat, they were matchboxes.
12:10With a design on the front of two corners.
12:15Was there an address in it?
12:20I wasn't close enough to get a good look.
12:23I can't be sure.
12:25Well, this is as good a place as I need to start.
12:28I'll get going.
12:31I'll go with him.
12:34Well, I'd be delighted to have your company.
12:42Salut, salut.
12:43You could make you immensely rich.
12:49Yes, I'm not good.
12:59It's glorious.
13:02Excusez-moi.
13:04Avez-vous où se trouve cette à -doué?
13:06Non.
13:07Non.
13:08Désolé, Monshu.
13:09Ah!
13:10It's impossible.
13:11Impossible is a word.
13:12Only found in the dictionary of fools.
13:17That's what Silas said.
13:19Why that quote? Maybe it means something.
13:22Originally, who said it?
13:25Napoleon Bonaparte.
13:28Napoleon?
13:38Napoleon's hat.
13:41Famous boy corner has two corners.
13:44Leg little leaf.
13:45What?
13:46The Eagle and the Olive on the outskirts of Paris.
13:48It's a restaurant where Napoleon supposedly left his hat behind him.
13:52It's only fitting that we should meet at the famous two corners
13:55where you can contact Mr. Esart Kashgar.
13:59Tu es genial.
14:00You have no idea.
14:05I fear that I may have unwittingly set this all in motion.
14:08Why do you say that?
14:10About a year ago, father asked me what I was working on.
14:13Yes.
14:14No, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
14:19I didn't know any details at the time, but I told him that I was working for the government.
14:22It was secret.
14:25He obviously set about making his own inquiries.
14:27The only person who can be blamed for what has happened is your father.
14:32Oh, let's let Mycroft torture himself, mother.
14:36At least for a while.
14:41Righto.
14:43Where are you going?
14:44I need to get a message to London and warn them that father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:54Try not to die in my absence, would you?
14:56Hmm.
14:57Reasonable request, mother.
14:59Thank you, darling.
15:03No sign of his head.
15:13You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:21You're not nearly as mysterious as you assume.
15:29When you killed for the first time,
15:34how did you feel?
15:36Great weight on my chest, pressing harder every day so I can hardly breathe.
15:43And now I live with it.
15:49Strange.
15:52I don't feel any of that.
16:20I said Kashkali has a regular table at a brasserie called the Eagle and the Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:30But still no sign of silence.
16:31No, I'm afraid not.
16:33This is all.
16:35So we will need to lure him out of the shadows.
16:37But how, darling?
16:39By posing as customers.
16:45Please don't mind your stitches.
16:47I am all right.
16:52This is what we are going to do.
16:58Okay.
17:11Hello.
17:13Sorry, madame.
17:14It's occupied.
17:14I'm expecting something.
17:16Yes.
17:17Oui.
17:18Madame Dormant.
17:19Mother will explain the Duke never attends meetings.
17:22That's his wife's duty.
17:23Enchanté.
17:24What if he recognizes you with them with thunk?
17:31Meanwhile, the actual buyer will be redirected by the Eagle and Olive's newest waiter to me.
17:38Excusez-moi, monsieur.
17:39The Duke de Mont.
17:41Cecil Fillimont.
17:42I'll give him the sales pitch.
17:44Then the Duke will duly hand over his money.
17:47Which James will deliver to my mother, allowing us to finance stage two of the operation.
17:58What is stage two of the operation?
18:01I'm so glad you asked.
18:03I have something for you.
18:05You will ask to meet the bigwig himself.
18:08Excuse me, mother.
18:12Unable to resist so intriguing an offer, Silas will then agree to meet with them a day.
18:17Well, then, a little music to get in train.
18:19I don't know, something like...
18:20Talking about my generation.
18:26Keep moving.
18:27Yeah, it's not exactly like that.
18:29I don't think I'm going to take my teeth.
18:31Bonjour.
18:32And voilà .
18:33Now, tell us where Beatrice is.
18:35Yeah.
18:36That's it.
18:38What could possibly go wrong?
18:40The key to being successful, confidence men...
18:42And women?
18:44The key to being successful, confidence men and women is confidence.
18:51I love the eye patch.
18:56Bonne chance.
19:03Give him one, Mr. Céline.
19:06Excusez-moi, monsieur.
19:07Le Duc D'Aumont.
19:11Cecil Fillemont.
19:15So...
19:18Where is Mr. Casgalli?
19:19I do hope you understand, Duke.
19:21The unexpected events of our demonstration have forced us to change our plans.
19:26My instructions were to hand the money only to Mr. Casgalli himself.
19:31I don't deal with the monkey.
19:33Only with the grinder of the organ.
19:35Speaking as a monkey, I concur.
19:38More common sense is what is needed in this topsy-turvy world of ours.
19:42But, if that is your instinct, you will have to come back another day.
19:46Understood?
19:47Understood.
19:48Then I shall take your advice.
19:51It would be remiss of me not to inform you that the incident in the tunnels
19:56has only, in fact, proven the potency of our product.
20:00We're selling out fast.
20:04If you delay, you would risk missing out altogether.
20:12Have a good day, sir.
20:22Let's go.
20:46Burgundy 57.
20:47Some people say that you have a 62, but for me, if I wanted that much oak, I would eat
20:53a tree.
20:56So, tell me what you think of my proposal.
20:59You introduce me to your boss, and in return, I furnish you with a finder's fee.
21:09Voilà .
21:13You carry your money in a plant pot.
21:21Mr. Holmes is in the back.
21:25Perhaps Mr. Holmes could come here?
21:27You will be able to talk to him more freely and private.
21:34If you wish to meet him, there it is.
21:37Mr. Holmes is in the back.
21:50Mr. Holmes is in the back.
21:55I do not see Mr. Silas Holmes.
21:59I do not see Mr. Silas Holmes.
22:12so we both know you're not the duke's wife why are you really madam do you doubt my monies
22:24do you doubt the value of my money do you believe it's real it looks real
22:31you are correct i am not madame dormant and i i do apologize for the deception
22:36but now that i have your attention i should like to inform you that i am working on behalf of
22:43a very
22:44prominent british investor who wishes to make a significant purchase from mr silas holmes and if
22:51you play your part in arranging this i can assure you that the money in that pot is merely the
22:59tip
22:59of the iceberg purely for your own pockets you understand so as i see it you have two options
23:09you can either continue to insult me and let this golden opportunity slip through your fingers
23:15or you can simply introduce me to mr silas holmes
23:21this is taking too long
23:36come back here tomorrow at the same time and i will have an answer for you madam
23:41thank you sir i'm much obliged
24:05he's sending a telegram to silas
24:29i'll go ahead cause a destruction all destruction how about this time we don't do one of your clever little
24:35scams
24:35or pickpocket dances just let me try something
24:44bonjour monsieur
24:45bonjour monsieur
24:54bonjour monsieur
24:55bonjour monsieur
25:06bonjour monsieur
25:15bonjour
25:27Mrs. Holmes, your husband's in Constantinople.
25:39I need to see the ambassador, Mycroft Holmes.
25:45The point is, ambassador, I now know who sabotaged our government's secret weapons program,
25:50and indeed I know who stole the weapon.
25:53Yes, yes. Well, go on.
25:55Regretfully, sir, it was my father, Silas Holmes.
26:04Are you certain of that?
26:05I'm afraid so, sir. And it appears the government's interests are now aligned with my own.
26:10We must find my father and bring him to justice.
26:14Yes. Well, quite, quite, quite.
26:19I shall wire the foreign secretary immediately.
26:21Yes, sir. Please wait here.
26:23Will do.
26:33Oh.
26:35Oh.
26:54Apologies for the way.
26:55Not at all, sir.
26:57I have a reply from the foreign secretary.
26:58He informs me that you are in disgrace and, in fact, no longer work for Her Majesty's government.
27:04Yes, well, it's a little more nuanced than that.
27:06There is, however, a path to redemption, if you are prepared to walk it.
27:13Now listen carefully.
27:22Train leaves in an hour.
27:33It's not your injury that makes you weak.
27:36It's your insistence that your body is unchanged.
27:39My body has changed. It's changed because you shot me in the stomach.
27:45The details are irrelevant.
27:48Not to me.
27:52You think strength is something physical.
27:56It's body mass, and muscle, and reach.
28:03All of which you have over me, and yet I've bested you in every encounter.
28:08Why?
28:11Because the real strength comes from here.
28:16And here.
28:20James, mother, you found him.
28:26I did.
28:33Mother, are you met with success?
28:36I was.
28:38The British government has offered her full support in helping to bring fathers to justice.
28:43Excellent.
28:45So this is what it's come to.
28:47It would certainly seem that way.
28:49Wonderful.
28:50Right, then.
28:52Constantinople.
29:07Where are we going, exactly?
29:09To meet a friend of mine.
29:17This is Emine.
29:18She has agreed to help us.
29:20Welcome to my city.
29:27She's been here, she's been here.
29:31Sherlock.
29:33Show her the photo.
29:43Have you seen this man?
29:45No.
29:45Oh.
29:55Auntie, you can push your rest in the key.
29:57I'll hold him up now.
29:59It's up.
30:03That small child is going to find our father, is he?
30:05The lowly status of the street urchin
30:07is what makes them the most useful of allies.
30:10They can go anywhere.
30:11They are invisible.
30:13They're irregulars.
30:15Ah, ah, ah!
30:18Ah, ah!
30:21Ah, ah!
30:23Ah, ah!
30:24Ah, ah!
30:25Ah, ah!
30:26Ah, ah!
30:28Ah, ah!
30:40Sir...
30:40they are looking for you.
30:50I'm sorry for you, Burak.
30:56BeklediÄŸimi.
31:24They have found your father.
31:27He knows you're here with me.
31:29How?
31:30It seems our street telegraph works both ways.
31:35He wants to see you.
31:37Alone.
31:38Well, darling, I have to come with you.
31:40He was quite specific.
31:42If you want to see your sister, you come alone.
31:47Very well.
31:52Sherlock.
31:54Good luck.
32:13Do you know why magic is so beguiling, Sherlock?
32:18No.
32:18What?
32:19When something seems to defy rational explanation, wonder the impossible made possible.
32:45Is she still alive?
32:47Please sit.
32:48I'd rather not.
32:50What you did back in England, solving all this, finding me here, so clever.
32:56I'm proud of you, my son.
32:58Not natural for a father to leave his boy for dead now, is it?
33:01Sherlock, what are you talking about?
33:03In the tunnel.
33:04I was shot.
33:06You ran.
33:08I ran because that crazy woman was trying to kill me.
33:12I was the one under attack, remember?
33:15You really think I'd want any harm to come to you?
33:23Harm.
33:26You've done nothing but harm.
33:29Look at me.
33:30You broke my heart.
33:32You broke my mother's heart.
33:34And only God knows what you've done with my sister.
33:36So I ask you politely, please, tell me, is my sister still alive?
33:48Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
33:59I still love you, you know.
34:01I'm still the man who raised you.
34:03You're a monster.
34:04Oh, Sherlock.
34:07Don't be so simple.
34:09We're all of us capable of good and evil, even if it helps to call it that.
34:14You included, whether you realize it or not.
34:16T?
34:17No.
34:18I acted in my best interest.
34:23Of course I did, but I also acted in yours.
34:27You think you would have become the man you have had you not been tested in the fire?
34:31I can't listen to this.
34:31And yet you can't leave, can you?
34:34I can't leave because you won't tell me where my sister is.
34:38Where is she?
34:41She's here.
34:43In Constantinople.
34:44With me.
34:46You can see her tomorrow if you like, but...
34:52I request something in return.
34:56So that's his price?
34:57Hmm?
34:58That's his price.
35:00Sure.
35:01What?
35:01She wants me dead, and if she kills me, well then you'll never find Beatrice.
35:06Our futures are intertwined.
35:10Bring Juan tomorrow, the square, same time, and I'll give you your sister.
35:15Well then, the choice is not choice at all.
35:18You really find it that easy?
35:20Condemning someone to death?
35:21You all should earn nothing.
35:23No, I don't find it easy, but if it was my sister then I wouldn't have the slightest breath of
35:27hesitation.
35:28I don't think you should either.
35:31Am I interrupting?
35:31Not at all.
35:34No cracks in a novel hat.
35:37Good night, sweet prince.
35:40And flights of angels sing thee to thy rest.
35:53I'm pleased for you, that your journey ends well, that you're your sister.
36:03Afterwards your father is mine to do with, as I see fit.
36:07I realize this is hard for you, but we had an agreement.
36:10I want what's mine.
36:12And you shall have it.
36:14You have my word.
36:20The porter and the princess.
36:29The scout.
36:32Never made it to the illustrious position of porter.
36:35And I was never a princess.
36:36Only shall we.
36:50How do you feel?
36:51How am I supposed to feel?
36:52How do you want to feel?
36:53However I'm supposed to.
36:58You are a work in progress, Sherlock.
37:30I think there is no modo from here.
37:45He's there. There he is.
37:50She's not with him.
37:51Let me talk to him.
37:52I don't trust him.
37:53I'll be fine, Mother. You wait with Michael.
38:11Silence, Lord.
38:13Can't you call me Father?
38:17I can't see my sister.
38:20Do you know this city was built to rival the majesty of Rome?
38:25It had the most sophisticated defense fortifications in antiquity.
38:30It has survived foreign empires, brutal wars, disease.
38:38Just about anything human history could throw at it.
38:42This city has endured.
38:47A lovely lecture.
38:48Is it finished?
38:52She doesn't exactly look ready to surrender, Shirley.
38:55She is.
38:57She just doesn't know it yet.
39:00What are they talking about?
39:06You, I expect.
39:10Now, as you can see, I'm ready to deliver.
39:14Shirley, where's my sister?
39:40Bee?
39:42Bee?
39:44Oh, Mother!
39:51My daughter.
39:55Your move, Natalie.
39:57I've missed you.
40:01Silas.
40:02Son.
40:05You know what troubled me the most about killing that soldier?
40:09I might have got a dance for her.
40:12Move.
40:21Let me see your face.
40:23Sherlock!
40:30I will find myself out of lots of words, which will be a first.
40:37What's the matter, Mother?
40:39It's not her.
40:41Mother.
40:45Silas.
40:46Trust me.
40:48It's not the interest.
40:51How about him, Princess?
40:52Thank you, James.
41:01Go, go, go, go!
41:02Go, go, go, go!
41:03Go, go, go, go, go!
41:04Go, go, go!
41:04Go, go, go, go!
41:05Go, go, go, go, go, go!
41:14Go, go, go, go, go, go, go!
41:15You! I knew you were betraying me, Sherlock.
41:19But you're not my son, after all.
41:24Hello, Mother.
41:28Me?
41:30Me?
41:39Sherlock.
41:41Mycroft.
41:43Raise your hands.
41:46If you'd be so kind.
41:51You too, brother dear.
41:59Isn't this nice?
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