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00:10To be continued...
00:39Here, dry yourself off. You've had quite a shock.
00:44Sorry.
00:46It's for my own protection.
00:47Your protection?
00:48Exhuming your sister's body.
00:50Hardly rational, is it?
00:51No, no, no, no, don't!
00:52Don't try to make it out like I'm the dangerous one.
00:54I always feared this day would come, that I would find out.
00:56You would show signs of your mother's affliction.
00:58Is my sister still alive?
01:00Sherlock, for God's sake.
01:02It's not her in the grave, it's not her body.
01:04Of course it's her.
01:05No, it's not. Her arm was broken. That arm's not broken.
01:08You're misremembering.
01:10It was in a sling. It was in a sling. I remember that.
01:13Yes, yes, it was.
01:16Because she'd sprayed her arm, falling from a tree,
01:20trying to climb after you, trying to keep up after you.
01:25No wonder you've blocked it from your memory.
01:27I understand how desperately you want to believe she's alive.
01:30And all about your failed businesses,
01:32and how your fortunes changed when mother was sent away?
01:35Explain that.
01:35You know why my business went under?
01:37Because I was here looking after your mother.
01:39She wasn't Welsh or not long before Beatrice died.
01:42And after she went away, I buried myself in work,
01:44and so my fortunes improved.
01:45There is nothing sinister about it.
01:48Only two people saw the body.
01:49Only you and the groundskeeper.
01:51No, that is simply untrue.
01:53The doctor, he issued a death certificate.
01:54He saw her.
01:55I can't believe we're even having this conversation.
01:57A doctor?
01:57You didn't even know what Beatrice looked like.
01:59Enough.
02:00I've been more than patient.
02:01Why would you bring a doctor all the way from Oxford?
02:03That was your mother's idea!
02:07She was an old friend of his.
02:09He was an old friend of hers.
02:11She wanted him to be here.
02:13No.
02:19Listen to me.
02:21Sherlock.
02:23Listen.
02:24It was the worst day of our lives.
02:32Of course you find it confusing.
02:35Do you really think that I'm capable of something so I hate this?
02:42Imagination can be a curse.
02:43I'm sorry.
02:47You stay away from him!
02:49That's a lie about the doctor.
02:52It's a lie!
02:54How many others are there?
02:55Cordelia, my love, you don't remember.
02:57James told me what they found in that grave.
03:01Yes, Beatrice.
03:03Where is she?
03:04We all just need to calm down.
03:07Oh, do we?
03:12Get me!
03:14Get me!
03:29That's, uh, most mysterious, most mysterious, um, what is, what, what is what, young man?
03:39What is most mysterious?
03:41Well, no sign of skin discoloration.
03:43No lingering smell that would indicate poisoning.
03:48No sign of a heart attack.
03:50No blood vessels burst, as you'd expect, and no flesh wounds of any sort.
03:57So the man has been murdered, and you're telling me that we don't know how.
04:01What I'm telling you is that the body is in excellent health.
04:05Yes, apart from the rather unfortunate fact that he is dead.
04:10Hmm.
04:12What is this?
04:13That's the contents of his airways.
04:16The sort of thing that you would expect in a drowning victim.
04:20Except he didn't drown. I was there. I was on dry land.
04:26Would you excuse us for a moment, please, sir?
04:28Yes, certainly, young man.
04:29Thank you so much.
04:33Do you know what he was working on? Because if you do, now is the time.
04:37It was, um, something for the government. Most secretive.
04:41So he and Professor Malik, they were working together, is that right?
04:45Yes.
04:46Although he never shared any of the details with me.
04:48You neither?
04:50No.
04:51Ah. Are we getting anywhere?
04:53Not really, Lestrade, no.
04:55No.
04:55Each question leads to more questions, like fighting the Hydra.
05:03Lestrade, what do you have for me?
05:05A wire cone for you, sir?
05:09No.
05:10I've been summoned.
05:26Who is she?
05:27We don't know.
05:30They would have got a buddy from the hospital or at the poor house.
05:34It's not hard to do.
05:42Do you think she might still be alive?
05:44I don't know.
05:45But it is a possibility.
05:47Yes.
05:48It is a possibility.
05:51Where are you going?
05:53To find her.
06:00And where is Professor Malik now?
06:03I'm afraid I don't know, sir.
06:04And the Chinese assassin?
06:05Whereabouts also unknown, sir.
06:07Mr. Holmes, your handling of this whole thing has been nothing short of appalling.
06:11Yes, well, perhaps if you gentlemen had been a little more forthcoming with me from the start, I might have
06:15been better placed to protect Sir Bucephalus.
06:17Are you insinuating this is our fault?
06:19I can say it more plainly if you prefer.
06:20Holmes!
06:21I believe that Hodge was killed owing to a secret government project based out of Oxford, the details of which
06:26you have refused to share with me.
06:28But I suspect whatever he was working on was highly dangerous.
06:33Hodge died working for this government.
06:37I need to know what you know.
06:42How does a man show signs of drowning on dry land?
06:47Don't try to confuse us with riddles, sir.
06:50You were sent to Oxford to assist Sir Bucephalus with the new science building.
06:54Now he's dead.
06:55On your watch.
06:57You are done here, sir.
06:59Your career with Her Majesty's government is at an end.
07:01Sir, if I may...
07:02That will be all.
07:10Good day.
07:12Tell me everything that you've uncovered so far.
07:15Well, we think it was the groundskeeper who actually took Beatrice.
07:19Not Nathan.
07:20Yes, Nathan.
07:21Father paid off his debts just after Beatrice disappeared.
07:24My darling, he was always so kind.
07:26Well, Father was with us at the picnic the entire time, so he would have needed an accomplice.
07:29The groundskeeper would have squirred her off the estate.
07:31So he would have needed to, thank you, take her as far away from here as possible without anyone noticing.
07:35Did he have a cart or a trap?
07:37Yes, he had a cart for his deliverance.
07:41Nathan did deliveries.
07:42Game.
07:43Yes, Father used to hunt game on the estate.
07:45Pheasants and rabbits.
07:46And Beatrice would never eat the rabbits.
07:48She used to give them all names.
07:49So there was lots left over and Nathan would sell it once a week from his cart.
07:53So Nathan renders her unconscious and hides her in the can underneath the sacks of pheasants and rabbits.
07:58And then it's a standard delivery and he draws no attention to himself.
08:02Do you remember where he'd make these deliveries do?
08:04No darling, I have no idea.
08:11The game book.
08:13The estate game book.
08:15Everything that was shot and sold has been recorded in there.
08:19Nathan Burford makes a delivery the day after Beatrice supposedly dies.
08:24Isn't that a peculiar day to go about your business as usual?
08:27A brace of pheasants.
08:31Four rabbits.
08:35And a hare.
08:39Delivered to an address in Highgate.
08:41That's the best amount of sixty miles from here.
08:44Where no one would know her.
08:46I will get Crowell to saddle some horses and I promise to wire news as soon as I have.
08:51Oh no.
08:52I'm coming with you.
08:54If Beatrice is out there, I'm going to find her.
09:00With or without you.
09:06That's you told.
09:07That's you told me.
09:15I'm down from under my feet.
09:18Go on you little tights, go play over there.
09:23Who are you then?
09:25Mycroft Holmes.
09:26I was wondering if your good husband might be home.
09:28My good husband.
09:30I only have the one.
09:33Visitor.
09:34Thank you, light of my life.
09:39Excuse me.
09:40A little early, isn't it comfortable to be on the cider?
09:43I'm drowning my ambition, Mr. Holmes.
09:45Scotland Yard, that's where I had my sights on.
09:47But after everything that's gone down, Hodge dead.
09:50If you haven't fled, I'll be lucky to keep my job in Oxford.
09:55Constable, it is a safe bet, is it not, to assume that Professor Malik killed Sir Pucephalus Hodge?
09:59It is.
10:00Well then, is it also a safe bet to say that if we were to apprehend Professor Malik,
10:05we could also rescue both of our careers?
10:09I'm listening.
10:09When we were at the police station in Oxford, you mentioned Professor Malik having a file.
10:13What of it?
10:14What was in it?
10:14Nothing.
10:15Just his name and his address in Oxford, which we've already searched.
10:17But if he had no criminal record, why bother to create a file for him in the first place?
10:24Answer.
10:25There was something in that file before.
10:28It's since been taken.
10:29So where's the arrest report?
10:30Worth another gander.
10:32Don't you think?
10:34I'll get my comb.
10:49Hello.
10:53Can I help you?
10:54Oh, yes.
10:55We're looking for a young girl.
10:58We have reason to believe that she was brought here about twelve years ago.
11:03This is her.
11:05I'm afraid I've never seen her.
11:08Now I bid you good day.
11:23I would ask you to stop pestering me.
11:26Her name is Beatrice.
11:28I'm her mother.
11:29My name's Cordelia Holmes.
11:32Until yesterday, I believed that she was dead.
11:35I now have reason to believe that she may have been brought here.
11:38Tell me anything you know.
11:40Anything at all.
11:41I'm asking you.
11:43I'm begging you.
11:43Please help me.
11:47We didn't know her name, so we called her Hannah.
11:51Because she came to us as a blessing.
11:54I couldn't have children of my own, you see, Mrs. Holmes.
11:58And we thought that she was an orphan.
12:02And it was Nathan Burford who brought her here?
12:05He said he was from the orphanage.
12:07It's been a terrible accident.
12:08A fire at the house.
12:09So you're going to stay with Mrs. Tilcock for a while.
12:11Hello, little one.
12:13We tried to give her a good life.
12:15I am sure you did.
12:16I gave her all the love I had.
12:19Gave.
12:20You said gave.
12:23She's not here, is she?
12:26She's gone.
12:27Yes.
12:28She left us.
12:30When she was fourteen.
12:32We woke up one morning.
12:33She'd written a note thanking us and saying that she didn't want us looking for her.
12:38And you have no idea where she went?
12:41No.
12:41Mrs. Tilcock.
12:43Could I see her room?
13:00What was she like?
13:03Bright.
13:05Determined.
13:08Stopped.
13:11Anything?
13:13What's your fault?
13:14What's your fault?
13:15Did she call you mother?
13:17I'm so sorry.
13:18No, no, please.
13:19Please don't apologize.
13:20I can see that this was a happy and loving home.
13:27She loved nature.
13:29We'd get her those on her birthday.
13:30A different one.
13:31Every year.
13:32You would buy her these.
13:36No need to lie to us now, Mrs. Tilcock.
13:38No, Mrs. Tilcock.
13:39Just anything you can tell us that might help us to find her.
13:44They were sent.
13:47Where did they come from?
13:49Sent from whom?
13:51I never learned his name.
13:52Never met him.
13:53He was her benefactor.
13:55That was all I knew.
13:56There was never any return address under the parcels.
13:59None.
14:00Do forgive me.
14:08Steel pin.
14:10Lacquered preventing rust from the moisture inside the thorax.
14:15Specialist equipment.
14:18Only one place in London makes these.
14:26Annual commission.
14:28Beatrice was sent to Butterfly every year on her birthday.
14:30And paid for it by Silas.
14:31No name.
14:32But they gave me an address.
14:33Bedford-Roe Holborn, please, sir.
14:36Darling?
14:38Apologies.
14:39Manners, shall they?
14:45Constable Lestrade.
14:46Mycroft Holmes.
14:48Leave the door open.
14:54Fishul Malik.
14:58As I said, it's empty.
15:01Someone trying to protect him, you think?
15:07Look at this.
15:08The ink was wet when the document was put into the file.
15:10Well, I can't read it.
15:11It's...
15:12It's backwards.
15:13Never leave home without a dressing mirror, Constable.
15:16Like so.
15:19Two names.
15:20Two addresses.
15:21The first is undoubtedly Malik's.
15:24The second is harder to read.
15:26Looks like Alvy Gordon.
15:28Shelbourne Hotel.
15:30Bayswater, London.
15:44But I suppose she'll know who I am.
15:46She won't remember me after all this time.
15:49And she's been raised by another woman, so...
15:52Now, now, Mrs. Holmes, you'll never forget your mother.
15:55I certainly won't forget mine.
15:57James, what happened to your mother?
15:59Well, she's long past.
16:01She had the consumption.
16:02I was only a little lad at the time.
16:04Oh, you poor thing.
16:05I'm so sorry.
16:06But there's not a day that goes by that I don't think of her.
16:08And I promise you it'll be the same for your Beatrice.
16:11You are such a kind man.
16:13Well, you bring out the best of me.
16:15And you have such a beautiful smile.
16:18Driver!
16:35Will you kindly stop it?
16:38I wasn't referring to the whistling, James.
16:41Kindly stop what?
16:41Flirting with my mother.
16:43I'm doing no such thing.
16:44I know you.
16:45You can't help yourself.
16:46What I cannot help, Sherlock, is if people find my charm irresistible.
16:52You can't deny your mother's a very beautiful woman.
16:57And I certainly wouldn't kick her out of bed for eating biscuits.
17:02I am serious, James.
17:05Cease and desist.
17:10Please.
17:28This is the address for Alvie Gordon, Esquire.
17:31If your cute little mirror trick is correct.
17:34Good afternoon.
17:36We're looking for an Alvie Gordon.
17:38Yes, of course.
17:39I'm Mr. Gordon.
17:40Perfect.
17:41We're looking for Professor Malik.
17:43Kiss your Malik.
17:45I'm sorry.
17:45I don't know anyone by that name.
17:47Strange that, sir.
17:49Seeing as this address was listed on his arrest report.
17:54Perhaps this is best discussed in my office.
18:00Now.
18:03What's all this about?
18:07I couldn't possibly trouble you for a glass of water, could I?
18:13Wait here.
18:14Thank you so much.
18:24A receipt from Hatchard's bookshop for Moody's Guide, latest edition.
18:29Might I ask what you think you're doing?
18:31As I said, sir, we're trying to find Professor Malik.
18:33And as I said, I don't know him.
18:36You recently purchased a travel guide, sir.
18:39I thought I might take a holiday.
18:40This receipt mentions that you paid to have it gift wrapped.
18:44Traveling with someone, are we?
18:46What exactly is your relationship with the Professor?
18:52We have the arrest report, Mr. Gordon.
18:54Someone tried to suppress it, but recently it came into our possession.
18:58Now, as far as I'm concerned, how a man chooses to live his life is his own affair.
19:03But many in my profession may hold a different view entirely.
19:06Fortunately for you, I'm able to ensure the arrest report remains hidden.
19:10As I'm sure you would prefer.
19:13Yes.
19:15Very much so.
19:17So tell me, where is Professor Malik?
19:24Paris.
19:26Well, well, well, Constable Strahd.
19:28Bluff and blackmail all in the same breath.
19:31We'll go far at Scotland Yard, I'm quite sure.
19:34I won't be able to come with you to Paris.
19:36Yes.
19:36Well, that is a shame.
19:37Have to get back to work.
19:38Can't leave Mrs. Lestrade with her hands full.
19:41Not to mention the goats.
19:44Fine, Malik.
19:45Yes, if I do, when you do, I will be sure to let your superiors know quite how invaluable you
19:50were.
19:52Thank you, Mr. Holmes.
19:54Please, call me Mycroft.
20:03It's my brother.
20:07For me, I'm going to force my paddles.
20:07Big Pyre, and we're playing a bunch of stuff.
20:13He's coming to you.
20:15It's not a good idea.
20:16It's nice.
20:17It's beautiful.
20:18He's our one who has time for Malik's ownии.
20:20It's the first bullet.
20:32Red Street!
20:34Have you got the地址?
20:38Red Street, cheap side.
20:40Cheap side, please.
20:51You're right.
20:52You're right.
21:36You're right.
21:54Oh, my God.
22:22Why did they come again?
22:26Did you say goodbye?
22:39I don't know what happened to you.
22:48Why did they come again?
22:50Janja,
22:51Janja,
22:52Janja,
22:53Janja,
23:03I'll come to help you.
23:05No, no time.
23:07You need to go with Jhaqazad.
23:10He's going to find Malik's only connection.
23:12No, he's gone.
23:13He's already gone.
23:14No, I don't know where he is.
23:16He'll be there.
23:17I'm from where I'm going.
23:23Barley!
23:24The woman...
23:26He'll come in here.
23:28The woman.
23:30You are so good.
23:31Come.
23:35I can't let you in.
23:37If not, Malik,
23:41he'll be the same as mental illness.
23:43I want you to find him for your father.
23:48I want you to find him.
23:53I want you to find him.
24:01I want you to find him.
24:26Oh, this is the address that paid for Beatrice's butterflies.
24:30It is.
24:31And appears to be closed.
24:38Now usually James and I would of course wait until they are open,
24:41and come back in the morning, which is right and proper.
24:43And what if we're not being right and proper?
24:46You have a hairpin, Mother.
24:48Careful now, this will make you our accomplice.
24:50Oh good.
24:55Where did you learn how to do this?
24:57Headmaster's office.
24:58Used to break in, alter my school reports before they were sent home.
25:01Well that didn't stop you getting expelled from school, did it?
25:04It stopped me getting expelled from more schools than I would have.
25:06Do you know, I'm realising, I have absolutely no idea who you are.
25:11I am my mother's son.
25:13Care to do the honours?
25:15Go on.
25:16Live life on the edge.
25:22We'll make a thief over you yet, Mrs. Orbs.
25:38What is this place?
25:41Let's light her up and find out.
25:47Good luck.
25:58Some sort of textile company.
26:01Sherlock!
26:01Look!
26:02This is Beatrice.
26:04I mean, she's older, but about fourteen.
26:07That's definitely her.
26:08I knew it.
26:09I could feel that she is still alive.
26:17Father's name?
26:18That's definitely his signature.
26:28Important textiles?
26:29I don't understand.
26:30Why would he hide that from us?
26:32We should hurry, James.
26:34Yes, yes.
26:34Silas's travel itinerary.
26:36He's a busy man.
26:38Brussels, Bordeaux, London to Monaco, Amsterdam to Madrid.
26:42There's a name here.
26:44Therese.
26:45Perhaps a female travel companion.
26:46Well, whoever Therese is, is with her this weekend.
26:51Wow.
26:51So where is Therese?
26:53All of those journeys were made by train.
26:55What are you doing?
26:56Linear interpolation.
26:58Brussels to Bordeaux, London.
27:01Monaco.
27:01Monaco, Amsterdam, Madrid.
27:05All of those journeys intersect the same place.
27:08Paris.
27:09I saw something.
27:13A guidebook to Paris.
27:15Right.
27:16Well.
27:17Therese is not a woman.
27:19Therese is the name of a hotel in Paris, in Rue Saint-Anne.
27:22Gosh, I'm not that clever.
27:27Right.
27:28Time to skedaddle.
27:29Well done, Mother.
27:30When you're ready, Mrs. Wolf.
27:31Yes.
27:31After you.
27:32This way.
27:36Not that way.
27:38Yes, sir.
27:39Come on.
27:50Good class, sir.
27:52Oh, goodness.
27:54Doesn't that hurt?
27:55Well, I never think to stop and ask them.
27:57They're not policemen.
27:58Police don't wear brown boots.
27:59Well, who are they then?
28:00Well, we could ask them.
28:02Or we could run.
28:03Come on.
28:06Oh, yes.
28:07Oh, yes.
28:08I'm running.
28:14Shut up!
28:15Where are we going?
28:17Not sure.
28:19Yes.
28:19What are we doing?
28:23Thinking.
28:28Step aside, Mother.
28:29Oh, oh, oh.
29:00This world of your Sherlock, it is rather fun, isn't it?
29:06Yes, I suppose it is.
29:12Well, to Paris?
29:30It's my birthday today, I want to love you, girls.
29:38Now, they are in the midst of a revolution.
29:41What's it going?
29:41How many revolutions does a country need?
29:44Some parts of the city remain relatively unscathed,
29:47but we will have to navigate one or two barricades to get to where we need to go.
29:50Oh, you are too focused on the obstacles, my friend.
29:55We're not going to be right.
29:58We're going to the hotel, Terrell.
30:00Can you show us the path?
30:01You turn to the left, at the end of the street.
30:04But you have to cross the barricades.
30:06Good luck.
30:15This way, this way! Get down!
30:27Oh!
30:28Through here!
30:39Oh!
30:40Oh!
30:41English?
30:42Yes, yes, we're English.
30:43We do not like the English.
30:45How do you feel about the Irish?
30:46We like the Irish.
30:48Oh!
30:49What a chance for me!
30:50Just a few Zealanders!
30:51Vive la revolution!
30:52So what do you propose?
30:54I don't shoot you, but I do shoot them.
30:57No, we'd quite like if you didn't shoot any of us, if it's all the same to you.
31:00We're just looking for my husband.
31:02He's on your side.
31:04He would lay down his life for the revolution.
31:07Then, get over here.
31:10Merci.
31:13Merci.
31:16Enchanté, madame.
31:19James?
31:25Here she is.
31:26Hotel Therese.
31:27Right.
31:28Let's find a spot and watch the place.
31:29Wait for him to show.
31:30There's no time to wait.
31:31We have to find B.
31:37Ah!
31:38Good evening, monsieur.
31:39Madame.
31:40I'm going to meet my husband, Mr. Silas Holmes.
31:44Sorry, madame.
31:44Mr. Holmes is not here at the moment.
31:46Could you have the obligation to tell me where I could find him?
31:51A man, in his secret garden, madame.
31:54Monsieur, I'm tired.
31:57I'm affamated.
31:58And I've just escaped from an asylum.
32:02Believe me.
32:03It's not in your interest that I cause an exclusion.
32:07Oh, my God.
32:08My heart is so arrogant.
32:09It's fatal with us, too.
32:12We're looking for Silas Holmes.
32:15He's going for a couple of minutes.
32:17Where did you go?
32:18I have no idea.
32:20He hasn't taken care of?
32:21So?
32:23He can't go well far.
32:25Which direction?
32:31Which direction?
32:33Sebastopol.
32:34Or not?
32:36D'accord.
32:37Which direction?
32:38Which direction?
32:38Which direction?
32:39Which direction?
32:47Which direction?
32:48Which direction?
32:55Chuchotez-le.
32:56And Frey Berger.
33:18And Frey Berger.
33:19And Frey Berger.
33:24And Frey Berger.
33:26And Frey Berger.
33:27And Frey Berger.
33:27And Frey Berger.
33:27And Frey Berger.
33:28And Frey Berger.
33:28Darling, I'm only sorry.
33:29You have to be here with your mother.
33:31Quite alright.
33:33Oh!
33:35I've finally found where I belong.
33:38Outside the world bars.
33:40Inside, they dance.
33:43Never underestimate the human needs for diversion.
33:46Keep them entertained.
33:47You'll have them in the palm of your hand.
33:51Mon Dieu.
33:52Le visage d'un ange.
33:54Je suis au paradis.
34:08The things you could teach me.
34:10Whatever you want.
34:11For a fee.
34:12A fee he can't afford.
34:13Now, if you wouldn't mind, I'd quite like to find Silas.
34:15Mycroft.
34:17Silas.
34:18No.
34:18Mycroft.
34:21Mother.
34:23What is Mycroft doing here?
34:31Sherlock.
34:32Mon cher frère.
34:33You brought mother to Paris.
34:34Have you finally lost your marbles, brother dear?
34:36It wasn't his decision, darling.
34:38I'm fed up of people making decisions on my behalf.
34:41I must say, it does seem to be rather agreeing with you.
34:44Yes, I do find this life of adventure rather suits me.
34:48I just wish I'd discovered it before, darling.
34:52I'm sorry, I'm just not used to-
34:54But seeing me like this, I know.
34:55Neither am I.
34:56I'm finding it so liberating.
35:02Finished?
35:03Yes.
35:04What are you doing here?
35:05Ah.
35:06Following him.
35:10Malik.
35:11More to the point.
35:13What are you all doing here?
35:14We've been following him.
35:19Father.
35:21What's he doing here?
35:23It appears those two gods know each other.
35:26Curious, sir.
35:27I'm curious, sir.
35:28Would anybody care to enlighten me as to what the hell is going on?
35:34We think Beatrice might still be alive.
35:37I'm sorry, what did you say?
35:38We think Beatrice might still be alive.
35:39Yes, I heard you, Sherlock, but what did you say?
35:42Darling, I know the bee is alive.
35:45And Silas knows where she is.
35:48Darling, he's on the move.
35:50No time to explain.
35:51Sure.
36:15You've seen it for me.
36:18You've seen it for me.
36:23You've seen it for me.
36:25You've seen it for me.
36:26Where's the guard?
36:28Mycroft.
36:29Yes.
36:31Oh.
36:33Oh.
36:33Oh, Madame.
36:34You're good, Madame.
36:35Ah, I've been sick of fatigue, Mr.
36:40I'm going to help you, my man.
36:43Thank you very much.
36:53The Lord just vanished.
37:06This one looks rather young.
37:35It's going all down to busy lives, but I'm not fine.
37:40This will be worth your while.
37:43A moment of silence, a moment of silence, a moment of silence, please.
37:48Thank you very much.
37:51I trust you enjoyed your festivities upstairs, to which we shall return.
37:54But for now, we must get down to business.
37:57Gentlemen, I know you stand here today with the same question on your minds.
38:02How do you take back control of your city?
38:03How do you take back control of your country?
38:06Impossible, some might say.
38:08As a famous man once said, impossible is a word only found in the dictionary of fools.
38:18What I am offering you here today, gentlemen, what Professor Malik here has developed,
38:26will change the face of modern warfare.
38:37Odourless, colourless, silent, deadly.
38:42This nerve agent is unlike anything the modern world has seen before.
39:05Killing butterflies is hardly our mission, sir.
39:09Indeed, General, quite so.
39:12Bring out the deplorable.
39:23You see, what I have here, in the right concentrations, will work on a barricade, a neighbourhood, or even an
39:30entire city.
39:31But you no longer need armies to defeat your enemies, General.
39:35You simply need me.
39:36Or, more precisely, you need what I'm selling.
39:40For those of you who wish to place an order, it's only fitting that we should meet at the famous
39:44two corners,
39:45where you can contact Mr. Esad Kashkali.
39:49K Shelley.
39:53Oh, God.
39:57Noo, my good.
40:00Oh.
40:01No.
40:03Noo, noo, noo, noo..
40:05Noo.
40:06I'm hungry.
40:10Noo, noo.
40:11F yo.
40:15What?!
40:23The End
40:29The End
41:04The End
41:07Shark
41:12Don't
41:24The End
41:28The End
41:29The End
41:29The End
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