Un programma storico che ha documentato la storia del nostro paese in una riedizione preparata con l'intento di riportare alla luce personaggi ed eventi che offrono ancora un'occasione di riflessione. Protagonista di questa puntata Luigi Tenco, l'uomo, l'artista, la tragica fine.
La Storia siamo Noi Re-Edition 2024 - Luigi Tenco - Video - RaiPlay
#Crime #TrueCrime #Delitti #Misteri #Documentari #Killer #ColdCase #Cronaca #CronacaNera #DivinumCrime #Tenco #LuigiTenco #PremioTenco #Dalida #CiaoAmore #Mistero #Delitto #Musica #Cantanti #CantantiItaliani #SanRemo #Cantautori #MusicaItaliana #BellieDannati
La Storia siamo Noi Re-Edition 2024 - Luigi Tenco - Video - RaiPlay
#Crime #TrueCrime #Delitti #Misteri #Documentari #Killer #ColdCase #Cronaca #CronacaNera #DivinumCrime #Tenco #LuigiTenco #PremioTenco #Dalida #CiaoAmore #Mistero #Delitto #Musica #Cantanti #CantantiItaliani #SanRemo #Cantautori #MusicaItaliana #BellieDannati
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TVTrascrizione
00:10www.feyyaz.tv
00:46www.feyyaz.tv
01:00The body of the Genoese singer-songwriter who was found dead on the night of January 27, 1967 with a
01:08gunshot to the head.
01:10From the very beginning there was talk of suicide but some aspects of this tragedy were never clarified and for this reason after
01:16After a complaint, the judiciary ordered the exhumation of the body.
01:33On January 27, 1967, Luigi Tenco died from a gunshot to the temple at the Savoy Hotel in Sanremo.
01:43one of the most original singer-songwriters in Italian music.
01:47Tenco's death in the midst of the song festival remains an open wound and an unsolved mystery to this day.
01:57In 2003, journalists Aldo Fegatelli, Colonna, Marco Buttazzi and Andrea Pomati filed a complaint with the prosecutor's office
02:07Genoa reopened the file on Tenco's death and in February 2006 ordered an autopsy for
02:15to dispel any doubts about what happened.
02:19A request to reopen this investigation to shed light on what we believe are too many
02:28dark spots.
02:30The distance of the gun, the distance of the barrel from the body, the direction of the bullet, are all things that lead to
02:40think, which lead to confirm that the hand was a suicidal hand and not a murderous hand that determined the
02:46death of Luigi Tenco.
02:53So you heard it from the prosecutor of Sanremo, Mariano Gagliano, who reopened the Tenco case, the case is
03:02closed.
03:03There is no mystery behind a sudden and strange, seemingly inexplicable death.
03:09The autopsy revealed with certainty that Luigi Tenco killed himself by shooting himself in the head.
03:17A few hours after his song, Ciao, amore, ciao, was not admitted to the final of the Sanremo Festival.
03:25Yet even this certainty does not provide a definitive answer to Luigi Tenco's enigma.
03:31Why did Tenco kill himself at just 29 years old?
03:35Was it suicide or a tragic accident?
03:39Why did Tenco write his spiritual testament in a few practically unrecognizable lines?
03:45What is the truth about his love for Dalida?
03:49And does the Festival jury have any responsibility for his death?
03:53So, what happened that night between Thursday 26th and Friday 27th January 1967?
04:00I believe, frankly, having lived that night until the epilogue, unfortunately, there, I believe that a moment of great anger occurred.
04:15by Tenco which unfortunately ended tragically.
04:22A moment of great anger.
04:23I, if you like, my peer, Luigi's death was a death by mistake.
04:28By mistake.
04:29What happened that night in Sanremo?
04:32An accident.
04:33An accident. She was in Sanremo, can you imagine?
04:35Certainly.
04:38When was the last time you saw each other like...
04:43I don't like to talk about it.
04:46I prefer not to talk about it.
04:59Thank you all.
05:22Luigi believed a lot in that song.
05:25Ciao, morire, ciao was his first Italian protest song.
05:31I remember that when he was about to go out on stage, I made a huge effort.
05:38And I remember him telling me those exact words.
05:43I go out, sing and then I'm done with the pop music.
05:47I assure you that as soon as he appeared, it wasn't him.
05:54It wasn't him.
05:55His eyes were empty.
05:56He had a blank look.
05:58As one Thomas approaches the microphone.
06:00In his little black suit, with his tie, well dressed.
06:04Handsome, incredibly handsome, that is, a dark and handsome man.
06:07But with an incredible face, with an unrecognizable face.
06:10He starts singing.
06:11And he sings as if he were really going against the grain.
06:14You can feel that he's almost struggling to breathe.
06:17And I, who am...
06:19Allergies also attack me.
06:21If someone has an allergy, imagine the emotion, the things.
06:22I felt bad for him.
06:24Because I was saying, but this isn't Luigi you know.
06:25And then, I repeat, then the obsession with this battery.
06:31And this voice was usual.
06:33And you felt nothing else.
06:34The song came like this.
06:35If it came to me like this, someone I knew, I thought, he can't do it.
06:48The wheat to grow
06:55So many to rare
06:59Look every day
07:04Whether it rains or it's sunny
07:08To know if tomorrow
07:12You live or you die
07:16And it's a beautiful day
07:19Say enough
07:21And go away
07:24Hi love
07:27Hi love
07:32He finished singing
07:34And he walked away
07:35Truly
07:37Overshadowed
07:37Pissed off
07:38He left the stage
07:39I say, let's hope you repeat it.
07:41Then the songs were repeated
07:43From the great foreign interpreters
07:44Oh, damn it
07:45You don't get the idea
07:46And he does this song
07:47With a dramatic
07:49Greek indeed
07:50She looked like Electra
07:51Electra's Mourning
07:53The usual road
07:55But what are these two doing?
08:00Hi love
08:01Hi love
08:04Hi love
08:06I certainly went to visit him in the dressing room
08:07After they had sung
08:09Both him and Dalida
08:10Hello love, hello
08:11And they were in a great mood.
08:14We were joking
08:15Both with Dalida
08:16I had told Dalida
08:19Which Madonna was breathed in?
08:21When he opened his arms
08:23And he had sung
08:24Etc
08:24Because he had this one of his
08:26Hieraticism
08:27And to Luigi
08:29I had said some things
08:31On the gravestone
08:32Which was always the same
08:33He had a gravatta
08:34For many years
08:35And it was always the same
08:36We were joking
08:38On other things
08:39In short, a bit too joking
08:41And he was in a great mood
08:43If I had been a juror
08:44That evening
08:46I wouldn't have understood that song
08:49They are about to conclude
08:51In Sanremo
08:52The votes
08:52To draw the songs
08:54Prime Time Finalists
08:56Clearly in the lead
08:57Me, you and the roses
08:58Sung by Orietta Berti
08:59And voted overwhelmingly
09:00Elimination looms
09:02Of great protagonists
09:03Like Modugno
09:09The song was excluded
09:13Evidently the shock
09:14It was very violent
09:15Assisted shock
09:16Probably
09:17From
09:18Some liquor
09:19Some whiskey
09:20Some pills
09:21I don't know
09:21After the rejection
09:23Of the song
09:24I saw Luigi come out
09:25From the theater
09:26With friends
09:27Of the RCA
09:28And it was absolutely
09:30Very pale
09:31Very pale
09:32I didn't have the courage
09:33To get closer
09:34And to say
09:34That
09:36My solidarity
09:37Etc
09:38Etc
09:39So when it comes out
09:39The others go
09:41The whole troop
09:42Let's put it this way
09:43The whole team
09:43Of the RCA
09:44Together with Valida
09:46They all go
09:46Eating out
09:48And Luigi doesn't accept
09:49This invitation
09:50Maybe even
09:52He sends them to hell
09:53I'm not going back
09:54In the hotel
09:55Here at that point
09:55This is the reconstruction
09:57It's precise
09:58He arrives at the hotel
09:59It's around 11am
10:0011.30 pm
10:01Not later
10:02Because I'm going a bit from memory
10:03But
10:05And surely
10:06He takes his car
10:07He had a spider
10:08Maybe it was a 124 spider
10:20He walks away
10:21From the hotel
10:21He walks away from the hotel
10:23It's going who knows where
10:24Probably on the French Riviera
10:25Probably somewhere
10:26At a certain point it comes back
10:27And surely
10:29Call back to Rome
10:30Or is called back
10:31From Valeria to Rome
10:32And Valeria tells
10:34That this last phone call
10:35What will have been
10:36Of a quarter of an hour
10:3720 minutes
10:38Half an hour at most
10:39Previous
10:40Upon discovery
10:41By
10:41From the ida
10:42Of the body
10:43Or something like that
10:44It's a phone call
10:45In which he really
10:46He beat
10:47But it already did him good
10:48Going to the French Riviera
10:49Or at least on the Riviera
10:50With the car uncovered
10:51When he comes back
10:52Valeria says
10:53At that point
10:54I felt him relaxed
10:55And so we did
10:56A very long phone call
10:57Of which no trace remains
10:58For example
11:00Not even in the records
11:01Nothing is known
11:02There was only one phone call
11:03It was DalitÃ
11:05Who made the phone call
11:06To the managers
11:07Of the RCA
11:08For simply
11:09Make sure
11:10What Luigi
11:10He had entered well
11:11At the hotel
11:11And that he hadn't had
11:12An accident
11:13It was us
11:14To call
11:14Tenco in the hotel
11:15To know
11:16If he had arrived
11:18Why we were worried
11:19For the way he drove the car
11:20And we said
11:22We called Dality
11:23To tell her
11:24If he wanted to talk
11:25If he wanted to say something
11:26To Tenco
11:27Tenco had arrived
11:28AND
11:29Dalità said
11:30No
11:31We'll talk to each other later
11:33After a quarter of an hour
11:33He prayed to Paolo Dossena
11:36And to Mario Simone
11:36To take you back to the hotel
11:38Because she was very worried
11:38For Luigi
11:39I was saying
11:40I have to go and comfort
11:41We left
11:42At the hotel
11:42The rest you know
11:43Dality has arrived
11:44It was the first
11:45He pretended
11:46To mount above
11:47His room
11:47He took the key
11:48And it went
11:49Because he wasn't
11:49On the first floor
11:50It was down as one goes down
11:51The outbuilding
11:53The last person
11:54Who feels it
11:55While alive
11:56It's Valeria
11:57And Valeria
11:59Insure
12:00That he was calm
12:01What happened?
12:02In that half hour
12:03Frankly
12:04No one will be able to say
12:05She arrived first
12:07In the corridor
12:08And behind
12:09There was Paolo Dossena
12:11Mario
12:11Me and my cousin
12:12And no one else
12:13All that
12:14What they were able to tell
12:15After
12:15They're all fairy tales
12:16At some point
12:17Anyway DalitÃ
12:18He's going out
12:19Ormando from the room
12:20By Luigi Tenco
12:20And he says
12:21Of having seen him dead
12:22On the bed
12:23Room 219
12:25Which was Tenco's
12:25It was downstairs
12:26That is, in the semi-underground area
12:27Compared to the hall
12:28Of the hotel
12:30I went
12:30In this corridor
12:31A photographer told me
12:33Tenco killed himself
12:34But the photographer
12:35If it had stairs
12:35I was going down
12:36I arrived in this corridor
12:37And there was no one
12:38There was a half-closed door
12:39From room 219
12:40There was Lucio Dalla
12:41On the ground
12:41He was sitting on the ground
12:43Completely naked
12:43And he ate an apple
12:44As if he were dazed
12:46As if he hadn't understood well
12:47What was happening
12:48He was a child
12:49In many things
12:50But professionally
12:52And this was
12:54In Italy
12:55It's bad luck
12:56He was a person
12:57Very serious
12:58He was serious
13:00Serious with malice
13:01Serious with stubbornness
13:04Lucio Dalla left after
13:05And it was revealed
13:06From Dalida's cry
13:07What a Dalida
13:08When she came in alone
13:09Before
13:10He found it on the ground
13:11He thought that
13:11He had been drinking
13:12That he felt sick
13:13And when he came to his senses
13:15There was all the blood
13:17He gave us a shout
13:18He says
13:18Him at the moment
13:19He didn't think
13:19That he was dead
13:20He said
13:20Luigi feels sick
13:21At that time
13:21He gave a scream
13:22And he said
13:23Get a doctor right away
13:24Doctor
13:24They made a phone call
13:26At home
13:28I don't remember
13:29Exactly
13:30If it was the lawyer
13:31Attolico
13:32Or the master
13:33Zeppegno
13:34Of the RCA
13:35They told me
13:36What Luigi
13:38He had had
13:39An accident
13:41And nothing more
13:42At the end
13:42About the show
13:43And I was informed
13:45By my command
13:46What on
13:46At the Savoy Hotel
13:47Something had happened
13:49It was heard
13:50A shot
13:50I immediately got
13:52Precipitate
13:53Together
13:54To the staff
13:55On public safety
13:56Which in turn
13:57He had been informed
13:58When we were
14:00In Savoy
14:01They accompanied us
14:02In a room
14:02It seems to me
14:03That it was 219
14:05Or the 319
14:06And there we found
14:08Luigi Tenco
14:10Reverse
14:11On the ground
14:11With one blow
14:13Of firewood
14:14At the temple
14:14At the right temple
14:30A fire herb
14:47On the dresser
14:48There was the charger
14:48Of the gun
14:49And the body
14:50By Luigi
14:51He was turned on the ground
14:52With one arm
14:53Under
14:54Under the body
14:55And the gun
14:56It was under one leg
14:59After a
15:00Before
15:01Site inspection
15:02Few photographs
15:03Few comments
15:04Scientific type
15:05The Commissioner
15:07With Molinari
15:07It does immediately
15:08Take the body away
15:10And in fact
15:10About
15:11The two months
15:13The phone came back
15:14How it happens
15:16That there was a dead person
15:17At the Savoy
15:18Go and get
15:18We left
15:19Go and get
15:20This body
15:20There was the police
15:22We have been
15:23A little mesoretta there
15:24And we said
15:24Now you can
15:25Move the body
15:26And bring it
15:26At the cemetery
15:27And we have it
15:28Socket
15:28At the cemetery
15:29Arrived at the cemetery
15:30We downloaded it
15:31How is it?
15:31We always do
15:32Then
15:33When it spreads
15:34The voice
15:35Of this death
15:36The journalists
15:37And the photographers
15:38They start to press
15:39The Commissioner
15:39The corpse
15:40He took it
15:41He brought himself
15:42Then he brought himself back
15:44In the room
15:45There was this
15:46Macrabro
15:46Ballet
15:48And it was reported
15:49In the hotel
15:53After ten minutes
15:54The police are arriving
15:55And it is reported
15:56To the body
15:56At the Savoy
15:57It went as it was
16:27Which they did not follow
16:28Davideco that I also remember
16:29On the ground
16:30Etc
16:31Etc
16:32And then
16:33Someone called
16:34I called
16:35To my operator
16:36Of the news
16:37Skates
16:37I say take the troops
16:49I say take the troops
16:51And gather the troops
17:06And come here to the otezza
17:07It's something deeper
17:09It's something deeper
17:09Undoubtedly
17:09But it's not up to us to judge
17:10It's up to us to do
17:11Only for the news
17:12I was in Milan
17:14I did theater
17:15Buazzelli
17:16He had nominated me
17:17Its director
17:19The same day
17:21Of the first
17:22But in the morning
17:23I read the newspaper
17:24And it was
17:25The upheaval
17:26Who has decided
17:28Some bad moods
17:30Duration
17:31Decent
17:33During the night
17:34They happened
17:35Some things
17:35Quite curious
17:36Something's happening
17:37In that half hour
17:38But we don't know
17:39If Delle returns
17:40And they argue
17:40And he's just trying to show off
17:42He wants to give a demonstration
17:43If anyone else
17:44We know absolutely nothing
17:45What is certain
17:46That the investigation is now
17:46It's closed
17:47He was resurrected
17:47Really
17:48That poor body
17:49Which by the way
17:50It remained intact
17:53Certainly
17:54I have to say
17:54What a margin
17:56Of doubt
17:56Stay
17:57Why wasn't it?
17:58Well clarified
17:59The whole mechanism
18:00About the story
18:01Dali Daca
18:02At some point
18:03He is summarily questioned
18:04Together with there
18:05Together with her husband
18:06Who was a record producer
18:07Important
18:08French
18:09That at dawn
18:10She is forced to expatriate
18:12Being instead
18:12The only one
18:13I'm not saying witness
18:14But the last person
18:15Who saw it
18:15Why Dali Dalla
18:16She is forced to expatriate
18:17So fast
18:18At 7 in the morning
18:19She said
18:20I want to go away
18:21I want to go away
18:21From this place
18:22Me and Sergio Modugno
18:23Which is currently
18:23Editor who had
18:24All June
18:25We accompany her
18:26At Nice Airport
18:28And she left
18:28To leave immediately
18:29That is, no one
18:30He asked her to stay
18:31And she had been
18:32The one he had discovered
18:33The corpse
18:33Those who started it
18:34Dali From
18:35That evening
18:35Dalì Dalla didn't want
18:36Not at all
18:36Going away
18:37She was in a crisis
18:39She was nervous
18:42And it arrived
18:43Her husband
18:44And I'm almost there
18:44To carry the way
18:45In Paris
18:46The police
18:47He heard it
18:48He listened to her
18:49And then
18:49The Sanremo managers
18:50They said
18:51Take the way
18:52Take the way
18:53Why Dali Dalla
18:54He said
18:54Which festivals
18:55Sanremo
18:55It must stop
18:56It must stop
18:56So what?
18:58There were too many
18:59How do you say
18:59Around
19:00Too
19:02Too many interests
19:03Bravo
19:03Too many interests
19:04Around
19:04That he didn't want
19:05An assult
19:06And they said it
19:06They prayed for him
19:08At the RCA house
19:08And to her husband
19:09By Dali Dalla
19:10To take her away
19:11So Dalì Dalla
19:12It's not that she ran away
19:14She wanted to stay
19:14There
19:15It was them
19:16Very happy
19:17To get rid of
19:18About my sister
19:18Dali From
19:19And that's what I wanted to say
19:20Actually
19:22We must continue
19:23Why
19:24This tragedy
19:25Even said
19:26Can't stop
19:27A machine
19:28Like the festival
19:28Politically
19:29It can't be stopped
19:30The festival
19:30Why did it fall?
19:31A tragedy
19:31It can't be stopped
19:33A show
19:33Of little songs
19:34Just because
19:35Someone
19:36He left his skin there
19:37And it can't be stopped
19:38Why
19:39Suicide
19:40It's shameful
19:43Fabrizio De Andrè
19:44Among the few companions
19:45To participate
19:46At Tenco's funeral
19:47In the small hometown
19:48By Ricaldone
19:48A few months later
19:49He will write for his friend
19:50Of childhood
19:51His most vibrant prayer
19:52In his arms
19:55You will suffocate
19:56The hiccups
19:57Of those pale lips
20:01That to hate
20:03And to ignorance
20:04They preferred death
20:07Tenco was for me
20:10A person
20:10Which brought me a lot
20:12Why
20:12Aside from his meeting
20:14Apart from the person
20:14That was rich inside
20:16What happened
20:17That everyone knows
20:18Which is a sad thing
20:19Dramatic
20:20I have to say that in my life
20:21It's the most important thing
20:24That it had arrived to me
20:36What I want to say
20:38It's that he gave me
20:40An inner wealth
20:41Extraordinary
20:42At a certain point
20:43Indeed
20:44I woke up
20:45And I didn't know anymore
20:46Who I was
20:47Meaning what
20:47I started
20:48To ask me questions
20:49To ask me who I was
20:51What I did
20:52Where I was going
20:53Metaphysical questions
20:55That pushed me
20:55To an internal work
20:57To know
20:58Who I was
20:58As
20:59I started
21:00Seeking God
21:01But I didn't find it
21:02I met someone instead
21:04Which I absolutely did not know
21:08I
21:11I don't even think so
21:12That Luigi is dead
21:13For me
21:13I
21:14I think of Luigi
21:15Always as a person
21:16What now
21:16When he goes from Genoa
21:17I'll give him a call
21:19We will see each other
21:20And it's been a long time since he went to Genoa
21:21It's been a long time since we saw each other
21:22But no
21:23I would like to delete
21:24That one exactly
21:25That I wish it were erased
21:26Not only from me
21:27But also from many other people
21:29Why
21:29That one left
21:31A memory
21:32A negative memory
21:33By Luigi
21:34In the words
21:35G.I.
21:35Gianfranco Reverberi
21:36One of the friends
21:37More expensive than Luigi Tenco
21:39It didn't happen
21:40Nothing
21:41And instead
21:42In the room
21:43219
21:44Of the hotel
21:45Of the Savoy Hotel
21:46Sanremo
21:46Something
21:47It happened
21:48And to add
21:49Confusion
21:50And mystery
21:51There is in fact
21:52Also
21:53A letter
21:54A letter
21:54Addressed to friends
21:56A kind of testament
21:57Spiritual
21:58By Luigi Tenco
21:59But it's about
22:00Of a few lines
22:01It's a ticket
22:02In some ways
22:04Disappointing
22:05A ticket
22:06That if authentic
22:07It just proves
22:08A state
22:09Of deep
22:10Confusion
22:11In short
22:13For many
22:14A letter
22:15Too simple almost
22:16Respect
22:17To the myth
22:18To the myth
22:18Tenco
22:21I loved
22:22To the Italian public
22:23And I dedicated it to him
22:25In vain
22:25Five years
22:26Of my life
22:28I do this
22:28Not because I'm tired
22:29Of life
22:30Anything but
22:30But as an act
22:32In protest
22:32Against an audience
22:33What sends
22:34Me, you and the roses
22:34In the final
22:35And a commission
22:36Which selects
22:37The revolution
22:38I hope it helps
22:39To clarify ideas
22:40To someone
22:41Hello Luigi
22:43It's a letter
22:45Which doesn't seem like it
22:46Belong
22:47To his literature
22:48I
22:49I don't recognize
22:51Neither
22:51In punctuation
22:53I don't recognize
22:56Era
22:57A person
22:58Slightly
22:59More complex
22:59About the content
23:00Of this
23:01Of this letter
23:02Meaning what
23:02Much more complex
23:04About the content
23:04Of this letter
23:05I don't believe it
23:05I don't believe it
23:06To which one
23:07It's a ticket
23:08What second
23:09A very modest one
23:11Opinion
23:11It denotes
23:13A state
23:13Of alteration
23:14Very serious
23:15He said
23:17Who committed suicide
23:17In protest
23:18Against a certain
23:19Way of proposing
23:20The music
23:21This thing
23:21It hit me
23:22When I then became
23:23Precisely
23:24Me too
23:24A musician
23:25These contradictions
23:26I touched them
23:28Directly
23:30It seemed right to me
23:31Without not to remember
23:32This
23:34Singer
23:34That I did not know
23:35But what maybe?
23:35It would have become
23:37A friend of mine
23:37If I had known him
23:38In conclusion
23:38Who works on the songs
23:43Seriously
23:44To say something
23:45Then of course
23:47It can also
23:48Be very disappointed
23:50Of not being understood
23:52Pull your neck
23:53To the organizers
23:54About the festival
23:55You do
23:56But no
23:58Not
23:58Not
23:59You don't prevent
24:00To your words
24:00To continue to say
24:02To continue
24:04To be
24:05To speak
24:06When they put
24:07In play
24:08They enter into competitions
24:09In competitions
24:10Your own feelings
24:11Your own feelings
24:11Feelings that are believed in
24:13You can run
24:14The risk
24:17To have
24:18Some reactions
24:21Maybe exaggeratedly
24:22Dilated
24:23In the face of a possible
24:25Defeat
24:26More moral
24:27That's unprofessional
24:29But who was Luigi Tenco?
24:30A desperate young man
24:32Who decides to end it all
24:33Or a young romantic
24:35Who sacrifices himself
24:36In protest
24:37To what extent
24:39His songs
24:40And so sad
24:42And melancholic
24:42They were the photography
24:44Real
24:44Of his soul
24:46And really
24:47How he sang
24:48In a song
24:49He rarely smiled
24:50I am one
24:53Who rarely smiles
24:56This is true
24:58But around
25:05There are already many of them
25:07Who laugh and smile
25:10Always
25:10But then
25:12They never tell you
25:14What do they think inside?
25:18He was a boy
25:20I would say
25:21A great romantic
25:23Era
25:23A boy
25:24Who believed very much
25:25In his musical genre
25:26But it was also
25:28A type
25:29That was falling down
25:30Very easily
25:31When he couldn't
25:32To make success
25:34In the evenings
25:34In which he participated
25:35It really was
25:37A disaster
25:38Why did he lock himself away?
25:39In itself
25:40In fact it has always been
25:41An introvert
25:41Luigi Tenco
25:42And so
25:47Giorgio Gaber
25:48On his first show
25:49Television
25:49He invites you right away
25:50Friend Luigi Tenco
25:51To sing his songs
25:53We will go together
25:55To live
25:56There
25:57In my valley
26:01Where I learned
26:04To love the sun
26:05Do you know this?
26:07What would then be
26:09The needle doesn't want
26:10But never even
26:12How will we do it?
26:18So it's just a coincidence
26:20That we can talk
26:21Of the Genoese school
26:21After that
26:22It has been established
26:23This brand
26:24A question of marketing
26:25Which is part
26:26Of the Genoese school
26:26So it means
26:27Who is a good singer-songwriter
26:29But if the Genoese school
26:31It's just a brand
26:32A guarantee mark
26:33It is instead the voice
26:34By Luigi Tenco
26:35Unique and unmistakable
26:37His love
26:38For French authors
26:39For the American song
26:40Jazz
26:40And the passion
26:41For the saxophone
26:42They do the rest
26:44I was a student
26:45In political science
26:48Merchant
26:49A lot of things
26:50But never
26:50I didn't deal with music
26:52In a professional sense
26:54It was a calling
26:55It was a hobby
26:56Here's to say it better
26:58Every time I made a record
26:59I can't put my name
27:01Because otherwise then
27:03When I go to introduce myself
27:05As an engineer
27:05Or as an architect
27:07I have no credibility anymore
27:09Because there was still
27:10This idea
27:11That
27:12The music
27:13It was like going on a ride
27:16It wasn't a serious thing
27:17Until one day
27:19When he decided instead
27:21What he would have liked to do
27:23Really serious music
27:25She came to Milan
27:27So at this point
27:28I have decided
27:30I'll put my name on it
27:31But I want to make music seriously
27:33In 1959
27:35Together with Bindi
27:36Paoli
27:37Lauzi
27:37Luigi Tenco
27:38He moved to Milan
27:40To call them to the big city
27:42It was the Reverberi brothers
27:44Friends forever
27:45That they felt too alone
27:47And what have they decided?
27:48What is it now?
27:49To make music seriously
27:50In Milan, after all
27:52Do you remember it?
27:54Search for new talent
27:55And they find them
27:57Through Reverberi
27:58In Genoa
27:59And they find a crowd
28:00Naturally
28:01Not having a penny
28:02They found each other
28:05He and Piero Ciampi
28:06Living in my house
28:07That I was the only one who worked
28:08The only one who had a land
28:09Masterpieces are born there
28:11There are anecdotes there
28:14Formidable
28:15The entrance to Vanoni
28:17Who meets Paoli
28:18He says
28:18I'm making myself a song
28:19And he
28:20In an hour
28:21He composes them endlessly
28:23Meaning what
28:23There are some things
28:25And there is a group life there
28:28That unravels
28:29And they have fun
28:30I who used to do the Night
28:32I was strumming
28:33I liked it very much
28:34You'll see You'll see
28:36But also the first songs
28:38Angela, Angelo
28:39My angel
28:40It is truly born there
28:41Perhaps a form of convent
28:43A form of union
28:44Which is above all friendly
28:45Which then also translates
28:46In experiences that are exchanged
29:09He didn't even think about singing at first
29:12As he probably didn't even think of writing lyrics at the beginning
29:14At the beginning he played alone and we had the band, the group
29:18And we only thought about making music
29:23To make jazz in particular
29:24And so also his way of singing
29:26If you think about it for a moment
29:27It sounds a lot like the voice of the saxophone
29:29With these drawn-out, elongated notes
29:31Typical of the saxophone
29:33And it's typical of the American way of singing.
29:35I fell in love with you, for example
29:37Just a piece
29:38It was a piece that was made as an instrumental piece for the saxophone
29:44Then he put it all on the text
29:46Then he sang it
29:48But he was basically more of a musician.
29:52He started out doing networking calls
29:55He started out playing clarinet and sax
29:59Jets
30:00He didn't disdain rock'n'roll
30:03I didn't disdain rock'n'roll either.
30:05Even though he was a jazz fan
30:08And we had the literary background even
30:12In short, what we read
30:14French songs
30:15Etc
30:16Which was the same
30:18Even though I lived in the deep south
30:20All the arrangements that were made for Ricordi
30:23There was an obligation to leave eight bars
30:25Because those eight bars had to be filled by the vice with the sax
30:29He took his turn
30:33In that period if you listen to all the Ricordi records
30:37Vanoni, Paolo, all the records
30:39There's only one of...
30:41By the way, it sounded great.
30:42A beautiful voice
31:10Thank you all
31:15With his sax we went around the city
31:19And we lived it all night
31:22And we even ended up at the Brignone station
31:25And we occupied the platform
31:27And he at a certain point with this dimension of the track
31:32Fleeing towards an impossible future
31:34He started playing this sax along the track
31:37And the image that remains of Tenko to me
31:40It's a wonderful image
31:42It is slightly cited by the circumstances
31:44Who played his sax
31:47Walking along the track
31:49Thank goodness the train didn't arrive
31:51But the train is coming
31:54And Tenko absolutely doesn't want to lose it.
31:56The first songs start to circulate
31:58His name begins to stop
32:01The TV theme songs are coming
32:03Important participations
32:05Tours around the world
32:07His songs, in short.
32:09They are conquering the hearts of Italians
32:21They are conquering the hearts of Italians
32:27The water passes over the port
32:31The streets are always the same
32:36The same houses
32:43One day after another
32:47And everything is as before
32:51His spare lyrics best represent
32:53The change that the singer-songwriter
32:55He's doing it in the early 60s
32:57Tenko is the singer-songwriter
32:59Described so well by Maria Monti
33:00He's just putting music to it
33:02The transformations of a society
33:04Ultimately managing to give voice
33:06To the crisis that was about to break out with '68
33:08Finished
33:09At that time there were two antithetical tendencies
33:14In Italian song
33:16The first trend was the traditional melodic one
33:20That right on the opposite bank
33:22Such a form had recently been born
33:25Of youth protest
33:27Perhaps the first youth protest
33:30Post-war
33:31Which was embodied by the urnators
33:35Everything changed
33:37It changed radically
33:38With the arrival of the singer-songwriters
33:41Here I want to say
33:42They have ferried the song a little
33:45From the language of song
33:53It has a kind of closeness
33:57Or of marriage with poetic language
34:00Opening that diatribe
34:03Which has not yet recovered
34:04On the difference between singer-songwriter
34:07And poetry
34:09There is a profound difference
34:10But also a deep kinship
34:12The words
34:13The words
34:14Only the words
34:15They're enough to make a song
34:17That it is truly true
34:18Right
34:19Modern
34:19There is no need for anything else
34:20Words are enough
34:21It was a culturally
34:23Rather reserved
34:26There was no exaggeration in rhetoric
34:28The group had its own severity
34:31There was informal painting around
34:33And so also the use of feelings
34:37He was very cautious
34:38Then you can read it from his songs
34:41This ability to be complex
34:44With intimate clarity
34:51We were kids
34:53We were experiencing those same feelings
34:54That Luigi sang
35:00In short
35:01They are all verses
35:03Very beautiful
35:05Very touching
35:06Whether they speak
35:08Love note
35:09Whether they speak
35:11Of many other issues
35:13In short, it's always one of his strengths.
35:16He never says anything banal
35:24He was sincere in all the songs he made
35:27In the texts he wrote
35:28That they always wrote
35:30Or turned to something experienced
35:33With a woman
35:33Or very often addressed to the mother
35:36In short, these were speeches he made
35:39She was a mother
35:40And then he went over there
35:41He sat down at the piano
35:42He wrote to her
35:43And he set them to music
35:45When the evening
35:47I'm going back home
35:53I don't even feel like talking
36:00Don't look at me with that tenderness
36:07As if I were a child
36:12Who returns disappointed
36:15Those are evergreen songs
36:17Those never go out of style
36:19That stuff there
36:20It never goes out of style
36:21Those are yet to be discovered
36:23From real critics
36:25That they have to decide
36:26That those songs
36:27They are masterpieces
36:28Small works
36:29What remain
36:30Over the centuries
36:31Over the centuries
36:31Next to the melodrama
36:33Alongside academic music
36:35Next to the thing
36:36Etc
36:36Because they are small
36:38Great masterpieces
36:39Even today
36:41Luigi Tenco's songs
36:42They remain timeless classics
36:45In a few years
36:45From 64 to 67
36:48Tenco leaves a legacy
36:50A formidable legacy
36:52You'll see, you'll see
36:53I fell in love with you
36:55From far away, far away
36:57To my boy
36:58Music and lyrics
37:00Which tell of an era
37:01An era that is changing
37:03And what in fact
37:04They almost anticipate 68
37:07They are songs
37:09They are songs
37:10That already
37:13When they were sung
37:15On television
37:16In an unsuspecting era
37:18Where television
37:19It had that extraordinary function
37:21They gave you the feeling
37:23To be something
37:24Shocking
37:26But
37:26They could not be defined
37:29Popular
37:29Absolutely not.
37:31But they have become
37:33In a manner
37:34Important
37:35They have been rediscovered
37:52When he made me feel
37:54That nonsense
37:55That was far away
37:56Distant
37:57According to him
37:57Which was a melody
37:59Areosa
38:00Wonderful
38:01It looked a little old
38:03But she was extraordinary
38:04I told him
38:05But this is a masterpiece
38:06Or you'll see you'll see
38:07He said
38:08No
38:09They were songs
38:10More beautiful
38:10What he wrote
38:11And far away
38:15Distant
38:17In the world
38:19In a smile
38:23On the lips
38:25Of another
38:29You will find
38:31That shyness of mine
38:37That's why you took me
38:41A little around
38:43And far away
38:47Distant
38:50It's time
38:52The expression
38:56Of a face
38:57By chance
39:01It's not time
39:02It's him
39:02And his
39:04That's it
39:07It's that longing
39:09It's that longing
39:11It is taken to its extreme consequences
39:16And the meaning
39:18This sense of the end
39:21Of detachment
39:21That he put
39:22In all his songs
39:23I mean, I mean
39:23The other great authors
39:25Of those years
39:28They had music though
39:30Which was crossed
39:31For a lifetime
39:31Maybe even melancholic
39:33But from a vitality
39:34From a sense
39:35From
39:35However, he dominated
39:37Eros
39:37I am trying to say
39:39Instead
39:40In Tenko
39:41There has always been
39:42This
39:44To be transported
39:45Elsewhere
39:45As if his soul already
39:47He looked at us
39:48From another side
39:50From another point of view
39:51And this one
39:52And this is exactly
39:53Melancholy
39:53That he put
39:54This melancholy
39:55Heartbreaking
39:56That when we hear Tenko
39:58Sometimes
39:58We can't even hear it
39:59No because it is not
40:00It's not that Tenko
40:01It's a panacea
40:04It's not a medicine
40:06For all seasons
40:08And for all diseases
40:09On the contrary
40:09It's a music
40:10To be taken
40:11To be taken
40:12With an eyedropper
40:13Precisely because
40:14Graft
40:14In the listener
40:16That
40:17That
40:17That terrible one
40:21Slip
40:21Towards a world
40:22Made of shadows
40:24Tenko
40:25Tenko knocks out in song
40:25His own diary
40:27It highlights
40:27The contradictions
40:28That are hidden
40:29In the relationship between two people
40:30In conclusion
40:30We fall in love
40:31Because there is nothing to do
40:33In the notes
40:34In Tenko's songs
40:35And other singer-songwriters
40:36There is nonconformism
40:38Unscrupulousness
40:38Anxiety of renewal
40:39And as it is inevitable
40:41The young people who listen to them
40:42They are fascinated by it
40:43At the dawn of 1966
40:45Luigi Tenko
40:46He moved to Rome
40:47He goes to live near St. Peter's
40:49And it goes with RCA
40:50The label of the first singer-songwriters
40:52By Morandi
40:53By Dalla
40:54By Rita Pavone
40:54Of the 84th Crew
40:55Some songs
40:56Of the Green Line
40:57Well, when he came to Rome
41:01I become a friend
41:02Mine and Boncompagni's
41:04We were waving the yellow flag
41:05The radio
41:05Etc. etc.
41:06I used to play Luigi's records
41:07In a program
41:09What was his name?
41:09For you young people
41:10So
41:11We became friends
41:12We met
41:13Al Piper
41:14One evening
41:15With Luigi
41:16We meet
41:17A blonde girl
41:18Who attacked him
41:19Because it hadn't been
41:20Recognized
41:21It was called
41:22Be good
41:23And she had just arrived
41:25From Venice
41:26And then we talked
41:27About music
41:28Because of course
41:29I was a big fan of his.
41:30Very fast pace
41:31And you dance
41:33Dance
41:34And why not?
41:35I remember it
41:36The show
41:49Formidable
41:54It began
41:55The Beat Generation
41:59The beat dance
42:01The beat clothes
42:08Unrepeatable
42:12These guys
42:14That I recognize now
42:16I meet them every now and then
42:19They are 60 years old
42:23The boys
42:24They asked the music
42:26Precisely
42:27That it was released
42:28From the
42:29From your own
42:30From the recording industry
42:32Then it was the spirit of the years
42:33Of 68
42:34Of 69
42:35So guys
42:37Special for you
42:38A question
42:39Minoretano says
42:40In which
42:40A moment of silence
42:42Please
42:43Where they went
42:45Him
42:45Rich Maiocchi
42:46And others
42:46Exponents
42:48Of a false green line
42:49Someone
42:49He took me
42:50Green Line
42:51He said sincere things
42:52In the evening
42:53It seems to me that he killed himself
42:55His name was Luigi Tenco
42:56You might say
42:58Can you tell me
42:59What do you think
43:00That day at the festival
43:01I had met him
43:02In fact, I had complimented myself
43:04And for me it was
43:06The greatest poet
43:07What we had in Italy
43:08It always remains the same
43:10What did he really do?
43:10Some beautiful songs
43:12But in the true sense of the word
43:14Dear Tenco
43:15Your protests
43:16They are worth nothing
43:17There's still a year to go
43:18But the wind of 68
43:19It has already started to blow
43:21A few months ago
43:22Of his last participation
43:23At the Sanremo Festival
43:24Tenco is invited
43:25At a debate
43:26At Beat 72 in Rome
43:27And though he is careful
43:29In the form of a protest song
43:30He is attacked
43:31Accused of mystification
43:33And passed on the left
43:35From his protesting peers
43:37Yet with Tenco
43:38The singer-songwriter
43:40Politics is made
43:41The young people of that time
43:43At some point
43:45Finally
43:46They became aware
43:47And at that point
43:51There was always this game
43:52Of the overpass on the left
43:54Listen
43:55She said before
43:56That the protest song
43:57She did it
43:58When the protest
44:00Nobody cared
44:01Now the protest
44:02It's of interest to everyone
44:03Why don't you take it out again?
44:04The protest songs
44:05This is so serious
44:06The world is like this
44:08Difficult today
44:08That protesting almost makes no sense anymore
44:16What's strange?
44:20Each one was more to the left than the other
44:22So Tenco was also contested
44:24Why did he accuse him?
44:26He said
44:26Yes you want to be busy
44:28But then you're a singer
44:31The songs too
44:32They are important
44:34And Tenco did well
44:35Being a singer
44:36A singer-songwriter
44:37Trying to express
44:41Certain states of mind
44:43To also indicate certain ways
44:45Through his work
44:48Which was the one from the song
44:49They are read
44:50Or they come to know
44:52Things
44:52Facts
44:54What they arouse in an individual
44:56Certain reactions
44:58And since I'm a composer
45:01In these reactions
45:03They come to be
45:06Expressed in a song
45:08In my opinion
45:09The moment of political commitment
45:12It happens precisely because
45:13These artists
45:14And above all Tenco
45:15Especially Ucini and others
45:17They feel that times are changing
45:20They hear in advance
45:21Catching in the air
45:23Symptoms of a cultural revolution
45:25Which will then lead to 68
45:26So to this great dream
45:27Absolutely then
45:28Not materialized
45:30And then he feels
45:31The need to talk politics
45:33Through the song
45:34And if they tell us
45:41That to remake the world
45:44There are a lot of people
45:48To be sent to the bottom
45:51Tenco is really
45:53A very artist
45:56As they used to say then
45:58Politically engaged
45:59Angagé
46:00Sartre's famous expression
46:03On political and civil commitment
46:05And intellectuals
46:07Let's put it this way
46:07He was
46:08A militant
46:10He was a member of the Communist Party
46:13Meaning what
46:13Era
46:14More than the others
46:15Maybe a lot
46:17Aware
46:18In his choices
46:19And in this protest area
46:22Almost rebellious
46:23That in January 67
46:25Tenco
46:26He arrives at the Sanremo Festival
46:28Coupled with Dalida
46:30In Sanremo
46:31Tenco door
46:33Hello love, hello
46:34A song
46:35To whom he entrusted
46:36Virtually all of his expectations
46:39Perhaps his last chance
46:41To impose oneself
46:42To the general public
46:44But his poetic tale
46:46On the topic of immigration
46:48His cultured research
46:49On popular music
46:50He only gets
46:5238 votes
46:53Out of 900
46:54Tenco in short
46:56It is eliminated
46:58That song
46:58It will never reach the final
47:01I don't believe so.
47:02That Sanremo
47:04If it were for Tenco
47:05The only one
47:06Oh last chance
47:07I
47:08I was shocked
47:11From this his
47:11Participation
47:13But
47:15I believe that
47:16He did this thing
47:18Because he thought
47:20To give
47:21A decisive contribution
47:23To a shift
47:25Of the axis
47:26Of taste
47:28Italian musical
47:29If I had known him
47:31Even just once
47:31If I had it
47:32Done on time
47:37I can't imagine it
47:39In the present
47:40Tenco
47:41Today it would be identical
47:43Maybe with some
47:44White hat
47:44But identical
47:45He would have continued
47:46To write songs
47:47Muttering
47:48Muttering
47:51Getting angry
47:52And maybe
47:54But he would have continued
47:55To write songs
47:56He would have continued
47:57Living on music
47:58It would always be
47:59Against the current
48:00Against the current
48:01It also means being
48:02Against the current
48:03In comparisons
48:04Of one's own part
48:05He probably would have
48:06I took a path
48:08Very
48:08Very
48:09Very philosophical
48:10Very literary
48:12Very based
48:12On thought
48:13On the construction
48:14Of a thought
48:16Beyond
48:17Of the world
48:18Some songs
48:19In my opinion
48:21Like James Dean
48:22Like certain figures
48:25Bright
48:26Of the
48:27Star System
48:29They are short-lived
48:31They are short-lived
48:33Right in reality
48:35Why their success
48:39It's so
48:40Important
48:42It's so
48:43Shocking
48:46The costume
48:47Of the generation
48:47To whom they belong
48:49That cannot pass
48:50In columi
48:51From this result
48:53Extraordinary
48:53Tenko
48:54Fabrica by force
48:56Mythology
48:57Why
48:58Who is
49:00More
49:01Of rupture
49:02More than tenko
49:03In Italian song
49:05It's impossible
49:06Imagine it
49:07He tried everything.
49:08AND
49:09In my opinion
49:10He is a victim
49:12Of a system
49:13But
49:14His reaction
49:15It doesn't make it mythological
49:25When
49:45Of a system
49:54Thank you all.
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