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00:08How important is the cast of a sitcom?
00:10Well, the cast is everything.
00:12All right, how's that?
00:14And I love being, you know, in an ensemble comedy.
00:19Surround me with a great cast, and I am in sitcom heaven, you know.
00:23And I'm lucky enough to have been thrown into the center of, you know, not just one, but two great
00:28shows.
00:30So, knock wood.
00:32Are you still close to the cast of I'm It?
00:35Um, I'm close with the cast of I'm It, that old gang.
00:38Do you think you'll be closer to this cast or the cast of I'm It?
00:42Well, you'll have to ask me that in 97 episodes.
00:45Right?
00:48Good morning.
00:49Good morning, June.
00:50Hi, Jane. Hi, guys.
00:52Oh, shit, I fucked up. I'm sorry. I'm not supposed to talk to the crew.
00:56Oh, no, that's okay. Don't worry about it.
00:57Okay. Well, let's see what Aunt Sassy's up to.
01:01Oh, we should make some fun.
01:08Oh, really?
01:10Do you have a, do you have a, do you have a, do you have a table?
01:17Um, so...
01:18It has to be dark rain or something, you know, if you're watching.
01:22We'll try and get an actor at times.
01:24So, you know, it may not come all steady.
01:27It's kind of good. It's very goofy when they stop.
01:31Yeah, I mean, I thought that was...
01:33Okay, here we go, everyone!
01:34Guys, sorry about the, uh, late script delivery.
01:37Everybody, um...
01:38Get used to it!
01:40Uh, I just have one thing to say.
01:43We haven't cast the, uh, Our Critic yet, so...
01:46Our Mr. Paulie G here will be reading it.
01:49And I have one thing to say.
01:50I can't act.
01:54Episode number two, two hot chicks.
01:56One hairy ass and a paintball guy.
02:00Tom.
02:01Yes, you need something, though?
02:03Yeah, well, and I have something to say.
02:06I, um...
02:08Just wanted to take this moment in.
02:10You know, for all of us, because here we go.
02:15First official episode.
02:17You know, it's exciting.
02:20We're all...
02:20We're just so lucky to have found each other.
02:23You know.
02:25Here's to you.
02:26Each and every one, huh?
02:28All right, well, Jimmy, do you want to say something?
02:30Uh, yeah, uh...
02:32Get that camera off me.
02:36Very good.
02:37Touche.
02:39Interior and Sassy's condo.
02:41Cassie and Dylan sit on the couch in their bathing suits.
02:45I'm bored.
02:46Let's paint the room.
02:47What about the Gestapo upstairs?
02:50Uh, no, thank you.
02:51I don't care for gazpacho.
02:55Cassie, if we're going to be roommates,
02:56you've got to fight your blonde.
03:00Fight the blonde.
03:01Right.
03:02I'm talking about the condo Gestapo.
03:04Your Aunt Sassy?
03:06Oh.
03:07There's a knock on the door.
03:08Cassie reaches for the phone and answers it.
03:11Hello?
03:13No, Cassie.
03:14That was the door.
03:16Oh, there.
03:16Oh, right.
03:18Phone hello, door come in.
03:20The intercom buzzes.
03:22Who is it?
03:23Aunt Sassy.
03:24It's Aunt Sassy.
03:25Hide the evidence.
03:25Cassie throws a beach towel over Mooner and Stitch, still asleep on the couch.
03:29The front door opens.
03:31Aunt Sassy stands there in her pathetic pink running suit, holding pathetic pink plastic workout weights.
03:38Ladies, I'm trucking on down to the beach to jazzercise. Any takers?
03:42No way.
03:43I mean, I have to study for my loft vitals.
03:46Yeah, and I'm allergic to sand.
03:49Hey, how was your blind date last night, Aunt Sassy?
03:53He was handsome.
03:54He was sexy.
03:55He didn't show.
03:57Cassie and Shane make poor, pathetic Aunt Sassy faces.
04:08All right, very good, very good, everyone. The writers still haven't figured out a tag.
04:12Get used to it.
04:14Let's take a break and we'll start.
04:15Actors, 30 minutes.
04:17Yeah, you're right.
04:18Listen, gang. Hey, guys. Jesse, Chris. Chris.
04:22What's up?
04:22Yeah, listen. I want to take you all to lunch this week.
04:26Oh, great.
04:27Yeah, I have like a, you know, special cast bonding lunch. I do it with all my shows.
04:32Oh, okay.
04:32So, yeah, I'm thinking Wednesday.
04:34I can't tell it Wednesday.
04:36Oh, okay.
04:36Tuesday?
04:37I'll go with that, too.
04:39Okay, well, then what about...
04:40You know, I'm going to talk to the writers.
04:42Why don't you figure it out and then you let me know. It's going to be fine.
04:45Okay.
04:46Hey, we can't really rely on that visual blur.
04:53Yeah, but they showed ass in NYPD Blue.
04:54Ten years ago and a drama.
04:56Fucking drama.
04:58You know what? I swear to God, if I hear fucking drama one more fucking time...
05:02Jimmy.
05:02Yeah, let's fucking...
05:02See you in 30 minutes.
05:03Okay, yeah.
05:05No, seriously, fuck that.
05:06Listen, guys, really...
05:08Yeah, let's be forensics people and find fucking dead hookers for...
05:11It was a drink.
05:13Great.
05:14Yeah, right, right, right.
05:15That blah, blah, fucking blah.
05:16Tom.
05:16Hey, we're all fucking forensics people.
05:18Let's do fucking fine shows about it.
05:20It was really fun.
05:21That blind date, the blind date run.
05:23So funny.
05:24You know what would be really great is to see Aunt Sassy on a date sometime.
05:28Oh, yeah, yeah, yeah.
05:29Right?
05:29Yeah, yeah.
05:31Well, I guess that was a great read.
05:33Aw, thank you.
05:34Quick question.
05:34I'll walk with you.
05:35I have a question.
05:36Guys, just go back and get started.
05:38I'll be there in a second.
05:39Great script.
05:40Hey, Val.
05:41Yeah.
05:41Check out my new dressing room.
05:43Oh, that's great.
05:43Isn't it great?
05:44Yeah, that's great.
05:45Listen, here's the question.
05:47Is it Aunt Sassy or Aunt Sassy?
05:49Aunt Sassy.
05:50Yeah, okay.
05:51Some of us are saying Aunt Sassy.
05:55But yeah, that's what I thought it was.
05:57Okay, good.
05:57Now that's cleared up.
05:58Now, while we're on the subject, is Cassie my brother's or my sister's child?
06:05You're her aunt.
06:07Right, yes.
06:08But is it my brother's daughter or my sister's?
06:10It makes a difference, you know.
06:12Polly, what do you think?
06:13Brother or sister?
06:17Yeah.
06:17Oh, brother or sister.
06:19I don't know.
06:20Yeah, we didn't really give it that much thought.
06:22Well, that's what I'm here for.
06:23You know, I didn't mean to step on toes.
06:25Oh, no, no, no.
06:26No, no toes.
06:28No toes.
06:28Okay.
06:29No, you can't take it personally.
06:31He's just not comfortable with the...
06:34Cameras.
06:35Yeah.
06:37Or just a reality show.
06:39I know a lot of writers are upset because reality shows are putting them out of work.
06:44Is that what it is?
06:47Well, I don't think he's worried about that.
06:50He had an Emmy when he was, like, 22.
06:53Oh, he has an Emmy?
06:54Yeah, well, we both do.
06:56Yeah, we won it for our first Simpsons script.
06:59Wow.
07:00Oh, I'm surrounded by Emmys.
07:02I didn't even know.
07:03Tom, whenever you're finished with Valerie, I'll show her her dressing room.
07:06Okay.
07:06Yeah, we're done.
07:07Oh, I mean, are we...
07:08Sure, yeah.
07:08No, you go.
07:09That's fine.
07:10Okay.
07:10So, brother, just, it might make a better guest star down the road, I think.
07:13Brother.
07:14Yeah.
07:15Uh, let me think about it.
07:16Yeah.
07:17Think about it.
07:18Oh, yeah.
07:18Okay.
07:19Yeah.
07:20Okay, thanks.
07:20All right.
07:21Valerie, it's this way.
07:22This way.
07:22Yeah.
07:23I think you're gonna like it.
07:24We gave you the one with the private bathroom.
07:26Right up there.
07:27Up?
07:28Yeah, I mean, that way the kids won't bother you, you know?
07:31Yeah.
07:31Chris is driving me frickin' crazy.
07:33Right.
07:34Now, I'm, you know, I know that one has a bathroom, and it's...
07:37Um, yes, Tom and Pauly G wanted that for their hangout room on show nights.
07:41You know, so...
07:42Right, right.
07:43I gotta go to props.
07:46All right, yeah.
07:52Bring your Sherpa!
07:55And they gave me this private dressing room way above everyone else.
07:59You know, it's a lovely gesture, and I appreciate it.
08:03But, you know, it puts me on a pedestal, and I have to climb down off of it.
08:10Yeah, shouldn't you get up?
08:12Yeah.
08:13I'm gonna wait until you finish getting dressed.
08:16The boom isn't picking them up.
08:17I shouldn't like them.
08:19You're gonna wait, Mark, at 7 o'clock.
08:22You have to take Francesca to school.
08:24Yeah, I...
08:26Well, you know, just act like yourself.
08:30You know, pretend they're not here.
08:31Yeah, well, how am I not supposed to see that?
08:33Al, what the fuck?
08:34Your hand's in the shop.
08:35The sheets keep moving.
08:36Can we just get him a t-shirt?
08:37Sure, yeah.
08:39All right, can we make a deal that we don't start until after breakfast?
08:45There you go.
08:47There.
08:47Okay.
08:48Yeah.
08:49It's no big deal.
08:50You know, just us, you and me in the morning.
08:54What about this for the hair?
08:56Very, that girl.
08:58A little too much.
08:59Yeah.
09:01Daddy, can I come in?
09:03Yeah, come in, Francesca.
09:07Yeah, we're running a little late, so your father will get ready in a minute.
09:11Oh, well, I was wondering if you could drive me, Valerie.
09:15You want me to drive you to school?
09:17And I thought we could, like, you know, talk on the way.
09:21That's great.
09:22Yeah?
09:22Why don't you go down to the kitchen?
09:23I'll be down in a minute.
09:27All right.
09:29How do you like that, huh?
09:33Ch-ch-ch-changes.
09:37Big day at the Berman house.
09:39You know, that little girl's finally reaching out to me.
09:45A little overwhelmed.
09:48Jane, um, this might be a good moment for a personal video diary.
09:52Should I just run in the bathroom, knock that out?
09:55She's waiting for a ride.
09:56Yeah, she'll be fine.
09:57Won't take five.
09:58Really feeling it.
09:59Why don't we just head downstairs and we can just get it OTF?
10:02What's OTF?
10:03On the fly.
10:04Great.
10:05Okay.
10:05Mickey, will you grab my purse, dear?
10:07We're gonna get this OTF.
10:09Marky Mark, have a great day.
10:14Bye, Mickey.
10:15Bye, Mickey.
10:17Go ahead.
10:23Well, today is a day that I've been working toward for a very, very long time.
10:29Francesca and I are starting to bond.
10:32And we're crossing from stepmom to friend.
10:36I'm sorry.
10:36Jane, could we switch?
10:38So I'm looking up at camera.
10:40I think it'll be a better angle.
10:41That's all.
10:41Yeah, let's switch it out.
10:45That's too close.
10:47Yeah.
10:48Okay.
10:50Well, today's a day that I've been working toward for a very long time.
10:56Francesca and I are finally starting to bond.
11:00Uh, crossing from stepmom to friend.
11:16And it should, on the, on the fly, it's moving, right?
11:19I can't just be standing.
11:20Let's start at the top, then.
11:21I can't just be standing.
11:25Rolling.
11:30Jane, we're coming up on her school.
11:32Did any of you guys work on The Real World?
11:35The Ashley Simpson show?
11:38Jane, there's another reality show filming in front of the school.
11:40B-Unit, we're pulling up on the school.
11:43Some father and son trading places thing?
11:46Who is this?
11:47Switcheroo for Nickelodeon!
11:49Oh, move it!
11:50You're in our shot!
11:51Relax, man.
11:52We're shooting a reality show, too.
11:54Which one?
11:56The comeback with Valerie Cherish.
11:58Who?
11:59Valerie Cherish.
12:00Come again?
12:02Valerie Cherish!
12:03Jane, I don't want to be late for rehearsal, so...
12:06Yeah, we'll just shoot Valerie saying goodbye from the car.
12:09Yeah.
12:09You're not coming in?
12:10Can't do it.
12:11We have another crew and rehearsal, so...
12:14Switcheroo is stupid.
12:16Big deal.
12:16Adult dresses like a kid.
12:29Come in.
12:31Ready for me?
12:32Uh, actually, no.
12:33Jimmy's still working the bits out with the kids.
12:35Okay.
12:35We're not going to get to your scene until after lunch, so...
12:37You're released, okay?
12:38Well, I'm...
12:39We're having our special cast lunch today, so...
12:42I'm going to wait here.
12:42Right.
12:43Okay.
12:44No!
12:46Boys, there's no way to cave in the house.
12:49Right?
12:50I'll show you happy, Ed.
12:51Show me.
12:52Show me.
12:53Show me what I'm in.
12:54Woo!
12:56Let's grab it up.
12:57Let's grab it up.
12:59I'm sorry, Rob.
13:00What do you think, Jimmy?
13:03Oh, Steve!
13:08Uh, let's try the, uh, t-shirt bit.
13:10Rehearsal, t-shirt.
13:11Oh, boys.
13:12Oh!
13:13No, no.
13:16Oh!
13:17Ha, ha, ha.
13:20Does that work?
13:21Uh, I'd say that worked.
13:23Does it work?
13:24Is it hot in here?
13:25Hmm?
13:28Guys, uh, how many ways do I have to tell you now?
13:31We're allowed to shoot Valerie's rehearsals.
13:32But Valerie's not in this scene.
13:34I know.
13:34I know, Jimmy.
13:35But I was just missing everyone way up there in my castle, so I thought I'd just, you know,
13:38hang, watch a little.
13:40That's...
13:40Please.
13:41You know what?
13:42Uh, it's about the time.
13:43Let's take lunch.
13:44Long lunch, everyone!
13:46Um, Jimmy?
13:47Question.
13:49Um, Shane keeps saying Aunt Sassy.
13:54Where's the question?
13:56Shouldn't we all be on the same page?
13:58You know, I'm just, I'm concerned about the viewers at home.
14:00I hear Aunt, Aunt, what's happening?
14:03Why are you so worried about this show?
14:06This is not your show.
14:08That's your show.
14:10This show is the car that takes you to that show.
14:18Hey, don't hit Juna in the face.
14:19She's the money.
14:20Easy with the problem.
14:23Okay.
14:24Hey, are my co-stars ready for lunch?
14:26Huh?
14:26Yeah, yeah.
14:27I gotta go.
14:28Sorry, it's about half an hour long.
14:29Yeah, all right.
14:30I'll meet you there then, okay?
14:31I'm gonna climb Everest and freshen up.
14:34Get your money down!
14:35Oh, sound good.
14:37Rotten volume here.
14:48Is this taken?
14:50Oh, yes.
14:51We're waiting for someone.
14:53In fact, you know, I think I'm gonna call her, call Juna, see what's going on.
14:59Not a cast lunch, unless we have the whole cast, huh?
15:04Went straight to voicemail.
15:06We should have ate somewhere organic.
15:07This is like, wow.
15:09That's really bad.
15:09I'm sorry.
15:10I thought I'd pick this place, because I thought you kids might like it, think it's fun, or,
15:14you know.
15:15My first thought was to go to the Ivy.
15:17Oh, I love the Ivy.
15:18Do you?
15:18I practically have my own table there.
15:21Hey, you know that scene with the paintball gun?
15:22The one where Aunt Sassy comes in?
15:24Oh, man, I love that scene.
15:25I mean, that scene is so funny.
15:27Do you think it'd be funny if you jumped on me back?
15:28Oh, yeah, that'd be so funny.
15:30So funny.
15:31Done, done, done.
15:32That'd be perfect.
15:34Chris, could you just be aware of where your body is in time and space?
15:38Because you just threw me under the...
15:41Oh, my God.
15:43You've been holding this stool for an hour?
15:45Yeah, because we're waiting for our friend here.
15:46I don't think she's coming, Valerie.
15:48You can't just hold a stool, and it's lunchtime.
15:51All right, fine, fine.
15:52Okay, let's just...
15:53You know what?
15:54Okay, that's my foot.
15:55You're on my foot, so...
15:57All right, that's all right.
15:58Jane, you know what?
15:59I think I'm just gonna...
16:00So I have to pick up something to tip it in here.
16:03Hey, can I get you a sign of a release real quick?
16:06Sure.
16:07Don't you want to know what it's for?
16:09Oh, right.
16:10What's it for?
16:11Come back.
16:12Valerie chairs.
16:14Come back.
16:15Huh?
16:18You are a class act, Red.
16:20Well, for sure.
16:21Gotta make a fuss.
16:23You know.
16:23Yeah, turned out good.
16:24Hi.
16:25Hi.
16:26Hi.
16:26I need to get six of these cute pattern keys that you have, so...
16:32Which one?
16:33Oh, it's for six different people, so I need six different ones.
16:37So I'm gonna match the key with the personality type.
16:41Who's better than you?
16:44Okay, I think this crazy swirly color one for Chris, right?
16:49And the tiger strike for Jesse.
16:52Yeah, he seems like a tiger, right?
16:54Definitely.
16:55Wild, exotic, ready to pounce.
17:01And, uh, you know, Shane did all those Disney shows, so I think these cute teddy bears for
17:07her, okay, probably cause them toddy bears.
17:13Uh, oh, definitely the clouds for Juna.
17:17You know, airy, ethereal.
17:18Invisible.
17:20Nikki, can't go there.
17:21It's rude.
17:22You held that stool.
17:24Mmm.
17:25Uh, oh, the Yankees for Tom, cause he always has, you know, that hat.
17:30And, uh, and for Polly G.
17:34Do you, um, do you have one with little chainsaws on it?
17:39No.
17:41I was, I was kidding, that was a joke.
17:43Yeah.
17:44Um, okay, you know what, the gold, gold for a semi.
17:48Okay, can I have the key?
17:49Oh, no, I don't need a real key.
17:51It's just for decoration, so.
17:53You need a key to make a key.
17:55You know, it really doesn't look like a key until you cut it.
17:58Well, I'm not gonna, can't give you one of my keys, okay?
18:03Here, use my key from my storage unit out in the valley.
18:07I haven't been there in years.
18:08Thanks, okay, there you go.
18:09I should probably throw all that stuff out.
18:12But as soon as I do, I know someone's gonna need a mirrored disco ball.
18:19Could you talk about the fact that Juna didn't show up for lunch?
18:26Whenever you're ready.
18:27Sure, yeah.
18:29Okay.
18:32Jane, I'm sorry.
18:33Um, I'm confused.
18:36I thought we were gonna be talking about my feelings about the first show.
18:38Oh, we will.
18:40Oh, good.
18:40Okay.
18:41Yeah.
18:42People will be wondering about it, so it will just be good to have.
18:46I mean, we'll need it if they want to make the episode about that.
18:49Why would they need to make the episode about that?
18:51No, it would just be something that would be good to have.
18:55Who are they, then?
18:56Oh, the editors.
18:57I see.
18:59I see.
19:02So could you talk about it?
19:08Well, look.
19:09Jane, if I talk about it, then it gives the idea that, you know, I was hurt by it.
19:22Fine.
19:24Yeah, good.
19:24Yeah, I'd rather not.
19:27All right.
19:27Well, you guys are great.
19:28This is a nice, pumped audience.
19:30Give her sounds around the world.
19:31Oh, my God.
19:31Val, hi.
19:32Hi.
19:33I was just on my way up to your room.
19:34Oh.
19:34Um, I was wondering if I could make up to you for yesterday by taking you to lunch at the
19:39Ivy.
19:39Just us.
19:40Girls' Lunch.
19:41Uh, Juna, I would love that.
19:42Great.
19:43Listen, I have a starting show gift.
19:45First show gift.
19:46Not just because you apologized, either.
19:48Oh, okay.
19:49Okay.
19:49Have a good first show.
19:50Thanks.
19:51You too.
19:59Looking for me?
20:00Yes, I am.
20:01I have a first show gift for you.
20:03Oh, my God.
20:04Tiffany?
20:05Wow.
20:05Tiffany, it's so cool.
20:07Aw.
20:08Yeah.
20:09Key, key chain, Aunt Sassy's condo.
20:13Got it for all of Aunt Sassy's tenants.
20:16Key chain from Aunt Sassy.
20:18Oh, no, it doesn't, it's not, that's not the right key.
20:20Oh.
20:21It broke off.
20:23Yeah.
20:23Um, because that key was for Mickey's storage unit in the alley, so.
20:29You know what?
20:30Sorry, I can't stay and help you figure this out, because Joe's ten minutes away, and still
20:35got twenty minutes of hair to do, so.
20:37Sorry.
20:37Get someone else to help you with that.
20:39Oh, Tom.
20:40Look, Tom, I have a start gift for you and Pauly, too.
20:43Oh, great, great.
20:44You know, you could just put it in our room.
20:45It's right at the end of the hall.
20:46The one with the bathroom?
20:47Yeah.
20:47Know which one it is.
20:51Excitement.
20:52For sure.
21:03That's Tiffany, Al.
21:06What the fuck?
21:07What the fuck?
21:09What are you doing in here?
21:11I'm just leaving you a first show gift.
21:14It's a keychain from Tiffany.
21:16Sorry.
21:17I shouldn't use it.
21:21I should tell him.
21:22Don't use the key, because it'll, it could break the lock, because of this door.
21:29I can't believe it just happened.
21:36Jane, good luck getting whoever that was to sign a release.
21:50It's showtime.
21:52Yes, it is.
22:01Can I get you another iced tea?
22:02Uh, no, thanks.
22:03Are you sure you don't want to order?
22:05I'm just, I'm going to wait a little longer.
22:07Yeah.
22:12Mmm.
22:17Forty minutes late.
22:22I don't think she's coming.
22:24Again.
22:28Well, Jane, do you want to sit and have lunch with me?
22:30Oh, I can.
22:31I'm working.
22:32Yeah, yeah.
22:33Just going to wait a little longer.
22:36Okay.
22:58I'm just going to wait a little longer.
23:14Oh, Val, I am so sorry.
23:16I was waiting at the Ivy.
23:19I left you a message.
23:20I told you to meet me here.
23:21You know, I couldn't, we couldn't get a table at the Ivy, so.
23:24I know, I just checked my messages now.
23:26Just now.
23:27That's so lame.
23:27Well, well, an actress who doesn't check her messages every 15 minutes.
23:31All right, call Ripley's Believe It or Not.
23:34I know, right?
23:35I mean, I'm not really an actress.
23:36This is my first acting gig ever, so.
23:40This is your first acting gig, really?
23:43I mean, can't you tell?
23:44Well, I feel like sometimes I'm going to get fired, I swear.
23:47Hi.
23:47I'm so sorry that I kept you waiting.
23:49No problem.
23:50Something and a drink?
23:51Um, I'll have whatever my friend's having.
23:56Wow.
23:58Didn't.
23:59Didn't know.
24:00Okay.
24:01Listen, baby girl, you obviously don't know this business yet, but I do.
24:06All right, so I'm going to help you out.
24:07Okay.
24:08Okay, now, you and I are about to get swept up into a whole lot of success.
24:13Okay, but with that comes a whole lot of ugly.
24:16Right.
24:16You know, because everything we say, everything we do is being watched.
24:21Right, the cameras.
24:23Oh, no, tabloids.
24:25Oh.
24:25Oh, yeah, and they're going to come gunning for us.
24:28We're the money.
24:29You know, so let's avoid who stood up who at what restaurant, you know,
24:34because that's what sells papers.
24:36Right.
24:37You know, so let's make a pack here and now, you and I,
24:42that we are going to watch out for each other.
24:45Oh, God.
24:46Val, I'm so happy to hear you say that.
24:49Oh.
24:49Because sometimes I just feel like I need someone to help me out when I'm a little...
24:52I'm sorry, put a pin in that, because here we go.
24:57Here we go.
24:58Yeah.
24:58Who?
25:00Photographer.
25:00Yeah, he's been trying to get my attention for a while now.
25:03Can I get a shot, Juna?
25:05Oh, God.
25:05I'm so sorry.
25:07How does he even know who you are?
25:10I have a rock band, and we're sort of known in L.A.
25:13Oh.
25:14Yeah.
25:15Thank you, but we're having lunch right now.
25:16I'm sorry.
25:17Oh, it's you and I.
25:17Come on, come on.
25:18Just give me one.
25:19Give me one.
25:21You know what?
25:22Let's just give him one, and he'll never leave us alone.
25:24Okay.
25:25Okay?
25:28Wait, Lynn.
25:29Wait.
25:37It's been 15 minutes, so where could it be, you know?
25:40He's coming.
25:42It's just ridiculous.
25:44I'm just standing.
25:45I can't just be standing here, you know, because.
25:55It makes you look bad.
25:56Yeah.
25:58Well, they were definitely here after me.
26:00Yeah.
26:01Sorry.
26:02It's just, you know, I've been waiting since you were eating your salad, you know?
26:05I know.
26:06No, it's not your fault.
26:10Bye.
26:12You know, maybe the key was mis-tagged.
26:15I just have a look, because it could be in there.
26:21No.
26:22No.
26:23Wait.
26:23No.
26:24No, that's not mine.
26:26It's coming.
26:27Yeah.
26:30No charge.
26:32Really?
26:33That's nice.
26:36You know what?
26:36That's really nice.
26:40Thank you so much.
26:42You know, because I don't, you shouldn't be penalized.
26:45You know, I just.
26:48Anyway.
27:09You know, I'm going to be the one to walk in the sun.
27:15I want to be the one to walk in the sun.
27:19Oh, girls, they want to have fun.
27:23Oh, girls, just want to have fun.
27:26That's all they really want.
27:27No.
27:28Oh, she's a lifeline.
27:32Oh.
27:32Oh, ho.
27:32Oh, go.
27:34Oh, oh.
27:35Oh, oh.
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