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AcoRonaldo
  • 2 days ago
Transcript
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00:41.
00:54I'm sorry.
00:55What are you doing?
00:55I'm sorry.
00:55I'm sorry.
00:56He's okay.
00:56You're so sorry.
00:59Come on.
00:59I'm sorry.
00:59I'm sorry.
01:00I'm sorry.
01:01There we go.
01:03You're not sure.
08:39I'm all because of the
08:56I'm at the same time.
09:04Where are you going?
09:11I'll go to the father of Mihajla to tell him about the crucifixion.
09:14Wait, love, and the children?
09:15What's with them?
09:17Who's going to die?
09:19You?
09:20Well, I died last time.
09:22What?
09:25Well, it's not the same to live in the village and to live as a village.
09:30We agreed, I'm going to die once, and you're the other way.
09:34I think it's like a break. I'll go to the other side.
09:40Here's Paki.
09:52Oh, you're alive.
09:57Where are you, Gaggy?
09:58Where are you, Paki?
10:00Where are you?
10:01Bye.
10:05I hear you, Gago, you're married.
10:14What's this?
10:15I don't know if I'm here.
10:17Something like that.
10:26where are you, Gago, you're married.
10:31I'm here, Gago, you're married.
10:36Here, here.
10:39We're up.
10:40No, we're up.
10:41No, we're up. We're up.
10:42We're up.
10:45You all live together.
10:48No, it's not that you live together.
10:53There's even a hot water to get out.
10:55No, you have to go.
10:58Okay.
11:14Okay.
11:47Go.
11:48Go.
11:49Go.
11:51Go.
11:52Yeah.
11:53It's nice.
11:55Yes, it's nice.
11:57I pray that you don't miss anyone here.
12:00Sorry.
12:02Do you know Dragana Bjorka?
12:05Why do you care?
12:07I'm not asking, I'm going to write a letter from the generation.
12:11Yes, I know. I know better than I wanted.
12:13Everyone in the village knows about us.
12:16Now I'm going to do something like that.
12:17I'm going to do something like that.
12:18Yes, it was.
12:19Yes.
12:21What are you doing?
12:23When do you know him?
12:25I'm working for the village.
12:27Yes.
12:29Well, good.
12:46Mom!
12:49This is...
12:50And?
12:50Did you find the end of the journey?
12:53I'm looking for him.
13:10We'll find the end of the journey.
13:13Where do you find better than...?
13:17Here you go, Fenn.
13:20Okay, I'll go.
13:22Have you been drinking a drink?
13:28I've been drinking everything.
13:29I have to go.
13:31How do you want to give me two drinks?
13:33Of course.
13:36Wait, wait.
13:49I have to go.
13:54Hello.
14:01What happened? What happened?
14:03He left the coffee.
14:06That's fine.
14:08This is a cellulite. You can't understand.
14:11Others have the rules.
14:12I don't understand.
14:14I really don't understand.
14:16He's a normal person,
14:17but he's a cellulite.
14:20He's not a cellulite,
14:21but from here.
14:22You don't know what they live,
14:25what their marriage means.
14:27Well, they're not people.
14:30Well, someone told you
14:31that you're going to live
14:33with your parents.
14:35What would you say?
14:36We don't live together.
14:40You have such a gay woman in Beograd.
14:43You have such a chalet.
14:44You can go where you want.
14:46You have come to the house.
14:48Why did you leave the house?
14:51How did you leave the house?
14:51How did you find Pavla?
14:53Did you help him?
14:55What do you think?
14:57I think you were sick with him.
14:59What did you leave the house?
15:02I was like,
15:03I can't wait for him.
15:04I couldn't wait for him.
15:06You took him to the house.
15:09I can't wait for him.
15:14I don't know if he was sick.
15:15this is very easy.
15:16Gaga and me,
15:17we're making a new house.
15:21Eh?
15:26Excuse me.
15:29How good, damn it!
15:32New York is for you.
15:33New York is for you.
15:34And money is for me.
15:37Wow.
16:26OK.
16:27Do you know what I told you about Unu and Dragan?
16:31What do you want to call it for Beograd?
16:33What do you want to call it?
16:35I thought I was thinking about something.
16:37They know that they are singing.
16:39They know that they are listening to us.
16:41They look like our son from the other side.
16:43They love to listen to where is Una, around him and around him.
16:46But young man can change.
16:50Nobody knows how he was born.
16:52I wanted to tell you that you are the one who is...
16:56He could help him to change.
16:58To teach him to be a real guy.
17:01A real guy.
17:04Is that a good question?
17:06Let's go.
17:07Let's go.
17:26Let's go.
17:44Let's go.
17:45Let's go.
17:49I don't know what to do with the people, but with those guys.
17:54Don't do that.
17:55What?
17:56That won't be great to shoot me as I said.
17:59That's the Polish stage.
18:01Don't do that, don't do that.
18:02Don't do that.
18:04Don't do that.
18:06Don't do that.
18:07Don't do that.
18:07Don't do that.
18:08Don't do that.
18:10Don't do that.
18:14Don't do that.
18:14That's what I said, my good friend, Mihajlo.
18:28And what did you do, Shacham?
18:32It was a long time ago, old house.
18:37Why do you care about it?
18:39I don't care about it, but I care.
18:40I don't care about it.
18:43I don't care about it.
18:44I don't care about it.
18:47I don't care about it.
18:48Oh, my dear.
18:49Sit down.
18:51You didn't think about the war?
18:53What?
18:55That's enough.
18:57Oh, who are you?
18:59Who are you?
18:59Who are you?
19:00No.
19:01From Beograd.
19:02From Beograd.
19:03No one is not from Beograd.
19:06Every one came to me.
19:09What?
19:15What?
19:18What?
19:19We need one more.
19:20Wait for a talk.
19:22No, I don't say anything.
19:23Just you.
19:24One more.
19:25One more.
19:26Let's go.
19:27Let's go.
19:28We don't have any trouble.
19:29Let's go.
19:30Let's go.
19:33Let's go.
19:34You know, no one wants to buy him places in the house.
19:37Okay.
19:38Is that a problem?
19:39No one of them.
19:40They're not.
19:40They're not in my place.
19:41But they will be in Beograd because they're in his place.
19:46They're your owners.
19:47Two places.
19:48The first one is with the house.
19:49The other one is with his house.
19:50The other one is with his house.
19:51But you can go right away.
19:52You'll be waiting there.
19:55You'll be waiting there.
19:55You know where they are.
19:55I'm going there.
19:58I'll go right away.
19:59I'll be waiting there.
20:00You're just a minute.
20:01You're just making money.
20:04And you're going to be waiting there.
20:07You're going to pay me more than that.
20:08But, the idea of this.
20:10You're going to pay me less than that.
20:12When you come to go, you be cooking for the amount.
20:13If you don't come, you'll be again coming.
20:15If you don't come, you'll be back again.
20:17I'll come back.
20:18I'll be right back again.
20:19I'll stay.
20:19I'll be right back.
20:20Let's go.
20:50Let's ask if I need to let them out.
20:53Who is it?
20:55This, Mira Bašić.
20:57What about what?
20:58About the place.
20:59Don't let him go with me.
21:01Maybe it will be necessary.
21:04Just listen to him.
21:05Don't try to ask him about the place.
21:07He's a fool.
21:11He's a man.
21:13They're the people.
21:15All right.
21:17We'll hear it.
21:25Come on.
21:27Come on.
21:28Come on.
21:29Come on.
21:30Come on.
21:32What's your name?
21:33You're allowed me to wait for me to wait for me, huh?
21:36No, don't write this down.
21:38Everything is written anywhere, Stefan. Everything.
21:41Let's start.
21:43We're going for the crucifixion.
21:45No, I don't have to wait.
21:46No, I don't have to wait for the crucifixion.
21:49What about this week or...?
21:51What about this week? Now, now, now?
21:53Now, now?
21:56We're playing for the crucifixion.
21:57Wait for the crucifixion.
22:00Let's go for the crucifixion,
22:01I'm going to the church to prepare everything.
22:02What do you need to do?
22:03You can see, it's flat, all the rest.
22:05I'm going to call you and my father.
22:07I'm going to call him.
22:08I'm going to call him.
22:08I'm going to call him.
22:09Of course.
22:17When will you change the engine?
22:20When will you find me?
22:20When will you find me.
22:40Oh, thanks!
22:42I'm going to call him.
22:45What's up here?
22:47I'm going to call him.
22:50Let's go and do something.
22:53Let's go.
22:56What is that?
22:56I'm going to call him.
22:58I'm going to let my legs break the leg.
23:00Let's go and work.
23:04It's a circus this year, right?
23:06Circus!
23:07Everyone!
23:09Thank you very much.
23:12You don't have to call me to see me, just to tell me this.
23:15You don't have to come to see me, just to hear it.
23:24I don't understand women.
23:28You tell me.
23:29You're married?
23:31What?
23:32That's why I don't understand them.
23:34Believe me, I understood them better when I wasn't married.
23:39It's hard.
23:41I thought that when I was in a different position,
23:44it would be hard to get out of here.
23:45She was always strong.
23:48I thought that she would stop.
23:52She's five times higher.
23:54Velja?
23:55No.
23:56Do you still love her?
24:00No.
24:01My brother, when you ask me, I'm not sure.
24:06I don't understand.
24:07When you open your eyes, you can see what you can see.
24:11To think about her.
24:13And then you get angry and angry.
24:16I have, brother.
24:17I'm just angry.
24:18There's no anger.
24:20There's no anger.
24:20There's no tension.
24:21You just met.
24:23And it's like...
24:25Who did you call me?
24:26What are you talking about?
24:27What?
24:28I don't know.
24:30I don't know.
24:30It's something like that.
24:33What did you say?
24:34What did you say?
24:35What did you say?
24:36What did you say?
24:36Let me tell you.
24:38Let me tell you.
24:38What?
24:39Did you love me?
24:41Who?
24:41Yes, yes, you're a girl.
24:44I don't know.
24:44What?
24:46What?
24:46I can't do it.
24:48I don't remember.
24:49But you think you're a man.
24:51I didn't love me.
24:53I didn't.
24:53I didn't love me.
24:54I don't know.
24:55Something that I'm so...
24:57...blesed.
24:58Blesed.
24:58Blesed?
24:59And who's the woman?
25:00What?
25:02Let me tell you.
25:03I won't tell anyone.
25:05I'm so...
25:06Lydia...
25:06Lydia?
25:07Did you call Lydia?
25:09You're so cute.
25:09No, no, my mother.
25:12I don't know.
25:13I know.
25:14I don't know.
25:16I feel bad.
25:17I'm so cute.
25:19Let me tell you.
25:20Let me tell you.
25:21Let me tell you.
25:21You know how much I'm happy?
25:23Let me tell you I'll be nice, bro.
25:26Who am I?
25:27I'm so cute.
25:28I don't know how to fix my situation.
25:36And where is the war?
25:38You're crazy!
25:50You've already reached my navigation.
25:54Where is the place?
25:54Here.
25:56And less than the other one.
25:59You've given me money for the car.
26:01Myra said you'll bring the money.
26:04How much?
26:05500.
26:07500 for a couple or a half of 500?
26:09How do I deal with it?
26:12Okay.
26:26Here.
26:28Here.
26:33Here.
26:44Here.
26:48Here.
26:49Here.
26:50Give it to Miri.
26:52It's your place.
26:53Myra is my advocate.
26:55She'll do everything.
26:57Myra isn't an advocate.
26:59No, you're mine.
27:00You're mine.
27:02Good.
27:03Here.
27:04Here.
27:04Here.
27:04Here.
27:15Here.
27:17Here.
27:17Let go.
27:18Let go.
27:20Maybe just pour theaper for the meal.
27:21I didn't get hungry anymore.
27:24Trust me.
27:24What has happened?
27:25There he was !
27:26He was beaten even.
27:27It was beaten and not beaten.
27:28How why wasn't it?
27:29You in his house.
27:31They were from Teheran.
27:32What does that mean?
27:34My father thought that...
27:35I thought that you could help.
27:38You went to the sliver for 30 years, and you didn't go to the sliver.
27:41What are you talking about? I grew up in the sliver.
27:43Every year, I'm going to kill him.
27:45That's not true. That's not true.
27:47You need to be a little guest.
27:49You need to organize a job.
27:51You'll find a new job. You'll find them.
27:54You'll find them on the other side.
27:56That's right.
27:57What about UNE?
27:59What about UNE?
27:59She's the girl of Goranova.
28:02Her father went into a partnership with her.
28:04It's all important.
28:05Therefore, you don't want to lose your head.
28:07I didn't lose my head.
28:08I've found a woman.
28:10That's not so different, son, as you think.
28:13I knew that you're more important than me.
28:16I'm not talking about it.
28:17I can't do it with him.
28:19That's all for one day.
28:21No, that's all for one day.
28:22That's all for me and UNE.
28:24And you two don't ask yourself.
28:27Will you start this church or not?
28:29My god.
28:30I'm not knowing what we're waiting for.
28:35My god.
28:37I'm waiting for you.
28:40I can't wait for you.
28:42What's going on?
28:42Is there a bit of meat?
28:44Or is it just a bit of meat?
28:44There is a lot of meat.
28:57There is a lot of meat.
28:59Let's go.
29:01Maybe Iris, it's beautiful.
29:02No, Iris can't do it in the church calendar.
29:04What should it be in the church calendar?
29:06Because you're going to pray, Gusko.
29:08I said we're going.
29:10That's it, I'm going to go.
29:12Do you want to go with Zorka?
29:13No, they're going to go with us.
29:26How much did you give?
29:28All.
29:29A thousand euros.
29:31You said I'm going to be a little bit more than Ivan.
29:34Okay, you gave me a thousand euros.
29:36You didn't give me a hundred thousand euros.
29:38Did you call Camber to check the disaster?
29:41Is there anything you pay?
29:43No.
29:47Good.
29:48Who did you give me?
29:50Slobodan Cvetkovic.
29:51Slobodan Cvetkovic.
29:52And the rest?
29:53I don't know what he's called, but...
29:55You don't know what he's called?
29:57Myra was connected with him.
29:59No matter who he is.
30:00Okay.
30:02Okay, let's go.
30:04Let's go to Camber to check that Cvetkovic.
30:07Can you do that?
30:09I can.
30:10Okay.
30:11Thank you very much.
30:21Let's go.
30:22Let's go.
30:23Let's go.
30:26Let's go.
30:56Let's go.
30:57Let's go.
30:57Let's go.
31:29Let's go.
31:59Let's go.
32:11Let's go.
32:12Let's go.
32:14Let's go.
32:15Let's go.
32:27Let's go.
32:28Let's go.
32:29Let's go.
32:31Let's go.
32:53Let's go.
32:57He told me Pavle's name.
33:00How hard to tell you?
33:03It wasn't hard to tell me, but it meant to look at the end of the day.
33:09On one place there would also be a house.
33:14I'll tell you soon.
33:27What was it?
33:30The right thing?
33:31No, no, it's all about everything as it needs.
33:37Love problems.
33:42Did you lose momak?
33:44No.
33:48I was losing him.
33:52I was losing him.
33:59Please, I'm a queen.
34:02Now you're calm.
34:04We want to eat?
34:07I can't do anything.
34:09It's possible.
34:10It's possible.
34:10Raki is on the water.
34:12My head hurts.
34:14We can call her queen.
34:16That's all.
34:17All for you.
34:18It's possible.
34:19It's possible.
34:19To give a woman.
34:21What?
34:23She's not.
34:25She's not.
34:26She's not very good.
34:27It's not so hard, but she's got the full woman.
34:28She doesn't have a full woman.
34:29Fing?
34:30No.
34:31She's not very good.
34:32No.
34:33Her old lady has a full woman.
34:34She doesn't call her.
34:36She doesn't call her.
34:38She doesn't call her.
34:39She does not call her.
34:39She's got the girl.
34:40She's been able to her not mad at her.
34:45But only,
34:45I think we're a dumb cross.
34:48Let's go.
34:50Have you enjoyed it?
34:50Why didn't you tell me that your head hurts?
34:54It's amazing to me.
34:56It's already going to be better.
34:58Ah.
34:59Ah, it's hard to call me.
35:03Let's go.
35:36Let's go.
35:37Where are you from?
35:40Because there is no home, I came here to talk.
35:45Hmm.
35:48Did you check it?
35:49I checked it.
35:51The flower that is written in the disaster.
35:54In the center?
35:55In the center.
35:57But there is a noise.
35:58A noise?
36:01And the house?
36:03There is no house.
36:06Okay.
36:11What in the center, Goran?
36:13In the center of this room?
36:14Hey, listen.
36:15I don't have any time to live for me now.
36:18I'm sorry.
36:20Maybe you give me a little time, since I have enough.
36:24A moment.
36:26I'm sorry.
36:29Hey.
36:30Camber tested.
36:33Cvetković.
36:34Cvetković je u ovaj plat za koji si ti dao avans, nalazi sam u centru Šume.
36:38Okay.
36:39Okay.
36:40Okay.
36:40I don't know your actions and logic, Pavle.
36:42Really.
36:42I don't understand.
36:44I told you to let me out.
36:46Okay.
36:46Come on.
36:48Come on.
36:52Come on.
36:54Problems?
36:55No.
36:56No.
36:56Not for me.
37:12No.
37:15No.
37:17No.
37:18No.
37:19Did you talk to Goran Stanković?
37:21Yes.
37:22The other time he tells him that if he wants something to do in Ramac,
37:26he has to be first, Miri Bašić.
37:30I will not.
37:34I was happy.
37:36And me.
37:46And how do you feel?
37:49Like a frayer or like this?
37:53Like this.
37:55It's impossible.
37:57And like a frayer?
38:00It's impossible.
38:07If it's Wsha, video.
38:09Why can't you be somewhere?
38:09Oh, Soобраз...
38:10No.
38:10Not video pornowych.
38:10Eiga, numbers.
38:10That's fine.
38:13Like the ciudad of Marion C photography,
38:13you're 2000% of the lectures change.
38:19See your visit!
38:26I'm partly why!
38:33Hello!
38:34Hey, Juno!
38:35Hey, Paki!
38:37I like when you say Paki.
38:38Sorry, just a second.
38:40Let's go a little bit.
38:41I don't hear Pavla.
38:42Pavla!
38:44Pavla!
38:44Here, here.
38:48I'm coming tomorrow by you.
38:49I'm going to buy you.
38:50Super, thank you.
38:51No, wait.
38:54Hello, Pavle!
38:56Hello!
38:58Hello!
38:59Hello, Pavle!
39:02I don't hear anything.
39:03I said, I've known...
39:05Pavle, I'm sick.
39:06I know.
39:09Hello!
39:12Tell me again, I'm sorry.
39:14No, that's all.
39:15I'm coming tomorrow by you.
39:17Thank you very much.
39:19I have to go over here.
39:22Ciao!
39:22I know.
39:30Pavle, he's making a mistake.
39:32He bought wrong taxes for a man to pay 500 euros.
39:35I don't know how to call him.
39:37I mean, something is not okay.
39:42Pavle is something like that.
39:54I don't know how to call him.
39:58I'm sorry.
39:59I don't know how to call him.
40:12I'm sorry.
40:13I don't know how to call him.
40:31I don't know how to call him.
40:35I don't know how to call him.
40:36I'm sorry.
40:37I'm sorry.
40:38I'm sorry.
40:39I don't know how to call him.
40:41And I'm sorry.
40:42I don't know how to call him.
40:57I'm sorry.
40:58I'm sorry.
40:59I don't know how to call him.
41:02I'm sorry.
41:03I'm sorry.
41:08I don't know how to call him.
41:10I don't know how to call him.
41:19I don't know how to call him.
41:19I don't know how to call him.
41:19You
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