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00:00:28You
00:00:30And welcome to the great Indian coffee show
00:00:38Oh my god
00:00:41It's three sorry ladies police
00:00:45I'm sorry
00:00:46Yeah, yeah
00:01:00It's a
00:01:01That's
00:01:03I
00:01:07I
00:01:08Don't
00:01:11I
00:01:12Don't
00:01:16I
00:01:18I
00:01:28Don't
00:01:29But there is a difference, you can never take money from your father's house.
00:01:36How much of a robbery is going to be robbed?
00:01:41You know, there are four police officers at home,
00:01:44so they take an anticipatory bail.
00:01:48There are three of them in the horse.
00:01:50They seem to think that the Prime Minister has to kill someone,
00:01:52so they don't have to write about it.
00:01:55But how much of a responsibility is on the police,
00:01:57so they have to do the rights of the law,
00:01:59and also human rights.
00:02:00Sometimes they run away,
00:02:01they kill a gun in their arms,
00:02:03and then they go to the hospital themselves.
00:02:05Yes, true, true.
00:02:07And the operation is very hard.
00:02:08You know, the gun is out of your arms,
00:02:10and the dog is out of your head.
00:02:15The police are also hard.
00:02:17They say,
00:02:18if the dog is out of your head,
00:02:19then they kill you in your head.
00:02:24I don't want to be the police officer,
00:02:25but I don't want to be the guy.
00:02:26There are many things like that.
00:02:27I know that
00:02:28there is no time for police for the police,
00:02:30you can call at all.
00:02:31There is no official shooting.
00:02:32And you call the police for the night.
00:02:34Or you call the police for us.
00:02:35Not that those days,
00:02:36the day of the day,
00:02:36they are running.
00:02:37They tell their husband,
00:02:39you can take the water to take the water.
00:02:42He says,
00:02:43I have to drink water.
00:02:44I have to drink water.
00:02:44Today, you don't have to drink water.
00:02:47And I have to drink water.
00:02:54you are leaving her.
00:02:56I have to drink water,
00:02:58and I have to drink water.
00:02:59Then they have to drink water.
00:03:01Take that,
00:03:03you are running water at the same time.
00:03:08It is necessary to be in the police scene because
00:03:11they are used to just listen to the ladies.
00:03:13In the middle of their mother,
00:03:15she is listening to her girl.
00:03:17And she is listening to her daughter.
00:03:19And she is listening to herself,
00:03:20even to the mother.
00:03:20So the reason for women is natural.
00:03:24They don't have any mercy on their husband.
00:03:27So if someone doesn't have any mercy on their husband, what will they do?
00:03:30That's why women are in the police.
00:03:33And when they came to the police, I saw the place changed.
00:03:36When they went to the house, the police would sit in the basement.
00:03:41They would sit on the basement and say,
00:03:42I'm a big basement.
00:03:45But when they came to the police,
00:03:47they would sit on the basement and sit on the basement.
00:03:49If there was a lady's police, someone would say,
00:03:52Bhavarlal Ji, today is handsome.
00:03:54Bhavarlal Agladdin uniform, three times wearing it.
00:04:01And many times, what happens when you have a police officer?
00:04:03They are impressed by their heart.
00:04:06They are sitting in the basement.
00:04:07They are afraid to be scared.
00:04:09They are afraid to be scared.
00:04:09They are afraid to be transferred.
00:04:12They are afraid to be scared.
00:04:15They are afraid to be scared.
00:04:27Lعم!
00:04:40Phyre-
00:04:42Yes, yes, yes.
00:04:44So we are very happy to get our job.
00:04:45Thank you, thank you, thank you, sir.
00:04:47Thank you, sir.
00:04:51Today, our episode is the one that we always have.
00:04:55So, we call this special moment to call that superstar
00:04:58who brings us like a superstar.
00:05:01Please welcome superstar Rani Mukherjee.
00:05:17Welcome! Welcome, ma'am! Welcome! Welcome!
00:05:21Good night, Rani, Rani!
00:05:27Rani! Rani! Rani! Rani! Rani! Rani! Rani! Rani!
00:05:31Rani, ma'am, you have a great pleasure in our show. Thank you, Kapoor.
00:05:34And you, who is the leader of the police officer in the Mardani,
00:05:38and in our country, there are police officers in the area.
00:05:44Okay, normally, what is happening?
00:05:46Everyone comes with the people, the trouver, the share of the people of Shiddhu.
00:05:50I don't know, you are not talking about it.
00:05:53You have something coming up with yourself, not warm, warm.
00:05:55No. Not before the people,
00:05:58the country will come.
00:06:00Today, into the field shall willé–€ in the 40th grade.
00:06:03Wow!
00:06:05I don't want to flirt with Kappel today, don't even flirt with 50 dundos.
00:06:11You will charge me with all the bills.
00:06:17You don't hurt me?
00:06:18What do you do, Rani Ma'am?
00:06:20Caps, don't worry.
00:06:22A little bit of flirt is okay?
00:06:23Absolutely.
00:06:24We are watching you in the films.
00:06:26We are flirting with you.
00:06:27Yes.
00:06:29Yes.
00:06:29Rani Ma'am, when Mardani first came, we were in the colors.
00:06:34Yes.
00:06:34When Mardani 2 came, we were in Sony.
00:06:36Sony.
00:06:37Mardani 3 came.
00:06:38We are on Netflix.
00:06:40For this dress, do you have to finalize this dress?
00:06:42There is nothing on this dress.
00:06:45Netflix is the best.
00:06:46Yay!
00:06:49Rani Ma'am, first of all, tell you.
00:06:52For Mardani 3.
00:06:52For Mardani 3.
00:06:54And the third one is that you have 30 years in industry.
00:06:57Yes.
00:06:58And the third one is that you are looking for now.
00:07:01You are looking for 18 years.
00:07:04Look, with the young children of 16-year-old young children,
00:07:07and the young children of 26-year-old children,
00:07:09all of you are in the house.
00:07:11I have told you 26-year-old.
00:07:14Come on.
00:07:14Come on.
00:07:14Let's do this.
00:07:15Let's do this.
00:07:15Let's do this.
00:07:18Everyone is your house.
00:07:19But you are just looking for films.
00:07:21You are looking for films.
00:07:21Otherwise, you are looking for them.
00:07:22Where do you look for them?
00:07:23You are not on social media, Ma'am.
00:07:24Yes.
00:07:25Because on social media,
00:07:27you have to show everything about your life.
00:07:30Judge.
00:07:34I think this is very subjective.
00:07:37Some people enjoy their lives
00:07:39and share their lives with everyone.
00:07:41Some people,
00:07:42just like me,
00:07:44I don't understand that I need to do this.
00:07:48But I mean,
00:07:49I mean,
00:07:49what's happening in the market?
00:07:51What's happening in the social media?
00:07:52That's why you have to make a different account.
00:07:55You have to make a different account?
00:07:56What's happening?
00:07:57Some people make it.
00:07:58No.
00:07:59our teams are so good.
00:08:01They tell us what's happening.
00:08:02What's happening.
00:08:04Archanan?
00:08:05Archanan,
00:08:06you go anywhere.
00:08:07You shoot all the videos.
00:08:08You eat all the food.
00:08:09Guys,
00:08:11I've got a food this time.
00:08:12I've got to eat these people here.
00:08:13I've got to eat these people here.
00:08:14I've got to eat these people here.
00:08:15I've got to eat these people here.
00:08:15If you buy them,
00:08:15you're also famous.
00:08:17We do this again.
00:08:19Today,
00:08:19we're talking about Rani, Ma'am.
00:08:21Come here.
00:08:22Rani,
00:08:22please.
00:08:23Let me grant you.
00:08:26I don't know how much,
00:08:28I can tell you,
00:08:29or I can tell you,
00:08:29when we've come here,
00:08:29the film came,
00:08:32you've increased the tourism of the Khandala.
00:08:35Seriously,
00:08:35Basically, those who want to go to Singapore, they also go to Khandala.
00:08:39My grandmother said, go to Singapore.
00:08:40She would say so much, right?
00:08:42So, she would be happy that I would be Rani Mukherjee.
00:08:46And the happy news that she would not come to Singapore, she would come to Khandala.
00:08:52You all know, Rani, we've done so many romantic films.
00:08:57But as you married, we've made a hero from your films.
00:09:00You see, right?
00:09:01You see, Hichki, Mardani,
00:09:05Mrs. Chatterjee vs. Norway.
00:09:07After a marriage, what do you mean, Adi selects that I am the hero?
00:09:13That can also be.
00:09:15But as you are the performers, we don't have to feel the hero.
00:09:18And you say, Mrs. Chatterjee vs. Norway, what is Kamal?
00:09:23You do in every film.
00:09:24But when he sees your film,
00:09:26then who is Adi's favorite?
00:09:29This is the one film where the script was good, the performance.
00:09:33You see, husbands don't praise the wife so much on their face, right?
00:09:36So, he praises me behind my back.
00:09:39Oh.
00:09:39He has to control a little bit, right?
00:09:42Adi sir has taught many generations to romance from his films.
00:09:46D.D.L.J., right?
00:09:47Love.
00:09:48There are so many films.
00:09:49And when God has made it,
00:09:50he has to control the whole city's body.
00:09:53So, the man...
00:09:55Think, where is the imagination going?
00:09:58So, there was a lot of people's question.
00:10:00When your love happened,
00:10:02how did you propose?
00:10:04I don't know why I felt like you were watching
00:10:07that you were holding your hand.
00:10:08I felt like that.
00:10:11No, all of these things are a little bit for TV.
00:10:14It's a very personal couple.
00:10:15No, I didn't ask all of them.
00:10:17I was able to tell them on TV.
00:10:23Next question.
00:10:28So, those of you who have said the first question,
00:10:30for me,
00:10:32so, they were just asking...
00:10:33Who is he?
00:10:35Panna Nalji.
00:10:36Who is he?
00:10:38You can also ask directly,
00:10:39why are you putting someone on top?
00:10:41You can also ask directly.
00:10:42Yes, directly.
00:10:43The thing is,
00:10:45that in Adi sir's films,
00:10:47which is romance,
00:10:48if you have given them as a romantic person,
00:10:52how much would you give them?
00:10:53Fifteen.
00:10:54Wow.
00:10:55Wow.
00:10:56Really?
00:10:58I think the most important thing,
00:11:00I think all the girls,
00:11:01I think they'll all agree with me here in the audience.
00:11:05How do we see the person before?
00:11:07The other things are okay.
00:11:09But when you marry,
00:11:11you do the person with such a person,
00:11:12which is a very good person.
00:11:14Yeah, that's right.
00:11:14I think that's very simple.
00:11:16It's about a million rupees.
00:11:18You said that you see a good person.
00:11:21Yes.
00:11:22You know,
00:11:22you have no love with a man,
00:11:24but that's not just a sweet wish.
00:11:25No love with a man,
00:11:27and not a heart.
00:11:28No love with a man,
00:11:30but that's not just a human being.
00:11:32We see a human being.
00:11:38There are millions of people with a man.
00:11:43There are millions of people in a man.
00:11:45There are no others.
00:11:51Yes!
00:11:53Adi as a producer.
00:11:54Producer, he's just amazing.
00:11:56Parmeet had direct Badmash company with Adi.
00:11:58Yes.
00:11:59Mohbbate also with Adi.
00:12:01He's an amazing producer.
00:12:02And DDLJ?
00:12:03Yes, DDLJ, Parmeet worked.
00:12:04Kuljeet?
00:12:05Yes, Kuljeet.
00:12:06In Mohbbate, probably,
00:12:07you offered the role of the role of the child, right?
00:12:12I'm very proud to say, if this is...
00:12:18Amit Ji has taken my rejected role.
00:12:21No, no, no, no.
00:12:22But, Archana Ji, you'll always be for us, Mrs. Braganza.
00:12:26Oh.
00:12:29Tell me something, as somebody who gives surprises,
00:12:32husbands, they give surprises.
00:12:34So does Adi give you any surprises?
00:12:36Or has he given you?
00:12:37At the beginning, he gave me a lot of surprises.
00:12:39Then he realized it's better not to give.
00:12:41Why?
00:12:41Why?
00:12:44Because my chest, I can't hide anything.
00:12:47What is it means that it's a look.
00:12:50Yeah.
00:12:51So sometimes it's such a surprise,
00:12:52he thought that it'll make me very happy.
00:12:54And I tried to pretend to be happy,
00:12:56and it didn't show.
00:13:00So then he's like, Baba,
00:13:01you can't give me a surprise.
00:13:11We're not.
00:13:12You've been going to Punjab with them?
00:13:13You've been going to Punjab with them?
00:13:14Or did they go with them?
00:13:15They haven't gone with them.
00:13:16They were going with their father.
00:13:17I know, when you were here,
00:13:19Veer Zara.
00:13:19Veer Zara.
00:13:20You shot in Khalsa Kola Jambri Sar.
00:13:22Yes.
00:13:22We're going to go inside,
00:13:23and they didn't get to know them.
00:13:25So, it's not that they didn't know them.
00:13:27We were living in the police colony.
00:13:29Some of them were also known.
00:13:30They didn't get to know them.
00:13:33They didn't get to know them.
00:13:33Now, let's see.
00:13:37It's gone.
00:13:40But, Kapil,
00:13:41I love Lori every year,
00:13:44until Adi's mother was born.
00:13:46Yes.
00:13:47We always love Lori's mother.
00:13:48Now, she's gone.
00:13:49But we still follow the tradition.
00:13:52I really like Lori's festival.
00:13:54It's a great festival.
00:13:55And with Adi,
00:13:56it's round and round.
00:13:58And the sounds of the music.
00:13:59Yes.
00:14:01That's why I love Punjabi.
00:14:02I love you.
00:14:08We also love the music.
00:14:14I've seen Bengali,
00:14:16born artists.
00:14:18Yes.
00:14:19Look at the literature,
00:14:20and the actors.
00:14:21And the beautiful,
00:14:22and beautiful.
00:14:23Eating.
00:14:25Eating?
00:14:26Eating.
00:14:26No, Guru.
00:14:27We were going to go.
00:14:29They were going to go.
00:14:30They were going to go.
00:14:31They were going to go.
00:14:32Rani, the beautiful things that God creates,
00:14:35they are sitting alone.
00:14:36They don't speak to the staff.
00:14:38They are making themselves a little bit of a change,
00:14:40saying, yes, now you can do this in the world.
00:14:43Like us, how do you make it like this?
00:14:44It's like a hot dog.
00:14:45Let's go, let's go.
00:14:50When Dinesh made it,
00:14:52he made it like this.
00:14:54His assistant said,
00:14:55God, you made it,
00:14:56you don't want to put it in your name,
00:14:57or you don't want to put it in your name.
00:15:27SURESHburn
00:15:27Sorry, sorry,
00:15:28I don't want to hear you here.
00:15:29Sir, I have seen this earlier,
00:15:30Sir, one picture,
00:15:32one picture.
00:15:33My time comes, man.
00:15:34Sir, one photo.
00:15:35One minute.
00:15:35Take it, take it.
00:15:37Look here, look here.
00:15:39Thank you, sir.
00:15:41Thank you, sir.
00:15:42Thank you, sir.
00:15:44Thank you, sir.
00:15:45Thank you, sir.
00:15:47Shidduji, sorry.
00:15:48Yeah, no problem, man.
00:15:50I'm here with Rani Ji.
00:15:51So time comes, one minute.
00:15:52Just a minute.
00:15:53Sorry, I'm sorry.
00:15:54Sorry, Aachana ji.
00:15:55I don't know how beautiful I can tell you.
00:15:57Because time comes.
00:15:58I'm here with my name.
00:15:59Yes, please.
00:16:00Go ahead.
00:16:00Listen, don't stop the car, don't stop the car, it's time for one minute.
00:16:04Hello, Rani Ji. Can I sit for a minute?
00:16:08Yes, please, please.
00:16:10You gave a picture of a guy.
00:16:13He said, what should I do when I come to the khandala?
00:16:17He got me the answer.
00:16:21He was given the answer,
00:16:23to be honest.
00:16:26I had given the answer like that.
00:16:27He gave me the answer.
00:16:28That's not the actual answer.
00:16:30Give me the answer right now.
00:16:3228 years later.
00:16:36In the khandala, the answer I got is tofu.
00:16:42Tofu?
00:16:42Tofu factory.
00:16:46He was made in two shops.
00:16:49Tofu is the best idea.
00:16:52You've been thinking about tofu for 18 years.
00:16:53How did you think about tofu?
00:16:54You didn't have tofu before that, right?
00:16:55You came about two, three years ago.
00:16:59Okay, I'm going.
00:16:59This is what I wanted to say.
00:17:01You talk about love and love.
00:17:02I would like to go now.
00:17:04No, no.
00:17:05Just one minute.
00:17:05Just one minute.
00:17:06Don't stop the car on.
00:17:06Don't stop the car.
00:17:08One thing I was telling you, Rani Ji.
00:17:11Look at your picture of the trailer.
00:17:13Mardani 3.
00:17:14It was very good.
00:17:15Sorry, I saw the trailer without asking.
00:17:16It was very good.
00:17:17No, no.
00:17:18I made a trailer for watching.
00:17:20Oh.
00:17:23Oh.
00:17:24Oh.
00:17:26Oh.
00:17:27Oh.
00:17:27Oh.
00:17:27Can you see like this?
00:17:28Yes, I can see.
00:17:29Oh, I don't know.
00:17:30Thank God.
00:17:31I was being guilty.
00:17:35Let's go.
00:17:35But where are you?
00:17:37I have to go.
00:17:38Where?
00:17:39I don't know.
00:17:40But I have to go.
00:17:41I'm not hungry.
00:17:42Thank you so much.
00:17:43Let's go.
00:17:44Oh, no.
00:17:44Don't stop.
00:17:45Don't stop.
00:17:46Don't stop.
00:17:47Just one last thing.
00:17:48Yes.
00:17:50Today, I have two incidents with me.
00:17:51Two incidents or coincidences?
00:17:54Two incidents.
00:17:55Okay.
00:17:56I got a hint.
00:17:57Look.
00:17:58What is this?
00:18:00What is this?
00:18:01What is this?
00:18:01What is this?
00:18:01Did you cut Mardani Mardani?
00:18:02No.
00:18:03It was four Mardani Mardani.
00:18:05I got two hints.
00:18:08Do you know?
00:18:09I got a chair.
00:18:10I got a chair.
00:18:10Okay.
00:18:11Okay.
00:18:11I got a chair.
00:18:12Okay.
00:18:13But your chair is standing.
00:18:14No, this is not.
00:18:15It's a chair.
00:18:16Okay.
00:18:17Let's see.
00:18:18Oh my God.
00:18:19Yes.
00:18:20Rani.
00:18:25Ah.
00:18:25Ah.
00:18:27Ah.
00:18:29Ah.
00:18:29Ah.
00:18:29Ah.
00:18:29Ah.
00:18:30Ah.
00:18:31Ah.
00:18:34Ah.
00:18:35Ah.
00:18:36Ah.
00:18:37Ah.
00:18:38Ah.
00:18:41Ah.
00:18:47Ah.
00:18:52Ah.
00:18:52I will tell you tomorrow.
00:18:54Okay?
00:18:55Let's see.
00:18:56Okay?
00:18:57Let's go.
00:18:58Okay.
00:18:58Are you going?
00:19:00No.
00:19:01Just this.
00:19:02Keep going.
00:19:04Oh, man.
00:19:05You closed the door.
00:19:07Up.
00:19:08I told you the door.
00:19:09Up.
00:19:13I told you the door on.
00:19:16That's not why I had to go quickly.
00:19:18That's why.
00:19:20Because...
00:19:21Because you didn't start again.
00:19:23Oh.
00:19:25Let's go.
00:19:26Let's go.
00:19:27Let's go.
00:19:29Let's go.
00:19:30Let's go.
00:19:31Let's go.
00:19:46Let's go.
00:19:50Let's go.
00:19:51Let's go.
00:19:52Let's go.
00:19:52That is...
00:19:58Yes.
00:20:01Yes.
00:20:01Yes.
00:20:01Yes.
00:20:04Yes.
00:20:05Yes.
00:20:05Yes.
00:20:15Absolutely.
00:20:16I wonder what a girl is.
00:20:23If a girl is like...
00:20:30Yes.
00:20:31Yes.
00:20:31Yes.
00:20:33Yes.
00:20:34Yes.
00:20:35So the way she talks, the way she is, she is literally like a Bengali tigress.
00:20:40And the love of her children, the protectiveness of her children,
00:20:44I think I have seen my mother in my mother.
00:20:49So Debika is exactly what my mother is.
00:20:52Very beautiful.
00:20:56So when you were doing the first mardani,
00:20:59did someone come to mind that she is the real Rani Mukherjee?
00:21:04If you were wearing a dress, I was like that.
00:21:06Actually, before doing the first mardani,
00:21:09I got to meet many police officers.
00:21:13I talked to them.
00:21:15I saw them during their work.
00:21:19The way they dress in uniform.
00:21:21The way they salute.
00:21:23The way they walk.
00:21:26It will be different from anybody else.
00:21:29Srivani Shivaji Roy is an amalgamation of all those officers who I met.
00:21:34I have interviewed many people in this mardani,
00:21:39they always say that there is a different thing between female officers.
00:21:42Those who solve the case, crack the case,
00:21:46are different.
00:21:47I am so proud that I am able to bring their life onto screen
00:21:52for everybody to see how challenging their lives are.
00:21:56Absolutely.
00:21:58Rani, ma'am, a few fans have sent us a letter.
00:22:01Yes.
00:22:02I don't know what I mean,
00:22:03people also write letters in email.
00:22:05Jabulpur, Madhya Pradesh, Sunita.
00:22:07Sunita, you are sitting in front of me.
00:22:11Sunita Ji, you are everywhere.
00:22:14Sunita Ji, you are everywhere.
00:22:22Sunita Ji,
00:22:22you are everywhere.
00:22:35Right,
00:22:36not everyone.
00:22:36We do not film any last summer.
00:22:36Here's the day you are Однакоettu Shamse.
00:22:37but he did not come weakly.
00:22:42Hmm...
00:22:43He was sitting here as well.
00:22:44he was getting killed by your Islam,
00:22:46Now,
00:22:46this is what the 28th century Whoa,
00:22:50I am trying to keep in touch with the police, but every time I live with someone else.
00:22:58I think that you will understand the rules of the police.
00:23:02I want to give you a little time with you so that I can understand the police properly.
00:23:06Okay?
00:23:08And pass the process.
00:23:09You can tell me your own cool time.
00:23:12That's why I will take my ticket.
00:23:14Please come.
00:23:15I will give them the police station.
00:23:16I will give them the police station.
00:23:19I will give them the police station.
00:23:21And there is also a pen.
00:23:22It says, when will you get to the police station.
00:23:25You will understand the police station.
00:23:27Thank you very much for this.
00:23:31Today, Archana Ji will get to see the talent.
00:23:33We will play a game.
00:23:35You will show the play cards like this.
00:23:38It will be written by the name.
00:23:39It will explain the expression or the gesture of mannerisms.
00:23:43You will explain it.
00:23:45And you will guess who is the actor.
00:23:47Oh.
00:23:47Two of my play cards.
00:23:55Okay.
00:23:56Rani ma'am, you haven't seen it.
00:23:57Let me show the audience.
00:23:59Let me show the audience.
00:23:59Let me show the Arsana Ji.
00:24:03Let me show it.
00:24:06I've seen so many films but I don't remember.
00:24:08Old actor.
00:24:10New actor.
00:24:11Mid time actor.
00:24:14Have I worked with him?
00:24:16Chudiya.
00:24:17Bole Chudiya.
00:24:20Chandni.
00:24:21Rishi Kapoor.
00:24:24Shri Devi.
00:24:28Arsana Ji.
00:24:30Trust me.
00:24:30Trust me.
00:24:31Trust me.
00:24:32Trust me.
00:24:32Trust me.
00:24:32You have no talent in this.
00:24:38You have no talent.
00:24:39This is straight.
00:24:39There is no problem.
00:24:44Shah Rukh.
00:24:47Again, I want to say that you have no talent.
00:24:50That's a good thing.
00:24:52It's not a bad thing.
00:24:53What's your name?
00:24:53She's famous.
00:24:54I want to take a look.
00:24:56I want to take a look.
00:24:57Okay?
00:24:58Oh.
00:25:00Oh.
00:25:01Oh.
00:25:02This one.
00:25:02This one.
00:25:03Dance.
00:25:04Dharam Ji.
00:25:05What's your name?
00:25:07What about you do?
00:25:09Oh.
00:25:14Oh.
00:25:14Oh.
00:25:17Oh.
00:25:28Oh.
00:25:35Thyre.
00:25:36Oh.
00:25:37dead of empire.
00:25:37Bahch road,
00:25:40of exhaustion.
00:25:42Okay?
00:25:43Can you make me one skill youou?
00:25:45Yes.
00:25:45The only skill you are doing isMA sair fij lat
00:25:47Hmm
00:25:53Dharam ji
00:25:58Hema ji
00:26:12Hema ji
00:26:14Dev sahab
00:26:17Wow
00:26:19Last one
00:26:21Who is this?
00:26:27Oh
00:26:29Salman
00:26:34Thank you very much, congratulations
00:26:36You are in the show for so many years
00:26:38Today you have worked
00:26:40I love you, ma'am
00:27:00It sounds like my mom
00:27:08I heard that you would have given a screen test from the first time in the film
00:27:13so your mother called the producer to do not take the film
00:27:18because it is very bad
00:27:20your picture will flop
00:27:21really?
00:27:22yes, mother
00:27:23so she was very keen that I would have taken a picture
00:27:25but when I saw my screen test
00:27:29Salim uncle is a very close friend of ours
00:27:32she said Salim don't take Rani, it is very bad
00:27:35I love that, so cute
00:28:04oh
00:28:06oh
00:28:07oh
00:28:07oh
00:28:07oh
00:28:12oh
00:28:13oh
00:28:13oh
00:28:13Oh, my God.
00:28:14If you keep your house in your house,
00:28:17then you will come to give it to your house.
00:28:20Oh, who have you kept your house?
00:28:23If you keep your house in your house and your child, please.
00:28:27Please take your house and take it.
00:28:29How much love is your father's name?
00:28:34Tell me.
00:28:36Look, he's crying.
00:28:36I'm not crying.
00:28:38I'm not crying.
00:28:39I'm crying.
00:28:40I'm crying.
00:28:41I'm crying.
00:28:43I'm crying.
00:28:45I'm crying.
00:28:46I'm crying.
00:28:47I'll give you so much.
00:28:48What are you?
00:28:49When I'm oh my god,
00:28:51why are you kids born?
00:28:54I had no idea.
00:28:59How many times are you?
00:29:01Stop filming the castle.
00:29:05Look out.
00:29:17I
00:29:36I miss you.
00:29:39Yes.
00:29:40How did Dina have been here?
00:29:44Hey, did you see her?
00:29:53My God, Dina.
00:29:57Dina.
00:30:01Dina.
00:30:03Oh my God.
00:30:04Krishna.
00:30:09It's been a long time.
00:30:11It's been a long time.
00:30:14It's been a long time.
00:30:15It's been a long time.
00:30:24Rahul,
00:30:26your name will be heard.
00:30:27Will you marry me?
00:30:28Will you marry me?
00:30:29Oh!
00:30:32It's very good.
00:30:33A samosa name is also.
00:30:35It's called Rahul.
00:30:38It's such a common name.
00:30:39One minute.
00:30:40I want to give you a advice.
00:30:43Yes.
00:30:44Let's end with these bhatour and samosas.
00:31:16Why?
00:31:17If she doesn't become my friend,
00:31:21she doesn't love me.
00:31:22She doesn't love me.
00:31:23Do you think you should call me Rani?
00:31:26Do you think you should call me Rani?
00:31:28Do you think you should call me so much?
00:31:32Do you think you should call me so much?
00:31:35Oh my God.
00:31:37Well,
00:31:38take a look for a little bit.
00:31:40You should sit down a little while.
00:31:44Just sit.
00:31:49How do you do?
00:31:51How did you do?
00:31:52This is my left profile.
00:31:54This is my right profile.
00:31:56This is my dance.
00:31:59Krishna!
00:31:59Krishna, I love everything about you.
00:32:05You're a great dancer.
00:32:30You're a heroine, you're a heroine, you're a heroine, so what are we going to do with you?
00:32:43Rani ji, let me go.
00:32:45Let me go.
00:32:48Let me go.
00:32:49Let me go.
00:32:54That's all.
00:33:02I am the only one in the industry.
00:33:04You've also got Rani.
00:33:06You've also got Rani.
00:33:13King Khan.
00:33:25You understand yourself and what you think about him?
00:33:31He is not the only one in my style.
00:33:35It's like that.
00:33:54All my love and wishes, I will be able to meet again.
00:34:03Rani, we always give the opportunity to our studio audience,
00:34:08that you can talk to yourself with your stars,
00:34:11which is a question in their mind.
00:34:14Please, please.
00:34:15Can you stand up with your hand?
00:34:18Yes.
00:34:19Hello, sir. Hello, Rani, ma'am.
00:34:20My name is Kalpana Shah.
00:34:21I'm from Mumbai.
00:34:23Before I married, I would like to do the best bargaining
00:34:26whenever I was going to go shopping.
00:34:28But whenever I married, I would like to know
00:34:30that they do the best bargaining.
00:34:32So ma'am, you and sir, whenever you go to the bargaining,
00:34:35when you go to the shopping,
00:34:36which is the best bargaining case?
00:34:39I can just imagine.
00:34:40My husband is bargaining at a shop.
00:34:43Ma'am, did you listen to my husband's story?
00:34:46Yes.
00:34:46Yes.
00:34:46Yes.
00:34:48Yes.
00:34:49Yes.
00:34:51Yes.
00:35:15You're a lawyer.
00:35:20Yes.
00:35:20And his wife?
00:35:20Lawyer
00:35:21Lawyer
00:35:22Both lawyers
00:35:22Who are they?
00:35:25Both lawyers
00:35:26They are the same
00:35:27They are the same
00:35:28Of course
00:35:29We know
00:35:30We have also happened at home
00:35:33Thank you sir
00:35:34Thank you sir
00:35:35And any of our friends who come to the TV
00:35:36Hello sir
00:35:38Hello Rani Ma'am
00:35:39Hello Kapil sir
00:35:40I am Pius Jain
00:35:41My son is 10 years old
00:35:44She is very sick
00:35:47Has been a burden
00:35:48My wife lives and I will save the burden
00:35:52From that burden
00:35:54So I am a girl
00:35:55Hadira 10 years old
00:35:57She will have a burden
00:35:59and save the burden
00:36:01My wife is sitting here
00:36:02The burden
00:36:04My baby will save me
00:36:07And I will save her
00:36:08And she will save me
00:36:10Why couldn't they die in the house?
00:36:32Thank you sir.
00:36:37Thank you sir.
00:36:41It's really my privilege to be here because Rani ma'am, I am a big fan of you and Kapil
00:36:47sir, I am really feeling so great here.
00:36:52Thank you ma'am.
00:36:52Rani ma'am, from your first film, the latest movie that I have seen, I have seen it many times
00:37:01in my heart.
00:37:29Yes.
00:37:33Rani ma'am, you are looking very pretty in the uniform.
00:38:05Rani ma'am.
00:38:12Rani ma'am.
00:38:14Rani ma'am.
00:38:26Rani ma'am.
00:38:33Rani ma'am.
00:38:36Rani ma'am.
00:38:38Rani ma'am.
00:38:55Rani ma'am.
00:38:59Rani ma'am.
00:39:04Rani ma'am.
00:39:40Thank you, man.
00:39:43That's a full mardaniya.
00:39:48I like that.
00:40:22Very proud of you, ma'am.
00:40:52Hello.
00:41:03Wow.
00:41:07Wow.
00:41:09Wow.
00:41:33Wow.
00:41:35Wow.
00:41:37Wow.
00:41:38Wow.
00:41:39And all of them are representing the app.
00:41:42I want to say thank you very much.
00:41:45Thank you so much and all the best, ma'am.
00:41:49Thank you, ma'am.
00:41:50It feels so good today.
00:42:04Thank you so much.
00:42:08I'm the former police commissioner of the Surat, Sandhya Gahlok.
00:42:13And this is the police force of our Surat, the lady of the Surat.
00:42:16It's all the work they do.
00:42:18But I wanted to tell you that we do a lot of work.
00:42:41Wow.
00:42:42Wow.
00:42:43child care open. So this way, our police have a lot of work in the
00:42:48society. And with the public, the police are very attached to
00:42:56the public. And one request is that you don't see the police so
00:43:02negative. The police is very positive. You can see this.
00:43:08He is very positive. He is very important. Thank you very much.
00:43:13And you are very loving, beautiful and noble work.
00:43:17Thank you very much.
00:43:42Wow! Wow! Wow!
00:43:46Arshita Ji, wow!
00:43:49Sindhu Ji, wow!
00:43:52Kapil Sharma, wow!
00:43:55Rani Mukher Ji, wow! And how?
00:43:58Wow!
00:44:00Like really?
00:44:01Arshita Ji, I've ever met you.
00:44:03You are one year old and younger, younger, younger, younger.
00:44:07How is that happening? It's a miracle.
00:44:11Like,
00:44:11you are one year old and older.
00:44:16You're the same.
00:44:18You are the same.
00:44:18You're the same.
00:44:19You're the same, you're the same.
00:44:20You're the same.
00:44:20You're the same.
00:44:21I didn't think you were the same.
00:44:23I wasn't sure you were convinced so much.
00:44:24No, I'm used to be the same.
00:44:25You're the same.
00:44:26You're the same.
00:44:27Yes, all you.
00:44:29Then, I've made a tattoo for safety.
00:44:32Let's see.
00:44:33Oh!
00:44:34Curry, right?
00:44:34I'm feeling the same.
00:44:36I'm eating the same.
00:44:36I'm eating that.
00:44:38I'm eating the same.
00:44:41You know, when I told my kids that I'm going to be meeting you, I thought I'd like to
00:44:48get Rani Bua, Rani Bua, Rani Bua, Rani Bua.
00:44:52I also said to them, shut up!
00:44:56Why did you get the data?
00:44:58What are you saying?
00:44:59Yeah, this is not a Bua face.
00:45:04That's a Bua face.
00:45:09No, in truth, let's see.
00:45:11If you look like a guest, you won't come back to a house for years.
00:45:19I've got a call.
00:45:20My wife's phone from home, can I take it?
00:45:23Yes, yes, please.
00:45:23One sec.
00:45:25Hello?
00:45:26What?
00:45:27Are guests coming to the house?
00:45:28Where?
00:45:31Where are you coming from?
00:45:32Who?
00:45:35Who?
00:45:35Who?
00:45:37Who?
00:45:38Who?
00:45:39Who?
00:45:43I'll give you an order now.
00:45:45Now!
00:45:48I'm sorry, I've got to place this order.
00:45:51Yeah, yeah.
00:45:52I've got to order this order.
00:45:53You know, what are you doing?
00:45:54I believe the words of my wife.
00:45:56I'll keep safe in my life.
00:45:58Ah, ha, ha, ha, ha.
00:46:01Get it?
00:46:02Anyways, I just want to say, Rani, one thing.
00:46:05I'm a little disappointed.
00:46:07When we were, we were, we were, we were.
00:46:10We were, we were.
00:46:11We were, we were.
00:46:11Now, what you're doing in the film, like the Mardani's,
00:46:14you're, you're.
00:46:15Where are you?
00:46:16Where are we?
00:46:17Yeah, you should cast me also, yeah, in these films.
00:46:20You're with Karina.
00:46:22You can do it with Karina.
00:46:23You can do it with me, man.
00:46:25You don't know anything.
00:46:26I always keep you close to your heart.
00:46:28I'll show you.
00:46:33How does he know?
00:46:36Wow.
00:46:38Wow.
00:46:39But how?
00:46:46Like, wow, man.
00:46:47How do you do that?
00:46:51That's chaplousi here.
00:46:52That's chaplousi here.
00:46:53That's chaplousi here.
00:46:55That's no big deal.
00:46:56But really, I'm telling you, a good jodi.
00:46:59Your jodi is yours and mine.
00:47:01It's our jodi.
00:47:02I'm not making a joke.
00:47:04The other day, I had to take fruits.
00:47:06I said, I have fresh apples,
00:47:08so he said,
00:47:08Apples, let's go, sir.
00:47:10It's fresh.
00:47:11It's fresh.
00:47:11It's fresh.
00:47:12It's fresh.
00:47:14It's fresh.
00:47:15It's fresh.
00:47:16It's fresh.
00:47:17It's fresh.
00:47:17It's fresh.
00:47:18It's fresh.
00:47:21It's fresh.
00:47:22Yeah, this is what people are saying, you know.
00:47:26We should do a film together, really.
00:47:28You know what I'm going to do now?
00:47:30This is the seat in your bagel.
00:47:33I'm putting a room here.
00:47:34This is my place.
00:47:35Oh, oh.
00:47:36Nobody's going to take it, okay?
00:47:38I'll see who comes now.
00:48:22It's not Mardani 43.
00:48:25It's Mardani 3.
00:48:26It's 43.
00:48:28three but then it's three and forty forty you know forty plus ten minus twelve plus
00:48:38five is forty two I've seen that see the forty plus three be bold second see
00:48:44that's the question you know so go market in a part time I say the
00:48:59very very very frankly I'll tell you mazana up a attitude may yeah one up
00:49:05with me I don't like a shit
00:49:23I need a many many returns of the day by John again again you're going wrong many
00:49:29many returns of the day cat in birthday kill here I know I know from Caleb care
00:49:34thing you know producer invests money to returns us come in nature many many
00:49:40things are DG go pretty Christian each year I'm going to talk very serious now
00:49:45okay I can't hear you Tora I'm talking to her you need not here then you wait for
00:49:54my cue then
00:50:02it's got a skis you know you know I want to salute you all up sub keyword is a safe
00:50:10family I'm not safe man I know you gotta say yeah but sub safe maya says if male
00:50:19bullshit bullshit bullshit bullshit I've heard this joke so many times I don't like
00:50:26this no no proof or proof or to say a tattoo a happy a body got a two
00:50:36you can't you can't do that I just did that
00:50:40so many times I'm gonna say yeah but maybe I can't do that yeah yeah I'm going to
00:51:34It's Rani and me. That's the Jodi.
00:51:36No, no, no. Jodi is our bunny.
00:51:38I'm telling you, I'm telling you, man, I'm telling you.
00:51:41Jodi is our bunny, because I was with Apple.
00:51:44I said, fresh apple.
00:51:46Apple is not fresh.
00:51:47Your Jodi is fresh, Rani Ji.
00:51:48Aha.
00:51:51After that, you will have a sofa.
00:51:54He said, leave the sofa.
00:51:55He said, leave the sofa.
00:51:56Then you have the Jodi.
00:51:57Yeah, yeah.
00:51:58Yeah.
00:51:59Yeah.
00:51:59Yeah.
00:52:00Yeah.
00:52:00Yeah.
00:52:02Yeah.
00:52:13He's right.
00:52:14He's right.
00:52:16He's right.
00:52:17He's right.
00:52:17Sofa.
00:52:17Yeah.
00:52:18Yeah.
00:52:18Yeah.
00:52:18Yeah.
00:52:18But industry can add is a star.
00:52:21Udari Jati.
00:52:21Mines is so funny.
00:52:22All right.
00:52:23Don't give me this.
00:52:24Sofa story.
00:52:25Okay.
00:52:26Toss.
00:52:28Toss.
00:52:29Yeah.
00:52:30Yeah.
00:52:30Okay.
00:52:30Let's do a toss then.
00:52:31Where's the point?
00:52:32Mal to pal ka ye safar, pal to pal ka saath.
00:52:39Mal to pal ka ye safar, pal to pal ka saath.
00:52:44Aam, me ha star aap se, yoon hi kar hi baat, alp na saa hao kai hao kai phin paas
00:52:53li paotl pasa aat
00:52:55Aat kar tina, hak yoon hai haa, haa, haa haa.
00:53:07Haa haa!
00:53:10Haa haa!
00:53:11Haa!
00:53:11Haaa haa!
00:53:13Haa haa!
00:53:14Oh, the vampire Lali is amazing, man.
00:53:18Oh, man, I'm so excited.
00:53:19I've been dancing so many years.
00:53:20But today I'm so excited, man.
00:53:22Yes.
00:53:22Why do you see that?
00:53:23Oh, man, one day, I'm not so excited.
00:53:26Oh, my gosh, I'm so excited.
00:53:28It's my dance.
00:53:32Oh, man, you're so excited.
00:53:35I'm so excited.
00:53:37I'm so excited.
00:53:38I'm so excited.
00:53:40Oh, man, Rani.
00:53:41Oh, Rani, y'know,
00:53:45and that's it,
00:53:46that's the hair,
00:53:48that's the hair,
00:53:48that's the hair,
00:53:49that's the hair.
00:53:50That's the hair.
00:53:52Change the hair.
00:53:56Rani's face is quite a little bit of skin.
00:54:01I think that's the truth.
00:54:03Partner?
00:54:04Arre, partner?
00:54:06Partner.
00:54:07I don't like it.
00:54:08And I don't like it.
00:54:33I don't like this, I don't like this shit.
00:54:42I don't like this, I don't like this.
00:54:53I don't like this shit, I don't like this shit.
00:54:54How do you do this?
00:55:11You're okay?
00:55:14You're fine.
00:55:16You're okay?
00:55:18I don't like this.
00:55:20I don't like this.
00:55:22I don't like this.
00:55:24I don't like this.
00:55:25You're my partner.
00:55:26You're my partner.
00:55:46You're okay.
00:55:47Look down.
00:55:49You're okay.
00:55:50You're okay?
00:55:50I've been here for a few times.
00:55:51I've been here for a few times.
00:55:55I've been here for a couple of times.
00:55:58I've been here for a couple of times.
00:56:02I am going to take the sofa to take the sofa.
00:56:05What are you doing?
00:56:11What are you doing?
00:56:13If everything is done, I will break the rice.
00:56:22This person does this.
00:56:24This person goes to another show.
00:56:26This person goes to another show and goes to another show.
00:56:34Wow!
00:56:35Make a food!
00:56:37Make a food!
00:56:38I will see you in the future, Ganesh.
00:56:41Ganesh?
00:56:41Who is Ganesh?
00:56:42Is he putting the money in the other side?
00:56:46I have no way.
00:56:48What?
00:56:48We all can decide who will work with Rani.
00:56:52I have a fish.
00:56:53There is a fish.
00:56:54There is not a fish.
00:56:56There is fish.
00:56:57There is fish.
00:56:59There is fish.
00:57:00There is fish.
00:57:00You are okay with that?
00:57:03Yes.
00:57:04What do you say?
00:57:05What do you say?
00:57:06If you want to do, do it.
00:57:07Well, yeah, well.
00:57:09All right.
00:57:10Take the fish.
00:57:18Let's go first.
00:57:19You go first.
00:57:20I have to go first.
00:57:21There.
00:57:21There.
00:57:21There.
00:57:22There's the machli.
00:57:26Why do you want to do this?
00:57:29Okay.
00:57:30Come on.
00:57:30Come on.
00:57:30I am.
00:57:32Are you sure?
00:57:38Attitude.
00:57:43I am.
00:57:44Come on.
00:57:45Take the fish.
00:57:46I am.
00:57:47I am.
00:57:47I am.
00:57:47I am.
00:57:47I am.
00:57:47I am.
00:57:48I am.
00:57:48I am.
00:57:49I am.
00:57:49I am.
00:57:49I am.
00:57:52I am.
00:57:53I am.
00:57:56What is happening?
00:57:57What is happening?
00:57:57Nonsense.
00:57:59If you were not doing it,
00:58:00then what did you say?
00:58:01What did you say?
00:58:01Let's go to my farmhouse.
00:58:03Come here.
00:58:03Farmhouse.
00:58:04This is a farmhouse.
00:58:07Let's go to the farmhouse.
00:58:09Let's go to the farmhouse.
00:58:09Oh, let's go.
00:58:10Let's go.
00:58:11Let's go to farmhouse.
00:58:13Let's go to farmhouse.
00:58:13Let's go to farmhouse.
00:58:15That's a good idea.
00:58:16Let's take this.
00:59:17For the past 30 years, so thank you very much.
01:00:52What are you doing?
01:00:54George Sapola!
01:00:56No, don't let him go.