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00:00:30Good evening and welcome to the Great Indian Company Show.
00:00:35Shukriya, Shukriya.
00:00:37Please, please, Viraj Mahan, thank you.
00:00:40Love you, Martin.
00:00:41Love you too, brothers.
00:00:45Today is Valentine's Day.
00:00:48I love you.
00:00:50Arshana Ji, Siddhu Ji,
00:00:52you both did a very good day of Valentine's Day.
00:00:55I mean, you have a account.
00:01:23It's not the account.
00:01:26I have given you a lot of money.
00:01:30Today's day is very romantic.
00:01:32Our airport is filled with flowers.
00:01:34The city is filled with the whole city.
00:01:35The goodwill will be filled with the camera.
00:01:40This is a festival of friends.
00:01:42Today, you will get to see love with each place.
00:01:45Today, someone is running with their first love.
00:01:48Someone is running with another or third love.
00:01:51Because UPSC is clear in the first attempt.
00:01:53When the situation is clear,
00:01:54the most powerful is one of the people's first love.
00:01:57That's true.
00:02:01Because they still remain alive.
00:02:04But they still remain alive.
00:02:04Because the scientists have been saying,
00:02:05that the love for love is the one of the most important.
00:02:08The love is the one of the most important ones.
00:02:16God Bill
00:02:17In the water, the love is the one of the most important ones.
00:02:21But there are other great responsibilities.
00:02:52Oh my god.
00:02:57I don't know what I'm saying.
00:03:23They don't take care of their food or they always stay in the door.
00:03:27They are those people who are leaving their home
00:03:29and leaving their home and leaving their home.
00:03:34That means, Happy Valentine's Day.
00:03:40People say that it's Valentine's Day,
00:03:42it's coming from Videsh.
00:03:42In Videsh, it's just one day.
00:03:45Look, when you're here,
00:03:47people take a lot of food in their home.
00:03:49They take a lot of food.
00:03:50I'm not sure that there's a lot of love.
00:03:51Some of them are so much love that they have to put a little love in the bagel.
00:03:58But the happy thing is that from any point, people want to celebrate love.
00:04:02Or rather, there are some of the things that are in war.
00:04:04Some of them have to be released and the war starts.
00:04:07You should celebrate love.
00:04:09And today, on Valentine's Day, there's a great love film.
00:04:14That's Romeo.
00:04:14It's the star cast that is here.
00:04:18Please welcome Mr. Shahid Kapoor and Tripti Dimri.
00:04:56Please welcome Mr. Shahid Kapoor.
00:05:30Please welcome Mr. Shahid Kapoor.
00:05:33Welcome Tripti.
00:05:37Maharaj, karma-garam share.
00:05:42Hi, hi.
00:05:50Hi, hi.
00:06:02Hi, hi.
00:06:05Hi, hi.
00:06:06Hi, hi.
00:06:07Hi, hi.
00:06:08Hi.
00:06:08Hi, hi.
00:06:09Hi.
00:06:10Hi.
00:06:11Hi.
00:06:12Hi.
00:06:13Hi.
00:06:15Hi.
00:06:15Hi.
00:06:16Hi.
00:06:18Hi.
00:06:26Hi.
00:06:27Hi.
00:06:27Hi.
00:06:29Hi.
00:06:30Hi.
00:06:32Hi.
00:06:33How many years have you taken this lease?
00:06:38This lease word you have used for 99 years.
00:06:42And after 99 years, I am going to keep it.
00:06:50Today is Valentine.
00:06:52You are not going to get rid of it.
00:06:54You are going to get rid of it.
00:06:56You are so handsome.
00:06:58You are not going to get rid of it.
00:07:03This is the case.
00:07:06This is the case.
00:07:07This is the case.
00:07:09This is the case.
00:07:10This is the case.
00:07:11After a divorce, you have to get rid of it.
00:07:14You have to get rid of it.
00:07:15You have to get rid of it.
00:07:18Why are you doing this?
00:07:19I don't have to get rid of it.
00:07:21I don't have to get rid of it.
00:07:23What do you know about the kids?
00:07:24You are little.
00:07:26But the mother of the kids knows.
00:07:30They have grown up.
00:07:31They have grown up.
00:07:31Yes.
00:07:33Look at that.
00:07:35Tripti is in full agreement.
00:07:38Full is so beautiful.
00:07:40If you look at someone's face,
00:07:42the man starts writing love letters.
00:07:45Dear Tripti.
00:07:46No, no.
00:07:47Adorable Tripti.
00:07:48Tell me.
00:07:49Tripti, tell me.
00:07:50In college time,
00:07:52you have ever written love letters?
00:07:55Have you written?
00:07:56Yes.
00:07:56I have never written.
00:07:57No.
00:07:57No, no.
00:07:57No.
00:07:57It is just a little bit.
00:08:02Sometimes I read my letters.
00:08:04I have never written two,
00:08:05or three crushes.
00:08:07But it is every sweet thing.
00:08:09You also wrote that letter?
00:08:11Yes.
00:08:11I have written the name of the kid's name.
00:08:15You know.
00:08:16It is so that it's passed away.
00:08:17But I had a crush on my first girl,
00:08:21I wrote her name here.
00:08:24And after that, I didn't get the name wrong,
00:08:26so she was completely septic.
00:08:28Oh, gosh.
00:08:29And she was running for a long time.
00:08:31But I didn't know that I had a crush on that girl.
00:08:34I know that.
00:08:35Tell me.
00:08:39I know that.
00:08:40You're your partner?
00:08:42I know that.
00:08:43Huh?
00:08:45Shahid, I'm asking you a question for today's Valentine.
00:08:48Is there a difference between the first Valentine's and the next Valentine's?
00:08:51Or is it different from the proposed day,
00:08:53hug, kiss, chocolate day,
00:08:54and go to Valentine's?
00:08:56Or is it going to be settled on Valentine's?
00:09:00What's the difference?
00:09:01In the marriage, I feel like those who are intelligent,
00:09:04they know that there is a list.
00:09:07There should be a tick mark in that list.
00:09:10If you don't have a tick mark in the correct things,
00:09:13then you're in trouble at the end of the year.
00:09:15Trouble.
00:09:16When you're eating,
00:09:17you'll be able to play the whole list.
00:09:20That's the whole list.
00:09:22And then,
00:09:23Point number one.
00:09:38So, I think the experienced husbands have been married for 10 years.
00:09:43They know that those ticks are very important.
00:09:46But this is universal.
00:09:47Universal, I'm Shahid, universal.
00:09:48And I see my look and say,
00:09:50hmm, good tick.
00:09:52Well done.
00:09:55Now,
00:09:56it was a doctor's appointment
00:09:57and I was on the other side of the city.
00:09:59And she didn't tell me.
00:10:01So, she told me that
00:10:02I have a doctor's appointment at 5.20.
00:10:04I have a doctor's appointment
00:10:05which I am sitting in the car
00:10:06and which I have run.
00:10:085.19 I was there, brother.
00:10:09Brownie points.
00:10:12Because
00:10:14this is my birthday month.
00:10:17I don't need to be wrong with this month.
00:10:24Archan noe,
00:10:25you also torture your husband's husband?
00:10:26This is a wife's right, right?
00:10:28Absolutely.
00:10:28No.
00:10:29You don't have to get the money,
00:10:30you don't have to get the money.
00:10:32What do you mean,
00:10:34that he's standing up to me?
00:10:35Oh.
00:10:36So,
00:10:37you haven't seen his husband's husband's husband?
00:10:38You haven't seen him.
00:10:39You don't have to get him.
00:10:41You don't have to get him.
00:10:43You don't have to do it.
00:10:49Don't you have to get him.
00:10:51He's got to get him.
00:10:52I've done a film with Parmeet.
00:10:53He's directed
00:10:54Badmarsh company.
00:10:55We've worked with him.
00:10:55I have the title of this.
00:10:58He's a whole visual change.
00:11:00He's a strong Punjabi guy
00:11:02standing there.
00:11:03He's saying,
00:11:03oh, this is what I want you to do.
00:11:05Suddenly he's laughing.
00:11:10I think that love is a blessing.
00:11:13You can tell me, as many people are sitting here,
00:11:15everyone is thinking that this blessing will be going to us.
00:11:19He is standing standing with his face, right?
00:11:21Or he is going to kill you?
00:11:22It's a blessing.
00:11:24So, you will tell us what we will do to make it a blessing?
00:11:28I will ask you straight.
00:11:29What?
00:11:30How would you like this girl in future?
00:11:34In your life?
00:11:34In the form of a husband?
00:11:36Hounhaar means what?
00:11:38It's like a mother-in-law.
00:11:40It's like a mother-in-law type of mother-in-law.
00:11:44Honest.
00:11:46Honest.
00:11:47Honest.
00:11:48That's the story of the story.
00:11:51But all the people say, I love you.
00:11:53It's true.
00:11:56Honest.
00:11:57Honest.
00:12:03Honest.
00:12:04Honest.
00:12:05Honest.
00:12:06Honest.
00:12:07Honest.
00:12:07Honest.
00:12:07Honest.
00:12:08Honest.
00:12:09Honest.
00:12:09Honest.
00:12:10Honest.
00:12:34He ate all the water.
00:12:36So, I mean...
00:12:39You were talking about yellow and green leaves.
00:12:42So, in that character performances,
00:12:44it's like that.
00:12:45A man is still in the house.
00:12:47So, it seems that at least,
00:12:48I will become a green leaves in films.
00:12:50Somewhere, there will be a little swag.
00:12:56There was a wonderful research in Tripti.
00:12:59Who loves the film,
00:13:00that comes from the problem.
00:13:02Laila, Majnu, he killed him.
00:13:04In Ranbirpur, Ranbirpur is a child.
00:13:06And in Romeo, this is probably a bullet.
00:13:09Why don't you think you should change your image with a romantic film?
00:13:14Ready?
00:13:16I'm ready.
00:13:18Maybe I'll ask you a question.
00:13:20You have tripti with this film.
00:13:22There's also peace in the film.
00:13:24There's also three heroines.
00:13:26Romeo doesn't get confused about who I love.
00:13:29No, no. Romeo goes.
00:13:31Good.
00:13:32Good.
00:13:32Good.
00:13:33Romeo, it's very clear that Romeo is just her love.
00:13:38Loyal.
00:13:41Maybe we'll talk with Tripti and Tripti.
00:13:43Come on, Tripti.
00:13:45Very strong.
00:13:46Very strong.
00:13:50Now, let's call the rest of the rest of the film.
00:13:53Please welcome everyone.
00:14:18So, what do you think of this film?
00:14:19How great is this film?
00:14:19And what a great star cast.
00:14:21We all know about Vishal sir.
00:14:22We all know that he is a big filmmaker, writer, director, singer, composer, producer.
00:14:28But if you can see them, they don't like filming.
00:14:31It's very simple. They have a charity face.
00:14:33If someone comes to help,
00:14:35they will give them money.
00:14:36If they come, they will give them money.
00:14:38If they come, they will give them money.
00:14:41With so many beautiful faces,
00:14:43how do you give the narration of the film?
00:14:45Look, this is the thing that looks very deceptive.
00:14:50I come to the point where I come,
00:14:52there are films that come from love.
00:14:57I come from the point where I come from.
00:15:01I am from Punjab.
00:15:04I am from Punjab.
00:15:06I am the best actor of the actor.
00:15:08Do you like this?
00:15:10For example, Farida,
00:15:12you would have spoken about a dialogue in the film.
00:15:15You are going to the house,
00:15:16and you have to sanitize their own.
00:15:19How did you convince yourself?
00:15:22That's not the dialogue with the character.
00:15:24I wanted to work very well.
00:15:27The day I got the phone and I met him.
00:15:32The first thing he said to me at home was,
00:15:35Faheeda Ji, I'll give you a call.
00:15:40And I said, hello.
00:15:42That means he knows my reputation.
00:15:46Then he said, no, I'm not very big.
00:15:48Then I'll give you.
00:15:55I wanted to work with sir.
00:15:58I wanted to work with sir.
00:16:02Vishal sir, when you were watching the monitor,
00:16:04when Faheeda Ji was falling from the mouth of his mouth,
00:16:06he was comfortable at that time.
00:16:08Faheeda Ji is a very professional actor.
00:16:11When he accepted it, he accepted it from his heart.
00:16:15And you know,
00:16:19when we were watching the scene,
00:16:22that day we were very frustrated.
00:16:24That's right.
00:16:26So actually,
00:16:27and this is the right time to say that.
00:16:30Sir, forgive me.
00:16:31No, no, no.
00:16:32Forgive me.
00:16:33You don't ask me.
00:16:34You ask everyone.
00:16:35So that day we had a lot of curiosity.
00:16:37And we all forgot about that.
00:16:39We all forgot about that.
00:16:40We should call Faridah Ji.
00:16:41We should call for shots.
00:16:43And one assistant had called for shots.
00:16:46And we didn't call for shots.
00:16:47And we didn't take shots until the night.
00:16:48And we had a lot of frustration.
00:16:50That day,
00:16:53I told Faridah Ji that
00:16:55you don't do the scene today.
00:16:56Please, please.
00:16:56Please, please.
00:16:58I will do the scene today.
00:17:00Oh!
00:17:02I will not go back to the house until I don't do the scene.
00:17:05And that line,
00:17:07which is very famous.
00:17:09So that's how it came out.
00:17:11That's how it came out.
00:17:15I noticed Vishal sir.
00:17:17Vishal sir,
00:17:18always works with great people.
00:17:20You can see,
00:17:20if there are lyrics in their films,
00:17:24then the lyrics are.
00:17:25Yes.
00:17:26If you are singing,
00:17:27Sukhvinder Ji.
00:17:28Oh,
00:17:29actor,
00:17:29then Shahid Kapoor.
00:17:30And they are doing promotion.
00:17:32Yes,
00:17:32then Kapil Sharma show.
00:17:39Kapil Sharma show,
00:17:40I mean,
00:17:40every man is not working.
00:17:43So, Abhinash,
00:17:44when you signed their film,
00:17:45that time,
00:17:46you will become happy,
00:17:47that,
00:17:48I will meet Kapil Sharma.
00:17:49That's it.
00:17:51I feel like,
00:17:52that the two greats
00:17:53have to meet the other.
00:17:54Oh,
00:17:55wow!
00:17:55Wow!
00:17:57Well said.
00:17:59How was Vishal sir?
00:18:01I was shooting another film.
00:18:02Sir told me,
00:18:04that this is the opportunity.
00:18:05And,
00:18:06I was thinking,
00:18:07that there is a list
00:18:08for everyone.
00:18:09Vishal sir's name,
00:18:10almost every actor's list,
00:18:12is the top of the list.
00:18:13So,
00:18:14when I was talking about him,
00:18:14I was surprised,
00:18:16I didn't say anything wrong.
00:18:17I said,
00:18:18that this is a wrong man,
00:18:19I don't cast him.
00:18:20not me.
00:18:21Then,
00:18:21they skipped me,
00:18:22I studied it,
00:18:22and,
00:18:24then,
00:18:24I also understood,
00:18:25that,
00:18:25that,
00:18:25that,
00:18:25that,
00:18:25that,
00:18:26that,
00:18:26that,
00:18:26that,
00:18:26that,
00:18:26that,
00:18:27that,
00:18:28that,
00:18:29that,
00:18:30Vishal sir will be on the set and I'm shooting.
00:18:34What a joke.
00:18:35A dream come true.
00:18:36A dream come true.
00:18:38You made your body, but Kamal, how much money you're paying?
00:18:40How much time is it?
00:18:43I worked with my producer.
00:18:45You saw Sajid Netarwala's body.
00:18:47Sir, he's the body.
00:18:49He's 12% body fat.
00:18:51Really?
00:18:52I saw Sajid's photo.
00:18:54I was scared that if I didn't make it,
00:18:56he wouldn't cast it.
00:18:58He told me.
00:18:58He told me.
00:18:59My waistline, Sajid bhai, is 27 inches.
00:19:03You didn't ask me, what's going on?
00:19:05I asked.
00:19:06I don't know what I'm telling you.
00:19:10Now, there's another story.
00:19:12They did Laila Majanu, then Bulbul, now Romeo.
00:19:17Are you running behind your career or are you running behind Tripti?
00:19:20What is the cause of this?
00:19:23These are some kundalas we've met before.
00:19:27Three up and I hope there will be five or six years in life.
00:19:30I hope so.
00:19:30I hope so.
00:19:31This is a big show after your show,
00:19:34that Laila and Majanu, why don't they sit behind Romyo?
00:19:37When I sit here, I was like,
00:19:38this is a wrong position.
00:19:40I will see these memes.
00:19:42Oh, why the, why not?
00:19:44These are the big old ones.
00:19:45I've come to Romyo now.
00:19:47When will Laila and Majanu become Romyo?
00:19:50I'm going to go with planning, girl.
00:19:53Oh.
00:19:54Oh.
00:19:55I'm so loving them.
00:19:56They changed a trend, you know?
00:19:58They were afraid of mothers.
00:20:00But what did they do?
00:20:01When the Kajal told them everything,
00:20:03they told them everything.
00:20:03They told them everything.
00:20:07And as you kept hiding from the father,
00:20:09they kept hiding.
00:20:10They kept hiding from the father.
00:20:11So, they kept hiding from the father.
00:20:14They kept hiding from the father.
00:20:15That's why I'm very grateful.
00:20:17I'm so happy that I did that.
00:20:18There are many acting coaches who say,
00:20:21if you want to pick up a character,
00:20:23then you adopt them in any kind.
00:20:27In NSD, there are also many classes.
00:20:29Tripti, we have heard that you've been reading Billy's role.
00:20:33I didn't read it.
00:20:34My director said,
00:20:35observe the body language of cat's body.
00:20:37And I want that.
00:20:39So, in the set, you don't have to eat the blood.
00:20:41No, you don't have to judge me.
00:20:43I want to judge you.
00:20:43If the kids are watching the show,
00:20:45I think that I've done something like that.
00:20:46Like, if you adopt a share,
00:20:48then you're going to punish them.
00:20:49That's right.
00:20:50Maybe, when you did the Kaminé,
00:20:51who did you pick up?
00:20:53I have two characters in Kaminé.
00:20:55So, the main Kaminé was the main Kaminé.
00:20:57No, I haven't done the Kaminé today.
00:20:59But if you've listened to the Kaminé.
00:21:00And if I go to my dad and ask this question,
00:21:02then I'm going to read the Kaminé.
00:21:03First, learn to be a human.
00:21:05Let's do the Kaminé.
00:21:07Let's do the Kaminé.
00:21:10Vishal, sir, you've also worked with Pankar.
00:21:13And with Shahid.
00:21:14Do you think there's any similarity between Pankar and Shahid?
00:21:18Why do you think there's an similarity?
00:21:19Because, watch, they're their own.
00:21:20And there's a certain habit that is a different than Pankar.
00:21:24Actually, I made one film with the 11th,
00:21:26which is made in one family,
00:21:29four films with Shahid.
00:21:30Three films with Pankar Ji.
00:21:31Wow.
00:21:33I'm a big fan of Pankajji.
00:21:35I'm a big fan of Pankajji.
00:21:36In the beginning, you had a loan from Pankajji.
00:21:40I'm a big fan of Pankajji.
00:21:43So the two things that are common in Pankajji and Shahid are,
00:21:49are that they are all ready to do their part.
00:21:53They are spontaneous in their moments.
00:21:55So this is how Pankajji was,
00:22:00that they never saw their shots at the monitor.
00:22:04They never saw their shots.
00:22:07And they never saw their shots.
00:22:07And they thought,
00:22:08my first take is the best.
00:22:11So it was a big fear that
00:22:13one should be cut and cut.
00:22:17And Shahid,
00:22:19the second way of performing in the company is
00:22:25He keeps improvising and over the years, I have seen Shaihid that Shaihid doesn't repeat his performance in his second
00:22:30shot, which is a very, very good sign.
00:22:34Wow, that's what it is.
00:22:36I'm going to go with Dad. I'm going to go with Dad. This is my high point, guys.
00:22:45Thank you, sir. Thank you.
00:22:48Sir, I don't want to ask another question.
00:22:49In this film, Nana Patakar is working with you. Your friend is, I think, 25-30 years old.
00:22:53So Nana, how did you do the time?
00:22:58Actually, my fault is that I never played such a role.
00:23:02Because Nana, everyone is very afraid.
00:23:05He is very loving, but...
00:23:07But he is a very emotional person.
00:23:09He always kept a lot of nervousness.
00:23:12He kept saying, I'm an actor, I'm Nana Patakar.
00:23:16When did you come to me?
00:23:18So, I felt very embarrassing.
00:23:20But finally, this was our job.
00:23:22I felt a lot of time.
00:23:23And Nana doesn't come soon.
00:23:25Our show doesn't come soon.
00:23:26He doesn't come soon.
00:23:27He doesn't come soon.
00:23:28He doesn't come soon.
00:23:28He doesn't come soon.
00:23:35He doesn't come soon.
00:23:39For example, Shahid, you have an example.
00:23:41There are so many films.
00:23:42Back-to-back films.
00:23:43Here, Naseer, Pankaj.
00:23:45So, these artists are repeated.
00:23:47So, when you have the first time in the film,
00:23:50I think it will come.
00:23:51One or two flat or two.
00:23:53I think it will come.
00:23:54It will come.
00:23:55I think it will come.
00:23:55I told Sir, when we did the film rap,
00:23:58Sir, I want to make Shahid Kapoor.
00:24:00So, I'm going to do more films with you.
00:24:04It will come.
00:24:20Let's see.
00:24:21Mama.
00:24:22How are you going to the cinema hall?
00:24:25Where are you going to the cinema?
00:24:27Where are you going to the cinema?
00:24:29Now, these people are going to the cinema hall.
00:24:32I'm going to the cinema.
00:24:33Where is it going?
00:24:34Hey, look, look, look, look at the front of the Romeo.
00:24:37Oh Romeo.
00:24:39Oh Romeo.
00:24:39Mother, don't you know Romeo?
00:24:44Oh Romeo.
00:24:45It's very easy to say that.
00:24:46When he came to his mind, oh Romeo,
00:24:49then he became Romeo.
00:24:54Oh, my God.
00:24:55The minister sat behind.
00:24:57Mother, he's lying behind.
00:24:58He's lying behind.
00:25:23Oh
00:25:28I don't want to sit on the motorcycle.
00:25:30Go get it.
00:25:31Mother, come on first.
00:25:33I didn't get it.
00:25:34I'm telling you first, go get it.
00:25:36No, Mother, come on first.
00:25:39Go get it, Mother.
00:25:40Come on first, come on first.
00:25:43You are also Mother, I want you to get it.
00:25:45Mother, I got it first.
00:25:46Then you call my mother and say,
00:25:48how did you get it to me?
00:25:49Go get it to the motorcycle.
00:25:53Yes, yes.
00:25:54Yes, yes.
00:26:12Oh my God.
00:26:13Oh my God.
00:26:22Oh my God.
00:26:22I'm sitting on a motorcycle alone.
00:26:26Something happened to me.
00:26:27I don't care about it.
00:26:29No, no, no, no.
00:26:30Why are you asking me?
00:26:32Do you understand this?
00:26:33Yes, of course.
00:26:36I'm afraid of anything.
00:26:37Mother, I will call them.
00:26:38I was afraid of anything.
00:26:40Why did I get so scared?
00:26:41Why did I get so scared?
00:26:43You're just a bit scared of me.
00:26:45You're a bit scared of me.
00:26:46You're a bit scared of me.
00:26:53Why are you asking me?
00:26:55Why are you asking me?
00:26:55Why are you asking me?
00:26:56Why are you asking me?
00:26:56What are you asking me?
00:26:57Why are you asking me?
00:26:57You're a little girl.
00:26:58What do you say?
00:26:59No, Mother.
00:27:00All girls do have to do it.
00:27:03If I have told them,
00:27:04I am asking them to open it.
00:27:06Ah!
00:27:08Ah!
00:27:08You're a little girl.
00:27:09Yes, right?
00:27:10Right, right, right.
00:27:11Right, right.
00:27:11They don't open it.
00:27:13Oh, look, Mother.
00:27:14You have all the time
00:27:15you have to sit here.
00:27:18What are you saying?
00:27:19Why are you saying?
00:27:19Why are you saying their name?
00:27:20When you forget something,
00:27:21you will remember them.
00:27:22I probably forgot my name in my room.
00:27:25Ah!
00:27:29Ah!
00:27:30Ah!
00:27:31Ah!
00:27:34Ah!
00:27:35Ah!
00:27:35Ah!
00:27:35Ah!
00:27:37Ah!
00:27:38Ah!
00:27:42Oh, I have to say goodЦ,
00:27:44Ah!
00:27:44Ah!
00:27:46Ah!
00:27:46Ah!
00:27:46Ah!
00:27:49I will think Hamadальные of them all.
00:27:57Ah!
00:27:58Ah!
00:28:00Ah!
00:28:12S.
00:28:14S.
00:28:22S.
00:28:26S.
00:28:28S.
00:28:29S.
00:28:29S.
00:28:30No, no, I won't go. What are you saying?
00:28:32What are you saying?
00:28:34What are you saying?
00:28:36Wait a minute.
00:28:37What is this?
00:28:39I thought I was going to go to the cycle.
00:28:43I'm going to go to the market,
00:28:44but I'm very old.
00:28:47People have to say something like that.
00:28:49People don't understand something like that.
00:28:52People are standing there.
00:28:53I'll give you a minute.
00:28:54You'll take the time.
00:28:57You'll take the time.
00:28:59You'll take the time.
00:29:01You'll take the time.
00:29:03I'll take the time again.
00:29:05I'll take the time again.
00:29:07Then, only three time again.
00:29:08First time again.
00:29:10Mother, I think you do want me to go anywhere.
00:29:15You have to talk about these things.
00:29:18There are all kinds of things.
00:29:24I would like to tell you what it is.
00:29:26Oh, the people of Rome came here.
00:29:28I just wanted to open it up to you.
00:29:30I would like to open it up to you.
00:29:34What is it? It is a very strange place.
00:29:37Trypti ji, give it a little fashion sense.
00:29:39It has been made modern.
00:29:42It is not like this.
00:29:43It is not like this.
00:29:44It is not like this.
00:29:44It is not like this.
00:29:45It is like this.
00:29:45It is not like this.
00:29:46Then all of the people who are wearing jeans.
00:29:48I don't wear jeans.
00:29:50I don't wear jeans.
00:29:52I wear jeans.
00:29:54I wear jeans.
00:29:55I wear jeans.
00:29:55I wear a jeans.
00:29:56I wear a jeans.
00:29:56Put it under me.
00:29:59Let me wear a dress like this.
00:30:01I don't wear a dress.
00:30:02Oh, you are not going to make me laugh?
00:30:04No.
00:30:05Mr. Sashur Saman and Visail Ji are standing in front of me.
00:30:10How are you using the words of this dress?
00:30:15Does it look good?
00:30:17Does it look good?
00:30:17Does it look good?
00:30:18Does it look good?
00:30:19What?
00:30:19I've told you one time, three-three people.
00:30:22No, no, no, no.
00:30:25I'm not good at all.
00:30:27I'm not good at all.
00:30:28Did you put it in your hands?
00:30:30Oh, this is a child.
00:30:31Oh, OK.
00:30:35Oh, my God.
00:30:36Oh, my God.
00:30:37One minute, two minutes.
00:30:39I'm not going to put it together.
00:30:40I'm not going to put it together.
00:30:42Why do I put it together?
00:30:42I don't have to put it together.
00:30:43When I put it together, put it together.
00:30:46Why do I put it together?
00:30:47I'm not going to put it together.
00:30:49That's my father.
00:30:57I won't say that.
00:30:59I'm not going to put it together.
00:31:01I don't want to let him out.
00:31:03What are the three things I'm not going to play?
00:31:12I think we're playing our Valentine's Day.
00:31:15Why don't you come here?
00:31:17Your teacher is sitting here and your teacher is sitting here.
00:31:22So who is at the home? Who is your teacher?
00:31:31Avinaasri, you are Avinaas?
00:31:32Yes.
00:31:33This is Satyaanash.
00:31:35I am just so happy that you are online shopping.
00:31:39I've been told 10 times that you should do online shopping.
00:31:42Do you need to learn?
00:31:44Do you need to learn?
00:31:45I don't want to do online shopping.
00:31:48At that time, he comes to the OTP.
00:31:50Some people say,
00:31:53I'm giving my OTP.
00:31:56I'm only giving my husband to my OTP.
00:32:05He wants to give him the OTP.
00:32:08I don't give him the OTP.
00:32:17I don't give him the OTP.
00:32:20I don't give him the OTP.
00:32:22I don't give him the OTP.
00:32:23I'll give him the OTP.
00:32:23I don't give him the OTP.
00:32:24I'm giving him the OTP.
00:32:25I'm saying that you are wrong.
00:32:25You're wrong, puppy.
00:32:27I don't have two words in English.
00:32:31The whole world is speaking English.
00:32:33He doesn't even say thank you.
00:32:34He doesn't say thank you.
00:32:36He doesn't say thank you.
00:32:38Why do you say it in English?
00:32:39I don't give him the OTP.
00:32:41I'll give him the OTP.
00:32:43Why do I say it in English?
00:32:45Tell me.
00:32:46What's the OTP?
00:32:48What's the OTP?
00:32:50He's a man named Manta.
00:32:53He's a man named the OTP.
00:32:54He's a man named the OTP.
00:32:56He's a man named the OTP.
00:32:58He's a man named the OTP.
00:33:02OKI-
00:33:14I don't say that hahaka.
00:33:20I just want to see the camera.
00:33:22Why do you want to see the camera?
00:33:24The camera is coming.
00:33:26Is the time of the film?
00:33:27Yes, we have tickets for the film.
00:33:30If you want to watch the film,
00:33:31let's watch the film.
00:33:33Come sit.
00:33:36Come sit.
00:33:38Come sit.
00:33:39Come sit.
00:33:40Come sit.
00:33:43I sit, so my mother will call me.
00:33:45Then she will send me a phone.
00:33:46What are you sending me to my house?
00:33:48Where are you talking about?
00:33:51I'm not thinking about this.
00:33:52I'm not going to do that.
00:33:52I'm not going to do that.
00:33:54Come sit.
00:33:57I'm not going to sit.
00:33:58I'm not going to sit here.
00:34:01You're going to go in the water.
00:34:03You're going to go in the water.
00:34:04You're going to go in the water.
00:34:06You're going to get some wrong.
00:34:07Hello, my brother.
00:34:10You've been sitting in the first motorcycle.
00:34:13There's no doubt.
00:34:15There's no doubt.
00:34:45He's behind!
00:34:46It felt like the light is shining and it's bad when these six people were sitting, Tabu and Piyush and
00:34:54Naseer bhai, Om bhai.
00:34:56When all of these people were in one frame, it was a great deal.
00:35:00Because all of these relations were very old.
00:35:04So they were a little bit of a punch.
00:35:08And they said, look, look, what are you doing?
00:35:11Look, method acting.
00:35:13Method acting.
00:35:14It was a great deal.
00:35:17But what I had to do was that if I had to ask a question, then I would answer.
00:35:25Because at the level of the people who worked there, they didn't feel like Naseer bhai and Om ji, they
00:35:33didn't feel like they didn't get ready.
00:35:34They were having fun at the time.
00:35:36And when the camera was on, their personality was completely shifted.
00:35:40Wow.
00:36:14Thank you, Sir.
00:36:14Oh, please.
00:36:15Enjoy the music.
00:36:27Hello.
00:36:32Come on, man.
00:37:31Wow.
00:37:32Great to have it.
00:37:44Wow. Very beautiful.
00:38:02The heart of me also feels good
00:38:07What has happened to me
00:38:11How much I feel good
00:38:15Wow, wow, wow
00:38:16What have you done?
00:38:21What have you done?
00:38:22What have you done?
00:38:24How much I feel good
00:38:33Wow, wow, wow
00:38:36What a beautiful place
00:38:39What a beautiful place
00:38:42What a beautiful place
00:38:42Wow, what a beautiful place
00:38:48That was a good place
00:38:50Today we have left a topic here
00:38:52Our guest is still there.
00:38:54The point is that the Valentine's Day is okay.
00:38:57One day to celebrate love.
00:38:59Before that, they had 6-7 more days.
00:39:02Rose Day, Hug Day, Teddy Day.
00:39:04This is all necessary.
00:39:05You can give yourself a way.
00:39:07A man has never heard before.
00:39:08Give him a mic.
00:39:12Hello, Kapil sir.
00:39:14My name is Chris Chandar Rahul.
00:39:15I'm Odisha.
00:39:18Thank you very much.
00:39:19I think, sir, Valentine's Day is good.
00:39:24What's the best?
00:39:26Who should you?
00:39:27We should have a good friend.
00:39:28He gave a chocolate day on our girlfriend.
00:39:32He gave a rose day.
00:39:34He gave a teddy day.
00:39:36And the Valentine's Day was a night.
00:39:39The time was zero-zero.
00:39:41At some point I called my girlfriend
00:39:43that I'm going to propose you.
00:39:46I'm telling you,
00:39:47you have to reply in one minute.
00:39:50If you will reply in one minute,
00:39:51then you will reply in one minute.
00:39:52You are playing KBC with him.
00:39:56You have to take the time.
00:40:00What is zero time?
00:40:01It means that at 12 o'clock?
00:40:03Yes sir.
00:40:04After 12 o'clock?
00:40:05Yes sir.
00:40:05At that time, I have to reply to you.
00:40:08At that time, I have to call them.
00:40:10So, they have accepted my reply.
00:40:12Listen, it was a good day.
00:40:13But I had to be sick of my girlfriend.
00:40:18I am going to be a breakup.
00:40:20Now I love her.
00:40:22How did a breakup have happened?
00:40:24No, a breakup.
00:40:31No sir, after 2, 3 years, I have to be a breakup.
00:40:35What has happened to you?
00:40:37My family has had a problem, so it wasn't.
00:40:40Is it now your divorce?
00:40:41Yes, I have to be a divorce.
00:40:44But now I love her and love her too.
00:40:49Sir, I have a request to you.
00:40:51One time, you will give me a sorry to my girlfriend.
00:40:58What have I done?
00:41:04After two children, I will go to my wife and go to my house every day.
00:41:08Now I will tell my girlfriend to the other.
00:41:10This is my work.
00:41:10I will tell my girlfriend.
00:41:11No sir, I will tell my girlfriend.
00:41:14You have a mistake.
00:41:16No, I have a mistake.
00:41:17I have a mistake.
00:41:19I have to stay with me.
00:41:20You are a lot of feelings.
00:41:23If you are living with me, please feel it.
00:41:26No, you will feel it like this.
00:41:31Where are you?
00:41:34Where are you?
00:41:35Where are you?
00:41:37Oh my God.
00:41:39What's going on?
00:41:42Go and slap him.
00:41:43Oh my God.
00:41:46Oh my God.
00:41:48Oh my God.
00:41:49Oh my God.
00:42:00Yes sir, I don't know.
00:42:03I didn't know her.
00:42:04This was her story.
00:42:07They know who he is so killed.
00:42:10That's it?
00:42:30No, no.
00:42:31I have to know who the people who get in the States are from the States.
00:42:36The rest of the rest is okay.
00:42:37Sorry, please.
00:42:38No, no, sorry.
00:42:42Ah!
00:42:44Ah!
00:42:45Ah!
00:42:46Ah!
00:42:47Ah!
00:42:47Ah!
00:43:00See you next time.
00:43:01Don't forget to see your family!
00:43:05Go!
00:43:05See you next time.
00:43:09There is an open door, and a great and intense cat with your family.
00:43:14You're getting a happy family.
00:43:16Don't go to Malaysia.
00:43:18Don't go to the sidewalk.
00:43:19Don't come to the sidewalk.
00:43:21Don't come to the sidewalk.
00:43:22Okay?
00:43:23Be very, very, superb.
00:43:25Thank you, sir.
00:43:30Today, we have kept a discussion today.
00:43:34There are some issues in the society.
00:43:35We have kept a discussion today.
00:43:37So, let's see what's coming out.
00:43:39Let's start the discussion.
00:43:56Welcome to the Tijiks News.
00:44:01Our program, Mudda Garab, is very welcome.
00:44:05Attack!
00:44:07Exactly.
00:44:10This is a news debate.
00:44:12It's the most important thing to say.
00:44:15What are you saying? It doesn't matter.
00:44:19Today's day is Valentine's Day.
00:44:23So, Valentine's Day is nothing but it's Umeed Day.
00:44:27Umeed?
00:44:28Because chocolate, teddy, rose...
00:44:30After small investments,
00:44:32people are in the hopes of heavy returns.
00:44:34They are out of their homes.
00:44:36So, they are in the Umeed Day.
00:44:38Heavy!
00:44:40For this, you are in the Umeed Day.
00:44:42And in the way, you can be able to participate in this.
00:44:43To me, we are in the Umeed Day.
00:44:48For the food and food, I am in the Umeed Day.
00:44:59I am in the Umeed Day.
00:45:04And for the food and food, I am in the Umeed Day.
00:45:31oh
00:45:40Bullshit! Bullshit!
00:45:57Excuse me, I just want to know, who are you?
00:46:12Okay, so can we just start the debate, Mr. Baisi Darinda?
00:46:16Yes.
00:46:17Okay, so can we just start the debate, Mr. Baisi Darinda?
00:46:32One minute, you've done this with Sukhundar Singh.
00:46:35You've come to Jigjit Singh.
00:46:48I don't believe, Milord.
00:46:50You can't love me.
00:46:51How do you do this?
00:46:53If you're so happy, you don't have to open the door.
00:46:55I don't believe, Milord.
00:47:02You can love me.
00:47:03How do you do this?
00:47:04I don't believe, Milord.
00:47:07He can love me.
00:47:09He can love me.
00:47:09He can love me.
00:47:10Otherwise, he can love me.
00:47:13I'm going to tell you, Mr. Sidhu.
00:47:15This man is closed by the bathroom.
00:47:17He can stay 4 kilos outside.
00:47:23Uncle!
00:47:25It's not your topic.
00:47:26Nothing else.
00:47:27Exactly!
00:47:30I'm with the girl.
00:47:32The topic is something else.
00:47:40What would you want to say?
00:47:41Exactly!
00:47:42What would you want to say?
00:47:46I like that.
00:47:52I like that.
00:47:54I like that opinion.
00:47:57Okay.
00:47:59Okay.
00:47:59What do we want to say?
00:48:03Mr. Kapoor?
00:48:13Mr. Kalkar?
00:48:13Mr. Patank?
00:48:14What do you want to say?
00:48:27Oh, my God!
00:48:31I want to say, when I love you, I'm scared.
00:48:36Wow!
00:48:42Let me move on to the next topic, please.
00:48:44Yes!
00:48:47People say that the true love happens once.
00:48:50In the films, we see that the love happens twice or the third time.
00:48:53In the fourth time, the love happens once again.
00:48:54So, how can it happen once again? This is our next topic.
00:48:59To meet you, the love happens once again.
00:49:02The true love happens once again.
00:49:05Because the love happens once again.
00:49:11Oh, my God!
00:49:18Oh, my God!
00:49:22It is rubbish!
00:49:26I'm going to talk to you with me.
00:49:27I'm going to talk to you, it is rubbish!
00:49:29So you're talking about me. What is this?
00:49:32I'm talking about you from there, and I'm talking about you from there.
00:49:38Uncle Ji, I agree with you.
00:49:41Uncle is your mother.
00:49:45For the first time, Uncle Ji's talk was right.
00:49:50Now, if anyone has said anything to me,
00:49:54then I'll send you the last one.
00:50:00I'll send you the last one.
00:50:01I told you that I got a little emotional. I'm sorry.
00:50:05Walu.
00:50:05Sorry.
00:50:06You got emotional?
00:50:07Yes, I got emotional.
00:50:08You can't get emotional.
00:50:09I'll get emotional with you too.
00:50:12Sorry.
00:50:16What's going on in the train?
00:50:29Ti-ki-ti-ti-ti-ki-ti-ki-chi-ki-chi-chi-chi-chi-chi-chi- spark
00:50:34Ha!
00:50:34Whooo!
00:50:37Whoo!
00:50:40Whoo!
00:50:40Whoo-who!
00:50:41Whoo-who!
00:50:42Whoo!
00:50:43Whoo!
00:50:44Huh?
00:50:45Whoo!
00:50:46Ha!oo
00:50:46-ùng. Ha!
00:50:48Cheers!
00:50:52Ha!
00:50:54Ha!
00:50:54Ha!
00:50:58Ha!
00:50:58Ha!
00:50:59Ha!
00:50:59Ha!
00:50:59T improvements!
00:51:08Oh
00:51:26My god
00:51:34Oh
00:52:01Oh
00:52:33Oh
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