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00:28You
00:31Good evening and welcome to the Great Indian Couple Show.
00:41Arjun Ali, people say that the good of money is saying.
00:44Yes, I say.
00:45People say that the good of money is saying and it is true.
00:48There is a film coming out with this film that is called Gandhi Talks.
00:51Yes.
00:51In the film all the artists are Exactly giving money.
01:20How are you saying?
01:25Stop.
01:29You are very happy and happy.
01:31It's very good.
01:40Let's start with the man who says,
01:42we are all women.
01:43How are you saying, man?
01:48No, he didn't spill after, sir.
01:53How is your New Year evening, sir?
01:54Hi, Angraji.
02:00Rahman, sir, one question I have.
02:12No, this movie is about, no dialogues, right?
02:19So I was trying my best not to talk.
02:22Forgive me.
02:52Because Rahman, sir, ask a question for four people.
02:54He will answer them in one sentence.
02:56Of course.
02:57No.
02:57Very good.
02:59You can see.
03:02Rahman, sir, one thing I didn't ask.
03:04God, don't do it.
03:05Sometimes the nature is wrong.
03:06You go to the doctor.
03:07The doctor says, open your mouth.
03:09So you open it or say, give me the scale?
03:16How do I laugh?
03:17All of them are laughing, sir?
03:18I'll tell them what you said.
03:19What do I laugh?
03:19Why do I laugh?
03:19He may be in English.
03:22Why do I say that?
03:25What the fuck do you say in English?
03:35Do you share something?
03:35What the fuck?
03:39I think that Trump doesn't want you to ask you from India.
03:44Hey, hey!
03:46Look, sir.
03:50SubhanAllah.
03:51SubhanAllah.
03:52SubhanAllah.
03:53Baba.
03:53Vijay, sir, do you watch cricket?
03:55No.
03:57But you know Sidhu, sir?
03:59Yes, Sidhu, sir.
04:00Then where did you see them?
04:01In cricket.
04:03Cricket?
04:05No, okay, okay.
04:06Come here, sir.
04:07Please, Virajman.
04:14Aditi, you married.
04:17Why?
04:18Wow.
04:19Congratulations.
04:20Why?
04:24You know, guys, Vijay, sir, is everywhere.
04:27In Tamil movies, in Hindi movies, in OTT, in TV shows.
04:31And finally, you got your final destination.
04:33The great human commissioner, sir.
04:38So now you believe that hard work pays off, sir?
04:41Sometimes not in a good way.
04:44See you.
04:44That's right.
04:45That's right.
04:45That's right.
04:45I think I should not speak English today.
04:48Because I don't know.
04:49I'm a little scared, sir.
04:51My English is in last stage, sir.
05:07So, sir, we are still trying to find out that we are doing what we are doing.
05:15So, sir, we are still trying to find out that we are doing what we are doing.
05:23We are sitting here and he will take a sofa from home from the house.
05:28Yes, sir.
05:29We are sitting here and talking.
05:32And we are sitting here and talking.
05:32Sir, this is just the same life.
05:34It's okay.
05:35And we are spending a lot of money.
05:36And we are spending a lot of money.
05:37Yes, we are spending a lot of money.
05:38And we are spending a lot of money.
05:39Thank you to all.
05:40You should meet everyone.
05:40Yes, absolutely.
06:11Shidhar, is there a scene in your Aditi in the film,
06:14or is there a season for vitamin D?
06:16No, there are many different scenes of vitamin S and vitamin A.
06:22Ah, yeah.
06:23Vitamin Vijay Sethupati, sir.
06:25Oh, wow.
06:26Vitamin Arvind, sir.
06:27Wow.
06:28The combination with these.
06:30And with all these, I got to do the real vitamin D,
06:33it's very good.
06:34Wow.
06:34And that's...
06:36That's why vitamin K.
06:38Hey, what's the vitamin K? What's the K?
06:41Our director Kishore Belekar, sir.
06:44Thank you, sir.
06:46Thank you very much, sir.
06:48Sir, one thing I want to know about you.
06:51I watched a film called Pushpak.
06:54A very cult film, a very beloved film.
06:56Kamala Sam, yes.
06:59Sir, how do you think that I will write such a film
07:02that there will not be dialogue,
07:04and it will be so difficult and challenging.
07:06I will be sure to watch this film.
07:09Yes, it was difficult.
07:11I started writing in 2000.
07:14Why did I start writing in 2000?
07:16No, basically…
07:17Okay, that's it.
07:19Yes.
07:21Because what was it?
07:23When I started writing,
07:25I think the script was completed in 15-20 minutes,
07:29without dialogue,
07:31because I can write it and write it.
07:33Right.
07:33I said,
07:34I will put dialogue here,
07:36it doesn't mean anything,
07:37without dialogue,
07:38it's running out of dialogue.
07:39But,
07:39one device off,
07:41you have to write a story for 2 hours,
07:45and when I wrote it,
07:48I realized,
07:49that the power,
07:50and the money,
07:52there is a lot of noise.
07:54Now,
07:54people who don't have money,
07:56who are honest,
07:57they don't have a voice.
07:59They don't have a voice.
08:00they become a leader,
08:01and I said,
08:03okay,
08:03violence,
08:04power,
08:04hazard,
08:05noise,
08:05noise.
08:08and the people who are faithful,
08:09they don't have a voice.
08:11So,
08:12there is no voice in the film.
08:13Wow.
08:14What a story?
08:15there is a lot of noise in the film.
08:19So,
08:20there is a lot of noise in the film.
08:27there is a lot of noise in the film.
08:35and the point T.
08:37in the film,
08:39you have never become an appearance.
08:41That's how the audio,
08:42and the generational helpers to the film.
08:43Why would they none?
08:48If they know,
08:52but what kind of noise,
08:56my feelings out here,
08:57I will see you.
08:57She could get no empez.
08:58She's come on,
08:59because you are wavingל.
09:00Can you say what to do?
09:04This is back.
09:05She made the claim for the fragment.
09:05by the way we've been asked.
09:05We are gigning for the whole bunch.
09:05See you later on.
09:07But what is the power of ma'am?
09:10She made a dog a dog.
09:18This is power.
09:19This is power.
09:21Ma'am, we do the theater.
09:23Marathi theater.
09:25Mime and silent film are both different.
09:28Absolutely.
09:28Like Kapilbhai said,
09:30If you eat a dog,
09:32we will do it in the morning.
09:34Yes.
09:35You can do it.
09:38Sorry, sorry.
09:40He said that.
09:43But this is the thing.
09:44If Kishore sir
09:45used to explain the scenes,
09:48then it was also
09:49in everyone's mind.
09:51How will it happen?
09:53But Kishore sir used to play music.
09:56Oh.
09:58It's a proxy music.
09:59It's a thought.
10:01Like Vijay sir,
10:02there's a scene in the film.
10:04He's sitting in the next seat.
10:07And I'm doing something in the bus.
10:09So he sees me.
10:10And I said,
10:12If I don't do it,
10:15then I'll do it.
10:16But I said,
10:20Vijay sir has done so much.
10:23Yes.
10:23So,
10:24you know,
10:26the intensity of the character.
10:27So it's so difficult to do a silent film.
10:30Actually.
10:31One person is crying,
10:32and he's listening to you.
10:34But when you hear it,
10:35then what happens?
10:36This is a silent film.
10:37This is Gandhi Docs.
10:39Wow.
10:42Oh.
10:42Vijay sir,
10:43you all know that
10:45whatever the character is doing,
10:46they're going to go out,
10:47so they're going to go out,
10:48so they're going to go out.
10:48So they're going to go out.
10:51If they're going to go out,
10:52then they're going to go out.
10:53I saw Vikram movie.
10:53where you are eating a tablet and you have that strength, like sand.
10:59Siddhu sir was asking, will you get the name of that?
11:03I'm just kidding.
11:06I started this for this.
11:08Because the characters are so gross.
11:11In Maharaja, they are so gross.
11:14They are so gross in the salon.
11:16The director has shaved themselves one day.
11:18I don't know.
11:19Have you gone to film school?
11:21Do you have any formal training?
11:23No, sir, nothing.
11:26I was an accountant there for one and a half years.
11:30Accountant?
11:30Yes, I also heard that you are an accountant.
11:32So you have seen a film star?
11:35I thought that I would become a film star.
11:39If I had seen a film star, I didn't have money.
11:47Because it's been so many years in middle class,
11:49so I want to bring my family up.
11:52And some of my friends, my family, my elder brother,
11:54he keeps telling me that I look good in camera.
11:57Better than in real, I look good in camera.
11:59So I thought, okay.
12:01So I have a ticket.
12:05But how did you get the first break?
12:06I don't know how to say which is my first break.
12:10But my first film as a hero is 2010,
12:13which has won three national awards.
12:15Wow.
12:17So proud of you, sir.
12:22Rahman, sir, when you met Kishore ji the first time,
12:26he said that there is a film in which there is no dialogue.
12:29So you are not confused as a music director,
12:33or as an actor?
12:34Because movies are silent.
12:38If there is no dialogue, it's such a great celebration for music,
12:40because we will have all the real estate to do music.
12:44But I'm also terrified because people will be judging.
12:47Every note will be exposed.
12:48The first director who never came and told me
12:51anything negative about I don't like this,
12:53whatever I would give, he will take.
12:55Whatever I give, even if I play tongue, he says yes.
12:57Very good.
12:59I would like to thanks to Lata ji.
13:01Today, how much I have seen Rahman, sir.
13:06Sir, thank you.
13:10Now, you know,
13:11girls who are especially fit,
13:14they do great dieting.
13:15They are our habits.
13:17They are the first girls.
13:19You will see them always fit.
13:20But this is also a huge shocker.
13:22This is a huge shocker.
13:24You eat from the stomach,
13:25and you eat from the stomach,
13:26they also eat from the stomach,
13:27keep'em on the stomach.
13:28And you put them in the stomach.
13:29What do you say?
13:31They eat from the stomach.
13:31But Aditi,
13:32many people also know or believe
13:34that actually the real wheat of desi wheat
13:37doesn't get quite fat from them.
13:40It is the best.
13:41Yes, it is the best.
13:42So that what has been called this?
13:44Absolutely.
13:45Those of these Fine wheat,
13:46the concept of desi wheat,
13:47when you start the morning from the beginning
13:50you'll become fat.
13:53It's what you eat, early in the morning.
13:54If you eat turmeric and desi and break it in half an hour, then your body gets fat.
14:01If you drink 3 sugar and sugar, then you drink it.
14:04Then you drink it.
14:05Drink it.
14:06Drink it.
14:08We have the best of India.
14:11They are the best.
14:14Look, foreigners follow our yoga.
14:18I'll tell you, one of my friends is from America.
14:21And there are stray dogs, which are parks and different types of genres.
14:27He was standing with me.
14:29So, he saw our Indian dog in the park.
14:32There was so much of a railing in the park, and he went out like this.
14:36He said, your dogs are so flexible.
14:39I said, you are different for dogs.
14:43I said, we are the best of the dogs for dogs.
14:45They are the best of the dogs for dogs.
14:46And if you eat so much, our dogs would never throw the dogs.
14:59I'll tell you, Bija Sir, you've done the first film with Siddharth, right?
15:02Yes.
15:02This is so versatile.
15:04You can see in Marathi films, Hindi films, Tamil films.
15:07It's all in the films.
15:08It gets fit in the language.
15:10It gets fit in every artist.
15:11It's a ginger of actors.
15:12Put it in the tea, and put it in the vegetables.
15:17He's doing so many things.
15:19What else are the banks doing?
15:21What else are the banks doing?
15:23Look, I didn't become an actor.
15:26We will become our police.
15:28That's why we started football and NCC.
15:29But the Intercollegiate, the one-act-place competition,
15:33I got the courage from the theatre.
15:35I got the courage from the theatre.
15:37Because I was struggling with television,
15:39and I was watching Rooks.
15:41And I was standing in the audition.
15:42So, you stay, you stay, you stay.
15:45You?
15:46Yes, you go.
15:48Yes, you go.
16:01You are a bad man.
16:02That's why I was working in the film.
16:03That's why we can't get to it.
16:10gentlemen, we've had the transformation.
16:14Well, I can't buy the exhibition here.
16:16Because the theatre has made us understand the situation.
16:18And I'm just feeling the whole thing,
16:19I'm feeling it.
16:20I feel that, like, I'm feeling it.
16:21So, in the film, we have forced people to get to everything.
16:22Here, I'm feeling it.
16:22I've been making 20 years of this film.
16:23I've only been working on my career for a year.
16:26I really enjoy it.
16:27Congratulations.
16:30Siddhu said that I didn't become an actor,
16:33but he was an actor in the beginning.
16:35Tell me about that.
16:36When he was a salesman,
16:39he was selling a cheese,
16:41he was selling a cheese door-to-door.
16:42Tell me, Siddhu.
16:43We are doing small and small work,
16:45but we are going to go there.
16:47In the streets, there was a scheme.
16:49That he was selling energy drinks.
16:52So now I'm going directly to Archana Ji
16:53and I'm going to go with this.
16:57So they have a strategy.
16:59So we had a health card.
17:02We had a health card.
17:03We came to Kapil Sharma Health Care Center.
17:07So you have a special drink.
17:10This is a special drink.
17:12This is a special drink.
17:13It's a special drink.
17:15So no one's like this.
17:16In the house?
17:17Yes, it's like this.
17:19Okay, okay, okay.
17:20So this is 10 rupees energy drinks.
17:23You take it.
17:23You take it in two days.
17:24So they were taking it.
17:26So I went to the house.
17:28It was like my dad.
17:30My dad was like this.
17:32And he was listening.
17:33I said,
17:34we came to Kapil Sharma Health Care Center.
17:36What is it?
17:37So they all listened.
17:38And the first time,
17:40someone took me to the house.
17:42He said,
17:42he said,
18:12he said,
18:19I love you.
18:24God bless.
18:27Rehman, sir, one thing to tell you.
18:30When you're listening, you're watching,
18:33Rehman, when you come to the industry,
18:35you'll see the same thing.
18:41What do you do for your fitness and what is your diet, sir, generally?
18:45The past ten years I've been awarding sugar
18:48and less rice and all this stuff.
18:50But no sugar means not even once, some gulab jamun, some...
18:54Rehman, sir, has music in his life that's the greatest sweetness
18:57that you can ever get.
19:00Oh.
19:02I think you're very good.
19:04Very generally.
19:05They're sweet, Rehman, sir.
19:08Give me so many compliments, Rehman, sir.
19:10If you get to the house, I'll go to the house.
19:13I'll drop them.
19:14Thank you for the compliments.
19:17No, no, I need to give another song.
19:18She sang one song.
19:21This is being recorded, right?
19:24But maybe you've also made a song with Rehman, right?
19:26You've also made a song with your life, right?
19:28Yes.
19:29How did that happen?
19:30I don't want to know.
19:30You know...
19:31I was scared.
19:33I was scared.
19:34They will also be scared.
19:35Oh, my God.
19:37Give me two lines.
19:38Give me two lines.
19:38Give me two lines.
19:39Give me two lines.
19:39Give me two lines.
19:43Give me two lines.
19:44Give me two lines.
19:52Give me two lines.
19:56Give me two lines.
19:58Give me two lines.
20:01Give me two lines.
20:11Give me two lines.
20:14Give me two lines.
20:14Give me two lines.
20:15Give me two lines.
20:16Give me two lines.
20:17Give me two lines.
20:20Give me two lines.
20:21Give me two lines.
20:22Give me two lines.
20:24Give me two lines.
20:24Give me two lines.
20:25Give me two lines.
20:25Give me two lines.
20:38Wow, Aditi, you are so genuinely very proud of me.
20:43Wow!
20:45Except for the one note, but excuse me.
20:47One note, except for that.
20:50My...
20:50Like, I heard a voice in nervousness.
20:53So, who did you say this is a member of Pandit Bhimsaan Joshi Ji?
20:58No, no, Arshina Ji, I have no tension.
21:00Rahman Sahib has become a voice.
21:22What happened?
21:23Arshina Ji, Alpha, Beta, Gamma, Govinda is his mama.
21:29Alpha, Beta, Gamma, Govinda is my mama.
21:31Alpha, Beta, Gamma, Govinda is my mama.
21:31Over and out.
21:32Today is our last day, Arshina Ji.
21:34Why?
21:35What happened?
21:35Arshina Ji, we will miss you very much.
21:37Huh?
21:38Now, who will you say?
21:39That I have 500-year-old note.
21:41You can't have a bill of 8-year-old bill.
21:43I have a bill of 8-year-old bill.
21:46Arshina Ji, we will miss you very much.
21:48What am I supposed to miss you?
21:49Are you going to miss me?
21:50No, Arshina Ji.
21:52You won't miss me today.
21:54Now I will miss you.
21:55Let us stop!
21:56Shut us, shut us!
22:00Shut us, shut us!
22:01Shut us, shut us!
22:02Shut us, shut us!
22:05Shut us, shut us!
22:19Oh my god, oh my god, oh my god
22:26Oh
22:32My god
22:33Yeah, I don't know
22:37I
22:40Don't know
22:41I don't know
22:47Oh
22:48Oh
22:48Oh
22:49Oh
22:49Oh
22:49Oh
22:49Oh
22:50Oh
22:51Oh
22:52Oh
22:53Oh
22:53Oh
22:53Oh
22:53Oh
22:53Oh
22:54Oh
22:55Oh
22:56Oh
23:00Oh
23:04Oh
23:06Oh
23:07Oh
23:09Oh
23:09Oh
23:09Oh
23:10Oh
23:25Oh
23:28Oh
23:36Oh
23:40Oh
23:40Oh
23:40Oh
23:40Oh
23:40Oh
23:40Oh
23:40Every day we will oppose the whole gaffirah
23:42We will take a look at Hollywood
23:47Vijay Sethupati ji
23:49Hi, Vijay, sir is here
23:50Hi, sir
23:51How are you?
23:52Good, how are you?
23:53Tell me very much
23:54Wow
23:54Sir, the first time I came to this
23:56I was telling you
23:57You are watching me from my eyes
24:01I am not watching you from my eyes
24:04Actually, she is he
24:10Very good, your style is very good
24:12Thank you
24:13But sir, your eyes are shaking
24:14How are you?
24:16Good
24:17You are feeling good
24:18You are feeling good
24:19Sir, the first time I came
24:21So tell me, sir
24:22We will take a look
24:24Hey, what are you doing?
24:25What are you doing?
24:26No, they are acting with your eyes
24:27So I am also acting with your eyes
24:30We will take a look
24:31Or we will take a look
24:32Or we will take a look
24:33Or we will take a look
24:34Oh
24:35Hey
24:35In the juice
24:37You have not seen my straw
24:38Look
24:39Oh
24:40The juice
24:41I am asking you
24:42I will take the juice
24:43No, nothing
24:44Thank you
24:45You will take the juice
24:46Yes
24:46We will take the juice
24:47We will take the juice
24:47We will take the juice
24:51Vijay ji
24:51Yes
24:52You are shocked to drink
24:54Yes, very
24:55I have got a special gift for you
24:57Can I give it to you?
24:58Yes
24:58Yes
25:00Here it is, sir
25:01There is a new restaurant
25:03Yes
25:04So whenever you go there, sir
25:06Take me with you
25:07Yes
25:09Okay
25:09I also love to eat food, sir
25:11I really like it
25:12Okay, okay
25:13Sir, but the generation of today
25:14Is very bad
25:15Why?
25:16They need their food
25:16Gluten-free
25:17Oil-free
25:18Fat-free
25:20Sugar-free
25:21But people like us
25:23Like me
25:23And sir
25:24We need a place in our stomach
25:26There is a place
25:27Absolutely
25:28You need some place
25:28I will make it
25:32Oh
25:34Let take it
25:35I will make it
25:36I will not say that
25:37You will not cry
25:39Before it comes to a samosa
25:46Until you get not, sir
25:48You do this
25:52You will change the fire
25:53You will change the fire
25:54Last time
25:55I went to my house
25:57You married your husband, right?
26:00Why are you crying?
26:02No, I'm crying.
26:04I'm crying.
26:04I'm crying.
26:06Because his husband's name is crying, right?
26:08So, he's thinking,
26:10I'm crying.
26:12I'm crying.
26:12I'm crying.
26:13I'm crying.
26:14Do you think everything like that?
26:15No.
26:17My sister is like Aditya Hydri.
26:19She's a good girl.
26:20She's a good girl.
26:25She's a good girl.
26:25And every sister can see Aditya as a beautiful girl.
26:28My sister is also Aditya, so do you understand?
26:30She's a beautiful girl.
26:31We are thinking about it.
26:41Aditya, I'm a very big fan of yours.
26:43I've seen a man in the Hira mandi yesterday.
26:46And I've seen my husband's hair in the Sabji mandi.
27:13Do you see the connection?
27:15Sir, the order of Netflix is that if the guest doesn't understand the truth, then understand the truth.
27:21I understand, I understand.
27:31Aditi Ji, don't forget about this story.
27:32You're from the house of the house, you're from the house of the house.
27:39You're from the house of the house.
27:41You're from the house.
27:43That's right.
27:44This is also a shame.
27:47Sometimes it's a shame of her.
27:50Sometimes it's a shame of mommy.
27:54What are you talking about?
27:55You're wrong with my head?
27:56You're wrong with my head?
27:56Let's go and leave.
28:01Actually, sir, our farewell is, sir.
28:04Please, if you cut the cake in our farewell, we'll be very happy.
28:21Why do you think this is actually a happy birthday?
28:27Oh!
28:30And you know what?
28:31He wanted to be a human being in his belly.
28:36And you call him in the show.
28:37You're not coming, so where will he be?
28:41Oh!
28:47Oh!
28:48And then he will not have a life.
28:55And then he will not have a man.
29:07Thank you sir, we're going with the police.
29:09Actually no, he's not with the airport, he's taking care of it.
29:12No, no, Imran Hashmi he.
29:14What are you talking about?
29:15Imran Hashmi?
29:16Come on, let's do a little fun with him.
29:18Come on, come on.
29:19Okay, okay.
29:20Come on.
29:25Matty sir, please.
29:27Sir, play a game.
29:28You have a headphone.
29:30The music is playing.
29:31I'll tell you a little dialogue.
29:33I'll tell you my lips moment.
29:35I'll tell you what I'm saying.
29:37Then I'll tell you to tell your artist.
29:39Okay?
29:40Okay.
29:40Okay, let's go.
29:41Let's go.
29:45I've never seen that.
29:47Huh?
29:50Do you tell me that I've never seen it?
29:52I've never seen it.
29:53I've never seen it.
29:59In the market,
30:02he will jump and see the oil,
30:04and turn him into the oil.
30:16You said one more time my eat me jump I got tail date K Trump I got last is the
30:33Trump
30:33I am a jump jump jump okay I am Trump only three words only three
30:55Okay, so let's jump jump
30:59They can take it they can't Trump I am Trump I
31:07Jump jump jump jump jump jump jump jump jump jump jump they care they care
31:21Trump Trump come
31:26Trump
31:31Okay, I am
31:35Stump stump I am stop by
31:39Jump they care stop I
31:54Don't jump jump jump jump they care they care
32:02They care
32:05They care
32:06They care
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