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00:00Chapter 10
00:00Blimey
00:02Blimey
00:04Blimey
00:05Blimey
00:06Blimey
00:07Blimey
00:29I'm worried. I want to get this guy.
00:31Yeah.
00:36Excuse me.
00:38Hey.
00:39Got here as fast as I could. What's going on here?
00:42Brennan, this is Andrea Marshall. She's a friend of mine.
00:44I'm a profiler with the Justice Department.
00:46She's also a psionic.
00:48She was in the mind of one of her subjects who saw this happen.
00:51So then we know who did it.
00:54This looks like the work of the Puzzle Killer, but it's not possible.
00:57Why not?
00:58He's been in a psychiatric prison for the past two years.
01:01Ah, so then it's a copycat.
01:02No, no. The details of the murder spree were never released to the press.
01:07Look, I know it sounds crazy, but...
01:10I have to stop this guy, and at this point I'm up against a wall.
01:15Give us a sec.
01:16Yeah.
01:17Hey.
01:20Brennan, I think we should take her back to sanctuary and see if we can help her.
01:23I don't know about that show.
01:25I trust her.
01:26Okay? She has saved so many people.
01:28Taken so many killers off the streets.
01:31Aren't we in over our head here?
01:33I mean, come on, should we let the cops handle this?
01:35And tell them what?
01:36She's a mutant?
01:38She can see through the eyes of a killer?
01:40Look, she's one of us, and that makes it our problem too.
01:42Let's take the virus ahead.
01:45She takes the virus.
02:07This mares Nhen.
02:11lives. But in many, their genes unexpectedly mutated, and they developed superhuman abilities.
02:49Together, four of the most powerful fight to protect a world that doesn't even know they
02:53exist. They are Mutant X.
03:05Lee Marker's a monster. You don't need to be inside his head to see that.
03:09He's the one they call the puzzle killer, right?
03:11He murdered over 30 women. He left the location of his next murder pinned to his victim.
03:17It was always in the form of a puzzle, taunting the police to stop him.
03:21I was part of the team that took him down two years ago.
03:24She's being modest. She actually led the police right to him.
03:28Almost became one of his victims, though.
03:30Probably not one of my smarter moves.
03:32Okay, well, if this Marker's in lockdown, how is he behind these current murders, then?
03:35Marker has no contact with the outside world. No radio, newspapers, mail.
03:42But these new killings are identical to his, even down to the puzzles.
03:45Well, how does that work?
03:47I'm afraid the killer is tuning into Marker's mind the way someone listens into a radio signal.
03:51You don't think we're dealing with another psychedelic, do you?
03:55Okay, the puzzle he left on the body read, A Stitch in Time. Does that mean anything to you?
03:59No, but I'm sure it does to Marker.
04:02Okay, well, I'll get Jesse to run the mutant database, see if it kicks up anyone who fits that profile.
04:08And if someone is feeding off this Marker, we're gonna find him.
04:13You know, ever since Adam introduced us, you've always been kind of an inspiration to me.
04:18I don't know, I guess I never really thought it was possible for one of us to lead a normal
04:22life, you know?
04:22Shalimar, finding a place in society is more about accepting yourself than looking for them to accept us.
04:32I'd better get back to Marker, see if there's anything I can find out.
04:35I'll come with?
04:36Sure.
04:40Hey.
04:41Hey. I brought company this time.
04:45This is Shalimar Fox.
04:49She's on your cleared list.
04:51Okay.
04:59It's heavy security.
05:01Must be one bad boy.
05:03Wait until you meet him.
05:05All I get are fractured images.
05:08But the horrors I've seen?
05:11Tip of the iceberg of what's really in there.
05:23Andrea.
05:24I could feel you from outside the building.
05:33Don't be rude.
05:35Introduce me to your friend.
05:40Shalimar.
05:41Shalimar.
05:44Sham liar.
05:47What?
05:48An anagram.
05:50There's often truth to the puzzles.
05:54Are you like her?
05:57The others talk and talk.
06:00The others talk and talk.
06:01But she gets inside you.
06:04It's intimate.
06:06She's here to observe.
06:08I'm sure.
06:15There was another one, wasn't there?
06:20If you only knew.
06:27Who's his next victim?
06:28Who's his next victim?
06:40You're doing it, aren't you?
06:41I know.
06:42I can feel it.
06:44Yes.
06:52That's it.
06:58Angela.
06:59I'm okay, Angela.
07:01Did you see?
07:14You sure you're okay to do this?
07:17Someone is gonna die in the next few hours if we don't stop him.
07:20I don't have a choice.
07:22Okay.
07:25All right, just try to relax.
07:26Visualize what you saw on your insiders mind, okay?
07:29All right.
07:35We're good to go here.
07:37You want to talk her through it?
07:38Yeah.
07:40Okay.
07:42I want you to think about the location that he showed you.
07:46Where's the next killing gonna take place?
08:18Hey, I know that. It's the Parrington Bank Tower.
08:22Do you see anything else?
08:26I saw...
08:33Her.
08:39Jess, you got this logged?
08:41Oh, yeah.
08:43Okay, I've got enough.
08:44Andrea, come out.
08:47Andrea.
08:51Okay.
08:53Okay.
08:56Well, the killer's last clue read a stitch in time, so the clock's got to be the time.
09:00It read one o'clock.
09:02The Parrington Bank Tower fits the killer's geographic profile.
09:06All his kills have been within a six-mile radius.
09:09Guys, if he's gonna make his move at one...
09:11We've got less than two hours to stop him.
09:13Okay. I'm gonna get this to Brennan.
09:14I'm going back to the hospital.
09:16No.
09:16I just want to take another look at the surveillance tapes from Mark Russell.
09:19See if there's anything I missed.
09:21I'll be okay.
09:27Let's go.
09:32All right, it's five minutes to one, guys.
09:34And I haven't seen anyone that matches a woman in Andrea's vision.
09:37Yeah, neither have I.
09:39The clock's got poor faces.
09:40We've got a big area to cover.
09:42There's got to be more to it, guys.
09:44We wouldn't be planning on doing it out here in the open.
09:47All right, any luck on the images, Jess?
09:49No, not yet.
09:50But it looks like it's from the south side.
09:52Brennan, that's your quadrant.
10:05Wait, I think I got something.
10:08All right, I got her stitch in time, people.
10:09It's a mobile sewing van in the west parking lot.
10:12We're on our way.
10:23We're too late.
10:28What?
10:29What?
10:42It's a hot bag.
10:44I just missed him.
10:57Oh, thanks.
11:00Here you go.
11:09They're for the headaches.
11:13Is that part of the price you pay for your mutant ability?
11:16Mm.
11:18I always felt the fact I got to use my gift to save lives
11:23made it worthwhile.
11:25But now I feel I'm not even able to do that.
11:27Can't feel that way.
11:29You're doing everything you can, and we're
11:30going to find him, I promise.
11:31But Jesse didn't find anyone on Adam's mutant database.
11:34How do you track down someone as smart and powerful as Marker?
11:38By being smarter and more powerful.
11:39I can't help but feel we're right back where we started.
11:42Well, it's going to be different this time,
11:44because we're going to catch him.
11:45I can't sit around waiting for that to happen.
11:48I'm going to see Marker again.
11:50What?
11:50And connect with him?
11:51Andrea, look at what it's doing to you.
11:52It's not about me, Shalimar.
11:55You know, I've learned a few things about psionics.
11:59When you spend enough time in other people's heads,
12:01you start to take on the problems of the whole world.
12:03You feel everybody's pain.
12:04You feel responsible for everything.
12:06I don't have a martyr complex.
12:08I didn't say you did.
12:10I'm just saying it's an occupational hazard.
12:14OK, let us, let us find him.
12:18Take care of yourself for a change.
12:2942168258.
12:30What is it mean?
12:31What is it mean, what is it mean?
12:34Locker combination.
12:37Security code.
12:38It could be anything.
12:39I know, we're running around in circles here.
12:43You contacted my sources for more background on Marker.
12:47His clues always refer to the location of the next murder.
12:50He used everything from crossword puzzles to biblical passages.
12:52That could be an address?
12:54No, I tried that. I came up with nothing.
12:56You know, there doesn't even seem to be any pattern to the numbers.
13:00Andrea wants to go question Marker again, so I'm gonna go with her.
13:03You found something?
13:04Uh, I've been working the clue from the last killing six ways from Sunday.
13:07I haven't been able to come up with much.
13:08Maybe it's a code, like a cryptogram.
13:11Or an anagram or a palindrome.
13:13The only way to figure it out is to play all the possible games.
13:16Yeah, by that point it would be too late.
13:17We can't even think that.
13:19Yeah, you're right.
13:21All right, Jess.
13:23Come on, man, let's figure out what this means. Come on.
13:25Okay, uh, let me if I transpose the numbers into letters.
13:31Wonderful afternoon for mind games, Andrea.
13:35You sure he's not psionic?
13:36I'd know.
13:43Listen, if you need to do this to clear your conscience, I understand.
13:46And I'll be there for you, but you just get what you need and get out, okay?
13:48Okay.
14:00Tell me, did you see her?
14:02How was it?
14:06Did you find her waiting for you?
14:08Quiet?
14:10Lifeless?
14:13You already know.
14:15You seem to know everything.
14:18Huh?
14:19Everything.
14:20Not yet.
14:21Lif.
14:23Lif.
14:23This is her final session.
14:25Well, in that case, why don't we pull out all the stops?
14:29Fine with me.
14:37How's he doing?
14:38How's he doing it, Lee?
14:39Tell me.
14:41You know.
14:43You can see it.
14:48What?
14:56Andrea.
15:00Andrea, let him go!
15:04Andrea!
15:11Andrea, let him go!
15:13We could have so much fun together.
15:18I don't think you'd like my kind of fun.
15:22See you again, Shalamar.
15:31Please.
15:32I'm okay.
15:35I'm okay.
15:36I'm okay.
15:36I'm okay.
15:37I'm okay.
15:37I'm okay.
15:37What happened?
15:38He was doing something to her.
15:39He opened up more of his mind.
15:41He took me back.
15:42What did you see?
15:45His previous kills.
15:48The thrill he got from their pain.
15:52And what about the next one?
15:53Oh!
15:54Pieces!
15:57But I think I got something.
16:01Hook me up.
16:02Okay.
16:06Now look.
16:07Once I switch this on, I want you to separate the images.
16:11Just give us the ones that are associated with the next murder, okay?
16:14Okay.
16:15Okay, here we go.
16:21Alright.
16:24Okay.
16:26Andrea, where is the next killing going to take place?
16:36Come on, Andrea.
16:37Concentrate.
16:38Anything.
16:39Anything at all.
16:43Come on!
16:45Okay, four, two, one, six, eight, two, five, eight.
16:49What do those numbers mean?
17:12That's it.
17:13That's the location.
17:21It looks like some kind of chemical warehouse.
17:23Medical supplies.
17:24Those green tanks are oxygen.
17:26A man in a city this size, there could be dozens of medical supply devices.
17:30Oh my God, of course.
17:31The number and the killer's last clue.
17:33They're coordinates.
17:34I thought you said you ran an address check already.
17:36Yeah, yeah, yeah.
17:36No, no, look.
17:37Longitude and latitude.
17:39Degrees and minutes.
17:45Wait, wait.
17:46I know that name.
17:47NS Medical Supplies.
17:48Before Marker was arrested, he used to work there.
17:53Maybe our new killer's feeling nostalgic.
17:55Brandon, how long will it take for you and Lexa to get down there?
17:5720 minutes, tops.
17:58You feeling up to coming with us?
17:59No, she's not.
18:01Shalimar, it would really help if we had a visual ID, alright?
18:03Don't worry, I promise.
18:04We'll take care of her.
18:05It'll be okay.
18:07Shalimar, I have to see this thing finished.
18:20I remember the windows.
18:23Smell of ammonia.
18:25This is it.
18:26Hey.
18:28We did your job.
18:29Now let us do ours.
18:32Yeah, stay in the car.
18:33Now if you see anything, use this.
18:35It's keyed to our signal.
18:37We'll be back before you know it.
18:52Looks pretty empty.
18:53What do we do, wait?
18:56No.
18:57Let's keep looking.
19:00For what?
19:01In order to have a murderer, you need a victim.
19:04Brennan.
19:05Brennan, he's close.
19:06Alright.
19:07Keep the doors locked and let us know if you see anything.
19:17We were set up.
19:20Don't breathe.
19:54I told you I'm fine.
19:56Yeah, well, take a deep breath and blow.
19:59Do it.
20:04So what happened in there, anyway?
20:06Played us?
20:07No, it's not possible.
20:08Listen, he knows that you dig around in his head, okay?
20:11All he did was plant the location and then give his partner the heads up.
20:14It doesn't work that way.
20:16Tell that to my black lung.
20:18It doesn't make sense.
20:20The images I get are from the subconscious.
20:22Marker couldn't possibly control them.
20:23Look, I hate to break it to you, but at this point,
20:25I doubt you have a grip on what he's capable of or what he's doing.
20:29So what does that leave us with?
20:31Me.
20:34After all, I am his type, remember?
20:36What's that supposed to mean?
20:37I want to go back to the hospital, and this time I want to talk to Marker alone.
20:41Crazy, he's a homicidal maniac.
20:43Yeah, Jesse's right.
20:44I want this guy as bad as you do, but not like this.
20:47Listen, we need to turn the tables on this guy.
20:50I know how to get under his skin.
20:51Yeah, once he lets his guard down, Andrea can get deeper into his subconscious.
20:55Yeah, but to do that, you're going to have to get up close and personal.
20:59I'm going to need to get into the cell with him.
21:01No, it's not possible.
21:03The warden will never give permission.
21:04Yeah, well, who says we're going to ask him?
21:12You sure you're up for this?
21:14I'm not afraid of him.
21:16I wouldn't give him the pleasure.
21:30You want to watch this guy for me?
21:34You're there.
21:39Ooh, time flies, huh?
21:44Oh.
21:48All there.
21:57Other psycho?
22:00Another day.
22:01Okay, let's go.
22:02Okay, let's go.
22:09Okay, let's go.
22:26Save you the trouble.
22:31Okay, let's go.
22:48Everyone in position?
22:49Heading there now.
23:06I need you to stay clear and mark yourself for 30 more seconds, all right?
23:17Clean video loops almost in place.
23:22I can buy you about four minutes starting now.
23:31Let's go.
23:33I'll be watching Andrea.
23:35Marker tries anything.
23:36Let him try.
23:37He'll be dead before he hits the ground.
23:41Clock is ticking.
23:51Now that is a nice trick.
23:53It's like fast food deliveries.
23:57Now it was time we had to talk.
24:00Just the two of us.
24:03Shall we pretend it's just you and me?
24:06Everything in me wants a piece of this guy.
24:08Get in line.
24:09I knew you'd come back.
24:15You don't know anything about me.
24:17Girls like you, you think you're strong.
24:21But all flesh cut.
24:23Including yours.
24:28Enough games.
24:31You want to impress me?
24:35Tell me who's the next victim.
24:38Why not ask your dirty little friend?
24:40The one who keeps playing peeping Tom in my brain.
24:45Hmm.
24:47I can feel her in me right now.
24:53Andrea, anything?
24:54He's fighting me.
24:56But I'm close.
24:58Shalmart, we're losing time.
25:00Ask him about the partner.
25:03Your partner.
25:06Tried ambushing us at the warehouse.
25:09He failed.
25:12Who is he?
25:14If you don't have the right question,
25:17why should I give you the right answer?
25:19If you weren't such a coward, maybe you'd tell me.
25:23You'd scream like the rest of them.
25:27This whole game would end, wouldn't it?
25:29I am death.
25:30I don't fear it.
25:32How about pain?
25:34Ah!
25:42Jessica, Shalmart, I'll do it now.
25:45Shalmart!
25:59Shalmart!
26:00Andrea, did it work? What did you see?
26:05His next victim.
26:07Who?
26:09It's me.
26:14Clever girl.
26:17Come on.
26:27It's not working.
26:49Oh!
26:52Ah!
26:55Hey.
26:57You okay?
26:59I'm sorry.
27:02That's where I broke off.
27:05Maybe we can try again.
27:10I don't know, I think maybe you need to rest.
27:12Okay, why don't you go lie down in my room for a bit?
27:15Yeah.
27:18Okay.
27:25This is really starting to take a toll on her.
27:29You're the one who knows Andrea best.
27:31You think she's strong enough to continue?
27:33Trust me.
27:34She's not gonna stop until we find this killer.
27:42So did Jess find anything on those last images?
27:45Still trying to figure out which building it is.
27:47Damn.
27:47You know what, I'm getting really tired of being one step behind this killer.
27:50We have a golden opportunity staring us right in the face.
27:52What's that?
27:54The killer chose her.
27:55I say we use Andrea as a decoy to draw him out.
27:58Hey, if you've got a better idea, I'd love to hear it.
28:00Oh, my God, she's gone.
28:02Andrea took off.
28:03Why would she do that?
28:04She knows she's the next tune on Marker's hit parade.
28:06Well, she thinks she's the only one that can stop him.
28:08Look, can you guys check out her place?
28:09I'm gonna start checking out the streets.
28:12That's a big job.
28:12Where do you want to start?
28:13Well, I'm thinking if Andrea's trying to draw out the killer,
28:16then she'll be checking out the same geographic profile as Marker.
28:32Oh.
28:45Andrea, what do you think you're doing?
28:46I couldn't just sit around.
28:49This is my fight.
28:52For some reason, I was drawn to this place.
28:55I think he's in here?
28:59I'm not sure of anything anymore.
29:01I know I'm getting something.
29:04I think it's coming from the top floor.
29:06It might be another clue.
29:09Well, I'm gonna go check it out.
29:11And you?
29:13Just get away from here, okay?
29:15Just go.
29:21Just go.
29:46Just hit that on more.
29:56Just hit the gate at the end of my life.
29:58Just hit that there, doch.
29:59run away from here tonight.
30:08Yep, go.
30:11Come here.
30:12She else you, huh?
30:15What you'll have been a coming shot at.
30:16This step towards Mr. 확인ер.
31:37If you want me, come and get me!
31:46Guys, but...
32:03You've seen better days.
32:06But then again, so have I.
32:07What have you done with Chalamar?
32:11Why ask me when you have all the answers?
32:14Quit playing with me!
32:17How are you doing this?
32:19Tell me what I want to know!
32:24Then come on in.
32:49Nice.
32:52Did you find Andrea?
32:54No, she wasn't at her place.
32:56Anywhere from Chalamar?
32:57Nothing yet.
32:59What are you doing here?
33:00Well, these are the last images that Andrea gave us.
33:03She cut off the connection because it was causing her pain.
33:05But I think I can raise the detail.
33:08See, these images are through the eyes of the killer.
33:11If I can get the resolution high enough,
33:13I'm pretty sure I can get his reflection off of that piece of glass there.
33:16I understand now.
33:19Yes, I believe you do.
33:21Too bad.
33:22I was enjoying our little game.
33:25Don't end it.
33:27You know what you have to do?
33:29What you must do?
33:38Nice.
33:39Raise the resolution a bit.
33:47Oh, it definitely looks like a face.
33:49Can you clean it up a little?
33:58You know what you have to do?
34:21All right, cut.
34:23I had an excellent teacher.
34:34It's Andrea.
34:36She's the killer.
34:38Doesn't make any sense.
34:39Yes, it does.
34:40She spent all that time connected to Marker inside his mind.
34:44He infected her somehow.
34:47Chalamar.
34:55Still nothing from Chalamar's comic.
34:58I hope she's still alive.
35:00She's a feral.
35:01I have to think she's strong enough to defend herself against Andrea.
35:04Yeah, not if she doesn't know what to expect.
35:06You guys aren't going to believe it.
35:07I just got off the video feed from Marker's cell.
35:11He's dead.
35:13What the hell?
35:16Andrea.
35:17Looks like she stabbed him.
35:20Oh, and this is freaky.
35:21She wrote down the next clue and Marker's own handwriting.
35:24What's it say?
35:27Marie Talbot.
35:29That's got to be the clue to the next location.
35:32That's where she's going to kill Chalamar.
35:45Oh, thank God.
35:47Andrea, I have to get out of here.
35:49Just go.
35:49Call the guys to the where I am.
35:51We won't need them.
35:53I'll take care of you.
35:56Andrea.
35:56I've had another vision.
36:00I know who's going to die.
36:06You.
36:18What are you talking about, Andrea?
36:20Andrea?
36:23Doesn't live here anymore.
36:27I don't believe it.
36:29You defied him.
36:30I tried.
36:33I refused to bleed it.
36:36I closed my mind to it.
36:42That was foolish.
36:45You can beat him.
36:47Too late.
36:51I'm not that easy to kill.
36:54Of course you are.
36:56You won't fight me.
36:59You won't even try.
37:01I can be in your mind.
37:18You see?
37:21Help, Liz.
37:27Lots of Talbots.
37:29No, Marie.
37:30Guys, we don't have time for this.
37:31We need to find a location.
37:33Wait.
37:34What if Marie Talbot is our location?
37:37An anagram.
37:39We're running the possibilities.
37:42Okay.
37:43I've got a boat air motel.
37:46No, it doesn't make sense.
37:47A tribal tome.
37:49A meat rib lot.
37:51Elm abattoir.
37:53Abattoir.
37:54Hey, wait.
37:55Wait.
37:56There's a slaughterhouse on Elm Street.
37:58It's been abandoned for a couple years.
37:59Let's go.
38:04Leandria, you don't want to do this.
38:06I know you're in there somewhere.
38:10Leandria Ida was strong.
38:12She would never let her run into a poison like this.
38:18Shalimar?
38:22Help me.
38:34I know you're in there.
38:53It's this way.
38:53I recognize this wall from the image.
38:57It wasn't your fault.
38:59You didn't know what you were doing.
39:01But I do now.
39:04And you want to know something?
39:07I like it.
39:12Shut up.
39:16No, no, no.
39:28You okay?
39:30You need to get Andrew.
39:59See, I told you we could have...
40:01Andrea!
40:02No.
40:07Shalimar?
40:09Get out of here.
40:11Please.
40:12Andrea, it's over.
40:13Just give me the knife.
40:17Get him out of your head.
40:19You can do it.
40:24Give me the knife.
40:28Ah!
40:29Ah!
41:17You okay?
41:21She spent her whole life trying to save people from monsters like Marker.
41:26She ends up becoming one.
41:32Andrea, she just opened up the door.
41:36Marker walked right through it.
41:40Never suspected her for a minute.
41:45Think about it, Shal.
41:47She called you because she knew that you were the only one that could make it stop.
41:56Yeah.
41:57Yeah, well at the moment that doesn't make me feel a whole lot better.
42:02She was an amazing woman and she did a lot of good.
42:06That's gonna be her legacy.
42:11Yeah.
42:12You're like, your love.
42:19You're welcome.
42:21That's not good.
42:29Do you have any questions?
42:31See you.
42:31You're welcome.
42:40Love you.
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