- 23 hours ago
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TVTranscript
00:00Welcome.
00:03Yep, that seems to be good.
00:05There you go. Thank you so much.
00:07Hi, Lola. Have fun.
00:09Alright, welcome.
00:20Here we are.
00:26Ready, three, two, one.
00:30I'll just get Lola settled.
00:32Sure.
00:53Alright, chicken.
00:56I'll just go find you, Dad.
01:05922 York.
01:07933 Church Fenton.
01:09942 Garforth.
01:109.59 Leeds.
01:1310.08 New Pudsey.
01:1510.18 Bradford Interchange.
01:1710.29 Halifax.
01:1910.41 Hebden Bridge.
01:2011.02 Burnley-Manchester Road.
01:2311.12 Appleton.
01:2511.20 Blackburn.
01:2711.40 Preston.
01:2911.49 Kirkham-Russian.
01:3011.57 to 25.
01:33Welcome to this coming.
01:3411.80.
01:5212.50,
01:5212.50.
01:5310.50.
01:53ago she suffered a particularly grisly death the morning of her wedding and she's been roaming this
01:59abbey ever since out for revenge hey hey patient hi hi we should do a gig here oh we should
02:08absolutely
02:08epic if you'll follow me i'll take you to the very spot where a local squire was accused of
02:19devilry and bricked into the abbey wall you can still hear his muffled screams today it's me i'm the
02:28squire um you don't mind it if these guys join do you no sorry everyone had to get that on
02:41the system
02:42you're right all right okay this way now
03:19922 york 933 church fountain 942 garforth 947 new temple gate
03:27and he's no need to see you don't wanna be able to see you
03:31don't you want to see me
03:32thank you
03:32so
03:32so
04:34Hi. Can we help you?
04:36I'm Martin. I'm a colleague of Phil's.
04:39I hope the officer said you would want to speak with me.
04:42Yeah. DS Hunter.
04:44I'll see you in a minute.
04:47So, tell me, how long have you worked?
04:48So, what do we think?
04:49Well, looks like he sustained a traumatic brain injury from a blow to the head.
04:56He would have died within a minute.
04:59Is this the murder weapon?
05:01Yeah, I say so, from its dimensions.
05:04Blood's a bit of a giveaway.
05:14He was a good bloke.
05:16He's great with his kids.
05:19Have you found her? The daughter.
05:22Daughter?
05:23The mother drops her off every Wednesday.
05:24She would have been here.
05:25She's, um, she's autistic.
05:31Right, well, here we are.
05:33Thanks very much.
05:34Hope you had fun.
05:35And either way, thanks for getting me out of the house.
05:38Oh, thank you very much.
05:43Oh, that's a really cool picture with the lights behind you.
05:46Can I have your phone?
05:46Yeah, yeah, yeah.
05:47Oh.
05:55Oh, nice of you.
05:57I look great.
05:59Nothing a filter won't affect.
06:00Right, come on.
06:02I'm freezing.
06:03This place is definitely haunted.
06:05Oh, yeah.
06:06Later, as you two.
06:06See you.
06:07See you, losers.
06:09Thought you were a loser.
06:12I like your friends.
06:15Yeah, they're idiots.
06:18Wish I had what you are sometime.
06:21My friends?
06:23Yeah.
06:24I want to meet them.
06:27Okay.
06:29Oh.
06:30Oh.
06:50Sorry to ruin the evening.
06:52Why don't you do them?
06:56Uh, give me a call later, yeah?
06:58Yeah.
07:00Bye.
07:01Bye.
07:04All right, headphones.
07:05Love a boy not staying.
07:06No.
07:07It's his night off.
07:08Come on.
07:09We need you.
07:17Hey, boss.
07:18We found this in the bin.
07:19It's the wife's phone.
07:20Claire Braxton.
07:21We put a call out, but her car's still parked in the street outside.
07:24So what are we thinking?
07:25What?
07:25She killed her husband and then fled on foot?
07:28We...
07:29Was that her with her daughter?
07:31Yeah, Lola Braxton.
07:32She's 11 years old, autistic, predominantly non-verbal.
07:36We're sweeping the area, but there's no sign of either of them.
07:38We can't assume we're together.
07:40What do you think?
07:42Sorry?
07:43What do I...
07:44What do I think of what?
07:46Well, I thought you might have a hunch where the daughter is, because you're both, you know...
07:49We're both.
07:50Well, you know, you're...
07:53You're autistic.
07:56Well, no.
07:58I mean, we're not all the same.
08:00I don't know what she's thinking.
08:02Yeah, I don't have time for you to get all offended.
08:03I'm just asking for your input, please.
08:11Okay, um...
08:14I guess...
08:15I guess when I was younger, I liked to find small spaces to hide in, so I could feel the
08:20walls around me, but always near my dad, because it felt safer.
08:32So we're looking for an 11-year-old girl, Lola Braxton.
08:35And we think she might be hiding in a small space, so spread out and be thorough.
08:42Lola!
08:43You're in trouble.
08:44Lola?
08:46Are you in here?
08:54Lola?
08:54Lola?
08:55Lola?
08:56Can you hear me?
08:58Lola?
09:01Lola?
09:02Lola?
09:08Lola, you in here, love?
09:13922, I'm in.
09:15943, Judge Hamilton.
09:17942, go forth.
09:19947, New Templegate.
09:22959, Leeds.
09:2410-08, New Pudsey.
09:2510-18, Bedford Interchange.
09:2810-29, New Pudsey.
09:29Hi, Lola.
09:2910-41, Hebden Bridge.
09:3211-08, New Pudsey.
09:33My name is Patience.
09:3411-12, I'm in.
09:35Are you okay?
09:4211-20, Blackburn.
09:4411-40, Preston.
09:4611-49, Kirkham, Wersham.
09:4922-0.
09:50She, uh, may have just witnessed her father's murder.
09:55Poor thing.
09:57She seems to be chanting.
09:59Uh, it's echolalia.
10:02It's a way of self-soothing.
10:04Yeah, communication is a bit of an issue.
10:07There are no other witnesses?
10:09No.
10:09Right now, everyone who's passed through this museum in the last few hours is a suspect.
10:1412-4, Blackburn.
10:17The mum's phone's not given us much and nothing from the house search.
10:21Given the level of risk, I've contacted MPU.
10:23There is an older sister as well.
10:25Um, she works near the station.
10:26In a kebab shop, Diablos.
10:28They're ringing her over now.
10:29No, good.
10:30Get on to local hospitals, stations.
10:32Mum, I spoke to a couple of her friends.
10:34Doesn't look like a domestic.
10:35Apparently things were pretty good between them.
10:37Yeah, but, you know, you don't know what goes on behind closed doors, though.
10:41No.
10:49Jesus.
10:50Both parents gone in one afternoon.
11:02Evie, I'm Detective Inspector Monroe.
11:04Yeah, where's Lola?
11:05Where's my sister?
11:06Have you found my mum?
11:07We're doing everything we can, I promise.
11:09We've got a social worker who's going to come and look after you and Lola at your house
11:12until we find your mum.
11:13Wait, no, I can look after Lola.
11:15I'm 19.
11:16Okay, but with Lola's needs, you still have to be assessed.
11:19Please.
11:20Sit.
11:30Okay, listen.
11:31We need to move fast,
11:33so I'm going to have to ask you some difficult questions, all right?
11:36What do you mean?
11:37How did your mum and dad get on?
11:39Did they argue?
11:40Were there tensions from the house?
11:42What?
11:43I just want you to be totally honest with us, Evie,
11:45because I wouldn't be doing my job properly if I didn't consider all the possibilities.
11:49Oh, so you're saying that my mum killed my dad?
11:51You're joking.
11:53Okay.
11:54You're just ruining things out, Evie.
11:56Can you think of any reason why your mum would disappear?
12:00Well, if you're saying that she ran off,
12:01it's probably because she couldn't handle the stress of Lola anymore.
12:04Did she say that?
12:05No.
12:07No.
12:09But you don't understand.
12:11It's so full on.
12:13She saps mum's time, energy, money, everything she takes.
12:17Everything.
12:18Everything.
12:27Yeah, just wait here, girls.
12:29Are you okay?
12:32Hi, I'm Kirsty.
12:33I'm the social worker.
12:34Hi, Gertie.
12:34I'm Deanna Munro.
12:36Their father was killed today,
12:38and the mother's gone missing.
12:39And the younger one's autistic,
12:40and the older one really doesn't want you to be here,
12:43so that's a tough one.
12:43Okay.
12:44Do you want to get them out of the car?
12:45Yeah.
12:50Hi, Lola.
12:51I'm Kirsty.
12:51I'm the social worker.
12:52Come on, let's get you inside.
12:56Hi.
12:57What's going on?
12:57I'm Deanna Munro, and you are?
12:59Not a family friend.
13:00Is everything all right?
13:03Uh, the girl's father was killed earlier today.
13:06Oh, my God.
13:07Come on, Evie.
13:08How you get.
13:10Oh, Evie.
13:12I am so sorry, love.
13:14Oh.
13:16Oh.
13:17That thing.
13:17I've got to go check on Lola.
13:19Yeah.
13:19Do you live nearby?
13:22Yeah, I'm a neighbour.
13:24Oh, when was the last time you saw the girl's mother?
13:26Claire.
13:28Not for a few days, I think.
13:29Right, well, if you hear anything, let me know, yeah?
13:31Yeah.
13:44So this should be around the time they arrived.
13:49You still don't know where the mum is?
13:53No.
13:55I'm not sure she's coming back.
14:00You think she's dead?
14:04Just doesn't want to be found.
14:09Oh, look.
14:11There, it's them.
14:13Oh, well done.
14:21Billy, can you go back, please?
14:25Yeah.
14:26Just two seconds.
14:32There.
14:33She's wearing a rucksack.
14:36What?
14:37Lola.
14:38The girl, she...
14:40She's wearing a backpack, but when we found her, there wasn't one.
14:44So where's it gone?
14:57So you think the rucksack is still in the museum?
14:59Uh, yes.
15:00The CCTV footage showed Lola entering with it, but when we found her, it wasn't there.
15:04Okay, so what's it look like?
15:06Uh, well, it's orange with black straps, two side pockets, both empty, front pocket also empty,
15:12and it's got a black hat on the front of it.
15:13Okay.
15:14Good work.
15:15Right, we're looking for an orange rucksack with black straps.
15:19Spread out, everybody.
15:21Now, boys, check down there and see if Harry's left this year.
15:29Any luck?
15:30No, Diane and Rose are still checking the workshop, though.
15:33Okay, uh, let's head down there, walk the grid, so to speak.
15:37Yeah.
15:38Um, sorry, actually, DS Winter, if you have a date someone properly, would you introduce
15:47them to your friends?
15:49I think so.
15:50Yeah, why?
15:51Well, it's just that Elliot wants to meet them.
15:55Well, that's a good thing, isn't it?
15:58I don't know.
16:00I mean, why would he, why would he need to meet my friends?
16:03Well, maybe he just wants to get to know you a bit better.
16:10Yeah.
16:12Yeah.
16:13Yeah, I guess so.
16:15Thanks.
16:19Wait a minute.
16:19What do you mean if I ever was to date someone properly?
16:22All right.
17:03There you are.
17:09There's about 300 in there.
17:11And they found traces of marijuana in the rucksack.
17:14The little girl's been used as a drug mule.
17:17Seems like it, yeah.
17:19And have we identified where the bag's from?
17:24Well, as you can see, there's not much to go on.
17:32So what are you thinking?
17:34Father runs into debt, trying to care for his daughter.
17:36So starts selling drugs and then runs into trouble with a rival dealer.
17:42And how's the mother involved?
17:44We just don't know, sir.
17:45And at this point, you know, she could be a victim or a suspect.
17:51All right.
17:57Yeah, I should be with you now.
18:00Let me know if you hear anything.
18:02All right.
18:03All right.
18:04Hi.
18:05Um, I double-checked the archive.
18:07There's nothing on Philip or Claire Braxton.
18:11All right, well, it was a long shot.
18:13Yeah.
18:15What if, um, what if Clyde didn't want to be found?
18:20What do you mean?
18:24Um, well, Evie said that she couldn't handle the stress of raising Lola, and so maybe, maybe that made her
18:33want to disappear.
18:38Well, I think it's much more likely that her disappearance is connected to her husband's murder.
18:46Yeah, it feels like the only one with any answers is Lola.
18:48Yeah.
18:48MUSIC CONTINUES
19:09MUSIC CONTINUES
19:10Hi. Hi.
19:12Erm, sorry, we're looking for Lola.
19:16We've got something for her.
19:18Yeah, OK.
19:25Look at that.
19:28Look at the gold.
19:30That's good.
19:32That's one for the collection, yeah?
19:35Yeah.
19:40Thanks.
19:42That was nice of you.
19:43Yeah, my brother loves chains too.
19:45That's actually one from his collection.
19:48Oh, don't worry, she can keep it.
19:51Billy also collects loyalty cards.
19:53Yeah.
19:53Why?
19:56I guess it's a way of finding bother in the chaos sometimes.
20:00He notices my head is...
20:02I don't know.
20:03I don't know.
20:03I don't know.
20:05922 York.
20:07933 Church Fenton.
20:09942 Garforth.
20:10947 Newton Market.
20:12959 Leeds.
20:14108 New Pudsey.
20:161080 New Pudsey.
20:171080 New Pudseons.
20:181029 Harry Puds.
20:191041 Hefton Bridge.
20:2810yeθved Byrden.
20:2910 ΡΡΠ°Π»ΠΈ Queen's minutes.
20:401075 New Pudsey.
20:401070 New Pudsey.
20:401070 New Pudsey.
20:421070 New Pudsey.
20:491070 New Pudsey.
20:51A load of routine, Phil will call it.
20:53And then where did they go?
20:55The maintenance yard.
20:57She'd get on one of the trains and look out the window like it was a real journey.
21:02Very sweet.
21:03And your door's security, are you?
21:05What does that entail?
21:06Bag checks, mostly.
21:08Staff? Visitors?
21:09Everyone.
21:10So you'd have checked inside Lola's work, sir?
21:13Well, no.
21:16She was a little one and she didn't like to be touched, so...
21:23Okay, right.
21:25God, we're all bloody ear defenders.
21:27God.
21:28Mum would know what to do.
21:31Um, Evie, can I just try something?
21:33No, it's fine, it's fine.
21:35Can I just try?
21:36No, no, I'm okay.
21:37I've got it, it's fine.
21:38Evie, best if we step outside, yeah?
21:46It's okay, I promise.
21:49Okay.
21:58Do you want to join me in here, Lola?
22:04Lola?
22:05Lola.
22:07Lola.
22:08Lola.
22:0857 North in the Files, 12 before Blackpool North.
22:47I like it in here.
22:52You know, when I was younger, I used to hide under my bed.
23:00I still do sometimes.
23:37What are you doing with the foil box?
23:40Um, Lola gave it to me.
23:45She's never given it to anyone before.
23:50Um, it's like a security blanket.
23:54It was, um, it was her mum's idea.
24:01Well, my mum gave me a special box too.
24:25Thank you, Lola.
24:32We know Lola bought the backpack every Wednesday.
24:35Saw her dad for two hours.
24:37Just enough time for him, we assume, to swap the cash for cannabis.
24:41So Philip uses Lola as a drug mule, only this time something goes wrong and they kill him.
24:49Yeah, but why leave a bag of money behind?
24:52Yeah, and how does a missing mum tie into all of this?
24:55Chuck us a kebab.
25:01What do we do?
25:03Christ.
25:05Look.
25:10It's the same.
25:11So the bag used to hold the money came from the adverts.
25:14And who do we know who works there?
25:22So we found the rucksack, Evie.
25:24How long have you been dealing?
25:26No comment.
25:29Did your parents know that you were using your sister to transport drugs?
25:33No comment.
25:34No comment.
25:37Evie, your father has been killed and your mother is missing.
25:41I think the time for no comment has passed.
25:44Yeah, but this is a total joke.
25:46Why are you wasting your time talking to me when you should be out there looking for my mum?
25:49Yeah, we are.
25:51And we need you to help us.
25:54This is a murder investigation.
25:56I'm not with a drug squad.
25:59Talk to me.
26:01How did it work?
26:02So you put the money in the rucksack.
26:04Someone at the museum exchanged it for drugs.
26:06Who was it?
26:11Just a guy I know from school.
26:13And why did you do it?
26:15Diablo's not paying you enough.
26:18I didn't even need that money.
26:19I gave it to my dad.
26:25Okay, so...
26:26You and your dad did this together?
26:31Not at first.
26:34He caught me and I said I'd stop.
26:39We were just in so much debt at the time
26:41and I...
26:43I just said I could help.
26:49Exactly how was he involved?
26:56He arranged for us to use the museum as a drop off point.
27:00Said it was safer that way.
27:03It was only going to be for a bit, just till we got back on our feet.
27:06And where were you selling the drugs?
27:13Evie, your father's been murdered. I think you need to cooperate.
27:18Just like...
27:19Kids at college, kids at class.
27:22It wasn't a big deal.
27:25Okay.
27:27I'm going to hold you for further questioning and then you'll be allowed home pending a court hearing.
27:33Not a court hearing.
27:35The law's the law.
27:37Evie.
27:38You'll be alright. You're a survivor.
27:41I don't know because you don't understand.
27:43I didn't have a choice.
27:44My mum had to give up a job.
27:45I had to give up a uni place because we couldn't afford it.
27:47This isn't my fault.
27:49It's because of all that.
27:51You can't just walk away. Where are you going?
27:53You don't understand. It's not my fault.
28:21Patience, right?
28:23Yeah.
28:24Zinzi.
28:25I work with DCI Baxter.
28:26Yes, I know.
28:28I was hoping to catch you for a chat, actually.
28:30Really?
28:31I would love to include you in some of the work we're doing on the rebrand.
28:34Oh, no.
28:36Well, that's not really my thing.
28:38Don't be silly.
28:39DCI Baxter told me about your autism, which I think is fantastic.
28:44And I think your truth is really valid.
28:46And will resonate with so many people who think that maybe the police isn't for them.
28:49OK.
28:50Well, I'm not actually part of the police.
28:52I work in criminal records.
28:54And I love that.
28:55That is exactly what we're looking for.
28:57Your authenticity.
28:58Your diversity.
29:00And I hope I'm not making you feel uncomfortable here, but you have fantastic hair.
29:05Oh!
29:07You see our Baxter?
29:08Hi.
29:08Sorry, Emilys.
29:09I got stuck in a meeting.
29:10Then the train was delayed.
29:12I sat at Garforth Station for 20 minutes.
29:14Couldn't even find a snack.
29:16Garforth?
29:17Sorry, where did you say the train started from?
29:20Er...
29:20Backpool North.
29:21Why?
29:26Er...
29:26Sorry, you're gonna have to wait a while longer.
29:29Wait!
29:33We've pulled in Evie's school friend.
29:34We're doing a background on him, but so far it's looking like our story's checking out.
29:37And all our punters are a bunch of college stoners, all pretty small-time.
29:40And the money wasn't taken.
29:42You know, I think we can forget the link between the dealer and the murder.
29:46Hi.
29:46Erm, Lola's been trying to tell us something, and that's what this is.
29:51Just give me a sec.
29:56Here we go, York to Blackpool North.
29:59I mean, if there's an answer, it's gotta be in this route.
30:07What?
30:08No, no, no.
30:09There's a...
30:09There's a station missing.
30:10Ola always says, York, Church Fenton, Garforth, New Temple Gate.
30:17York, Church Fenton.
30:20New Temple Gate leads.
30:21Well, there's no New Temple Gate.
30:24Well, maybe it's a disused station.
30:27Yeah.
30:28New Temple Gate.
30:32No, there's no station there.
30:34But if it's a school...
30:40Aye.
30:42It's a specialist school.
30:44Go to the gallery?
30:46Mm-hmm.
30:49That's Lola.
30:54Scroll back.
30:56Hmm?
30:56Yep, scroll, scroll back.
30:59I know that woman.
31:00She's their neighbour.
31:06Lola was at our school until a couple of years ago.
31:09I remember Claire found it pretty tricky at first.
31:13She hoped Lola could be cured.
31:15Um, autism can't be cured.
31:17It's not an illness.
31:19Yep.
31:21Claire came to recognise this.
31:23And finally understood.
31:25And then loved how Lola saw the world.
31:28It's not easy for parents or the children.
31:32And sometimes things break down, but it's rarely a lack of love.
31:38Do you really believe that?
31:41Absolutely.
31:46Tell me about Nadia Ward.
31:49It's quite a sad story, actually.
31:52Her daughter Kelly was in Lola's class.
31:56She had a seizure and died last year.
32:00Nadia had a breakdown.
32:01She blamed the school.
32:03She hustled staff.
32:04What do you mean?
32:06Nadia stalked Kelly's key worker.
32:08She really needed help.
32:10Wait.
32:12Er...
32:13Sorry, I recognise that jacket.
32:26She was at the museum.
32:28The day of the murder.
32:30Jesus.
32:32And I think she was outside the girl's house the other day.
32:35I think that's what Lola saw.
32:37What?
32:38That's what Lola has been trying to tell us.
32:40She's afraid of Nadia Ward.
32:42Crap.
32:43Sorry.
32:45Jane.
32:46We need to get hold of the girl's social worker.
32:48Nadia, their neighbour.
32:50She could be dangerous.
32:51Okay.
32:52We're gonna leave in five, yeah?
33:06Come on.
33:23Come on.
33:25You look so lovely, Kelly.
33:27That's a gorgeous picture of you.
33:30Are you excited for our home, Kelly?
33:33Exciting.
33:35What are you doing?
33:37Where are we?
33:38Oh, a little sleepyhead.
33:39Take a seat.
33:40What have you done to me?
33:41I said...
33:43Sit down.
33:47Would you like some tea?
33:50I'll get some tea.
34:08Lola, it's okay.
34:10Yeah.
34:10Do you want to check round the back a little bit?
34:12Yep.
34:18I'll get some tea.
34:22Blastie?
34:28Evie?
34:31Lola?
34:34The kitchen's clear.
34:35Okay.
34:36What have you got on Nadia?
34:37Check.
34:41There's nothing out back.
34:42Okay, go and check upstairs.
34:43All right.
35:25Jake!
35:26What is it?
35:27Jake!
35:28Oh, shh.
35:30Hey, it's all right.
35:31It's all right.
35:31Come here, come here.
35:33Come here.
35:40Okay, come, come, come, come, come, come, come.
35:50Well, this will make you feel better.
36:06Kelly!
36:09Hey, boss, we got a problem.
36:15There's no sign of the kids and no sign of Nadia because apparently she's never lived on this street
36:19So we've got a mentally unstable woman who has a breakdown when her daughter dies unable to grieve
36:25She transfers her affection to another child and start stalking her
36:29You got no fixed address mom, but she did inherit her mom's country house three years ago. Here's the location
36:34All right, let's go. I don't get it. What's Nadia's plan? She just wanted Lola. Yeah, what's she gonna do
36:40to Evie?
36:41Will, of course back up
37:05Oh
37:10Are you okay?
37:15Are you okay?
37:16Oh my god
37:18Oh my god
37:19Kelly!
37:21Lola
37:22Evie girl
37:29Kelly!
37:32Come on, we've got to go now
37:35Oh
37:36What do we got to go?
37:36No!
37:47Oh!
38:13There you are.
38:14How did you sleep?
38:16Let's go.
38:18Come on, Kelly.
38:19No.
38:21It's Lola.
38:23What?
38:25No, it's not.
38:26It's Kelly.
38:27Come on, Kelly.
38:27Let us go.
38:30Stay back.
38:32I said I didn't know.
38:32Stay back.
38:33Kelly, out of here.
38:35Run.
38:36Get out of here.
38:38Kelly.
38:39Kelly.
38:40Kelly.
38:41Kelly.
39:01Get out.
39:04Get out.
39:06Okay, Nadia.
39:08I'm Detective Frankie Monroe.
39:11Stay away.
39:12Okay.
39:13Okay, I need you to calm down, okay?
39:15I need you to calm right down.
39:16Okay, I'm stepping back.
39:17I'm stepping back, okay?
39:19I'm taking Kelly away.
39:20You can't stop me.
39:22Okay.
39:30Are you all right, Claire?
39:33Okay, I know you're suffering, Nadia.
39:36Hurting Claire is not going to bring your daughter back.
39:38You don't know anything about me!
39:41No, I don't know anything about you, Nadia.
39:43I don't, and I want to know.
39:45I want to talk to you nice and calmly, okay?
39:48But first, I need you to let Claire go, okay?
39:56No, I'm not your daughter.
39:58She don't deserve her.
40:01I can look after her.
40:04I can move her.
40:22Patience is conscious and breathing.
40:42She was constantly hassling us.
40:46We weren't in time with Lola.
40:49And why didn't you report her?
40:53We felt sorry for her.
40:58And we thought we could handle it.
41:01But then, she turned up at the museum.
41:06No!
41:08Eugene, where is she?
41:11Lola, stop!
41:17What have you done?
41:19Oh, Claire, no.
41:21What have you done?
41:22No, no, no, no, no, Nadia.
41:23Bill, turn it.
41:24No!
41:25Bill, Bill.
41:26Bill.
41:27No, no, no.
41:29Bill, they're calling an ambulance.
41:32Oh, shit.
41:34Bill.
41:35No, no, no, no.
41:37Bill.
41:39Bill.
41:40I'm sorry.
41:43I'm sorry.
41:46I'm sorry.
41:49I'm sorry.
41:51Whoa, okay.
41:55Come on.
41:57I'm sorry.
42:01922, York.
42:03933, Church, Venton.
42:05942, Garforth.
42:10Come on.
42:13I'm sorry for everything I put you through.
42:15You must hate me.
42:16No, sweetheart.
42:18No.
42:20Oh, the two are you.
42:24There's nothing you could ever do that would stop me loving you.
42:35Namaste.
42:37No, no, Dad.
42:40Me too.
43:03Anyone fancy some crisps? Or nuts?
43:07Oh, yeah, thank you.
43:11Patients like nuts, but you're allergic to the sesame.
43:15Yes.
43:17Yes, you found out when she was seven.
43:19Eight.
43:20Eight.
43:20Eight.
43:21Yeah, she found out when she was eight.
43:23She found it out at a trampolining party.
43:26Oh, yeah.
43:27Which is when she also found out she doesn't like trampolining.
43:33Right, well, let's not do that then.
43:39So, Billy, Patience says you run her group.
43:42Yeah, yeah.
43:43She joined in 2022.
43:46January 2022.
43:49Which is actually her favourite month.
43:52Partially because snowdrops are her favourite flower.
44:00You know a lot about her, don't you?
44:02Yeah.
44:04Yeah.
44:05I suppose I do.
44:12I'll just go to the toilet.
44:13Yeah.
44:14Okay.
44:16Great.
44:16Yeah.
44:31This is not going well.
44:53Is this weird?
44:54This is weird, isn't it?
44:55Yeah, I think it is a little bit weird.
44:59Yeah, I think she wants us to...
45:03You're all bummed.
45:04Yeah.
45:05Oh, which is fair enough.
45:07Yeah.
45:07You are a best friend.
45:10And I'm...
45:11You're a boyfriend, aren't you?
45:15I mean, I've not exactly done that yet.
45:19But I do really like her.
45:22And she really likes you.
45:26Yeah?
45:27Yeah.
45:32Okie dokie, folks.
45:33Start assembling your teams for the quiz.
45:36Oh, I love a quiz night.
45:38Although I can basically only do music and birds.
45:41You want to do history, art, and like a little bit of sports.
45:46Although to be honest, if you've got patience, we basically...
45:48We do not need to be here at all.
45:53Hey.
45:55Um, I've just signed ourselves up for the quiz.
45:59Oh.
46:00Oh, that's okay.
46:01Yeah.
46:02Yeah.
46:05I, um...
46:07I really like your necklace.
46:11I like it too.
46:15Question one.
46:17Where is the Scarlet Bride set to roam not?
46:24Oh, that's okay.
46:25Oh, that's okay.
46:37Oh, that's okay.
46:38Oh, that's okay.
46:39Oh, that's okay.
46:39Oh, that's okay.
46:39Oh, that's okay.
46:40Oh, that's okay.
46:40Oh, that's okay.
46:41Oh, that's okay.
46:41Oh, that's okay.
46:41Oh, that's okay.
46:41Oh, that's okay.
46:41Oh, that's okay.
46:42Oh, that's okay.
46:43Oh, that's okay.
46:44Oh, that's okay.
46:48Oh, that's okay.
46:48Oh, that's okay.
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