- 23 hours ago
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TVTranscript
00:00The End
00:57Professor Greville?
01:00Are you all right?
01:01I'm fine.
01:03I'm going back to the faculty.
01:06And don't just stand there.
01:08Get back to rehearsal.
01:09You need it.
01:10Like listening to a cat.
01:13Vomiting.
01:52Helen?
01:55Helen?
01:56Oh, my God.
01:57Oh, my God.
01:57Someone help, please.
01:59Someone help.
01:59No!
02:00No!
02:00No!
02:01No!
03:04That was good.
03:07Bye.
03:08Bye.
03:10Hi.
03:11Hello.
03:12You look nice.
03:14You look sweaty.
03:16Yeah, we were proper going for it.
03:19Hey, you're Patience, right?
03:20Yes.
03:21Hello.
03:22Patience Evans.
03:23I love Patience Evans.
03:25This is Violet, Truong and Remy.
03:28Are you coming to a gig on Friday?
03:31Um, I didn't...
03:32I'm not...
03:33It doesn't matter.
03:33It's just...
03:34It's just in a crappy pub.
03:35Oi.
03:36Sorry, are you booking?
03:37True.
03:38Okay, let's shoot.
03:39Have a nice lunch, you two.
03:40Bye.
03:41Bye.
03:41See ya.
03:43Sorry, gigs aren't really my thing.
03:46No, no, no.
03:46Don't worry.
03:47It's fine.
03:49So, uh, lunch.
03:51I wasn't sure what you'd fancy.
03:53But I put us to the place in the shambles.
03:55I...
03:58Oh, you are kidding me.
04:07I'm, uh...
04:08I'm really sorry about this.
04:10We'll, uh, we'll get another time, yeah?
04:13Yeah.
04:14Yeah.
04:15Yeah, bye.
04:16Bye.
04:16Bye.
04:19Ah, Miss Evans.
04:21You're here too.
04:22Come on, then.
04:24Um...
04:26I'm not sure I'm supposed to be...
04:40Well, that's a bust.
04:42Sorry, I dragged you in for nothing.
04:44Oh, nothing?
04:45Yeah, it was an accident.
04:47Clearly the woman tripped, fell and fractured her occiputal bone.
04:51She'd have died the minute she hit the ground.
04:52The minute she hit the ground, are you sure?
04:54Oh, absolutely.
04:56There's a temporal fracture at the base of her skull.
04:59Look, there's, uh, bleeding from her ear.
05:04Mmm...
05:05No.
05:07Sorry?
05:08No, the bleeding wasn't from the fracture.
05:11That must have happened earlier.
05:13What makes you think that?
05:14Oh, look.
05:15The blood on her left hand.
05:18She wouldn't have been able to touch her if she died before the portal.
05:22Oh.
05:25Interesting hypothesis.
05:54Sorry.
05:54I just, um...
05:55I've got to go.
06:00So, what have we got here?
06:02Well, at first glance, one might think it was an accident,
06:07but another convincing possibility
06:11is that the victim was dead before the fall.
06:16Can you think of anyone who might want to hurt Helen?
06:19No.
06:22No, no, everyone might too.
06:25You were both music students, yeah?
06:30Nice place to practice.
06:33A lot of the students rehearse here.
06:37Especially when we've got a big concert or something.
06:43Oh, Vanessa.
06:46I am so sorry.
06:48I would have come sooner if I got stuck at the doctor's.
06:53D.I. Munro, City of York Police.
06:54This is DS Hunter.
06:56You are?
06:57Oh, uh, Bernie Hudson.
07:00I'm Vanessa's pastoral supervisor.
07:02Am I on a visual therapist?
07:06It can be tough on our students.
07:08They work very hard.
07:11Yeah, I guess it's pretty competitive.
07:14Oh, it's not easy on these kids.
07:16You have to really want it.
07:26So, can you access it all here?
07:29Yeah, I get all the rehearsal recording.
07:33That's what you police.
07:37That's where I work, yeah.
07:40Got it.
07:41Here we go.
07:49Oh, yeah.
07:53Uh, uh, stop.
07:55Can you...
07:55Sorry, can you rewind that, please?
07:58Why?
07:58Well, I heard...
07:59I heard some talking under the music.
08:02I don't think so.
08:09Yeah, there.
08:10There, can you isolate that, please?
08:12Well, it's not easy.
08:13There are 42 mics.
08:16I'll give it a go.
08:31It's all right.
08:33I understand you have recordings of the students' organ rehearsals, yeah?
08:36I'm at D.I. Monroe, York City Police.
08:38Yeah, I'm already working on it for your colleague.
08:45What do you think you're doing, Evans?
08:46I just...
08:47I thought I heard something odd on the recording.
08:50How the hell do you hear that?
08:52I mean, I have hyperacusis, so sometimes I can hear things that others can't.
08:57Right, what have you heard?
08:58Oh, this.
08:59Get out, Harry!
09:00Do that again, and I'll kill you!
09:02That's John Grebel.
09:04Vanessa's professor?
09:05Yeah.
09:06Well, he was there.
09:07He was at the rehearsal.
09:09Yeah, it sounds like it.
09:10That means he left the crime scene.
09:13The crime scene?
09:14I thought this was an accident.
09:15Um, I think we need to isolate every one of those mics from that recording.
09:19What, there's more than one?
09:20Yes.
09:2141 more.
09:23Right, well, better get on with it then.
09:33So, do you want to tell me what you're doing here?
09:35Um, yeah, I just, I wanted to help with the case.
09:38How do you even know about the case?
09:39Uh, well, I've just come from there, but I was with Elliot Scott from Forensics when he got the call,
09:44because we were supposed to go out for lunch.
09:46Hang on.
09:47Hang on.
09:48Oh.
09:48Um, get up.
09:49Yeah.
09:50Apparently, this professor's a real piece of work.
09:53Yeah.
09:53So, we're here, yeah.
10:05He's got a hotshot reputation.
10:07Those of his students do really well, but he's also at the center of a bunch of bullying scandals.
10:11Two formal complaints, both of them shelved, and the words, egomaniac, narcissistic, psychopath came up.
10:19Sounds delightful.
10:21Okay.
10:22Good find.
10:23Bring him in.
10:24Yeah, and have a sniff around Helen Merchant's house.
10:27Take Will.
10:28See where you can turn up.
10:29All right.
10:30Will do.
10:43What are you listening to?
10:45Um, I asked for a copy of the rehearsal, because there's something odd.
10:50Yes, a woman died in the middle of it.
10:53No.
10:54No, that's not it.
10:56Okay, what was it then?
10:57What did you hear?
10:59Oi, headphones.
11:02Headphones!
11:07We've had some super exciting ideas.
11:09Not just for the city of York Police, but for you too.
11:12Oh, yeah?
11:13We need to raise your profile online.
11:15Get some clicks and likes.
11:17Get you out there.
11:18I'm not running for office, you know.
11:21No.
11:21Okay.
11:22I mean, the Chief Constable did seem to think it necessary.
11:26What were the recent survey results?
11:28Well, responding to surveys is what police work is all about.
11:33Yeah.
11:33I get you.
11:35It is annoying, isn't it?
11:37Everyone's needing reassurance these days.
11:40How was your meal?
11:41How was your delivery?
11:43But we could use that to your advantage.
11:48What do you mean?
11:49In your case, we're thinking big old rebrand.
11:52We think it would really help if you came across as more approachable and kind.
11:58Fatherly.
12:21I've worked out the vampire number.
12:26Oh, from the code your mum left?
12:28Yeah, from the FANG.
12:30I've got it.
12:32Eight, three, two, one.
12:35Yeah.
12:35Um, but I don't actually understand what it means.
12:40Looks like the old system.
12:42The old system?
12:44Yeah, criminal records.
12:45Before they overhauled the whole thing.
12:47Before your time.
12:48Really?
12:49This is how the cases were numbered.
12:51You think that's an old file number?
12:54Well, that's worth a shot.
12:57Okay.
13:03Maybe I can help?
13:07Yes.
13:09Yes.
13:10Thank you, Mr. Gilmore.
13:12Why did you walk out of Vanessa's rehearsal early?
13:14I wasn't feeling well.
13:15Oh, I'm sorry.
13:16How are you now?
13:17We can get you a glass of water.
13:18I'm fine.
13:18Must have come on quite quick.
13:20You sounded fighting fit when you were threatening Helen.
13:25I have no idea what you're talking about.
13:29It's on the rehearsal tape.
13:32Oh.
13:34I was just telling her to clear off.
13:36I'll say.
13:38Look, the girl's weird.
13:40Let alone a deeply mediocre student.
13:43She was infatuated with Vanessa, always hanging around.
13:49Hello, Professor.
13:51Tell me, how many black keys are there on a piano?
13:54Is it counting you struggle with,
13:56Oh, are you just colour blind?
13:57Thirty-six.
13:58Oh, we've just been at Helen Merchant's,
14:00and it turned out hers had...
14:02Thirty-seven.
14:08Shall we have a look and see what's on this?
14:16Why should I listen to this ham-fisted pedestrian crack?
14:20You're like a toddler having a tantra.
14:22I'm sorry, Professor.
14:23Oh, I'm sorry, Professor.
14:25Pathetic.
14:26Get out.
14:28You're not fit to be on this course.
14:30Get out!
14:32Good teachers.
14:34They can change the world.
14:36What you do is lazy and cruel.
14:42I get results.
14:43Everybody knows that.
14:44By treating them like crap.
14:46By finding their passion and harnessing it.
14:48And yes, it's tough.
14:50But if my students didn't want to work hard,
14:52they'd have done interactive media.
14:54Oh, I don't know, Prof.
14:56I think if someone had this kind of dirt on me,
14:57I'd want to shut them up.
14:58Oh, no, you got me.
15:00Look, all this proves
15:02is that Helen was obsessed with Vanessa.
15:07That's...
15:08Oh.
15:10Parsons.
15:14Oof.
15:15My forensics called during an interview.
15:17That's usually not a good sign.
15:34Right, so now it's not a murder.
15:36Turns out it was a ruptured aneurysm.
15:38That'll be why she fell.
15:39Right, so she had a stroke.
15:40Yes, and it seems rare,
15:42but it seems that the blood in her ear
15:44is actually leakage from the brain.
15:46So no murder, no murderer, I'm afraid.
15:49Oh, bollocks.
16:06This is an index of the old reference numbers
16:09and the corresponding new ones.
16:15Oh, there.
16:16Well, it looks like it's been recategorized
16:20as folder C078469B.
16:24Know where that is?
16:29Sorry.
16:30Any questions?
16:32Any questions?
16:34No, this is an address.
17:03in my mother's handwriting.
17:09Your dad would have done this case.
17:11Your mum must have slept it in
17:13when he brought the notes home.
17:19What do you want to do?
17:21I don't know.
17:22It's...
17:24It's OK if I don't think about it right now.
17:26Yeah.
17:27Yeah.
17:28Absolutely fine.
17:43The number you have called
17:44cannot be reached at this time.
17:46Where are you?
17:47I've been waiting ten minutes.
17:50I'm going inside.
17:57Oh, you're here!
18:01Oh!
18:05Stop!
18:08Please!
18:10Stop!
18:12Stop!
18:12Oh!
18:14Oh!
18:17Oh!
18:18Oh!
18:19Oh!
18:20Oh!
18:21Oh!
18:45ORGAN PLAYS
19:17DO YOU KNOW THERE'S A COATED IN A LAYER OF ACRYLOMISE
19:20AND WHEN IT MIXES WITH THE GASTRIC JUICES IT CAN BECOME TOXIC
19:25Oh yeah?
19:26Yeah, it can produce excessive sweating, affects the whole nervous system
19:32Anyway, um, so can you play the, um, recording at exactly 80505, please?
19:45There!
19:47What?
19:48The interference, can you play it again?
19:54There!
19:57There's nothing there
19:58There is
20:00Well I can't hear anything
20:01I can
20:02I am an audio engineer, but whatever
20:06There!
20:08Oh!
20:11Yes, Hunter?
20:17Someone's happy to see you
20:18What?
20:19But he isn't checking me out, is he?
20:21Um, yeah, Elliot and I went on a date
20:24Oh!
20:26And will there be another one?
20:27Um, no, I don't, I don't think so
20:30Oh, okay
20:30I just
20:33I think I might be a bit boring for him
20:36But you, boring?
20:37Are you joking?
20:38I mean, you surprise me every day
20:41Me?
20:42Yeah, never know what you're about to do
20:45Really?
20:46Yeah
20:46Why don't you show him that side of you
20:49Surprise him
20:50Yeah
20:53Are you sure it's okay that I'm
20:55Oh, yeah, she said you were useful with the recording
20:58So I think it's fine
20:58Just relax
21:01Okay
21:11Heart attack
21:14How do you know?
21:16Well, two degrees and 25 years in forensics helps
21:20But you can tell from the skin and the fingernails
21:23And there's a scar on his chest
21:25Which means he probably had a mechanical aortic valve
21:28Okay, so hang on
21:30Are you seriously not seeing this?
21:33Two deaths in two days in the same place
21:36Both bleeding from the ears
21:37I know
21:38But this one could be explained as well
21:40The bleeding was caused by him falling on the floor
21:43And hitting his head
21:46Er
21:48No, it wasn't
21:50Look
21:55What's that?
21:58Your diagnosis falling apart
22:00Sorry
22:01Well, when someone who's had an accident
22:03Leaves a message
22:04It's not an accident
22:22Vanessa
22:29What are you doing here?
22:32Professor Greville was supposed to give me a lift this morning
22:35So we could go over my rehearsal
22:37But he didn't show
22:40Yeah, I'm afraid I have bad news
22:44Professor Greville died earlier today
22:51What?
22:53Where were you this morning?
22:54And
22:59Waiting
23:01At home
23:02And then
23:03And I came here
23:07Yeah
23:08Let's get her inside
23:10Come on
23:13Into the house
23:13You can
23:13I can
23:14You can
23:14If you go
23:14To accidents
23:14Yeah
23:14And
23:34Oh I don't like that
23:37You can
23:40You can
23:41That
23:41Internet
23:41These are a lot of tapes.
23:43Yeah.
23:44He kept copies of all of his students' concerts.
23:53Taccate a fuga, is that what you were playing when you found Helen?
23:57Yes.
24:03Yeah, what's this?
24:06Oh, it's, um, it's a fermata.
24:10It's when you hold a note beyond its natural duration.
24:14Let it fill the space.
24:25Hi.
24:27Hey.
24:28Hey, Patience.
24:29I found your interference.
24:31I isolate the mic, and guess what?
24:33I can't, I can't guess.
24:35You've not given me any information.
24:38Okay, um, I sent you an audio file, slowed down, cleaned up, enhanced.
24:42And you were right, there is interference.
24:44Yeah.
24:45The recording's not-
24:47Glitches.
24:47And then it resumes.
24:49Does the interference start at 80505 and end at 80511?
24:53Nothing.
24:56How do you know that?
24:57Well, that's the fermata.
24:59Sway.
25:01Your hyperacusis, it's like...
25:03a supermower.
25:05Not always.
25:11Look.
25:12I was right.
25:13His aortic valve.
25:14Yeah, could you not wave that in my face?
25:16I was showing it to you.
25:17So, what of it?
25:18Well, the valve seems to have jammed, causing thrombogenesis, and our friend had a heart attack.
25:22No murder.
25:24What?
25:25Evans doesn't agree with you.
25:28The music killed him.
25:29What does that mean?
25:30I have no idea, but apparently she's had a breakthrough.
25:32No, I don't agree.
25:33Well, she's very, very annoying, but she does have a knack of being right.
25:42Headphones.
25:47God's sake.
25:48Where are you?
25:54What are you doing?
25:55Oh, so, this is an infrasound generator, and it was inside the organ, and it's what killed Helen and the
26:01professor.
26:02What?
26:02Well, so when Vanessa pressed down the organ key, this began emitting a very low-frequency sound.
26:08It was below 20 hertz.
26:10So, hold this.
26:15Okay.
26:19Ready?
26:20Well, I guess, yeah.
26:25See?
26:26Yeah.
26:28Do it again.
26:32That's weird.
26:36So, this was connected to the modified key.
26:39It's an infrasound generator, and it creates infrasonic frequencies, which are, like, inaudible, but very dangerous vibrations.
26:47And they're kind of vibrations that can jam a heart valve, which the professor had.
26:51Or rupture Helen's aneurysm.
26:54So, the murderer used the victim's conditions against them.
26:59Good work.
27:00Now, let's find out who put it there.
27:02Yeah, well, that would have been a valid theory.
27:03However, this is a bit of a snag for you.
27:06Toxicology came through.
27:08Turns out Helen had Lovixil in her system.
27:10It's an antidepressant.
27:11So?
27:13It causes hypertension.
27:14She would not have taken that with an aneurysm.
27:16It's too dangerous.
27:16Well, then Helen didn't know she had an aneurysm.
27:19Yeah, and if she didn't, then neither did the killer.
27:22Bingo.
27:23So, maybe that poor girl was just collateral damage.
27:26Yeah, well, that's a possibility.
27:29So, that would make it one natural death and one murder.
27:34I think we can call it a draw, Miss Evans.
27:40Well, I've got to go and interface with some young business leaders.
27:45Whatever that means.
27:46Well, the worst thing I have meant to see is.
27:58Cause the evil, the blind hand, the dead.
28:03duΕΌIIIIIII
28:04I need to get paid to her, I need to let her.
28:08I love you, I love you, I love you, I love you.
29:03You alright then?
29:12No, I get it, it's all just noise to me too.
29:36I love you.
30:09You feel worthless, scared and you wanted it to stop you.
30:16No, I wanted to protect him.
30:19I knew about the video, I stopped Helen from going public.
30:24I could never have killed him.
30:26I need him.
30:31Without him I'm gonna let everybody down.
30:33That's not true.
30:37You're like a black belt in this now, right?
30:42But to make it you have to be extraordinary.
30:51Transcendent.
30:55You basically have to be Theos or just give up.
30:59What is Theos?
31:02Professor Grebel's favourite student.
31:05The only one he ever really rated.
31:08Theos who?
31:11I don't know.
31:14It was a nickname.
31:17But he always said that whenever they played, he saw the face of God.
31:30It's a concert, so hopefully there'll be an introduction.
31:33Thank you, digital native.
31:35I think I'll take it from here.
31:57Well, no intro, so useless.
32:00So we've got nothing?
32:02No, not nothing.
32:04We know where the concert was.
32:07It's the York Minster.
32:08How do you know that?
32:13Well, my dad used to take me when I was little.
32:17And I recognised the tone.
32:19The organ has 75 stops.
32:22Cool.
32:23Yeah, but it still leaves us with 40 years of concerts to go through though, don't it?
32:35So many concerts.
32:45You gonna answer that?
32:48Yeah.
32:49Sorry.
33:01Hi.
33:02Hi.
33:04Good.
33:05You answered.
33:06Yeah.
33:07Well, you called me.
33:10Listen, I saw you came to my gig and then left.
33:16What happened?
33:17Was the music that bad?
33:17Um, no.
33:23Can we meet?
33:26I'd really like to see you.
33:30I'm not sure.
33:31I'm not sure that's a good idea.
33:34Oh.
33:34Hi.
33:35I need to go.
33:38I must really like you.
33:50Sorry?
33:51Well, if someone walked out of my gig, I don't think I'd be calling them back.
33:56Yeah.
33:57Well, it doesn't, it doesn't matter.
34:01I mean, I'll never be able to do the girlfriend stuff, so.
34:05Girlfriend stuff?
34:07What's that?
34:08You know, like bungee jumping and suddenly running off to Paris.
34:13Yes.
34:14Oh, you have been watching some terrible films.
34:19Has this man actually asked you to do any of this?
34:23No.
34:24Well.
34:26I am no relationship coach by any stretch and I would rather clean out the fridge than do Valentine's,
34:31but I'm pretty sure there is no such thing as a perfect girlfriend.
34:37Yeah.
34:40I just don't know how to be.
34:41Hmm.
34:43Must be you.
34:46Find someone who likes that.
34:49Sounds like you already have.
34:56Hang on.
34:58Doesn't that look like, um, Vanessa's pastoral supervisor?
35:04Bernie.
35:05I didn't know she was a musician.
35:08I mean, that says it's someone called Marie Renton.
35:12Maybe it's a stage name.
35:18And look who she thanks.
35:20Oh.
35:22John Greville.
35:28Why did she fail to mention any of this?
35:36Ma'am?
35:38York means the concert ends in tragic accident.
35:41Bernie fell from the balcony her own recited.
35:43Yeah.
35:44I don't think it was a tragic accident.
35:46I think she jumped to get away from that dick of a professor.
35:49Yeah.
35:49And when that didn't work, she tried to stop the bullying in a different way.
35:51Yeah.
35:52Where was she on the morning of the first murder?
35:54We need the interview notes.
35:55Er, she was at the doctor's.
35:57Hang on.
35:57You want another interview?
35:59No.
36:00I read the transcript.
36:02No.
36:04OK.
36:05Check it out.
36:05On it.
36:06OK, Jake.
36:07I think we've got enough to bring her in.
36:09And I'll see you in the next scene.
36:43so she's not a normal university no but she booked out the minster organ this morning
36:47also vanessa didn't show up for a meeting at the faculty oh christ i won't meet you there
36:59just got off the phone with bernie's doctor she'd been seeing him for pain management
37:02traumatic nerve damage to her hands sustained in an accident 30 years ago yeah so it sounds
37:07like the fall from the balcony ended her career so we have a washed up star jealous of a younger
37:13protΓ©gΓ© we need to get to the minster yeah i meant just dc all right
38:02bernie
38:08i had no idea you played that's about as much as i can manage these days
38:14bernie that was so beautiful i've never heard anyone play like that
38:23i had a good teacher
38:30oh my god
38:34you're theos
38:47magnificent isn't it
38:50i had a recital here
38:53many years ago
38:54how wonderful
38:59minutes before the performance greville ripped my heart out told me i'd never be anything
39:04more than ordinary and i'd never make it
39:08this timing was exquisite
39:12i tried to play but i could barely breathe
39:17everybody was watching
39:20and i knew then that it was over my career
39:27my life
39:52i wanted you to hear this from me
39:56said that he said that he said that you'd understand that he had to be stopped
40:01you killed him
40:04never meant to hurt her
40:09bernie what are you doing
40:27bernie what are you doing here
40:34bernie
40:35bernie
40:35bernie
41:04bernie
41:06Go.
41:24Ernie?
41:28Ernie, put the gun down.
41:31I have to do this.
41:38I have to do this.
41:43I have to do this.
42:12I have to do this.
42:38I told you I'm fine.
42:40It was, it was just a gunshot and no one got hurt.
42:48Still a lot to deal with.
42:50You were in shock.
42:51Yeah, but I'm fine now and...
42:54The Ironman Rose saved that woman.
42:57Yeah, I guess she did.
43:00I just...
43:04I just, I still miss Detective B.
43:10She was on my side.
43:12I was part of her team, but now it was D.I. Monroe.
43:16This might be out there,
43:19but I'm on your side.
43:22And as much as I'd rather they didn't keep dragging you into dangerous situations,
43:27so is most of the crime squad.
43:29I guess so.
43:32And what about this boy and the band?
43:35He's on your side, right?
43:42I think he is.
43:45OK.
43:57Sorry for running away from your gig.
43:59Erm, I mean it's not, it's not that your singing was terrible.
44:03Oh good, yeah, that's what I was going for, not terrible.
44:05Yeah.
44:08Erm, it was just overwhelming.
44:11Yeah, I thought it would be.
44:13Yeah.
44:14Why'd you come?
44:19To surprise you.
44:21I wanted to show you a different side of me.
44:24Why?
44:26I like this side.
44:30I think I see that now.
44:32And by the way, there's only one side of me.
44:34And this is it.
44:37Hang on, erm...
44:39I've got an idea.
44:42Come with me.
44:46You OK?
44:49Come on.
44:55No, Elliot.
44:57This is a club.
45:00Trust me.
45:02Come on.
45:06Come on.
45:20Here.
45:28This is a club.
45:29Come on.
45:29Come on.
45:31Come on!
45:32Come on!
45:32Come on!
45:35Come on, man.
45:37I'm screaming right now.
45:39Can't work out how to be without you.
45:42Come on, I'm screaming right now.
45:43My heart out.
45:44Screaming right now.
45:46I can't work out how to be without you.
45:49Come on.
45:50Let's go!
45:51Ooh, let's go!
45:52There's no magic potion can take away this pain.
45:58Days when I think I'm over you
46:02Come back again
46:05I cried an ocean
46:07Already knowing you don't feel the same
46:11Oh baby
46:12You got me screaming in the dream
46:16Cry my heart out
46:18Dreaming out
46:19I can't look at how to be without you
46:23Cry my heart out
46:25Dreaming out
46:26I can't look at how to be without you
46:56I can't look at how to be without you
46:57I'm still alive
46:57I'm still alive
46:58I'm still alive
46:59I'm still alive
47:00I'm still alive
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