- 2 days ago
A fortune in gems is hidden in one of six chairs, and it's up to the prospective heir to find it.
George Formby - George Withers
Florence Desmond - Florrie
Gus McNaughton - Max
Alastair Sim - A. S. Drayton
Harry Tate - Auctioneer
Enid Stamp-Taylor - Madame Louise
Hal Gordon - Sailor
Tom Payne - Man from Child Welfare
Beatrix Fielden-Kaye - Woman from Child Welfare
Clifford Heatherley - Dr. G. Wilberforce
Binkie Stuart - Binkie
Mae Bacon - Minor role
Harvey Braban - Detective Jones
Ethel Coleridge - Spinster
Syd Crossley - Bus Conductor
Maud Gill - Fannie Tidmarsh
Jimmy Godden - X-Ray Doctor
Mike Johnson - Mr. O'Flaherty
Margaret Moffat - Mrs. O'Flaherty
Frank Perfitt - Bus Inspector
May Whitty - Aunt Georgina Withers
Director - Monty Banks
George Formby - George Withers
Florence Desmond - Florrie
Gus McNaughton - Max
Alastair Sim - A. S. Drayton
Harry Tate - Auctioneer
Enid Stamp-Taylor - Madame Louise
Hal Gordon - Sailor
Tom Payne - Man from Child Welfare
Beatrix Fielden-Kaye - Woman from Child Welfare
Clifford Heatherley - Dr. G. Wilberforce
Binkie Stuart - Binkie
Mae Bacon - Minor role
Harvey Braban - Detective Jones
Ethel Coleridge - Spinster
Syd Crossley - Bus Conductor
Maud Gill - Fannie Tidmarsh
Jimmy Godden - X-Ray Doctor
Mike Johnson - Mr. O'Flaherty
Margaret Moffat - Mrs. O'Flaherty
Frank Perfitt - Bus Inspector
May Whitty - Aunt Georgina Withers
Director - Monty Banks
Category
π₯
Short filmTranscript
00:00:08ΒΆΒΆ
00:00:41ΒΆΒΆ
00:01:08ΒΆΒΆ
00:01:10One minute.
00:01:22Come in.
00:01:25Mr. Drayton, ma'am.
00:01:29Ah, how do you do?
00:01:30Sit down.
00:01:32Nothing in that chair?
00:01:33Oh?
00:01:34Get that one, bring it down.
00:01:37Just as you like, Miss Withers.
00:01:41They both look exactly the same to me.
00:01:43They would.
00:01:44But probably you've never studied jazz.
00:01:47No, no, I...
00:01:47You've never realized their importance in our lives.
00:01:50Well, I...
00:01:51Think of the many happy hours you've spent at the dinner table,
00:01:53at the theatre.
00:01:54Would you have enjoyed them if you hadn't done the chairs?
00:01:56Sit down.
00:01:57No.
00:01:57Chairs.
00:01:59Chairs.
00:02:00The parts they play in our lives.
00:02:02The young man.
00:02:03A sparring to a chair on the board of directors.
00:02:05A seat in parliament.
00:02:07And what do we find on the other side of the Atlantic?
00:02:09America?
00:02:10No.
00:02:12The electric chair.
00:02:14And on this side.
00:02:16England?
00:02:17England?
00:02:17The greatest chair of all.
00:02:19The throne.
00:02:22Yes, yes, quite.
00:02:24Chairs.
00:02:26Chairs.
00:02:27Chairs.
00:02:28Our greatest friends, from the high baby chair days, to this, which in my case will soon
00:02:43be vacant.
00:02:47Oh, no, no.
00:02:47Don't argue.
00:02:48Who's going to die?
00:02:49You or I?
00:02:51Here's my will.
00:02:52Yes.
00:02:54And this letter's to be handed to my nephew, George.
00:02:58But, as your solicitor, oughtn't I to know the contents?
00:03:02Certainly not.
00:03:03That's all.
00:03:05Goodbye.
00:03:06Goodbye, Miss Withers.
00:03:07And I'm so glad to have met you.
00:03:25You may be the black sheep of the family, George, but here's wishing you luck.
00:03:50There's a catch word getting all the craze, it's the ladies' phrase.
00:03:54Everybody says, hold tight, keep your seats, please.
00:03:59On the swing boats, when you ladies go, mind the crowds below, take care what you show,
00:04:04but hold tight, keep your seats, please.
00:04:09Now, what do you think about it, Mike?
00:04:11Do you mean the voice or the banjo?
00:04:14It isn't a banjo, it's a banjo-lelele.
00:04:17Ah, even if it was Henry Hall's band, I wouldn't give you more than fourteen shillings for it.
00:04:22Well, look, couldn't you stretch another six shillings, you see, my room's a pound?
00:04:26Ah, I couldn't sell it for more than fifteen and six.
00:04:29And I've got to get me twenty-five percent profit.
00:04:33Anybody in?
00:04:34Oh, me old Michael Murphy.
00:04:37I've brought you back a parrot.
00:04:38Oop!
00:04:38I told you I would.
00:04:39Holy smoke, it's me sailor friend.
00:04:42Now, when did you get in?
00:04:43Oh, we ducked an hour ago.
00:04:44And what have you got for me this time?
00:04:46Nothing.
00:04:47I want my gold watch out.
00:04:49Ah, yes.
00:04:49Ah, yes.
00:04:50Oh, wait, can't you see I'm busy?
00:04:53Here, Julie, stop scratching.
00:04:55Knock it, knock it, knock it.
00:04:56How much?
00:04:57Have you got your ticket?
00:04:58In me pocket, how much?
00:05:00How much have you got?
00:05:01Five.
00:05:03How much do you want?
00:05:04Ah, how much have you got?
00:05:06Five, ten, fifteen.
00:05:21Well, did you get the rent?
00:05:23I'm sorry.
00:05:24Well, what did you come back here for?
00:05:27Well, I've nowhere to sleep.
00:05:28That's your funeral.
00:05:30Look, I'm all wet.
00:05:31I know you are.
00:05:34Why didn't you give him this letter, Ma?
00:05:36Oh, don't bother me about letters and things.
00:05:38But it may be of importance.
00:05:40It's been all over England after them.
00:05:58Very good.
00:05:59We'll get it.
00:05:59Have a good night.
00:06:00Good for you.
00:06:02We'll be here.
00:06:02I had seven, seven, eight, eight, seven.
00:06:06Have a good night.
00:06:06Good night.
00:06:12Have a good night.
00:06:28Help! Help!
00:06:51Auntie Flory is a man in the air of bed.
00:06:59He's snowy, doesn't he?
00:07:02You're funny.
00:07:04Here!
00:07:06Here!
00:07:09What are you doing in here?
00:07:12Don't throw me out. I'll pay tomorrow. Honest, I will.
00:07:14Get out of here at once.
00:07:17How dare you come into my room?
00:07:21This is my room.
00:07:23It isn't. It was let to me yesterday.
00:07:24Look, there's my bags on the floor.
00:07:26How did you get in? I'd lock the door.
00:07:28Through the window.
00:07:29Then get out through the window and be quick about it.
00:07:31Yes. Well, turn round. Don't look.
00:07:35You and all.
00:07:42Look, this is the wrong shirt.
00:07:47It's yours. Sorry.
00:07:52Go on.
00:08:05You don't know, won't you?
00:08:10I don't see why I should go out through the window.
00:08:13I'm going to see the landlady and have it out with her.
00:08:15Letting me room behind me back.
00:08:18It's preposterous.
00:08:19Wait a minute.
00:08:20Not until I've had my say.
00:08:22I'm entitled to the room and I'm going to keep it.
00:08:24Turn round.
00:08:25You and all.
00:08:27Oh.
00:08:31Come on, darling.
00:08:34You wait here until I get dressed.
00:08:39Hey, what a nice little boy.
00:08:42I'm not a boy. I'm a little girl.
00:08:45Are you? What's your name?
00:08:47Binky.
00:08:47What a nice name.
00:08:49What's your name?
00:08:51Oh, my name's George Withers.
00:08:53What a funny name.
00:08:55Oh, you think it's funny?
00:08:57I shall call you Uncle George.
00:09:00You're going to call me Uncle George?
00:09:01Well, I'm going to be your big, daft uncle.
00:09:04I don't think you're thorough.
00:09:06Don't you?
00:09:09Binky.
00:09:10I'm ready, Mr. Withers.
00:09:11Yes, sure am I.
00:09:15It's the landlady.
00:09:16Don't you think it's funny us being here together?
00:09:18Oh, she'll think it's funny, but she won't laugh.
00:09:20Hurry up.
00:09:21There's a lady and gent here from the Welfare Society.
00:09:24Oh, God, quick.
00:09:30Come on, open the door.
00:09:32There's a lady and gent here from the Welfare Society.
00:09:38Come on, open the door.
00:09:42Is this her?
00:09:43It is.
00:09:43Where is the child?
00:09:44With my sister.
00:09:45Where?
00:09:46Wales.
00:09:47Oh, no, no, I'm sure that's not right.
00:09:48I'm sure she's here somewhere.
00:09:49I'll look around.
00:09:50No, really, she's not.
00:09:51Of course she isn't.
00:09:53I keep telling you I don't take no children in me apartments.
00:09:56Where is she, then?
00:09:57With her aunt.
00:09:58Come, come.
00:09:58You know perfectly well that you are her only relation.
00:10:00What's it got to do with you, anyhow?
00:10:02She's an orphan, and it's our duty to see the chest properly looked after.
00:10:05It's not.
00:10:06I promised my sister before she died that I'd look after her.
00:10:09I won't let her go to the orphanage.
00:10:10Sure that the child's happy, what's it got to do with you, anyhow?
00:10:13How can she be happy?
00:10:15Being dragged from one apartment to another by this girl, who hasn't even enough money to pay the rent.
00:10:21No rent?
00:10:24Please, she's not there, I promise you.
00:10:26I'm sorry, it's my duty.
00:10:27Excuse me, would you one moment?
00:10:32You?
00:10:33Yes, please.
00:10:35I thought as much.
00:10:37Hey, but you don't understand.
00:10:41You've no right to have a child within miles of you.
00:10:43I shall report this to the authorities.
00:10:45I shall have a warrant by this evening, and we shall take the child by force.
00:10:49Come along.
00:10:50But, Mrs, you can't do that.
00:10:52Oh, can't I?
00:10:53It's our duty to see that she's brought up in decent surroundings, not among people like you.
00:10:59That's right. Good morning.
00:11:00What's wrong with me?
00:11:02Now look, I can explain everything.
00:11:04You'll explain nothing.
00:11:06It's bad enough not paying me rent.
00:11:07Now you give me a host a bad reputation.
00:11:09Get out, both of you.
00:11:10Well, not her, please.
00:11:12Get out, both of you.
00:11:13Oh, what's the use?
00:11:14She'd never believe it.
00:11:15Now look at you.
00:11:16Get out.
00:11:17All right, darling.
00:11:18Let me carry it for you.
00:11:19Thanks.
00:11:21Careful.
00:11:23All right, Mickey.
00:11:27Now look, why don't you believe me?
00:11:28Get out.
00:11:29Oh!
00:11:31We've got to follow Grecifield's a chisit next week.
00:11:34That's the worst of being an acrobat.
00:11:36All right, Peter Garbo.
00:11:37Oh, thanks, Mr. Gable.
00:11:39Good morning, Mr. Withers.
00:11:40Lovely morning.
00:11:41Yes, is it?
00:11:42I didn't notice.
00:11:46Oh, Bill, did you do anything about that job for me?
00:11:49Sorry, George.
00:11:49I was just too late.
00:11:50He fixed his ukulele player.
00:11:51What a job it had been for you, George.
00:11:53I was four months at Eastbourne with the finest concert party in England.
00:11:55Think of it.
00:11:57That's all I can do now.
00:12:04Me that's been in the profession all my life.
00:12:07Have you been eating?
00:12:08Eating?
00:12:09No, I haven't.
00:12:10Well, get out, both of you.
00:12:14Oh, George, there's a letter here for you.
00:12:17Looks as if it's been all over England after you.
00:12:20Perhaps it's a contract.
00:12:29Good heavens.
00:12:31Aunt Georgina's dead.
00:12:33Oh, I am sorry.
00:12:38I've got to go for the reading of the will.
00:12:40Was she rich?
00:12:42Rich?
00:12:42Georgina Withers rich?
00:12:44Not the Georgina Withers.
00:12:46The Georgina Withers.
00:12:47Oh, Mr. Withers, this must be an awful shock to you.
00:12:52Come in and have a drop of brandy or something.
00:12:55Do we get something to eat?
00:12:57Pinky.
00:12:59Pinky, darling.
00:13:01Don't be cross.
00:13:02Oh, you needn't have done that, the little darling.
00:13:06Well, look, I'd better be going because they'll expect me at the reading of the will.
00:13:09All right.
00:13:13There.
00:13:14Will you come with me?
00:13:15Me?
00:13:16Well, I don't know anything about these things.
00:13:18What about Pinky?
00:13:19You'll look after her for it, won't you?
00:13:20Sure, I'll look after her.
00:13:22Be a good girl, darling.
00:13:23I won't be long.
00:13:23Bye-bye.
00:13:24Be back soon.
00:13:30Sorry to have kept you waiting, ladies and gentlemen,
00:13:32but your relative, Mr. George Withers, has telephoned to say that he'll be here any moment now.
00:13:44Yes, it's all right.
00:13:45I'm one of the family.
00:13:46Who is he?
00:13:47The black sheep of the family.
00:13:49Acts in a concert party or something.
00:13:51Mr. George Withers?
00:13:53Yes.
00:13:54And you?
00:13:55Well, she's, you see, I woke up and she was in the next breath.
00:14:01Only blood relations are allowed in here.
00:14:03Kindly wait outside.
00:14:04Told you so.
00:14:05Well, will you wait for me?
00:14:07I'll be outside.
00:14:08Well, don't be long.
00:14:09Don't go away now.
00:14:11Disgraceful.
00:14:11Shouldn't be allowed in here.
00:14:14I beg your pardon.
00:14:16Oh, don't mention it.
00:14:17As we're all here, I can proceed to the reading of the last will and testament
00:14:21of the late Georgina Withers.
00:14:24In consideration of the love and devotion displayed by those dear to me during my lifetime,
00:14:29I propose to give each member of my family the opportunity of purchasing a memento of me
00:14:34at the public auction of all my belongings as arranged by my executors.
00:14:38Purchasing?
00:14:39Yes, it means you have to buy one.
00:14:41I wish you'd be quiet.
00:14:44As regards my money and valuables, there are many acts of kindness,
00:14:48particularly during my declining years,
00:14:51make the task of splitting up my fortune an extremely difficult one.
00:14:57I purpose, therefore, to leave my money to, uh, to charities, designated by my exception.
00:15:05Charities?
00:15:06Nice lady, me auntie.
00:15:07I'm glad you think so.
00:15:09That is all.
00:15:10The auction will take place at Philip's auction rooms immediately.
00:15:13Oh, well, I will.
00:15:19You're not thinking of buying anything, are you?
00:15:21Well, my auntie said we had to.
00:15:23Hmm.
00:15:23You look a fool.
00:15:28Your aunt asked me to give you this.
00:15:30For me?
00:15:31Mm-hmm.
00:16:08I'm rich.
00:16:09I'm rich!
00:16:11I'm rich, I'm rich, I'm rich, Mr. Drayton, Mr. Drayton, I'm rich, can't you see, see, I'm rich, Mr. Drayton,
00:16:18oh, I'm going down, Florey, somebody come, somebody stop me, I'm going down, I'll tell Florey, no, I'll surprise her.
00:16:27Any luck?
00:16:28No, she left all her money to charity.
00:16:31Oh, that's too bad.
00:16:32Never mind, something will turn up.
00:16:34Yeah, sooner than you think, oh.
00:16:35What do you mean?
00:16:36Well, they're auctioning all the things off, and you are coming with me.
00:16:39What for?
00:16:39Never mind, never mind, what for?
00:16:41Hurry up.
00:16:43I've been 28 pounds for this beautiful picture.
00:16:46Sorry.
00:16:47Yes.
00:16:48Excuse me.
00:16:49But, George, what's the idea of coming here?
00:16:51Oh, look, you'll never know what you can pick up at these places.
00:16:54Pick up what?
00:16:54Ah, all in good time.
00:16:56Going!
00:16:59Got it.
00:17:00Lot 16.
00:17:02Ladies and gentlemen, lot 16.
00:17:06A beautiful set of dining room chairs.
00:17:09Look at the beautifully upholstered with full skin.
00:17:13Sorry, velour.
00:17:16Now, who'll make me a bit for 10 pounds?
00:17:189.10.
00:17:2010 pounds.
00:17:2210 pounds.
00:17:22Any advance on 10 pounds?
00:17:2411.
00:17:2511 pounds, 11 pounds.
00:17:28Any advance on 11 pounds?
00:17:3012.
00:17:3112 pounds, please.
00:17:3312 pounds, any advance on 12 pounds?
00:17:35Mr. 13.
00:17:38He must have been there.
00:17:39He must have been there himself.
00:17:4114.
00:17:4114 pounds, please.
00:17:43Any advance on 14 pounds?
00:17:4515.
00:17:4815 pounds, please.
00:17:4916.
00:17:5116 pounds, please.
00:17:53Any advance on 16 pounds?
00:17:56I found it slipped.
00:17:57Now, I'm not going to waste any more time.
00:17:5916.
00:18:00Going.
00:18:02Going.
00:18:04Going.
00:18:07Gone.
00:18:08We've got them.
00:18:09They're hours.
00:18:11Now, sir, will you kindly go to the desk and pay?
00:18:14Yes, when I've got the chairs.
00:18:17You'll pay now.
00:18:18We don't deliver chairs without payment.
00:18:21But I haven't got any money now.
00:18:22Do you think we're giving you chairs without payment, without security, without anything?
00:18:27Yes, that's right.
00:18:28Go on, get out.
00:18:30But Miss Withers was my auntie.
00:18:32I suppose you can't think of your uncle, can you?
00:18:34You don't understand that I've got a letter to say that she left the chairs to me.
00:18:37Hurry it now, go on.
00:18:38We'll earn jobs.
00:18:39No, it's not just a joke.
00:18:41You'll only look down and you'll find out for yourself.
00:18:43My auntie says they've had to buy the chairs.
00:18:46Get out.
00:18:47Get out.
00:18:48Get out.
00:18:49Get out.
00:18:49Get out.
00:18:50Get out.
00:18:52Get out.
00:18:53Get out.
00:18:53Get out.
00:18:55Did they hurt you?
00:18:56I'll show them.
00:19:00Don't do it again.
00:19:03Why did you make all that fuss about those chairs?
00:19:05Because the chairs belong to me.
00:19:06Read that.
00:19:10Why didn't you tell me this before?
00:19:12I wanted to surprise you.
00:19:14We must do something quickly.
00:19:15Yes, but what can we do?
00:19:18I'll go in there and hold up the auction while you try and raise the money.
00:19:20Yes, but where can I get the money from?
00:19:23I know.
00:19:24What about that lawyer?
00:19:27He'll have plenty of money.
00:19:28I'll get it off him.
00:19:29Show him the letter, too.
00:19:30Go on, George.
00:19:30Quick.
00:19:33It's only me.
00:19:35Come along, ladies and gentlemen.
00:19:37Make me a bid for the set.
00:19:40Very well.
00:19:41I'll have to break the set up.
00:19:42No, no.
00:19:43Please, you can't.
00:19:44My friend's gone off to get the money.
00:19:46I should say so.
00:19:48But they're his.
00:19:48His aunt left them to him.
00:19:49If she left them to him, what are they doing here for sale?
00:19:52But it's all explained in the letter.
00:19:54Let me see the letter.
00:19:55He's gone off with it to get the money.
00:19:57You go away.
00:19:58Will you shut up?
00:19:59Do you want me to throw you out?
00:20:01Oh, make me a bid for one single share.
00:20:03Give me a bid.
00:20:04Tent shillings.
00:20:05Tent shillings bid.
00:20:06Any advance on ten shillings?
00:20:08Fifteen shillings.
00:20:09Fifteen shillings.
00:20:10Any advance on going?
00:20:12Going.
00:20:12Going.
00:20:13Oh, we'll have to stop this.
00:20:19Wine.
00:20:21The war I'll go around me.
00:20:25Will you stop this confoundly row?
00:20:27What's the matter?
00:20:28What's the matter?
00:20:28You want to fight?
00:20:29No, we don't want to fight.
00:20:30No fight.
00:20:30All right.
00:20:31I want that chair for auction.
00:20:33How much?
00:20:33If you want a bid, come into the auction room.
00:20:35No, I'm too tired.
00:20:36I'll sit here.
00:20:44In the course of the day you are checking deeds and legal documents,
00:20:47you have to use it for until a pencil some 500 times.
00:20:50Each change takes exactly five seconds, but with this pencil, instantaneous.
00:20:54You therefore save three quarters of an hour.
00:20:56Think of that, Mr. Drayton.
00:20:57Three quarters of an hour.
00:21:00Oh, Mr. Drayton.
00:21:01Mr. Drayton.
00:21:03Look, you must lend me some money.
00:21:05What for?
00:21:06Well, me auntie's left me a fortune in the chairs and I've won't no money to buy it.
00:21:11Not today, thank you.
00:21:12But, Mr. Drayton.
00:21:13Can't you see I'm busy?
00:21:14Then you'll need one of my pencils.
00:21:15Get out.
00:21:16Look, hurry up, Mr. Drayton, to teach.
00:21:18All right, all right.
00:21:19She wrought it herself.
00:21:20Patience.
00:21:26So that's where she put her fortune.
00:21:28Yes, there.
00:21:30Well, congratulations, my dear boy.
00:21:32Thanks, but I haven't got the money to buy the chairs.
00:21:34No, you haven't got the money.
00:21:36Yes, Mr. Drayton.
00:21:39I told you to get out.
00:21:41Out.
00:21:41The same as usual.
00:21:46I'm afraid it's too late now.
00:21:48Why?
00:21:48Well, you see, the chairs are the legal property of the people who bought them.
00:21:52No, but she's holding up the sale.
00:21:54Look, I only want to borrow the money.
00:21:56I'm sorry, my dear boy, but you know, that would be impossible in my legal position.
00:22:00Where's my letter?
00:22:02Ah, will this burn my letter?
00:22:04You're careless of me.
00:22:05Oh, there, there, never mind.
00:22:06If you want any evidence, you can always come to me.
00:22:09No, but look, I've got to have this money.
00:22:11No, no, you must excuse me.
00:22:13You'll have a very important engagement.
00:22:14Do you mind?
00:22:15Well, what about the fortune?
00:22:16What have I to do?
00:22:16I'll do everything I can.
00:22:18But it'll be too late, then.
00:22:19Trust me.
00:22:25Did you give me the money?
00:22:27No.
00:22:27Oh, how much did you want to leave in the chairs?
00:22:30And thousands, I don't know, thousands.
00:22:32Let me see the letter.
00:22:33He dropped it in the fire.
00:22:35Dropped is good.
00:22:36Oh, boy.
00:22:37A lucky day for you when you met me.
00:22:39What, you mean you'll?
00:22:40Certainly I will.
00:22:41Always helping friends in distress.
00:22:42That's me all over.
00:22:43You'll lend me the money to buy the chairs?
00:22:45Of course.
00:22:46Oh, what a boy.
00:22:47Well, providing you make it a business proposition.
00:22:50How do you mean?
00:22:51Ten percent of the profits.
00:22:52Ten percent?
00:22:54No.
00:22:55Make it 15.
00:22:56Well, if you insist, it's a deal.
00:22:59Come on.
00:23:00Yes, actually, it's old enough the option.
00:23:02Get me Phillips auction rooms.
00:23:05Urgent.
00:23:05All right, madam.
00:23:07Anyone you like, they're all the same.
00:23:10I'll have this one.
00:23:18You would.
00:23:19It's the hardest one of the lot.
00:23:20Oh, never mind.
00:23:20I like it best.
00:23:22This one, madam?
00:23:23Yes, thank you.
00:23:24Name, please.
00:23:26Miss Manny Tidmarsh.
00:23:27The Elms.
00:23:28Bread.
00:23:29Only three left.
00:23:31Who'll make me a bid?
00:23:33Please, don't sell any more.
00:23:34Please.
00:23:35Will you go away?
00:23:36Go home and tell your mother.
00:23:39I hate the sight of you.
00:23:41Come on, the last three.
00:23:43Who'll make a bid?
00:23:45I'll take the lot.
00:23:46Take the lot.
00:23:46What's the offer?
00:23:48A pound each.
00:23:49A pound each.
00:23:50Three pounds for free chair.
00:23:53Any advance on the three pounds?
00:23:55He'll be back in a minute.
00:23:56I know he will.
00:23:58See what you've done.
00:24:00Any advance on three pounds?
00:24:03Three pounds.
00:24:05Three pounds.
00:24:05Go in.
00:24:06Go in.
00:24:07Go in.
00:24:07Go in.
00:24:08See what you've done.
00:24:10I've got to get another bundle.
00:24:13Three pounds.
00:24:15Go in.
00:24:15Three pounds.
00:24:16Any bit above.
00:24:17Three pounds.
00:24:18Go in.
00:24:19Go in.
00:24:21Go in.
00:24:21Go in.
00:24:22Go in.
00:24:23Leave these.
00:24:23Laraschina.
00:24:25King's the other.
00:24:29Lot 17.
00:24:31Hello.
00:24:33Just a moment, sir.
00:24:34Mr. Brayton.
00:24:37Hello.
00:24:38Mr. Brayton.
00:24:40Oh, yes.
00:24:41The chairs.
00:24:42I'm afraid they're all sold.
00:24:46Mr. Bedesys.
00:24:47Suddenly.
00:24:51Well, where is this option room?
00:24:53It's over here.
00:24:54Over here.
00:24:54Where are you?
00:24:55Right here.
00:24:56Where is it?
00:24:56It's here.
00:24:56Look, hey.
00:24:59George.
00:25:00What's the matter?
00:25:01We're too late.
00:25:02They've all been sold.
00:25:03What?
00:25:03Yes.
00:25:04They broke up the set and sold them individually.
00:25:06Have you got the addresses?
00:25:06Yes.
00:25:07Right.
00:25:08Now, you leave this to Max.
00:25:09I'll phone these people, make a deal, and we'll call around and collect.
00:25:12Wait for me.
00:25:13Who's that?
00:25:14Max.
00:25:15He's going to lend us the money to buy the chairs.
00:25:18Are you sure?
00:25:19Yes, he said so.
00:25:20He's only taking 15% and we're getting the money.
00:25:23Whose money?
00:25:24Our money.
00:25:32Everything all right?
00:25:33No, someone's beating us to it.
00:25:35Do you know why I wouldn't mind betting at that solicitor?
00:25:37No.
00:25:37Do you realize that once he's bought those chairs, everything inside is his property?
00:25:41Is it?
00:25:42Now, somehow we've got to get those chairs.
00:25:44Steal them, as I said, before he arrives to collect.
00:25:46He steals?
00:25:47Oh, you don't have to worry.
00:25:48I'll do all the dirty work.
00:25:49I'll take all the risks.
00:25:50I'll even go to prison, if necessary.
00:25:52Prison?
00:25:53Hmm.
00:25:54Very good, isn't it?
00:25:54Oh, that's the kind of fellow I am.
00:25:56I don't mind what risk I take, as long as it's worthwhile.
00:25:59Really?
00:25:59Yeah, but this isn't worthwhile.
00:26:01How do you mean?
00:26:02Well, not under 20%.
00:26:0420%?
00:26:05Hmm.
00:26:05Well, that's all right, isn't it?
00:26:07It's settled?
00:26:07Yes.
00:26:08Right.
00:26:09You coming?
00:26:09No.
00:26:10I have to get back to my baby.
00:26:11Hmm?
00:26:12Nice.
00:26:13Good.
00:26:14How do you mean, good?
00:26:15You can have too many on a job like this.
00:26:17Good luck, George.
00:26:19Don't worry.
00:26:19I'll be a millionaire before tonight, sir.
00:26:21It's pinkie for me.
00:26:22Come on, come on, come on.
00:26:24Well, what's your worry?
00:26:25Where are we going?
00:26:25Where are we going?
00:26:26Don't you want the money?
00:26:27Of course we're going.
00:26:27Well, that's it.
00:26:28Here we are.
00:26:28The first on the list.
00:26:29Madame Louise, Riverside, Mansions, Chelsea.
00:26:31That's it.
00:26:32Come along.
00:26:35Louise!
00:26:36Louise!
00:26:37Well, what is it now?
00:26:39My umbrella.
00:26:40What?
00:26:41I can't find a darn thing in this house.
00:26:43Where's the maid?
00:26:44Where is she?
00:26:45She's gone, of course.
00:26:46I can't keep a servant for two minutes
00:26:47for your beastly, jealous temper.
00:26:49Jealous temper?
00:26:50Why, every time I come home unexpectedly,
00:26:52I find you giving radio lessons.
00:26:54Well, if you don't like it,
00:26:55why do you come home unexpectedly?
00:26:57Oh, I don't know.
00:26:58What is it now?
00:27:00Yes?
00:27:01I've been ordered to leave this here
00:27:02for Madame Louise, ma'am.
00:27:03Oh, just put it down there, will you?
00:27:08Who said this?
00:27:10Memory of many happy hours.
00:27:13Your pupil, Jim.
00:27:15Well, don't make such a fuss.
00:27:17I'm probably going to sell it.
00:27:18I've had an offer for it this morning over the phone.
00:27:20Here's your umbrella.
00:27:24Good morning.
00:27:26Madame Louise, voice counsel, that's it.
00:27:28Now, here's the idea.
00:27:29You're a crooner.
00:27:30But I don't want to be a crooner.
00:27:32Oh, don't be a fool.
00:27:33All you've got to do is to get inside,
00:27:34grab the chair and cut it,
00:27:35leave the rest to me.
00:27:36But I've never crooned in me life.
00:27:38You want the money, don't you?
00:27:39Yes.
00:27:39You're a crooner.
00:27:53Good morning.
00:27:54Good morning.
00:27:55Do you give lessons to radio singers?
00:27:58Well, yes, I do.
00:27:59But have you an appointment?
00:28:00Well, no, but it was all a bit of a...
00:28:03See, I want to be a crooner.
00:28:05Oh, of course, sir.
00:28:06You're not quite the sort of person I usually take.
00:28:08Oh, I'm very good.
00:28:10I've sung at concerts and parties.
00:28:12You know my fee is 25 guineas.
00:28:15Oh!
00:28:16Sorry?
00:28:17Can't do for less.
00:28:18Oh, that's all right.
00:28:19I've come into a lot of money lately.
00:28:20I can pay anything.
00:28:21Oh, well.
00:28:24Won't you come in?
00:28:25Yes, I will.
00:28:29And now we will see what you can do.
00:28:31And if you've got anything in you, I shall be able to bring it out.
00:28:34Oh, yes, my course has been most successful in bringing the best out in my pupils.
00:28:38These boys here and here and here, these are all mine.
00:28:41Now, I can teach you to sing with feelings, with passion.
00:28:44I can make you sing with your soul.
00:28:46But I'd rather sing with my mouth.
00:28:48Oh, but you must take this seriously now.
00:28:50Let me see.
00:28:51What are you going to sing?
00:28:52Have you any music?
00:28:54No, but I know a song about a window cleaner.
00:28:57I used to be a window cleaner.
00:28:58Oh, yes, yes.
00:28:58But I don't think we'll bother with that now.
00:29:00Do you play on piano?
00:29:01No.
00:29:02I can play one of them things.
00:29:04Oh, good.
00:29:04Then we can start at once.
00:29:07Oh, no.
00:29:08Don't sit there, if you don't mind.
00:29:10Oh, just sit on the sofa, because I want to see your expression, you see.
00:29:13I'd rather...
00:29:13Oh, yes.
00:29:14It's very pretty, isn't it?
00:29:15A pupil of mine gave it to me this morning, but it's not important.
00:29:18Oh, isn't it?
00:29:19Oh.
00:29:25I've got to do that, you see, before I start to play.
00:29:28I see.
00:29:29Well, commence.
00:29:32Now I go window cleaning to earn an honest bob.
00:29:37For a nosy parker, it's an interesting job.
00:29:40Now it's a job that just suits me.
00:29:42A window cleaner you would be, if you can see what I can see.
00:29:46When I'm cleaning windows, honeymoon in couples too.
00:29:50You should see them bill and coo.
00:29:51You'd be surprised at things they do.
00:29:53When I'm cleaning windows, in my profession, I'll work hard.
00:29:57But I'll never stop.
00:29:58I'll climb this blinking ladder till I get right to the top.
00:30:02The blushing bride, she looks divine.
00:30:04The bridegroom, he is doing fine.
00:30:06I'd rather have his job than mine.
00:30:08When I'm cleaning windows, there's a famous talkie queen.
00:30:11She looks a flapper on the screen.
00:30:13She's more like 80 than 18.
00:30:15When I'm cleaning windows, she pulls her hair all down behind.
00:30:19Then pulls down her, never mind.
00:30:20And after that, pulls down the blind.
00:30:22When I'm cleaning windows, in my profession, I'll work hard.
00:30:26But I'll never stop.
00:30:27I'll climb this blinking ladder till I get right to the top.
00:30:31An old maid walks round the floor.
00:30:33She's so fed up.
00:30:33One day I'm sure she'll drag me in and lock the door.
00:30:36When I'm cleaning windows.
00:31:03Well, I'm cleaning windows.
00:31:07Splendid.
00:31:08A little rough and ready.
00:31:09But when you've taken my course, you'll sing like an angel.
00:31:12Can I start now?
00:31:13Oh, no, no.
00:31:13I'm expecting a pupil.
00:31:14It'll have to be later.
00:31:17Oh, dear.
00:31:17There he is now.
00:31:18Will you excuse me?
00:31:19I'm so busy.
00:31:20Yes, I will.
00:31:24There's the chair.
00:31:25Here's a knife.
00:31:25Get your teeth into it.
00:31:26Huh?
00:31:27Get your teeth into it.
00:31:27I don't want the knife.
00:31:29Oh.
00:31:29Oh, good morning.
00:31:31My name is Drayton.
00:31:32I phoned about a chair.
00:31:33Drayton?
00:31:34Drayton?
00:31:35The lawyer, Drayton.
00:31:36Oh, that's why he broke my letter.
00:31:37Oh, don't stand talking to me.
00:31:39Highly there.
00:31:40The chair's in here.
00:31:41Won't you come in?
00:31:41Oh, why, certainly.
00:31:49Through the window.
00:31:50Come back, come back, you fool.
00:31:51We've got to work fast.
00:31:52Catch your knife.
00:31:53Cut the chair.
00:31:54Well, it was here a minute ago.
00:31:56What?
00:31:56In here?
00:31:57Yes, and there was a pupil.
00:31:58A pupil?
00:31:59Good heavens.
00:32:00Well, I wonder where he's gone.
00:32:02Shh, look out.
00:32:03They're coming back.
00:32:05The chair, the chair.
00:32:07Oh.
00:32:08Must be in here.
00:32:10Oh.
00:32:12Well, well, well.
00:32:13And what on earth are you doing here?
00:32:15He's my pupil.
00:32:16Pupil?
00:32:17What nonsense.
00:32:18Don't take any notice of him, Miss.
00:32:20He's a crook.
00:32:20Mr. Withers,
00:32:22don't you dare call me a crook.
00:32:25This is the chair, dear lady.
00:32:26With your permission,
00:32:26we'll go into the other room
00:32:27and discuss metal, shall we?
00:32:28You're not having that chair.
00:32:31Oh, I'm terribly sorry.
00:32:36Come on, Max.
00:32:37It's all right.
00:32:38Come on, Max.
00:32:39How'd you go?
00:32:40I smacked his face.
00:32:40Come on.
00:32:44Hey, look out.
00:32:45The cupboard, come on.
00:32:48Go on, Max.
00:32:50I'll watch.
00:32:52Hey, Max!
00:32:53Max, open the door.
00:32:54It's Tuesday.
00:32:55Louise.
00:32:56Max!
00:32:57It's Tuesday.
00:33:01Louise.
00:33:03Louise.
00:33:08Good morning.
00:33:12Good morning.
00:33:12I hope I'm not intruding.
00:33:15Not at all.
00:33:17It's time to be their initials.
00:33:21Help.
00:33:24Louise.
00:33:24Louise.
00:33:25Louise, do it here.
00:33:28Who's that crook, man?
00:33:29I think it's my husband.
00:33:32Get up.
00:33:33Please, son.
00:33:33Get up.
00:33:34You'll do it.
00:33:35Get up.
00:33:42Oh, honey.
00:33:43Enough!
00:33:44How do I do?
00:33:47Mother!
00:33:48How do I do?
00:33:52I want you to be a crooner.
00:33:54Get out!
00:33:55I did not do that. I only wanted to be a crooner.
00:33:57Get out!
00:33:59Get out of that.
00:34:09It's just as I suspected.
00:34:10But I can explain.
00:34:11It'll take some explaining.
00:34:13I'm going to divorce.
00:34:14Oh, no.
00:34:14I'm packing.
00:34:15Where's my bag?
00:34:19Believe it or not, I'm waiting for a bus.
00:34:23Now, it's all right. It's all right.
00:34:25Now, don't get excited. I won't hurt you.
00:34:26Come on. Come on.
00:34:29Out this way.
00:34:30This way.
00:34:31Get out.
00:34:32Get out.
00:34:33You want to get a bigger wardrobe?
00:34:34Get out.
00:34:35All right. I've been thrown out of better houses than this.
00:34:37You get out.
00:34:38All right.
00:34:39Get out.
00:34:51Max.
00:34:53John, it's me.
00:34:54Oh, where's Grayton?
00:34:54I saw him going to taxi that way.
00:34:56Taxi?
00:34:56Did you find anything in the chairs?
00:34:58Not a thing. I went right through it.
00:35:00Oh, Hacks.
00:35:03Still, we'll have to go after the next one.
00:35:04I know, but wasn't I right what I said about Grayton?
00:35:06Yes, he's a bad lad.
00:35:07A bad lad, I think he is.
00:35:08He's a tough proposition.
00:35:09Yes.
00:35:10Much tougher than I thought.
00:35:11I still have to raise my percentage.
00:35:12Would you?
00:35:13I'd have to make it 30%.
00:35:1530%.
00:35:15What's the matter with you? It's as broad as it's long, isn't it?
00:35:20You're right.
00:35:21Then it's 30%.
00:35:22Right.
00:35:23Now, who's next on the list?
00:35:24Here we are.
00:35:25Dr. Wilberforce, 17 Pool Street.
00:35:29See how you respond quickly.
00:35:31Thank you, Doctor.
00:35:32Not so good.
00:35:36What are you doing there, Nurse?
00:35:38Your wife asked me to bring this in, Doctor.
00:35:40She picked it up at an auction.
00:35:41Oh, so that's what this man Drayton was ringing up about.
00:35:46Is that the one?
00:35:47No.
00:35:48No.
00:35:52All right, no one's here.
00:35:53Now go on, find the chair.
00:35:56Well.
00:35:57Can you see it?
00:35:58No, it's not here.
00:35:59Well, where is it?
00:36:01We...
00:36:02It's there!
00:36:02Shh!
00:36:03Very good, Doctor.
00:36:07How do you do, Nurse?
00:36:09Oh, good afternoon.
00:36:10Could Dr. Wilberforce see my friend?
00:36:12Oh, is it very urgent?
00:36:13Very urgent.
00:36:14I'll see.
00:36:16You sure?
00:36:17I'm certain.
00:36:18Now, listen.
00:36:19We've got to work fast.
00:36:20Now, you're in great pain.
00:36:21Your intestines are troubling you.
00:36:22Yes.
00:36:23Intestines are troubling you.
00:36:24You can't eat.
00:36:25You can't sleep.
00:36:25You're bent double with agony.
00:36:27Oh.
00:36:28I'm in a bit of a mess sometimes.
00:36:29It's all right.
00:36:30Now, when you get inside, you collapse in the chair.
00:36:32Our chair.
00:36:33Then ask the doctor to come out and see me.
00:36:35When he leaves the room to see me, you start to rip the chair.
00:36:37See?
00:36:37Rip the chair?
00:36:38Yes.
00:36:39Rip the chair.
00:36:40Did you say it was urgent?
00:36:41He said it was very urgent.
00:36:43Very well.
00:36:44I'll see him at once.
00:36:45Get him ready for examination.
00:36:46Yes, sir.
00:36:50You see immediately.
00:36:52Oh, this way, please.
00:36:55The chair.
00:36:55The nurse knows.
00:36:57Thank you, nurse.
00:37:00Yes, go on.
00:37:02Go on.
00:37:28Hey.
00:37:29Hey.
00:37:29Hey.
00:37:29No, that's going a bit too far.
00:37:31No, I like a bit of fun, but...
00:37:33But you don't understand.
00:37:35Don't.
00:37:36I'm not as daft as all that.
00:37:39Hey.
00:37:40Hey.
00:37:41No, no, no.
00:37:41Stop it.
00:37:42No, go on.
00:37:43No, you're not.
00:37:44Don't be a good boy.
00:37:45Please, leave me alone.
00:37:46No, I'm too young.
00:37:49Oh, please.
00:37:49There we go.
00:37:51No, please.
00:37:52I've never had trouble like this before.
00:37:53No, leave me alone.
00:37:57Help me to help you.
00:38:00I've never had so much trouble with anybody in my life.
00:38:07Oh, good gracious me.
00:38:10Now, come along.
00:38:11Hey.
00:38:13Get away.
00:38:13Come here, will you.
00:38:14Actually, actually.
00:38:16Charles, Charles.
00:38:17Come here.
00:38:18Get away.
00:38:19Get away.
00:38:20Get away.
00:38:20Get away.
00:38:21Get away.
00:38:22I've never had so much trouble.
00:38:24Go on, you cheeky.
00:38:25How dare you.
00:38:26Get away.
00:38:27Get away.
00:38:27Come here.
00:38:28Help.
00:38:29Murder fire, please.
00:38:30Come here.
00:38:30Hey.
00:38:31Oh.
00:38:31Oh.
00:38:32Oh.
00:38:33Oh.
00:38:34Oh.
00:38:34Oh.
00:38:36Oh.
00:38:37Oh.
00:38:39Oh.
00:38:39Oh.
00:38:39Oh.
00:38:42Oh.
00:38:43Oh.
00:38:44Oh, dear, dear, dear, what a patience, what a patient.
00:38:49Oh.
00:38:49Oh, what aδΈθ½ do you deserve this.
00:38:51Oh, my God.
00:39:03Pincels. I beg your pardon?
00:39:04You were in my office this morning.
00:39:05I must have been my twin brother.
00:39:07Very like you.
00:39:09Very like.
00:39:09Very likely.
00:39:16How do you do?
00:39:18What can I do for you?
00:39:30What's the trouble?
00:39:32Oh, that's my friend, Doctor. He knows what I want.
00:39:34Not at all necessary. I'll find out myself.
00:39:36Oh, no. Go and ask him. He knows me better than I know myself.
00:39:40All right. Nurse, bring him in.
00:39:41Yes, sir.
00:39:45Excuse me. My name is Drayton. I phoned the doctor about a chair.
00:39:48I must see him at once.
00:39:49Oh, but the doctor has an urgent case.
00:39:50I know, but this is very important.
00:39:51Oh, but you can't go in there. Please. This way.
00:39:55Pencils.
00:39:57He wouldn't go.
00:39:59Help!
00:40:00All right, all right. Don't be nervous. Max is with you.
00:40:02How do you do, Doctor? How do you do?
00:40:03How do you do?
00:40:03He's pretty queer, isn't he, Doctor?
00:40:05He is a little jumpy.
00:40:06Yes, jumpy, Doctor. Could I have a few words with you in private?
00:40:08What about?
00:40:08His stomach, Doctor.
00:40:09I'll find about that when I examine him myself.
00:40:12Oh, Doctor, the symptoms are very peculiar.
00:40:14Every time he coughs, his hat flies off.
00:40:16Really?
00:40:16Yes, Doctor.
00:40:18Are you doing better?
00:40:19I mean, I...
00:40:21I'd like to see you, though, very, very bashful.
00:40:23Yes, yes. After I've examined him.
00:40:24Now, Doctor, if you don't mind.
00:40:25Would you please?
00:40:27Yes, Doctor.
00:40:27Let me see you later.
00:40:47Breathe deeply.
00:40:50Good gracious.
00:40:52It's terrible.
00:40:53I told you, Doctor, the hat flies off.
00:40:55But I've never seen anything like it in my life.
00:40:57No, Doctor, we lose it.
00:40:58Oh, gracious. It's an earthquake.
00:41:09No, no, no, no need to operate.
00:41:11No.
00:41:12Oh, no. Breathe again, but softer.
00:41:17You know, it sounds to me as if it was duodenal trouble.
00:41:20That's not our trouble, Doctor. Cut it.
00:41:22No, no, we don't now. No, we disperse by dieting.
00:41:24Ah, yes.
00:41:25Wash it away.
00:41:26Quite. He knows more about it than you do.
00:41:27Exactly, Doctor.
00:41:28Allow me. I'm sorry.
00:41:29That's all.
00:41:30What are you doing there? Go away.
00:41:32Anxiety, Doctor. Anxiety.
00:41:34Anxiety? Like a ferret.
00:41:38Good gracious.
00:41:40What do you feed on? Carraway seeds?
00:41:43I'm on a diet.
00:41:44He's in a fluids thing.
00:41:45No, a prudential, Doctor.
00:41:47Ah.
00:41:47Perhaps there's something wrong with your appendix.
00:41:50Now, as I say, go back, go back, quickly.
00:41:52Swat, you see?
00:41:52Quite ready?
00:41:53Right.
00:41:53Go.
00:41:55I'm so sorry.
00:41:56Oh, I don't.
00:41:57That's the reflex action.
00:41:58Yes, the rebound.
00:41:59I got it, Doctor.
00:42:03What was that?
00:42:04The appendix.
00:42:05Well, I've heard anything like that before.
00:42:11What was that?
00:42:12The other appendix.
00:42:13What, two?
00:42:14Yes, twins.
00:42:16Very serious complications.
00:42:18Oh, complications.
00:42:19Yes.
00:42:20Can you repeat anything?
00:42:22No, I haven't felt anything yet.
00:42:24There.
00:42:24No.
00:42:25Here.
00:42:25No.
00:42:26Here.
00:42:26No.
00:42:27There.
00:42:27No.
00:42:34I can't find anything.
00:42:35Neither can I.
00:42:37There's no doubt about it.
00:42:38It's an awful wreck.
00:42:40You're right.
00:42:41Would you mind dressing now?
00:42:43After you, Doctor.
00:42:44Doctor, a word in your private ear.
00:42:46How much do we owe you?
00:42:46Oh, two pounds.
00:42:47Well, here's three pounds.
00:42:48Will you keep the change on account of our next visit?
00:42:50That's very nice of you.
00:42:52Oh, by the way, would you mind dressing quickly?
00:42:54Because I have someone else to see in there.
00:42:55We'll be glad then.
00:42:56I mean, we're always busy, you know.
00:42:58Nurse.
00:42:59Mr. Drayton, Doctor.
00:43:00Oh, the phone, Drayton?
00:43:02Solicitor.
00:43:03Now, about that chair.
00:43:04You still have it?
00:43:05Of course.
00:43:06Oh, good.
00:43:06Now, the auctioneer told me your wife paid two pounds for it.
00:43:09Now, I'm perfectly willing to make it a fiver to compensate you for any inconvenience.
00:43:13Sounds good.
00:43:14Oh, yes.
00:43:14As a matter of fact, it's in here.
00:43:15Oh, really?
00:43:16Will you step in and I'll show you?
00:43:17There it is.
00:43:18Thank you, my dear sir.
00:43:20Good gracious.
00:43:40How many here?
00:43:42Only wanted to stay a minute.
00:43:43I'm sorry.
00:43:45Did you find them?
00:43:46The chairs are there.
00:43:47Well?
00:43:48In my skin was dressing room.
00:43:49Oh, why didn't you break in?
00:43:51Well, I was doing, but the fellow with the big cap stopped me.
00:43:53Yes.
00:43:53Well, we've got to wait now till the show starts.
00:43:55Eight o'clock.
00:43:56Eight o'clock?
00:43:57Yes.
00:43:57Well, then I can go see Florrie.
00:43:59Yes, all right, but now don't be long.
00:44:00Now, listen.
00:44:00You realize there are three chairs?
00:44:03Three chairs?
00:44:03Yes.
00:44:03Well, that's going to be very hard work.
00:44:05I'll have to raise my percentage.
00:44:06Forty percent.
00:44:07Forty percent.
00:44:08Well, that's all right, Max.
00:44:10George or a grandfellow.
00:44:12Am I?
00:44:13Yes.
00:44:14Oh.
00:44:15That's right.
00:44:17Now.
00:44:18Come in.
00:44:19Hello, everybody.
00:44:21Whee-pee.
00:44:22Did you get it?
00:44:23Hey, we've got rid of two of the chairs.
00:44:24Anything inside of them?
00:44:25No, but it's bound to be one of the three at the theatre.
00:44:28Oh.
00:44:28Pinky.
00:44:29Now, look, when we're rich, what would you like Uncle George to buy you better than anything?
00:44:32I want a little baby boy to play with.
00:44:37Yes.
00:44:39Take it downstairs.
00:44:45Did you have much trouble getting them together?
00:44:47Trouble.
00:44:48The minute they heard there was food, though, I couldn't keep them out.
00:44:50Look, a full house.
00:44:52Is everything all right, Mr. Withers?
00:44:55Well, it looks all right to me.
00:44:57Hello, John.
00:44:57When are we going to start?
00:44:59Right now.
00:45:00Get up, you little boy.
00:45:05I don't know.
00:45:08How do you do, Miss Clark?
00:45:13I brought the warrant for the child.
00:45:15Well, it may interest you to know that Mr. Withers has come in for being watched.
00:45:18All right, darling.
00:45:19And that the child will be properly looked after.
00:45:21So you're wasting your time.
00:45:22Good night.
00:45:23Just a minute.
00:45:25Look, I don't think they went in the arms.
00:45:27They were only doing the duty.
00:45:28But we must be perfectly sure that the child is being properly cared for.
00:45:31Oh, she's being cared for now, isn't she?
00:45:33Sure she is.
00:45:35Would you care to join us in a little drink?
00:45:37Oh, thank you.
00:45:38Don't you think we ought to see the surroundings the child is living in?
00:45:41Well...
00:45:42Just a little teeny, maybe you are.
00:45:44Just a little bit of your spazzles.
00:45:49Just a little bit of your spazzles.
00:46:11I've never felt this way before.
00:46:13I want to jump sky high and roll on the floor.
00:46:17I want to sing.
00:46:19I want to shout.
00:46:20Cause I've got something to shout about.
00:46:22You've got me that way.
00:46:25Now here's what I say.
00:46:27You've got me standing on the tip of my toe.
00:46:33Boy, you've got me dizzy and doing things.
00:46:37I'd like you tied to my apron strings.
00:46:39I'm standing on the tip of my nose.
00:46:43Boy, you're a sensation that's new to me.
00:46:46You don't realize what you do to me.
00:46:49I thought to tattoo when I talked to you.
00:46:53My heart's full of pleasure when I take a walk.
00:46:58I'm packing in your hat and everyone knows.
00:47:02Boy, you're the tit-bit's keeping me right on the top of my toes.
00:47:08You've got me dancing on the tip of my nose.
00:47:16Boy, you've got me dizzy and doing things.
00:47:24You don't realize what you do to me.
00:47:35Boy, you're the tit-Π»Π΅ΠΉ sobie.
00:47:45Hey, madame!
00:47:49I'm that in the air!
00:47:51My bit, it...
00:47:52Oh, delight!
00:48:12Here, take that back!
00:48:15Hey, you! Get out, all of you!
00:48:18Thought you diddle me again, didn't you?
00:48:20And me ordering all this stuff.
00:48:22Put that down!
00:48:23It's not paying for you!
00:48:24But what's the matter? What's gone wrong?
00:48:26Look at this.
00:48:28Georgina Withers has left all her fortune to charity.
00:48:31Yes, but I can explain that.
00:48:33You see, she left me a private letter.
00:48:35Let me see it.
00:48:37Well, I've lost it.
00:48:38Oh, you have. Get out.
00:48:40Get out, all three of you.
00:48:42I don't think we ought to.
00:48:44Oh, you won't, won't you? Then I'll get the police.
00:48:46No. George, we'd better go. You'll be late to the King's Theatre.
00:48:48Stop. What about a child?
00:48:51Gracious man, please.
00:48:52What about that child?
00:48:57Come on. Let me tell you.
00:48:59I want that baby.
00:49:07All right, darling. In a minute, when Uncle Max comes,
00:49:10where has he gone to?
00:49:12In not me a minute, he said there was some dirty work he had to do.
00:49:15Here we are, Max.
00:49:17Oh, Blake's been here and bought the chair.
00:49:19Then we've lost him.
00:49:20Oh, I'm so sorry.
00:49:21Oh, don't worry. The money's as good as ours. Leave it to me.
00:49:24Well, how do you mean?
00:49:25How do you mean?
00:49:26Well, Brayton can't collect the chairs for the show.
00:49:28Maraschino uses them in the act.
00:49:29Now, all you've got to do is to pop up on the stage,
00:49:32grab the chair, and you'll do the dirty work.
00:49:35Yes, as usual. Of course.
00:49:38Just a minute.
00:49:39I want a nice seat up in the gallery.
00:49:41Ouch.
00:49:42The gallery's round the corner.
00:49:44Oh, thanks.
00:49:45I'll bring you back a parrot.
00:49:47Have you got three nice seats in the front row of the store, Miss?
00:49:49Lucky. I've just had a few.
00:49:51Thank you very much.
00:49:52Thank you. Here we are.
00:49:54Looks good of him, isn't it?
00:49:56Store.
00:49:56It's going to be a little bit more expensive than I thought.
00:49:59What do you mean?
00:49:59Well, surely it's worth another 5%.
00:50:01I thought there was a catch in it.
00:50:02Well, it's worth it.
00:50:04Then it's 45%.
00:50:05What?
00:50:06Forty-five percent.
00:50:07By Chihuahua.
00:50:08Forty-five percent.
00:50:09Forty-five percent, yes.
00:50:09Store.
00:50:10Thank you very much.
00:50:15Hey, George.
00:50:16Creighton's in here.
00:50:16Is it?
00:50:17Now, don't be silly.
00:50:18Don't be silly if I can't see the gang for them.
00:50:20Leave it to me out.
00:50:20Oh, no, sir.
00:50:32Oh, no.
00:50:32Let George sit there.
00:50:33Oh, all right.
00:50:34Thank you very much.
00:50:37Now, down there.
00:50:39That fell off floor, didn't that?
00:50:41Yes.
00:50:46There he is.
00:50:48There's our chairs.
00:50:50Ladies and gentlemen,
00:50:52I have the pleasure to present you my entertainment of wonders.
00:50:55In addition to the famous East Indian Rotary,
00:50:58I direct your attention to this cabinet
00:50:59which a young lady will be placed.
00:51:01She will then vanish in the thin air,
00:51:04making her reappearance in the balcony
00:51:07where she will make a slide for life down this rope to my side.
00:51:11Ladies and gentlemen,
00:51:12before committing these experiments,
00:51:13I would like to explain
00:51:14that I am the only conjurer in the world
00:51:17who perform these tricks with members of the audience on the stage.
00:51:20If there are one or two ladies and gentlemen in front
00:51:22who would like to help me,
00:51:23will they please come up?
00:51:24Here's a chance.
00:51:25Quick.
00:51:25I have to go.
00:51:27No.
00:51:27You go.
00:51:27How on earth can I go?
00:51:29He's great and the whole gang waiting in the bar.
00:51:30I've got to keep them away.
00:51:31Probably to get torn to pieces doing it.
00:51:33Yes, but...
00:51:33All he's got to do
00:51:34is to slip the chairs like he did to the doctors
00:51:35and pocket the dough.
00:51:36It's easier said than done.
00:51:38Quick before the chairs are occupied.
00:51:39And don't lie.
00:51:41All right.
00:51:43Oh, think what it means to Florence and Binky.
00:51:45Yes, sir.
00:51:47And that is exactly how it's done.
00:52:01Pass right across.
00:52:03That's it.
00:52:04And it's clumsy.
00:52:05What are you doing there?
00:52:06They belong to me.
00:52:07Take a seat, sir, will you?
00:52:08That's right.
00:52:09Now, ladies and gentlemen at the back,
00:52:11we'll understand you're sitting here,
00:52:12you can see all that I do
00:52:13and we'll be able to verify to our friends in front
00:52:15that there is absolutely no deception.
00:52:20Now, for my next experiment,
00:52:22I should like to have a little music.
00:52:24Can I have some, Professor?
00:52:27First of all,
00:52:29a trick with an aim.
00:52:31A small piece of handprint.
00:52:33This is taken
00:52:33based on the left hand and squeeze.
00:52:36The weight flies up the arm.
00:52:38I'll do that again
00:52:39just to show you how easy the whole thing is.
00:52:41Here it is.
00:52:42This time, I swallow it.
00:52:51I've been crazy.
00:52:53I've done something in my life.
00:52:55I'm paralyzing.
00:52:56Now, ladies and gentlemen,
00:52:57for my next experiment,
00:52:59I'm here.
00:52:59An ordinary handprint.
00:53:01Watch me very closely.
00:53:03And here it is.
00:53:08This is a rabbit, you fool.
00:53:11That comes later.
00:53:13And now, ladies and gentlemen,
00:53:14may I be permitted to show you my next experiment.
00:53:16something rather more marvellous still.
00:53:24An unusual kind of hobby,
00:53:26in which I try and explain something.
00:53:29Most people in the habit of connecting things.
00:53:31Some connect old furniture.
00:53:33Others connect old pictures.
00:53:35Others connect old coins.
00:53:40They come to the holidays.
00:53:42They're a trifled battle.
00:53:43A glass bowl into which I pour the wreath.
00:53:47See the way they're going?
00:53:49The manager's in front.
00:53:50Watch, I'm little tired of carrying these things around simply.
00:53:53So I just join them together.
00:53:55Watch.
00:53:56One, two, three.
00:53:57And here we come.
00:53:59Now, this is really something very wonderful.
00:54:02This magic is not all that it appears to be.
00:54:05For example,
00:54:06you see things that you do not see.
00:54:08And you see things that you should not see.
00:54:11For instance,
00:54:12here is something which appears to be a very deceptive affair.
00:54:17You see the front.
00:54:19You see the back.
00:54:19You see the sides.
00:54:20You see all the front.
00:54:22There is nothing there.
00:54:23But there is.
00:54:24And here it is.
00:54:25That's that.
00:54:26Of course,
00:54:26I'm a conjurer because I come of a conjuring family.
00:54:29My father was a conjurer.
00:54:31One day,
00:54:32he never went away.
00:54:33And a spell returned unexpected.
00:54:34Counting standing at the center of the room.
00:54:36Wailing in a beautiful seat.
00:54:38And standing by his side was a marble.
00:54:40Father!
00:54:41Father!
00:54:43Father!
00:54:43Father!
00:54:45Father!
00:54:47Father!
00:54:54Father!
00:54:55Do you go to work?
00:54:55I could!
00:54:57Father!
00:54:58I have pleasure in placing theθys...
00:55:01And the bird.
00:55:01For goodness sake,
00:55:02flory!
00:55:03Up on the stage and sit in a last chair.
00:55:04See that George gets him.
00:55:05Why can't you go?
00:55:06Oh!
00:55:06Aren't I risking my life living after Drayton.
00:55:08Alright!
00:55:09Look after Vinkey.
00:55:11Alright darling.
00:55:13Aren't you flory that's a dance?
00:55:14Ah!
00:55:14Better late than never.
00:55:15You take a seat?
00:55:16Yes.
00:55:17Now.
00:55:18The cage has been removed,
00:55:19Open!
00:55:33Oh
00:55:50Oh
00:56:33Oh
00:56:54What's going on here what's going on here disgusting performance in front of my wife and child and my little
00:56:58brother I'm sorry office you can't pass me stay good night
00:57:05Well I got you out of that all right as usual now that's five chairs we've been through how many
00:57:09more
00:57:10Only one the one at Bray you're sure of that yes that's the six then the money must be there
00:57:14Well let's go and get it then that's it
00:57:16Oh that's no good it's too late it's past ten o'clock they'll all be in bed
00:57:20We must get there tomorrow morning first thing now don't worry have a good night's rest I'll treat you to
00:57:25a lunch
00:57:27My bus now don't be late goodbye
00:57:30Hey Max
00:57:33Well he didn't think to treat you to a bed
00:57:35I never thought to ask him
00:57:38I can't see them
00:57:40You watch that door and I'll watch this one
00:57:42Quick George look there's the welfare people
00:57:48Look there they are
00:57:55We've lost them
00:57:56Come on
00:57:57I think they've gone up and left
00:57:58Come on
00:58:06It's all right miss the bed gone
00:58:08Coast is clear
00:58:09Thanks so much for letting us stop here I don't know what we should have done tonight
00:58:12Oh you're quite welcome
00:58:14I've had kiddies in me home
00:58:16I'll wake you up in the morning with a nice cup of tea
00:58:19Thanks so much
00:58:20Thanks very much darling
00:58:21Now come on Binky bye-byes
00:58:23I don't want to go to bye-byes
00:58:25But darling you must
00:58:26I've got the little scally way
00:58:28Now where are we going to put Binky to bed
00:58:29Oh here's a nice bed for Binky
00:58:32There you are
00:58:33One Binky will be warm
00:58:34Come on Binky
00:58:36I'm not Binky
00:58:36I'm not Binky
00:58:38There you are sir
00:58:38The latest money go round
00:58:39Please all the latest music
00:58:40Off the crown of the shop
00:58:41Six to see you sir
00:58:42I'll put the light and let you see it sir
00:58:46What's that?
00:58:48What's that?
00:58:48How you want sir?
00:58:48Do you like that?
00:58:49I'm not fair enough
00:58:50No
00:58:51What about me?
00:58:52Music don't attire in the nursery sir
00:58:56What about this part?
00:58:58Music either done or children in the nursery
00:59:00All the people go round
00:59:02Six to see you sir
00:59:03Six to see you sir
00:59:04You'll have one
00:59:05Oh is that for me?
00:59:07Yes darling if you'll go to sleep
00:59:09Alright
00:59:12Look at that Binky
00:59:13Isn't it pretty?
00:59:16Good night Binky
00:59:20Rest your weary head
00:59:23All the little fairies
00:59:26They have gone to bed
00:59:28Close your eyes
00:59:32While I count seven
00:59:36For all your children
00:59:40Go to heaven
00:59:44Go to heaven
00:59:46Go to heaven
01:00:13Go to heaven
01:00:14Go ahead
01:00:19Go to heaven
01:00:19Yeah
01:00:27Go to heaven
01:00:28Go to heaven
01:00:30Go to heaven
01:00:31The little sink
01:00:47Ah, it's a nice cup of tea.
01:00:53Sleep.
01:00:55Auntie Flowie's asleep.
01:00:57Come on, let's play.
01:01:04Good gracious family, you're not going to take that thing out, are you?
01:01:07Yes, I am, to the dear vicar.
01:01:09He loves antiques.
01:01:10Besides, it's so comfortable.
01:01:13Comfortable?
01:01:13Why, it's as hard as iron in all novels.
01:01:16It's just the kind of chair the vicar would like.
01:01:19Simmons, place this at the table, please.
01:01:21Yes.
01:01:23Brecious me, those cakes are burning.
01:01:25Really, how careless of you, Lucy.
01:01:31Oh, look what you've done.
01:01:36Oh, what'll the missus say if she sees this and the vicar coming to tea too?
01:01:41Oh, dear, oh, dear.
01:01:43Oh, go away.
01:01:44Get out of it.
01:01:45Go on.
01:01:45Crap.
01:01:58Cracking and Earth.
01:02:02Crap.
01:02:03Crap.
01:02:04Scrap.
01:02:08What's that news?
01:02:09Wouldn't it good if Uncle George could buy this for Binky?
01:02:12I think he'd be a dog.
01:02:13Bark at me now.
01:02:18I wish he'd hurry up.
01:02:19Oh, don't worry, George. He'll be here in a minute.
01:02:22I can't tell, but it means such a lot to us.
01:02:24Worrying won't help it.
01:02:26Here he is. Here he is.
01:02:29All right, go ahead. Have the time. Go ahead.
01:02:30But what's the use? I've been there four times already.
01:02:32They won't let me in.
01:02:33I know, I know, but it's all right now.
01:02:35They've got the chair in the garden.
01:02:36In the garden and you didn't bring it?
01:02:38Max, do you realize that that's the last chair?
01:02:39And the fortune's in it.
01:02:40I know, I know, but you don't know that two of Drayton's men
01:02:43have been following me waiting to get a shot at me.
01:02:45Drayton's men?
01:02:45Yes, Drayton's men.
01:02:47Perhaps you'd like to look after them while I get the chair.
01:02:49No.
01:02:50I'll get the chair.
01:02:51All right. I do the dirty work as you do.
01:02:53That's worth another 5%.
01:02:54Well, that's all right, isn't it?
01:02:56George, you can't.
01:02:57Then from now on it's 50-50.
01:02:58Yes.
01:02:59Right, off you go.
01:03:01Oh, where are the men?
01:03:03Over there.
01:03:04Never mind about them. Off you go.
01:03:06On a chair.
01:03:07Santa!
01:03:08Santa!
01:03:11Never touch me.
01:03:13Careful, George.
01:03:14Careful, George.
01:03:15What about me?
01:03:16Oh, smart aleck.
01:03:34Hey!
01:03:42He's eaten with fortune.
01:03:43Get away.
01:03:44Get away.
01:03:44Get away.
01:04:02Come on.
01:04:03Tell me now.
01:04:05Come on.
01:04:06Get away.
01:04:06Come on, you dumbfing.
01:04:06You dumbfing, you dumbfing.
01:04:11Hurry up. Come on. Come on, you duffing.
01:04:26Good afternoon. My name is Drayton. I want to see the chair that you bought from Philip's auction room.
01:04:31What for? I might make you a very substantial offer for it.
01:04:34But I'm not interested in any.
01:04:36Yes. It's over there.
01:04:39Sentimentally, a chance to make some money.
01:04:46He's been here already.
01:04:47Good gracious. Whoever can have done this.
01:04:51Officer. Officer, please.
01:04:55Has a little man been here today?
01:04:57I don't know. Someone asked to use the telephone.
01:05:01What's the trouble? Can I help, sir?
01:05:03Officer. You know this Jack the Ripper fellow, don't you?
01:05:06Yes, sir.
01:05:07Well, he's in this neighborhood. This is some of his work.
01:05:10Yes, we know all about him, sir.
01:05:12Well, I know all about him, too, and I can give you some information.
01:05:14You can, sir.
01:05:15Oh, yes.
01:05:16Well, I think you'd better see the inspector, sir.
01:05:17We're very anxious to get our hands on this fellow.
01:05:19Well, I'll help you all I can.
01:05:26The little goat.
01:05:28Well, have you got it?
01:05:29Yes.
01:05:30Good. Where?
01:05:31In there.
01:05:32What?
01:05:32In the goat?
01:05:34Yes, if you'd eaten the chair before I got there.
01:05:36Are you sure?
01:05:38Jewelry and everything?
01:05:39Yes, there was only the legs standing.
01:05:41Oh, well, there's only one thing to do.
01:05:43No, Max, no.
01:05:44You can't do that, Max.
01:05:45Well, what other way?
01:05:46Well, I swallowed a penny once and my mother gave me some castor oil.
01:05:49She got a penny back.
01:05:50Well, who's got any castor oil?
01:05:51Oh, don't talk rot.
01:05:53Take him to a hospital and let a doctor operate.
01:05:55They don't operate on goats in hospitals.
01:05:56But they would if they knew what was inside him.
01:05:59That's an idea.
01:05:59We'll get them to exclade the goats and they've got to operate.
01:06:02Let's get a bus.
01:06:04They won't let you take a goat on the bus.
01:06:05No.
01:06:06Leave it to Max.
01:06:07Hold him, George.
01:06:09From now on, he's a dog.
01:06:10Come on.
01:06:11Oh, the goat's a little doggy now.
01:06:14Good dog.
01:06:15Woof, woof.
01:06:16And now for the bus.
01:06:22Oh, my little goat, please.
01:06:25It's all right now.
01:06:26Oh, no.
01:06:26It's quiet, dear.
01:06:27You and your little dog, don't you?
01:06:29I want my little goat.
01:06:30I want my little goat.
01:06:32I don't know.
01:06:33I'm sure.
01:06:33Have you any of your cheeks here, please?
01:06:39What sort of a dog's that?
01:06:41A rough-haired hippie pocket.
01:06:43Oh, yeah?
01:06:45What a peculiar smell.
01:06:46Isn't it terrible?
01:06:48I can't make that funny aroma.
01:06:53Extraordinary.
01:06:54I want my little goat.
01:06:56I want my little goat.
01:06:58She wants the goat to auntie.
01:07:00Yes.
01:07:07Who did that?
01:07:10What's the idea?
01:07:11A lot of bumps in this road, isn't there?
01:07:13Yeah.
01:07:14George, quick.
01:07:15There's a seat over here.
01:07:16Oh, thanks.
01:07:19Oh, my little goat.
01:07:20Come on, let me.
01:07:21Come on, let me.
01:07:21Come on, let me.
01:07:22Hurry.
01:07:23Hurry.
01:07:24What's that?
01:07:24You want the leg?
01:07:26What do you want?
01:07:28You want the leg?
01:07:29You want the leg?
01:07:31Good uncle, George.
01:07:32That's it.
01:07:33Good uncle, George.
01:07:34Good uncle.
01:07:35A mongrel, but a very good house dog.
01:07:37What a peculiar smell.
01:07:38Now, they're all getting up there, getting wise to us, here.
01:07:47There's a catch word getting all the craze, it's the latest craze, everybody shays, whole
01:07:53time, keep your seats, please.
01:07:57If the bush should skid, you'll get the thrill going down the hill, waiting for the spill,
01:08:02hold time, keep your seats, please, what a sensation, talk of the nation, how it troubles
01:08:11round, even the Hindus, Kappas and Zulus, they've all got it here, I'm hollering, the brakes
01:08:17won't work, the engine's booked to chew, the axle's fork is rivage, sticky lint here,
01:08:22but hold time, keep your seats, please, what a sensation, talk of the nation, how it troubles
01:08:31round, even the Hindus, Kappas and Zulus, they've all got it here, I'm hollering, on the swing
01:08:38boats, when you ladies go, mind the crowds below, take good care, what is your home,
01:08:43heart, keep your seats, please.
01:08:47Our home, heart, keep your seats, please.
01:08:51With all our human, heart, keep your seats, it's open, what a sensation, talk of thepass,
01:09:16Whimmy!
01:09:22Whimmy!
01:09:23Whimmy! Whimmy! Whimmy!
01:09:24Whimmy! Whimmy!
01:09:25Whimmy!
01:09:25Oh, what is the car?
01:09:27Oh, what is the car?
01:09:28It's our house. We've got an apartment.
01:09:33Nurse, we telephoned about an x-ray.
01:09:35Oh, yes. They're waiting for you. In there.
01:09:37Thank you, lovely. This way, darling.
01:09:44Good afternoon. Where's the case?
01:09:46Here it is, Doctor. Are you telling me you've dragged me
01:09:48all the way back for my round of golf
01:09:50just to x-ray a goat?
01:09:52This isn't an ordinary goat, Doctor.
01:09:54It's a very valuable goat. It's a belly.
01:09:56And there's something inside.
01:09:58Then cut it open. I don't want my little goat
01:10:00cut open. Doctor, I'll be candid with you.
01:10:03There's a fortune in jewelry
01:10:04inside that goat. Yes, look, Doctor.
01:10:06See, I've a field. I've felt it all.
01:10:08Thousands of pounds in there, Doctor.
01:10:10Then I'll be candid with you. You don't want a doctor.
01:10:12You want a butcher.
01:10:14What's wrong, my little goat?
01:10:16Sweetie, they won't.
01:10:17Darling, think it does.
01:10:23Hey, you don't know what it means.
01:10:29Oh, very well, then. Put it up here.
01:10:31Nurse, get a film. The largest one you've got.
01:10:35Careful, careful, careful.
01:10:38Wait a minute, wait a minute.
01:10:39You want his stomach taken, don't you?
01:10:41Put it up the other way.
01:10:44No, no, please, please.
01:10:45I'm not going to hurt your little girl.
01:10:47Right on the plate there, please.
01:10:49Be careful.
01:10:54These are dresses.
01:10:55You're quite sure there were only six chairs.
01:10:58That's all, only six.
01:11:00The late Miss Withers never at any time hinted
01:11:02that she'd left anything in them.
01:11:03Oh, never at any time.
01:11:05Then if there's no motive,
01:11:07the slashing must be the work of a maniac.
01:11:09And this man at the auction, how did he strike you?
01:11:11Very peculiar.
01:11:13Come in.
01:11:15What is it, Jones?
01:11:16I think we located the Ripper, sir.
01:11:18What? Where?
01:11:19Radio reports that a man with a goat has been seen
01:11:22to enter St. James' Hospital ten minutes ago.
01:11:24The scoundrels it must be then.
01:11:28Henry St. James' Hospital.
01:11:30Look.
01:11:31Its stomach's absolutely crammed with things.
01:11:34An amazing collection.
01:11:36I never saw anything like it in my life.
01:11:39Nurse!
01:11:41Get this dried as soon as you can, please, will you?
01:11:43Yes, Doctor.
01:11:45Yes?
01:11:47Scotland Yard.
01:11:50Yes, they're still here.
01:11:53Good, Inspector.
01:11:54Hold them till I get there.
01:11:55The man is probably Jack the Ripper.
01:11:56We'll be over in a few minutes.
01:11:59Sounds like the man we're after.
01:12:00Come on.
01:12:01Oh, but Inspector, you won't run me.
01:12:03Certainly we will.
01:12:03And you too, sir.
01:12:06Come on, Jones.
01:12:13Hello, Doctor.
01:12:13Still got him?
01:12:14Yes, they're still here.
01:12:15Good. Where can I see him?
01:12:16In here, if you like.
01:12:17Nurse, bring them in.
01:12:18But, Doctor.
01:12:19Don't worry.
01:12:20They won't eat you.
01:12:21Follow me, will you?
01:12:22Thank you, Doctor.
01:12:28This way, please.
01:12:29You mean everybody?
01:12:30Yes.
01:12:31Kids, for the last time, you're looking on me as a poor man.
01:12:34Come on, let's get the fortune.
01:12:35Come on, all of us.
01:12:36I can't understand this extraordinary idea of trying to slash chairs.
01:12:38Here they are.
01:12:40Now for the fortune.
01:12:48Hey, what are you doing here?
01:12:49Just assisting the law.
01:12:51Is this George Withers?
01:12:52No.
01:12:53That one.
01:12:54Is he the man who tried to buy the chairs?
01:12:56Yes, that's him.
01:12:57George Withers, I arrest you for malicious damage to property.
01:13:00This is the man you want to arrest.
01:13:02He's trying to steal this fellow's legacy.
01:13:03What?
01:13:04Me still.
01:13:06A solicitor of my repute.
01:13:07What a ridiculous suggestion.
01:13:09It's true.
01:13:09You know it is.
01:13:10Yes, of course it is.
01:13:11In any case, why slash chairs?
01:13:13Well, because man's fortune was left in one of them.
01:13:15Oh, come on.
01:13:15Think of a better excuse than that.
01:13:17If you want proof, have a look at the x-ray of the goat.
01:13:19He swallowed the last chair.
01:13:20Have you got the x-ray?
01:13:21Yes.
01:13:22Better give me the goat.
01:13:23One or two people here don't trust.
01:13:24This will prove whether I'm telling the truth.
01:13:26Come on, Doctor.
01:13:27Show it.
01:13:27Right.
01:13:28I'll put it on the frame.
01:13:31All right, nurse.
01:13:33Look, George, look.
01:13:34The treasure.
01:13:37Depends what you call treasure.
01:13:39Corkscrew?
01:13:40Nails?
01:13:40Beer opener?
01:13:42Pair of scissors?
01:13:43What are you trying to do?
01:13:44Well, I thought...
01:13:45Come on.
01:13:46No, no, you can't do that.
01:13:47Can't I?
01:13:48Come on.
01:13:48Leave him alone. He hasn't done anything.
01:13:50I've done nothing.
01:13:51But why?
01:13:52I don't make a mistake.
01:13:53I never make a mistake.
01:13:54Come on.
01:13:55I'm not coming.
01:13:56You're not coming quietly?
01:13:57Send for the police van.
01:13:58Get out, will you?
01:13:59Pardon me, my white ship.
01:14:00You can't go until you see the house, Sergeant.
01:14:03Oh, can't I?
01:14:04What's the idea?
01:14:05Who is he?
01:14:05The cat brought in last night after a rough house at some theatre.
01:14:08My ship, the Bumblebee, leaves Dock at six o'clock for South America.
01:14:11And I'm one of the crew.
01:14:12Well, I can't help that.
01:14:13But all me gear, all me belongings is aboard.
01:14:16Oh, well, wait a minute.
01:14:17Oh, narky-narky!
01:14:18All right.
01:14:19Let him go.
01:14:20Thanks, governor.
01:14:21I'll bring you back a parrot.
01:14:22So long.
01:14:24Here.
01:14:25Which is the way to Tilbury?
01:14:26Get a coat from the corner.
01:14:27Thanks very much.
01:14:28Inspector.
01:14:29Inspector.
01:14:29I hope I haven't done wrong.
01:14:31Why?
01:14:31What's the matter?
01:14:32There were actually seven chairs.
01:14:33What?
01:14:34How many?
01:14:35Seven.
01:14:36You told me six.
01:14:37Well, that's what Flory told me.
01:14:38Yes, but...
01:14:38I sold one privately.
01:14:40Who to?
01:14:41That sailor who just got out.
01:14:42Well, that's the chair that's got the money in it.
01:14:44It must be on the Bumblebee.
01:14:45We must hurry up before it fails.
01:14:46Oh, no, you don't.
01:14:48Excuse me, Inspector.
01:14:49You won't want me any more, will you?
01:14:50Oh, no, thank you, Mr. Drayton.
01:14:52Well, look, he'll get there first and get the money.
01:14:54What, Mr. Drayton?
01:14:55No, I understand.
01:14:55He's a dirty crook, I tell you.
01:14:57Here.
01:14:57Don't let him go.
01:14:58Oh, let me go.
01:14:59Oh, no, you're staying here, too.
01:15:01Please, speaking the truth.
01:15:02Stop!
01:15:03I want that child.
01:15:04Why, who are you?
01:15:05No, no, no, please.
01:15:06Here's the warrant.
01:15:07Oh, don't let them take her, please.
01:15:09Look, if you'll give us till tonight, we'll get the money.
01:15:10We've heard that tale before.
01:15:12Yes.
01:15:13Well, this warrant is all in order.
01:15:14You'd better take the child away.
01:15:15Go away.
01:15:16I'll go invite you.
01:15:17Don't let them take her away, please.
01:15:19Come along to the orphanage.
01:15:20I don't want to go in the orphanage.
01:15:23Get out of there, my way.
01:15:24Stop it!
01:15:29Stop it!
01:15:30I've got to get her.
01:15:31Oh, no, I've got to get her, sir.
01:15:32Ah!
01:15:34Ah!
01:15:35Ah!
01:15:35Ah!
01:15:36Ah!
01:15:37Ah!
01:15:40This is all you've got to go.
01:15:42Let me go!
01:15:43Binky!
01:15:45Binky!
01:15:46Oh!
01:15:47Binky!
01:15:47Let me get out!
01:15:48Hey!
01:15:49Hey!
01:15:50Hey!
01:15:51Oh, Binky!
01:15:53Don't worry, don't worry.
01:15:55You got anything to pick the lot with?
01:15:57Let me out of here!
01:15:59Now, don't worry. I'll get you out. I'll get you out.
01:16:01Oh, the big Binky!
01:16:03He was a mech!
01:16:08Quick!
01:16:09Let's get Binky!
01:16:11Quick!
01:16:13Come on, I'll get you out.
01:16:15Hey!
01:16:16What happened?
01:16:17Let me go!
01:16:18Let me go!
01:16:20Binky!
01:16:22Binky!
01:16:22Binky!
01:16:23Binky!
01:16:24Binky!
01:16:25Binky!
01:16:26Binky!
01:16:26Binky!
01:16:29Binky!
01:16:31Binky!
01:16:32Don't worry, we'll fix you!
01:16:33The dock's where the boat is for South America!
01:16:35Quickly!
01:16:36Go on, step on it!
01:16:45Late again!
01:16:46Sorry, sir!
01:16:47Fast off!
01:16:48Fast off!
01:16:51Hey, can I do a little faster, lad?
01:16:53Step on it, little fellow!
01:16:54Go on, go on!
01:16:55A pound yourself if you can do it!
01:16:58Two pounds if you can do it!
01:17:00Go on, men!
01:17:02Faster, faster!
01:17:03Three pounds!
01:17:09Now, you keep blatant back while you're the dirty work!
01:17:11Right!
01:17:16Oh, my God!
01:17:18Oh, Manny, you're not going, Manny!
01:17:20Ah!
01:17:20He's doing it on me!
01:17:21Oh, Manny!
01:17:27Oh, you'll make me go!
01:17:28I'll have you up for assault!
01:17:30I'll go in on that one, Chef!
01:17:31What's the prison, my man?
01:17:33Go!
01:17:39Bye!
01:17:41Max!
01:17:46Say hi, George!
01:17:48It's all right!
01:17:49They're fixed if it won't be here anymore!
01:17:51It's a long way to South America!
01:17:52I'll have to make it a hundred percent!
01:17:54Hey!
01:17:55Ta-da!
01:17:56Ta-da!
01:17:56Good boy!
01:17:57Aye, I want you here!
01:17:59Well, that's that.
01:18:00Oh, that's all right!
01:18:01Max is going to get the churn.
01:18:02He's only taking a hundred percent.
01:18:04Then we can have the rest.
01:18:04There won't be any rest.
01:18:06A hundred percent means he gets the lot!
01:18:08What?
01:18:10Don't we get any money at all?
01:18:12A penny!
01:18:14I never thought Max would do that on me.
01:18:16Well, I did.
01:18:20Aye, look!
01:18:21The boat's going on!
01:18:22They're on board!
01:18:24George, look who's here!
01:18:25I want a boat in there!
01:18:26Quick!
01:18:27Aye!
01:18:28Who's going to pay my fare?
01:18:30Drive us to Murphy's Pawn, Chef.
01:18:32Come on, Polly.
01:18:33Aye, there they are!
01:18:43Hey!
01:18:44What about this fare?
01:18:45I'll not be long.
01:18:46I'm going in for the money now.
01:18:48Oh.
01:18:48Now, Miss, you get back in the cab
01:18:49till he pays me.
01:18:51Calling it from the ransom.
01:18:56Ah, it's you, is it?
01:18:57I thought she'd come back.
01:18:58I'll take the 14 shillings, Mike.
01:18:59Ah, let's look.
01:19:00Ah, that's it, yes.
01:19:01Come on, hurry up.
01:19:02All right, now.
01:19:03I'm doing you a great favor
01:19:04in paying you out this money.
01:19:05Come on in, Dad.
01:19:06Your supper's waiting for you.
01:19:07That's all right, darling.
01:19:08I'll be there in a minute.
01:19:08Oh, hello.
01:19:09Hurry up, Mike.
01:19:10Holy flywoods, you hurry!
01:19:11Wait a minute, you'll be wanting a ticket.
01:19:13Never mind the ticket.
01:19:30Look, Mike, where did you get that chair?
01:19:33My old sailor friend sold it to me last night.
01:19:36Who?
01:19:37My old sailor friend.
01:19:39Sailor?
01:19:40Can I buy it?
01:19:41Why, of course you can.
01:19:43Will you take the 14 shillings for it?
01:19:45Ah, the price is on the chair, 15 shillings.
01:19:47Yes, I know, but will you let me owe you a shillings for one day?
01:19:50I'll not let you owe me anything.
01:19:52Oh, Mike, look, for five minutes.
01:19:54Not for a minute.
01:19:55Get out of my shop, I tell you.
01:19:56I want me supper.
01:19:57Please, Mike.
01:19:58Will you go out now?
01:20:00Well, look, for five minutes, will...
01:20:02Will you go out of my shop before I throw you out now?
01:20:05Five minutes, wait.
01:20:05Holy fly, get out of this, I say.
01:20:07Let that alone.
01:20:08Get out of this.
01:20:09Will you lend me a shillings for five minutes, please?
01:20:11What?
01:20:12Me lend you...
01:20:14With 16 bob on the clock, he'll...
01:20:16Me!
01:20:17All right, shall I do, brothers, shall I?
01:20:19What's that?
01:20:20I don't know.
01:20:21I'm sure it'd be a poor crumb on us to turn in his grave.
01:20:25Don't you again?
01:20:28You back again?
01:20:29Go away!
01:20:30I want my supper.
01:20:31Go away, I say.
01:20:32Will you go away?
01:20:33Oh, glory be.
01:20:35Come in then, now.
01:20:37Oh, look, Mike.
01:20:38Are them worth a shilling?
01:20:39Mm, yes.
01:20:41Good.
01:20:41That's 14 shillings.
01:20:4314 and one's 50.
01:20:44Is the chair mine?
01:20:45Yes.
01:20:46My property?
01:20:47Yes.
01:20:47Good lad, Mike.
01:21:05Mike, look!
01:21:11One dollar!
01:21:15What?
01:21:15Oh....
01:21:16Money!
01:21:17Money!
01:21:19Money!
01:21:20Money!
01:21:20Come on, I've got it!
01:21:22Max, it's mingy...
01:21:24George! You got it! It's a fortune!
01:21:28You're rich!
01:21:36Will you marry me, Flurry?
01:21:38If you had me!
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