- 2 days ago
First broadcast 26th January 1984.
Newlyweds Samantha and Robert Miller emerge from the church to the sound of cheers.
Hayley Mills - Samantha Miller
Gary Collins - Howard Heston
Joyce Carey - Liza Meredith
David Warbeck - Robert Miller
Jeremy Bulloch - Tom Manners
Jonathan Elsom - John Stratford
Ronald Mayer - Dr. Lambert
Barrie Fletcher - Det. Serg. Sullivan
Richard Beaumont - Heston as a Child
Candida Brown - Samantha as a Child
Newlyweds Samantha and Robert Miller emerge from the church to the sound of cheers.
Hayley Mills - Samantha Miller
Gary Collins - Howard Heston
Joyce Carey - Liza Meredith
David Warbeck - Robert Miller
Jeremy Bulloch - Tom Manners
Jonathan Elsom - John Stratford
Ronald Mayer - Dr. Lambert
Barrie Fletcher - Det. Serg. Sullivan
Richard Beaumont - Heston as a Child
Candida Brown - Samantha as a Child
Category
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TVTranscript
00:00:28Satsang with Mooji
00:00:50Congratulations, you look great.
00:01:00Congratulations.
00:01:02Much happiness to you all. Have a nice time.
00:02:11Darling. Darling give me a hand with this will you?
00:02:15I prefer zipping you down to zipping you up.
00:02:18I'm sure I don't know what you mean Mr. Miller.
00:02:21And the hook and I at the top please.
00:02:24You're suspiciously good at all that Rob my darling.
00:02:27I read a lot Mrs. Miller.
00:02:35Oh Rob. Who do you think could have done that?
00:02:38Weddings have a strange effect on some people.
00:02:40There's always an idiot that goes too far.
00:02:43Now come on. Forget it.
00:02:45Hope we haven't got paint on Aunt Liza's bedspread.
00:02:47Come in.
00:02:49I've come to borrow Samantha.
00:02:51Samantha my darling your presence is required.
00:02:53Jack wants some shots with the bridesmaids okay?
00:02:55You go under. I'll be down in a minute.
00:02:56Oh our first separation.
00:03:03Tom.
00:03:06Tom anything?
00:03:07Well I've been having a look round Bob.
00:03:09I'm sure it's none of our crowd.
00:03:12Probably some village joker.
00:03:15Yes that's what I told Samantha.
00:03:19I'll join you in a minute yes?
00:03:21Hmm?
00:03:22Oh.
00:03:23No hurry.
00:03:25After all.
00:03:26You've got her for the rest of your life you lucky devil.
00:03:29I'm only best man for the day.
00:03:35And I saw her first.
00:03:59Hey, watch the paint work you vandals.
00:04:05Come in.
00:04:07Not disturbing you am I Robert?
00:04:10Aunt Liza.
00:04:11Of course not.
00:04:14Now then.
00:04:15How are you going to manage here all by yourself?
00:04:18I mean this huge house on the farm.
00:04:20I'm terribly capable Robert.
00:04:22That's why I've never married.
00:04:24Frightened them off.
00:04:25That was because of Samantha you never married.
00:04:28You know you've given all your life to her.
00:04:30Now you're going to miss her terribly.
00:04:32You're not taking her to the moon are you?
00:04:34I can still see her once in a while.
00:04:36Can't I?
00:04:37Anyway.
00:04:38I'm glad to get her off my hands.
00:04:40And don't such good ones.
00:04:42It's not all fun being father and mother for 20 years
00:04:46to a highly strung girl like Sammy.
00:04:48Aunt Liza you have done a wonderful job and you know it.
00:04:51Now don't worry.
00:04:52I'm not worried.
00:04:54At least I wouldn't be if only.
00:04:58If only what?
00:05:05It's just that I can't ever quite forget
00:05:09that her mother and father were killed in a dreadful accident
00:05:12and what a terrible effect it had on her.
00:05:15And I'm a bit of a speed fan myself.
00:05:17Well you're not the slowest driver I've ever met Robert.
00:05:20And those French roads.
00:05:21Aunt Liza with Samantha on board
00:05:22I'll drive like a little old lady on her way to Evensong.
00:05:26How's the house coming?
00:05:28Well hopefully the alterations will be finished by the time we get back.
00:05:32I'll get the wedding presents over there for you while you're away.
00:05:35Oh Aunt Liza you are a doll.
00:05:37Thanks.
00:05:49Why are we waiting?
00:05:53Why are we waiting?
00:05:58You're a doll.
00:06:13Yhea!
00:06:14Why are we waiting?
00:06:16Why are we waiting?
00:06:20Why are we waiting?
00:06:21Well, I love you.
00:06:30Come on, Robert, so slow.
00:06:33Come on, Robert, so slow.
00:06:35Come on, Robert, so slow.
00:06:36Come on, let's get it into here.
00:06:43Come on.
00:07:10Come on, Robert.
00:07:24Come on, Robert.
00:07:50It's perfect.
00:07:52A windmill.
00:07:54I've always wanted a windmill, ever since I was a kid.
00:07:58I'll take it.
00:08:00Splendid.
00:08:00And for how long, Mr. Heston?
00:08:02That's hard to say.
00:08:03Depends on how things go.
00:08:04A year, maybe indefinitely.
00:08:14I'm sure you won't regret taking the arts, Mr. Heston.
00:08:17Now, what about domestic help?
00:08:20I can probably get someone from the village to come.
00:08:22I'm a long-time bachelor, Mr. Stratford.
00:08:25I like solitude.
00:08:27I can handle most things myself.
00:08:31Almost everything, in fact.
00:08:36Hello!
00:08:37Hello!
00:08:39Is that a fair sample of the local scenery?
00:08:41Oh, you're a bit late there, I'm afraid, Mr. Heston.
00:08:43They're just back from their honeymoon.
00:08:44But they bought a house in the village.
00:08:45They'll be neighbors of yours.
00:08:46Oh, good.
00:08:47That's, uh, chummy.
00:08:49Mm-hmm.
00:09:08All right, Mrs. Miller.
00:09:10Look at the Harley.
00:09:15It's gonna be a hard winter.
00:09:31No!
00:09:33No!
00:09:34No!
00:09:35No!
00:09:39Don't leave over the threshold.
00:09:40You don't have to carry me all over the house.
00:09:43Oh!
00:09:43Oh!
00:09:44Oh, thank goodness for that.
00:09:46Must be all that, uh, pasta you ate in Venice.
00:09:49Oh, I hate you.
00:09:50I hate you.
00:09:52I hate you.
00:09:58I hate you.
00:10:01Oh, isn't it wonderful to be home, my darling?
00:10:05I think I'd better pull those curtains.
00:10:16Happy homecoming!
00:10:18Tom, you fool!
00:10:19Oh!
00:10:20Oh, you frighten me.
00:10:22No, it's quite enough of that, thank you.
00:10:23Best man's privilege, old boy.
00:10:25Oh, well, that covers one chase kiss after the wedding and not a ticker for life.
00:10:29Happy homecoming!
00:10:30Happy homecoming!
00:10:31Oh, life!
00:10:32That's lovely!
00:10:34Oh, darling!
00:10:36Well, we don't want your cooking breaking up the marriage for this day back.
00:10:41Yes to both of you.
00:10:42Here are, Sammy.
00:10:43Some for Aunty.
00:10:44Thank you, Thomas.
00:10:45Oh, Tom.
00:10:47Right.
00:10:48Cheers.
00:10:49Oh, yes.
00:10:49Cheers.
00:10:50Did you have a good time?
00:10:52Really, Thomas.
00:10:53Oh, sorry.
00:10:54What was the weather like?
00:10:56Oh, sorry.
00:10:57You'd have no idea, would you?
00:10:58Well...
00:10:59Did you sleep well?
00:11:01Well, I think we should...
00:11:03I'm sorry.
00:11:04More champagne.
00:11:05Well, just...
00:11:07Let him...
00:11:08Oh, my dear.
00:11:10What a lovely...
00:11:11What a lovely...
00:11:20See you.
00:11:21See you.
00:11:21Thanks a lot.
00:11:21Bye.
00:11:22Bye-bye.
00:11:23Bye-bye.
00:11:24Bye-bye.
00:11:25Bye-bye.
00:11:26See you.
00:11:31Thanks a lot.
00:11:33Bye.
00:11:35Bye-bye.
00:11:40Take care.
00:11:41I forgot to offer them some wedding cake.
00:11:43Well, it's traditional, isn't it?
00:11:45Well, I had some at the wedding.
00:11:47What is it?
00:12:10Oh, look at this.
00:12:13Good old Uncle Ben.
00:12:14I've always wanted one of those.
00:12:16Whatever it is.
00:12:21Oh, how about this then?
00:12:24From my partners.
00:12:26Oh, that's good.
00:12:28That's very good.
00:12:30That's a throwing ornament.
00:12:32Every marriage needs a few of those.
00:12:35Oh, and a toaster.
00:12:37Now there's a good practical idea.
00:12:48That looks nice.
00:12:49Who's it from?
00:12:50It doesn't say.
00:12:51But it's addressed to me.
00:12:53Just me.
00:12:54In my maiden name.
00:12:55Oh.
00:13:00Oh.
00:13:05Who on earth would send a thing like that?
00:13:09Why?
00:13:11For the pitter-patter of tiny fists.
00:13:15Is there only one?
00:13:18I'm curiouser and curiouser.
00:13:20What's that?
00:13:24Looks like some sort of stain that's never been washed out.
00:13:28And the fingers, they're grubby.
00:13:30It's been worn.
00:13:32Who's it from?
00:13:53What's the pitter-patter of tiny fists?
00:14:00What's the pther-patter of tiny fists?
00:14:01We're seeing half a million once in the distance.
00:14:01I don't know.
00:15:04oh Liza it's fantastic he's just like Christmas when I was a little girl isn't
00:15:13she's sweet. oh and him isn't he divine. look at this and look at that. what on earth did I
00:15:31see in it?
00:15:33isn't it funny how completely one forgets? all these marvelous things.
00:15:45marbles! I don't think I ever played marbles did I?
00:15:57what's that?
00:16:01it's not my day for opening things. oh Liza! this must have been my favorite.
00:16:09what? that. yes it was. I thought so.
00:16:27I can't get that open.
00:16:30it's stuck.
00:16:31oh there we are.
00:16:38what do you think this is? it doesn't seem to open. oh I remember that. it's a music box.
00:16:44I think there's some deep secret about how to open it. I never could do it but you could do
00:16:52it every time.
00:16:53oh it's infuriating. it's all gone.
00:16:57do you know I can't remember any of it.
00:17:01you put the chest away the day your parents were killed.
00:17:05you were only five.
00:17:07and when you finally understood you thought the world had come to an end.
00:17:12perhaps that had something to do with it.
00:17:15yes.
00:17:17yes perhaps.
00:17:22I brought you some of these.
00:17:24I baked them last night.
00:17:27Robert's right.
00:17:28you always have spoiled me.
00:17:30I've left some in the kitchen.
00:17:32you can tell Robert you baked them.
00:17:37oh I must fly.
00:17:40oh must you? yes.
00:17:41I'm due at a red cross subcommittee at 11 30.
00:17:45that terrible commander Lewis is giving trouble again.
00:17:49thinks he's running a battleship.
00:17:51now you finish your tea.
00:17:53I'll let myself out. all right.
00:17:55give my love to Robert.
00:17:56I will. bye Liza.
00:17:58bye darling.
00:18:32golly.
00:18:34mm.
00:18:36dinner's ready.
00:18:39good it's ready now just a minute what did i just say i said the first proper meal i've ever
00:18:49cooked
00:18:50for you with my own fair hand is finally ready and i expect a little more sense of occasion
00:18:54i'm sorry sweetheart hey sorry i was uh seduced by your lurid past oh yes i bet you were sensational
00:19:05when you were five i mean horse woman uh-huh suits you thank you an artist oh it's the same
00:19:18as the
00:19:18other one yes well it certainly looks like it's identical it's the other half of the same pair
00:19:28look that's the left this is the right yeah it's got the same spot in each palm
00:19:44is that your handwriting i don't think so anyway i don't think even i could write at five
00:19:54i think somebody's pulling our legs and i think i've got a fairly good idea who it is
00:20:01wedding cake gloves love notes look you better tell your delicious bride she's been putting too
00:20:07much sherry in the trifle oh by the way give her my love won't you hmm no no nothing to
00:20:16do with me
00:20:17cross my heart hope to die all right i believe you millions wouldn't it seemed just about on your lofty
00:20:24level that's all all right tom bye
00:20:32no he says not i still say he fancies you
00:20:47no there's no here
00:21:06no
00:21:06no
00:21:14Oh, my God.
00:21:37I'm sorry. I didn't mean to startle you.
00:21:40Oh, that's all right. I just wasn't expecting anybody.
00:21:43I'm Howard Heston from the Windmill.
00:21:45How do you do? Yes, I had heard an American attainment.
00:21:49Now, I know this is a heck of a way to introduce myself,
00:21:51but, well, weekend visiting with neighbors is kind of a custom where I come from.
00:21:55I'm not quite sure of the form. Maybe I should have waited for you to call.
00:21:58Oh, no, no. Look, I was just going to make some coffee. Would you like some?
00:22:02Fine. Thank you, Samantha.
00:22:04That is your name, isn't it?
00:22:06Samantha. Mrs. Samantha Miller.
00:22:09Yes. Yes, that's right.
00:22:11I shall give you a minute.
00:22:47It's a music box. Aunt Liza thought it was.
00:22:51Do you know we've spent hours trying to open that? How did you do it?
00:22:54There's a secret. Look, I'll show you.
00:22:58Slide this. Turn the light. And presto.
00:23:03Well, but how did you know?
00:23:05I had something like it when I was a child.
00:23:08Strange, isn't it? The kind of things that one remembers from his childhood
00:23:12and the kind of things that one forgets.
00:23:14Yes. Yes. Do you take cream and sugar?
00:23:17Please.
00:23:22It's a mystery, don't you think?
00:23:24What's that?
00:23:25Being young. Growing up.
00:23:28The child embedded in the man.
00:23:30Like a diamond in a rock.
00:23:35I've never thought very much about my childhood.
00:23:37I don't remember much of it.
00:23:39I do.
00:23:41I remember everything about mine.
00:23:43Everything.
00:23:44I remember certain days.
00:23:46Certain playmates.
00:23:49Oh, that's Robert, my husband.
00:23:51Excuse me.
00:23:52Yes.
00:23:54Yes.
00:24:38Donnie, this is Mr. Heston.
00:24:40Howard, please.
00:24:40Howard, and this is my husband, Robert.
00:24:43Yes, I kind of guessed that.
00:24:44How do you do?
00:24:45How do you do?
00:24:46Well, what did you shoot?
00:24:47Oh, the high 80s.
00:24:49Disaster, really.
00:24:50There's a long one before the 12th.
00:24:52A dog leg with trees to the right.
00:24:54Robert, hi.
00:24:55Perhaps Mr. Heston is a golfer.
00:24:58No, no, I'm afraid not.
00:24:59I have to agree with that old bishop of yours.
00:25:02What's his name?
00:25:03He defined golf as a game of propelling a small ball into a hole
00:25:07with the aid of instruments singularly ill-fitted for the purpose.
00:25:11Yes, he's probably a rotten theologian, too.
00:25:13Probably.
00:25:15What's your line of country, Mr. Heston?
00:25:16My what?
00:25:17What do you do for your living?
00:25:19Oh, banking business.
00:25:20First Chicago Incorporated.
00:25:22Ah, and what does First Chicago want that we have got?
00:25:24I'm looking into the possibility of a few tie-ups over here.
00:25:27Oh, well, perhaps I can help you with some context.
00:25:29That's very nice.
00:25:31Now, you'll stay at lunch, yes?
00:25:32No, no, no.
00:25:32I don't want to be any bothered.
00:25:33Yes, do, do.
00:25:34I'll go and see how it's getting on.
00:25:35Can I get you a drink?
00:25:36Your wife just gave me some coffee.
00:25:38Ah, well, I've never heard that they're incompatible.
00:25:40Scotch?
00:25:40Fine, fine.
00:25:43Is that car of yours as good as it looks?
00:25:47It's the best.
00:25:48Ah, well, I don't know about that.
00:25:49All right.
00:25:50I know yours is a very sophisticated animal.
00:25:53Cheers.
00:25:53Cheers.
00:25:54But to tell the truth, there's a certain raw, brute power about that monster of mine out
00:26:00there that's something else.
00:26:02I'll take you for a spin in it.
00:26:03Or better yet, you take it out yourself.
00:26:05Well, I'd like to think you meant that.
00:26:07I do.
00:26:07I'm very serious.
00:26:08Well, it's a very kind offer.
00:26:10No, I insist.
00:26:11When?
00:26:11Well, I haven't thought of an exact time when...
00:26:14Anybody home?
00:26:14When?
00:26:16Oh.
00:26:16Aunt Liza.
00:26:17I'm disturbing you.
00:26:18No, no, no, no, of course not.
00:26:21You're just on time.
00:26:23Time?
00:26:24Yes, time to lunch.
00:26:25You are staying, aren't you?
00:26:28Oh, I'm sorry.
00:26:29Uh, Mr. Howard, I'd like you to meet Eliza Meredith.
00:26:33Samantha Zander, my very good friend.
00:26:34How do you do?
00:26:35Howard's bought the old milk.
00:26:37Can I get you a drink?
00:26:38Just a little cherry, please.
00:26:39Yes, right.
00:26:40Yes, yes.
00:26:43Are you over here for long, Mr. Heston?
00:26:45Well, that's hard to say.
00:26:46It, uh, really depends on how things go.
00:26:50Have you been here before?
00:26:51No.
00:26:52Oh, thank you.
00:26:53No, and I must say, now that I've seen it, I'm sorry I waited so long.
00:26:56What made you choose this part of the world?
00:26:59Well, to tell the truth, that...
00:27:01Oh, Liza.
00:27:02Oh, royal punctuality as ever.
00:27:04How lovely to see you.
00:27:06Won't you sit down?
00:27:09You know something?
00:27:11I'm going to have to deny myself the pleasure of having lunch with you today.
00:27:14It was you mentioning punctuality.
00:27:16I've suddenly realized I made an appointment to meet a builder at the mill.
00:27:20Oh, that is a pity.
00:27:21Oh, yeah.
00:27:21Well, perhaps some other time, then, yes?
00:27:23I'd like that.
00:27:23Yes, promise.
00:27:24Promise.
00:27:25And I always keep my promises.
00:27:28Don't you?
00:27:29Of course.
00:27:30Goodbye.
00:27:34I'm sorry.
00:27:48What was he doing here?
00:27:50Well, he just dropped by, evidently.
00:27:53Good neighbor policy.
00:27:54You know, the Americans are so much better at that kind of thing that we are.
00:27:57Nice chaps, don't you think?
00:27:58Yes, he certainly is.
00:28:00Just dropped by to make himself known.
00:28:03Is that all?
00:28:05Well, of course that's all.
00:28:07What's up with you, Liza?
00:28:08You look as if you've seen a ghost.
00:28:10I don't know.
00:28:11You seem familiar.
00:28:13Can't think why.
00:28:15Well, because he's so friendly, so outgoing.
00:28:17I mean, five minutes and a chap offers to lend you his car.
00:28:19What?
00:28:20He offered to let me drive his car.
00:28:22You're not going to.
00:28:24Well, I'd like to think that there really is the chance, but he'll probably forget.
00:28:27Oh, don't worry.
00:28:28He won't forget.
00:28:30He isn't the type to forget.
00:28:58He's the type to forget.
00:29:09It's time to put away the toys.
00:29:15Rob, have you ever experienced something or seen somebody and suddenly you know you've
00:29:23been through the whole thing before?
00:29:26Yeah, the French call it déjà vu.
00:29:30Why?
00:29:30What is it you think you've seen before?
00:29:33That's just it.
00:29:34I don't know.
00:29:37But whatever it is, it's something.
00:29:44Something...
00:29:46Oh, now I'm just being silly.
00:29:50Be it more often.
00:29:53Did you really like him?
00:29:55Who?
00:29:57Heston.
00:29:57Howard.
00:29:59Oh, yes.
00:30:00He seemed a nice enough chap, yeah.
00:30:02Anyway, we'll soon find out.
00:30:05What?
00:30:06Well, didn't he strike as being the sort of chap who's likely to drop by often?
00:30:12Yes.
00:30:13Come on, Mrs. M.
00:30:15Bed.
00:30:40And you can really get it to 60 in just over six seconds.
00:30:44I tell you, it's like a kick in the back.
00:30:46And then it just moves like a jet.
00:30:48Yeah, but what's she like when she gets near the limit?
00:30:49At the limit, a clam.
00:30:51A clam.
00:30:52No misbehavior.
00:30:53I think...
00:30:53Now, I wouldn't kid you...
00:30:54That's exactly half an hour that you two have been talking about motor cars.
00:30:57Sorry.
00:30:58Motor car.
00:30:59How is it?
00:30:59If what he says is true, it's like some kind of super beast.
00:31:01Oh, now, don't just take my word for it, Robert.
00:31:04Come on, you've been dying to try it, haven't you?
00:31:06And I did promise you.
00:31:07Yeah, well, I couldn't really.
00:31:08Be my guest.
00:31:10Of course, if you're tired.
00:31:13You're on.
00:31:14Coming?
00:31:14No, I just spoil it for you, and I trust you.
00:31:17Oh, Samantha, how'd we're not waiting while...
00:31:20Sorry.
00:31:20My insurance will cover you to drive and not the passenger.
00:31:25Besides, you've seen through my little ploy, haven't you?
00:31:27I'm getting rid of you so I can spend some time with Samantha.
00:31:31And besides, the way that car moves, you'll be back here in a couple of minutes.
00:31:34I wouldn't bank on that.
00:31:35Bye, darling.
00:31:36Darling, please drive carefully.
00:31:37Mmm, of course.
00:31:39Take it easy.
00:31:40Bye.
00:31:43How about another drink?
00:31:45Oh, yes, of course.
00:32:03Recognise it?
00:32:06It's an old Austin, isn't it?
00:32:08Yes.
00:32:09I made it when I was a child.
00:32:11I was a teddy bear girl myself.
00:32:13Yes, I know.
00:32:15The moment I saw you, I said to myself, now there's a teddy bear girl.
00:32:20Did you?
00:32:32It's people that hold you back.
00:32:36You choose a path, know where you're going, what you want to do, and then they push you the other
00:32:40way.
00:32:41People.
00:32:43Grown-ups.
00:32:44Grown-ups?
00:32:45Yes.
00:32:46Oh, Samantha, haven't you ever considered how easy and just straightforward things are when you're a child?
00:32:53Oh, yes.
00:32:54The whole world's clear.
00:32:55It's simple.
00:32:56And then, and then they move in, the grown-ups.
00:33:00But you grow up too, don't you?
00:33:02Yes.
00:33:03Yes, that's inevitable.
00:33:05But if you're strong, if you're really strong, you don't forget that original purpose.
00:33:13You stay true to it.
00:33:15You have to.
00:33:18It's like first love, Samantha.
00:33:20You never really forget that, do you?
00:33:23No.
00:33:24No, I suppose not.
00:33:27I knew you hadn't.
00:33:41See, for a while back, back in the States, I was, I was ill.
00:33:47Nothing serious.
00:33:48I'm, I'm, I'm fine now.
00:33:50But I had a lot of time on my hands.
00:33:55Time to think and time to remember.
00:34:00That's a, that's a good thing and a bad thing.
00:34:04Not the memories.
00:34:05They, they've always been so sweet.
00:34:12But, to, to remember and, and not be able, and, and not be able to have, or to touch because
00:34:22of people getting in your way.
00:34:24I'm sorry.
00:34:25I don't, I don't understand.
00:34:26It's, it's simple, really.
00:34:30If someone gets in your way, don't let them.
00:34:42It's not true, is it?
00:34:43Tell me it's not true.
00:34:44I won't believe it.
00:34:45It isn't true.
00:34:46It can't be true.
00:34:48It can't be true, Lyser.
00:34:49I won't believe it.
00:34:50I won't believe it.
00:34:51I don't know.
00:34:53It's all over.
00:34:54It's all over.
00:34:56You can't, you can't, you can't, Lyser.
00:34:58Not Robert.
00:34:58My darling.
00:35:00You can't.
00:35:02You know, I, I don't know.
00:35:04I just, I, I just feel so, so responsible, but he was used to fast cars.
00:35:10That'll be the doctor.
00:35:11Let him in.
00:35:12The doctor.
00:35:14Oh, my sweetie.
00:35:15Now I've got you.
00:35:21Oh, now, now, now, shh.
00:35:33Where's the bedroom?
00:35:34I'll show you.
00:35:35Oh, now...
00:36:02I'll show you.
00:36:09how is she how would you expect
00:36:14i think it would be better if you left she shouldn't be left alone she won't be alone
00:36:19i shall stay with her i'm all she's got now yes yes you are when she quiets down i'd like
00:36:27to
00:36:27explain i shouldn't think she'd want you anywhere near her it wasn't my fault he was an experienced
00:36:36driver it's not fair to blame me that may well be true but life very often isn't fair there's no
00:36:43logic in these things mr heston quite frankly i wish this family had never laid eyes on you
00:36:54good day
00:36:54that may be
00:36:55good
00:37:04good
00:37:06good
00:37:06good
00:37:08good
00:37:53Samantha.
00:37:56I... I had to see you with... without your aunt.
00:38:00She... she... she blames me.
00:38:03It wasn't your fault.
00:38:05Oh, I... I know, but I... I feel involved all the same, and I want to help.
00:38:12You should get away from here.
00:38:15Leave... leave this house.
00:38:17I've got someplace you could go, and I'd be happy to take...
00:38:20That won't be necessary, Mr. Heston.
00:38:22It's all arranged.
00:38:24Samantha's coming away with me at the end of the week after the funeral.
00:38:27We should be leaving the country for a while.
00:38:30Leaving the country?
00:38:31I think it best.
00:38:32And I'd be obliged if you wouldn't come here again before we leave.
00:38:35Well, I'd... I'd like to hear what Samantha has to say about that.
00:38:39Isn't it time you went back to America?
00:38:41Surely your bank must be missing you.
00:38:44My... my project isn't finished yet.
00:38:46You did say it was first Chicago, didn't you?
00:38:49Funny.
00:38:50A friend of mine does a lot of business with them.
00:38:53He says they can't quite recollect you.
00:38:56Well, it's... it's a large company.
00:38:58There are many divisions.
00:38:59No doubt.
00:39:01And now, if you'll excuse us,
00:39:05I don't think we shall be seeing you again.
00:39:08Samantha, if...
00:39:09if you need anything,
00:39:12please call me.
00:39:27Is this the last of them?
00:39:28Yes, Tom.
00:39:30This will have to go on the back seat, this one.
00:39:32I think I was moving house
00:39:33instead of just going on a trip.
00:39:35Women's privilege.
00:39:36God bless them.
00:40:27All stirred away, princess.
00:40:28All stirred away, princess.
00:40:30Oh, thank you, Tom.
00:40:33Honestly, I don't know what I would have done without you.
00:40:35You sure you wouldn't like me to run you to the airport?
00:40:37Quite sure.
00:40:38Aunt Liza's just locking up her house
00:40:39and then she'll come along and collect me.
00:40:41All right, fine.
00:40:43I'll be off then.
00:40:45Bye.
00:40:45Bye.
00:40:48Sammy.
00:40:51Don't...
00:40:56Don't...
00:41:01Don't...
00:41:11Don't...
00:41:16Don't...
00:41:45Anybody there?
00:41:47Oh, my God.
00:44:33I'm terribly sorry, but with carbon monoxide poison...
00:44:36But I don't understand how it could have happened.
00:44:40I must ask you, can you think of anyone who'd want to do this?
00:44:44To Aunt Liza?
00:44:46Oh, no.
00:44:48Oh, no.
00:44:48No, no, no, I can't.
00:44:57Yes.
00:44:58Yes.
00:44:59Yes, darling, I'm here.
00:45:00What is it?
00:45:05Do you want something?
00:45:08What is it you want?
00:45:11What?
00:45:12This?
00:45:13Do you want this?
00:45:15What?
00:45:18Draw.
00:45:22Draw.
00:45:24Draw.
00:45:30This?
00:45:33This?
00:45:35This?
00:45:35This?
00:45:36This?
00:45:38Do you find anything?
00:45:39Oh, my God.
00:45:39Yes.
00:45:41No.
00:45:48Yes.
00:45:49Yes.
00:46:08Oh, no.
00:46:11Oh, no, no.
00:46:36Oh, no, no, no, no, no, no.
00:46:48No, it's me, I suppose.
00:47:24Oh, no, no, no, no, no, no, no, no.
00:47:34Oh, no, no, no, no, no, no, no, no.
00:48:04Oh, no, no, no, no, no, no.
00:48:37Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:49:03no, no.
00:49:06Hello?
00:49:07Samantha?
00:49:08Yes?
00:49:08It's Howard.
00:49:09Howard Heston.
00:49:10Samantha, I've found out something about Robert's crash.
00:49:14I don't think it was an accident.
00:49:17Now, I've phoned Sergeant Sullivan.
00:49:18He's coming by.
00:49:19Can you get over here right away?
00:49:21All right.
00:49:22Fine.
00:49:23Fine.
00:49:23We'll be waiting.
00:49:44We'll be waiting.
00:50:06Samantha?
00:50:07Yes?
00:50:08Up here.
00:50:12It's Samantha Miller, Sergeant.
00:50:13I thought she should be here.
00:50:14I took the liberty.
00:50:31You may say it's a coincidence,
00:50:32but it seems darn funny to me.
00:50:34I mean, I know this is England.
00:50:36Mr. Heston!
00:50:37Up here, Samantha.
00:50:38Top of the stairs.
00:50:45Mr. Heston?
00:50:49Mr. Heston?
00:50:51I'm here, Samantha.
00:50:54You must find me.
00:50:57Hide and see.
00:50:58Hide and see.
00:51:00Where are you?
00:51:03Where's Sergeant Sullivan?
00:51:04You said he was here.
00:51:06I'm afraid he couldn't come after all,
00:51:08but never mind.
00:51:10He'd only have spoiled it.
00:51:13Hide and see you.
00:51:15Hide and see you.
00:51:15Finders, keepers.
00:51:16Come and find me, Samantha.
00:51:21Oh, now you're cold.
00:51:23You're very cold.
00:51:25This is bad.
00:51:28Warm.
00:51:31Warmer.
00:51:34Got me!
00:51:35What on earth are you doing?
00:51:38Where's Sergeant Sullivan?
00:51:40Guess.
00:51:41What's this news you have to tell me?
00:51:42Guess.
00:51:43I dare you to guess.
00:51:45Oh, Mr. Heston.
00:51:46Oh, come on now.
00:51:46You can do better than that.
00:51:50Oh, for heaven's sake.
00:51:57What are you doing?
00:52:03Will you open that door?
00:52:05You don't...
00:52:06You don't really want it open, Sammy.
00:52:08Mr. Heston, will you please open that door?
00:52:11And you know my name is not Heston either.
00:52:15What?
00:52:16What are you talking about?
00:52:20Try Darcy.
00:52:22Giles Darcy.
00:52:27Darcy?
00:52:30Oh.
00:52:35Now you're being cruel to me, Samantha.
00:52:39You could be very cruel to me sometimes.
00:52:44Now, you must...
00:52:46You must remember...
00:52:49Cats in his cradle, cats in his cradle, who'll wake him up, who'll wake him up?
00:53:03Giles Darcy.
00:53:05Giles Darcy.
00:53:05He was my friend.
00:53:08Years ago.
00:53:10I was more than that, Samantha.
00:53:13Much more.
00:53:14But you're not Giles.
00:53:18But you're not Giles.
00:53:18You couldn't be.
00:53:21Giles was different.
00:53:24Giles was English.
00:53:25People change, Samantha.
00:53:29Their appearance, I mean, they don't...
00:53:31They don't change in any other way.
00:53:33And it's...
00:53:34But the accent...
00:53:35Well, that depends where one's lived for the last 20 years.
00:53:40Giles went away.
00:53:43Giles went away.
00:53:43Was it to America?
00:53:45Yeah.
00:53:45You remember.
00:53:46See?
00:53:47See?
00:53:48It's all coming back.
00:53:50See?
00:53:51Now, come on.
00:53:53Come on, try.
00:53:54What...
00:53:54What else do you remember, Sammy?
00:53:55Nothing.
00:53:56Oh, come on.
00:53:57Come on, try.
00:53:58Try.
00:53:58What else?
00:53:59Nothing.
00:53:59Now, come on, you gotta remember.
00:54:00You can't have forgotten our...
00:54:03My love.
00:54:06I haven't.
00:54:08I haven't.
00:54:10Not...
00:54:10Not for a second.
00:54:17Do you remember?
00:54:19Do you remember the place in the garden?
00:54:22Hmm?
00:54:23Remember the secret place?
00:54:26The secret place that nobody else knew about?
00:54:30We went there the day of your birthday party.
00:54:35And we swore a blood knot.
00:54:38A sacred oath.
00:54:41That we'd never be part of.
00:54:44We promised to love each other forever and ever and ever.
00:54:50We mingled our blood, Samantha.
00:54:52We mingled our blood.
00:54:55Now, oh, no oath can be more sacred than that.
00:54:58I swore I'd kill anyone who tried to take you away from me.
00:55:01The glove.
00:55:03It was you, Sammy.
00:55:05Yes.
00:55:07Yes.
00:55:08Well, we each kept one, don't you remember?
00:55:11And it was...
00:55:12It was just wonderful.
00:55:15It...
00:55:16It was a symbol, Sammy.
00:55:18And I swore.
00:55:20I was gonna marry you and...
00:55:22And I'd build an ivory tower for you and I'd keep you in there like a...
00:55:25Like a princess.
00:55:26All to myself.
00:55:28Just for me.
00:55:30What?
00:55:31Look.
00:55:33Look, Sammy.
00:55:35Look, Ivory.
00:55:37All of it, Ivory and...
00:55:39I just thought about this moment...
00:55:43For so long, I...
00:55:48Can you imagine, Sammy, how I...
00:55:51How I felt when I came back and I found you about to betray me?
00:55:55Can you?
00:55:58Giles.
00:56:00Giles, we were children.
00:56:02I was five years old.
00:56:04I wanted...
00:56:05I wanted to...
00:56:10I wanted to kill you.
00:56:14That's...
00:56:15It's terrible.
00:56:17I...
00:56:19But see, then I...
00:56:21Then I...
00:56:22Then I realized that...
00:56:23It...
00:56:24It wasn't your fault.
00:56:26Oh, no.
00:56:27It...
00:56:27Wasn't yours.
00:56:30Oh, no.
00:56:31It...
00:56:32It...
00:56:33It was theirs.
00:56:36It was theirs.
00:56:37It was...
00:56:37It was his...
00:56:40And hers...
00:56:41Your husband...
00:56:43And your aunt...
00:56:44They were the ones.
00:56:46It was them that were...
00:56:48Taking you away from me.
00:56:51So I...
00:56:53Realized I...
00:56:54I just have to...
00:56:55Kill them.
00:56:57Just as I killed your parents.
00:57:02My parents.
00:57:04Well, they...
00:57:06They were talking of moving, Sammy.
00:57:08They...
00:57:08They were gonna move to another part of the country.
00:57:12I'd have lost you and I...
00:57:13I...
00:57:14I couldn't let that happen.
00:57:16But...
00:57:17Don't you remember we...
00:57:19We played with the car in the garage.
00:57:22And I knew a lot about cars.
00:57:25I just got interested in them.
00:57:27Don't...
00:57:27Don't you remember that day?
00:57:41Well, see...
00:57:42See, I...
00:57:43I...
00:57:44I told you, Sammy.
00:57:46But you...
00:57:47You never understood.
00:57:49And...
00:57:49That's what...
00:57:50What hurt the most.
00:57:51You didn't...
00:57:52You didn't know what I'd done for you!
00:57:53I...
00:57:56No.
00:57:58No, I understood.
00:58:01In my five-year-old way, I understood.
00:58:05I knew that it was because of me and my friend.
00:58:09That my parents weren't there anymore.
00:58:13But my mind couldn't cope with it.
00:58:16So I...
00:58:18Suppose I must have blotted it out.
00:58:24But I remember now.
00:58:32They found out what I'd done.
00:58:35And...
00:58:36And...
00:58:37I was sent away to a...
00:58:39To a special school.
00:58:42A special school.
00:58:44Where they could cure me.
00:58:47Cure me.
00:58:49You see, there was...
00:58:50There was never anything wrong with me.
00:58:53I...
00:58:54I was just in love and...
00:58:56And they...
00:58:57They couldn't see...
00:58:59See that.
00:59:02So I...
00:59:03I let them...
00:59:05Cure me.
00:59:08And it...
00:59:10It...
00:59:11It took a long...
00:59:12A long time.
00:59:14It took a long time to...
00:59:16To work out what...
00:59:18What it was that they meant by...
00:59:20By cure.
00:59:22But boy...
00:59:23When I finally figured out...
00:59:25What it was that they wanted.
00:59:28What they wanted...
00:59:29From me.
00:59:33He...
00:59:34I...
00:59:35I gave it to him.
00:59:37I did.
00:59:39I...
00:59:39I gave it to him, Sammy.
00:59:45That was very clever of you.
00:59:50Very clever.
00:59:56Well...
00:59:58Well, I'm...
00:59:59I'm afraid I must be going now.
01:00:03Um...
01:00:03Because I've got a lot of people waiting for me.
01:00:10Don't...
01:00:11Don't worry.
01:00:13Don't worry, Sammy.
01:00:14There...
01:00:15There's...
01:00:15There's nobody waiting for you.
01:00:17No...
01:00:18Nobody knows you're here.
01:00:20And...
01:00:21And...
01:00:21And you're...
01:00:23You're safe.
01:00:25Oh, you're safe.
01:00:27And...
01:00:28And...
01:00:28And you're mine.
01:00:30You're mine.
01:00:31For...
01:00:33For now.
01:00:34And...
01:00:34And...
01:00:36And...
01:00:37And...
01:00:38Oh...
01:00:39I've learned...
01:00:40I've learned my lesson.
01:00:43No one's...
01:00:44No one's gonna come between us.
01:00:46Oh, let them try.
01:00:47Let them try.
01:00:49If they do...
01:00:52If they try...
01:00:54We'll go somewhere...
01:00:58Where...
01:00:58Where they can't follow.
01:01:00See?
01:01:00No.
01:01:01No.
01:01:02Huh?
01:01:02No, Giles.
01:01:03No.
01:01:05It...
01:01:05It's...
01:01:06It's alright.
01:01:08Wes...
01:01:09This is our...
01:01:10Our world now, Sammy.
01:01:12This is our world.
01:01:14Do you like it?
01:01:16Huh?
01:01:18Do you like it?
01:01:19Please...
01:01:20Say you like it.
01:01:21And...
01:01:22And you'll see.
01:01:23You'll see, Sammy.
01:01:24We'll have...
01:01:25We'll have such fun.
01:01:26Just...
01:01:27Just like we used to.
01:01:29And I've...
01:01:30I've got all your favorite things.
01:01:32I...
01:01:32I do.
01:01:32Come on.
01:01:33Come on. Look.
01:01:34See?
01:01:35And the dresses.
01:01:37And the doll.
01:01:38And...
01:01:38And all I want, Sammy.
01:01:39Just...
01:01:39Just what you like.
01:01:41Just...
01:01:41Just say you like.
01:01:42No.
01:01:43No.
01:01:44No, I don't like it.
01:01:46No.
01:01:46No, I don't like any of it.
01:01:48It's all...
01:01:48It's all horrid.
01:01:49It's all horrid.
01:01:50What?
01:01:51What?
01:01:52What?
01:01:53Tell me.
01:01:53I'll change it.
01:01:54It's all in the wrong place.
01:01:55What is?
01:01:56Well...
01:01:56What is?
01:01:57That mirror.
01:01:57That mirror there behind you.
01:01:59This one?
01:02:00Yes, that's it.
01:02:01If you put it over there, huh?
01:02:02That would be much better over there.
01:02:04Over there.
01:02:05That's right.
01:02:06Much better.
01:02:07Yes.
01:02:08All right.
01:02:09And then...
01:02:10Is that okay?
01:02:10And then that chair.
01:02:11See that chair there behind you?
01:02:13All right.
01:02:15Where do you want it?
01:02:15No.
01:02:16No, not there.
01:02:17Um...
01:02:17There.
01:02:18Behind me there.
01:02:20Okay, see.
01:02:21I'll change anything.
01:02:23Anything.
01:02:24There's not much ivory, see?
01:02:25On the dressing table.
01:02:26Yeah.
01:02:26Well, that ivory.
01:02:27Oh, that's horrid.
01:02:28I hate it.
01:02:30I hate it all.
01:02:34Um...
01:02:34What else?
01:02:36Oh, the doll.
01:02:38It's a horrid doll.
01:02:39That's your...
01:02:39I hate it.
01:02:40Well...
01:02:41I never want to see it again.
01:02:42Ever!
01:02:43Sammy, that...
01:02:44That was your favorite doll.
01:02:47What?
01:02:48Sam...
01:02:49Sam...
01:02:50Sam...
01:03:11Maybe?
01:03:14See I look at it.
01:03:17No!
01:03:18No!
01:03:22No!
01:03:25Mom!
01:03:28Aggolas!
01:03:29No!
01:03:30No!
01:03:32En.
01:03:34Ever.
01:03:35Never seen...
01:03:36Sam...
01:03:37I know, son...
01:03:41No, son.
01:04:11ORGAN PLAYS
01:04:30ORGAN PLAYS
01:04:49ORGAN PLAYS
01:05:26ORGAN PLAYS
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