00:00Calabria?
00:02La menzia Jeremy
00:23Quale aspetto della storia e dei vostri personaggi
00:28vi ha intrigato di più
00:29e quale vi ha messo di più
00:31in difficoltà?
00:34The romance was the most
00:36difficult for me because
00:37I can't tell
00:40and I still don't know
00:41if his feelings
00:43for Marianne are real
00:46and that's gonna be an interesting thing
00:48for the audience
00:48because I don't know if
00:52Marianne represents a piece
00:54in his plan
00:56or if he genuinely
00:58still
00:59if he genuinely
01:01loves her
01:01I am still undecided
01:03maybe I should know that
01:05but I'm unsure
01:07and I think it will be interesting
01:09for the audience to decide
01:11and maybe we will learn more
01:13as the story continues
01:16the
01:16part that I was most
01:19attracted to
01:19was the adventure
01:22the man who is
01:24on the sea
01:25the sea captain
01:27you know
01:28also involved
01:30involved in the opium wars
01:32and this
01:34man of his time
01:35it's a very unique thing
01:38these types of
01:39people don't exist anymore
01:41maybe they are titans
01:43in industry
01:44and companies
01:44or something like that
01:45but they don't exist
01:46in this realm
01:48and in this form
01:49so these are the things
01:50that got me
01:52amazing
01:53I think
01:54for Marianne
01:56for myself
01:57I think
01:58to be powerful
01:59is also to be
02:01incredibly vulnerable
02:02at the same time
02:03and I think
02:04the challenge for me
02:06as an actor
02:06was to
02:08find moments
02:09in which
02:10the vulnerability shines
02:11and then the power shines
02:12and I think
02:13that was kind of
02:15a main part
02:16of my journey
02:17with her
02:17is allowing
02:18that vulnerability
02:19to come out
02:20and when to close it away
02:21and
02:22to build
02:23this incredible character
02:25which is Marianne
02:27For me
02:27the most interesting aspect
02:30is
02:31the
02:33antitodo
02:34to the romanticism
02:35the virus
02:36that Yanez
02:37has somehow
02:39inserted
02:39in the general romanticism
02:41in general
02:43and then
02:46the thing
02:47with which
02:48I have had
02:48more difficulty
02:50was
02:50strangely
02:51the relationship
02:52with Sandokan
02:54because
02:54we did not
02:55have had
02:55many scenes
02:57together
02:57even
03:00Yanez
03:00is the shadow
03:01of Sandokan
03:02but it is
03:02a shadow
03:03that
03:03was not
03:07physically
03:07close to Sandokan
03:10so
03:11it was
03:12difficult
03:12to be able
03:13in those
03:14three
03:14four scenes
03:15that we had
03:16of
03:16clear
03:17and
03:17to find
03:20that
03:21light
03:23and that
03:24short circuit
03:25that made
03:27this
03:28epic relationship
03:29but
03:30I think
03:30that the
03:30montage
03:32has managed
03:32in the
03:34romance
03:34he tells
03:35that
03:36he never
03:36never
03:36ever seen
03:38like Emily Dickinson
03:39so
03:40you
03:42who have discovered
03:43through the series
03:44yes
03:46the
03:47Calabria
03:48the
03:48my aunt
03:50Jeremy
03:51what
03:52does
03:53you
03:55Sandokan
03:56I think
03:57for me
03:57it represents
03:59someone
04:01who is so powerful
04:02because
04:03they
04:05have
04:05and they always
04:06will be true
04:07to who they are
04:08and I think
04:08that's a really wonderful quality
04:10Sandokan
04:12Sandokan
04:13è
04:14la
04:18il
04:20il primo romanzo
04:21di Salgari
04:22inizia con scritto
04:23è vivo
04:24parla di Lamai
04:26che era in Fulambar
04:27ecco
04:28Sandokan
04:29per me
04:29è la metafora
04:30del
04:30del
04:36rischio
04:36tra essere vivi
04:38e morti
04:39quindi
04:39è l'eterno
04:41è l'eterno
04:42eroe
04:42che non
04:43che non si arrende mai
04:44è
04:45il
04:46rischio
04:46è
04:46l'eterno
04:46è
04:46il
04:46rischio
04:47è
04:47è
04:48il
04:48rischio
04:48è
04:50un
04:50il
04:51rischio
04:51è
04:51è
Commenti