00:08Alfred Hitchcock ha detto che la parte più importante del film è la finalità, d'accordo?
00:13Do you agree?
00:15You know, I think you have an unusually strong and sticky reaction to the end of a movie.
00:23Often times it's the last line, the last emotional moment, the last note of the piece tells you
00:31what you saw.
00:33Like you haven't settled in, you haven't decided what you've watched, haven't decided,
00:37and then it says, this is what you saw.
00:39So that last moment is critical, it's more than just a moment, it affects every scene
00:45that came before it, so I do agree.
00:48Split speaks about pain in a very particular way.
00:52On the one hand it's represented like an eternal damnation, a trauma,
00:58but on the other hand it's a sort of armour, it's a force.
01:02What do you think about the theme of pain?
01:06Yeah, that is really what I was thinking about when I was writing was the things you just said.
01:11Is it forever a broken, are you a broken version of yourself?
01:15Are you forever shattered?
01:17Are you no longer capable of the best version of yourself because of the incident?
01:25or did the thing that happened to you, the thing that broke you actually made you different?
01:32And now the difference in you has made you special?
01:36In your movies there are a lot of invisible elements, monsters in the forest, aliens, beasts.
01:43How important is the looming but invisible force in your movies?
01:49Well I like the way you phrased that because it's the invisible part that's the most important part
01:56because whether it's a beast or ghosts or aliens or comic books or whatever the subject is,
02:05those are all just placeholders for faith, for talking about faith, about human faith.
02:12So it needs to be invisible so that it can have that quality of,
02:16we're actually talking about faith but I don't want to use religion to talk about faith.
02:19Do we believe in things? When do we stop believing in things?
02:22What would cause us to believe that there's more to the world than what we see?
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