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00:00A.L.A.C.E.
00:30A.L.A.C.E.
01:00A.L.A.C.E.
01:03A.L.A.C.E.
01:22A.L.A.C.E.
01:31A.L.A.C.E.
01:38A.L.A.C.E
02:09A.L.A.C.E
02:10A.L.A.C.E
02:11A.L.A.C.E
02:13A.L.A.C.E
02:27A.L.A.C.E
02:31A.L.A.C.E
02:34A.L.A.C.E
02:37It's okay, baby. Hey.
02:41It's okay, daddy.
03:32I love you.
03:35Let's see.
03:36Let's see.
03:37Oh, what's going on?
03:37blackmail marian berry say demon jenny chalo jaldi karo oh simba ki mom
03:47oh nala sarabi oh nice muja laga tum haalogi chalya uncle muja bhi tiji chalo
04:04all right chalo nikla yaanse hey jenny
04:12kal rat jo bhi hua us ke liye galti meri dhe rat mujhe room se nikala hi nahi chahiye tha
04:18baby girl no nai kal rat ko jo kuch bhi hua us me tumhari koi bhi galti nahi thi
04:24mai mai bas kisi mai kisi baat ko lekar bhot parishaan tha but mahi tumhye
04:31aisee darana nahi chata tha sach mein all right all right ab tum sab mazay karna
04:44ta srinya
05:02Seriously? You didn't give up to Jamie?
05:04I know that there was no trouble at home.
05:06And when I heard that voice, that was also in the evening,
05:09I was just safe to keep my family safe.
05:11Safe?
05:12You said yesterday that you did something like that,
05:15what do you say? You give it to you.
05:17You gave it to me.
05:51Shannon, I'm Josh.
05:53You don't see Josh's face.
05:55Sorry, I didn't want you to be able to put my real photos on the apps.
05:59Because I'm working for such a spotlight.
06:02It's dangerous.
06:03Yes, it's crazy.
06:06Why do people do this like this?
06:08I'm not married.
06:09My last girlfriend was more pressure than me.
06:12But that's why I felt better to keep my private life.
06:15This is crazy.
06:15If you do this, why don't you think a good story about this?
06:18No, stop, stop, stop, stop, please.
06:20I didn't want to talk to you, okay?
06:23Forgive me, Josh.
06:25You go to this before, I can have breakfast.
06:28You ask whatever you want.
06:29And then if you don't want to meet me, there's no doubt.
06:38We've been here.
06:41Then we'll stop a little while.
06:42We'll stop.
06:45Fine, Josh.
06:51Good morning, detectives.
06:53Oh, shit.
06:54I don't know.
06:55I don't know.
06:55You've been sent to the department.
06:57You're sent to the department.
06:58You're sent to our back.
06:59Oh, no.
06:59I don't need it.
07:00And so, where is the hot dog pudding?
07:01Where do you think you're going to get my heart?
07:03I don't know.
07:04I don't know.
07:17I don't know.
07:22No comments.
07:25No comments.
07:37The comments.
07:59The comments.
08:33The comments.
09:09The comments.
09:09The comments.
09:10There will be another statement.
09:14There is a voice mail.
09:16Imerka.
09:16And took you from here?
09:18They have known Taviyo.
09:20I know Taviyo, but I just...
09:25Taviyo, baby.
09:27These will be Mama's tab on the game, okay?
09:32You just have to keep Taviyo's face.
09:34If you need to keep this phone,
09:36you will have to reach the right hand.
09:37But why are you?
09:37Why are you?
09:38Then who will do that?
09:40Yes?
09:41People will take my daughter's face.
09:43They will take a gun.
09:46If I don't take a step for me,
09:48who will do that?
10:02If you have to fight,
10:04you will be able to fight.
10:12Taviyo, baby.
10:13You will have to stay with me a few days.
10:16Okay?
10:16No.
10:17I have to stay with you.
10:18You said we will do horse riding.
10:21We will do horse riding.
10:22We will do horse riding.
10:23We will do horse riding.
10:23When I will go back.
10:26You will go every time,
10:27you will have to do horse riding.
10:29Now I will go over the horse riding.
10:32I will go over the horse riding.
10:56I love you.
10:58Goodspeed's murder, Tavio was also killed by Tavio.
11:01How did he know this story?
11:02He guessed it.
11:04Maybe you don't know.
11:05That person is all the fault of everyone.
11:19If you are preparing for the next task,
11:21then go a little.
11:23No, no, this is not the next task.
11:25This will be the last task.
11:26You cross.
11:27You know, you know the first thing.
11:29I've never done it.
11:30But, yes, I know it.
11:33I need to know it.
11:33I need to know it.
11:35It's all about it.
11:37It's all about it.
11:38It's all about it.
11:38It's all about it.
11:40There's no matter.
11:41I'll call it.
11:42I'll call it the other day.
11:44You only have to try it.
11:46It's all about it.
11:47It's all about it.
11:50Vanessa, Tavio's girlfriend.
11:53I'm not a friend.
11:53I'm not a friend.
11:57I'm not a friend.
12:07I'm not a friend.
12:08I'm working at Afsson Beauty Salon.
12:23It's all about it.
12:31It's all about it.
12:40You're not a friend.
12:46They're all about it.
12:50Who has given you the right choice?
12:53You don't want to know all of this.
12:54But I don't want to go.
12:55You're such a good musician.
12:58Why don't you want to take such a good opportunity?
13:01Yes.
13:03I don't want to go.
13:08Who is it?
13:14Do you know?
13:17What do you want?
13:19Whatever you want, I wanted to know.
13:22I don't want to get out of your back.
13:26Let's go.
13:27Time is over.
13:28Let's go.
13:40Jenny?
13:42Jenny?
13:50Jenny?
13:54Jenny?
14:00Jenny?
14:02What is this?
14:04What are you doing here?
14:05What are you doing here?
14:08I'm looking for him.
14:10What?
14:11Who is he?
14:13Who is he talking about?
14:15He is the one who was talking about me.
14:21Who is he talking about me?
14:27Who is a hug when I was talking about me?
14:30Who is talking about me?
14:31Who is talking about me?
14:32Where's he?
14:38What a pig.
14:38What a pig.
14:38I'm going to get into my body.
14:38What a pig.
14:39When I'm a pig.
14:39I'm not a pig.
14:44And where you.
14:45What a pig.
14:48You are not like them, but...
14:50But it's beautiful.
14:52I can only take them to one point.
14:55Will you give me dinner?
14:59Just you and me.
15:05If we are alone, it's okay.
15:07Good.
15:23You have to cut your teeth.
15:24Tell me what I am doing.
15:27A young man was talking about my child.
15:31I said we wouldn't put cameras.
15:34That's not the case.
15:35You can't even hack these things.
15:37He himself came here.
15:41115-147?
15:48This is the date of death of Mary's death.
15:56Start to look and stare.
15:58Do your dance.
15:59You must sing, man.
16:01Quick.
16:02Mom.
16:03Come on, baby.
16:04Tell me what's the word.
16:06Word up.
16:09Pedicure.
16:10You have to throw these teeth.
16:12Yes, yes, yes.
16:14Of course.
16:16But I want Venisa.
16:18Listen, she's the best.
16:20She's the best.
16:21She's the best.
16:21She's not today.
16:22Okay.
16:23And she's...
16:24When she comes back?
16:28I don't know.
16:29I don't know.
16:30She's not able to phone her.
16:34I tried it, but she didn't take it.
16:36Okay.
16:38If she has to give a message to her,
16:39then how do you do it?
16:41Just like life and death.
16:43Where can she be?
16:46After Belle or a school thing
16:48that you only will have to,
16:48see if you are the most odd company.
16:49I would say the best one.
16:55If you have ever heard of it,
16:57I about this,
16:57there would be products about��를ed us.
16:58If my company seems to listen,
16:59that was gonna 50th street,
17:01you don't need to watch this.
17:01What is it,
17:07For me if I wouldcak's people
17:10and not wait until me.
17:10I don't know how many people can do their work.
17:15Maybe I'm also a teacher.
17:17I don't understand the phone.
17:19When we used to use phones,
17:21we used to call for calls.
17:24There was a thing that used to eat.
17:26Books are so big as papers.
17:28You like reading?
17:30You mean the real books, right?
17:32Yes.
17:32Okay, so what are you reading today?
17:34I've read a lot of old books,
17:37which is The Goldfinch.
17:39By Donna Tartt.
17:41That's my favorite.
17:43You'll listen to me on the phone.
17:45Do you also read?
17:46Yes, I've read some books too.
17:49Don't tell anyone.
17:50Or I'll stay with Gen Y.
17:52This will be my path.
17:57First of all.
18:01Why do they call Gen Y?
18:04Just keep your mind and keep your mind.
18:08Oh God.
18:26I hope I can become a part of this exhibition.
18:29If you want, I can meet you as an artist manager.
18:32Yes, but Armada doesn't go to her artistic vision.
18:36Then?
18:37Then?
18:37I've bought these paintings in the world.
18:40I've bought these paintings in the world's continental breakfast rooms.
18:45I'll be the first part.
18:47I'm I'll pay for those.
18:55To my friends.
18:56I'm never going to pay for those.
19:01I'll pay for those.
19:10Okay.
19:12I'll pay for those.
19:12Your dream job is not your dream job, so what is it?
19:16Head Curator at the Ritz
19:17You get a good budget with artistic freedom
19:20In every location of the world
19:24And how will this happen?
19:26Tell me, I have applied some times, but I didn't get an interview
19:33This is an art of death and then
19:37Rocky Balboa's film
19:43What do you like?
19:45No, I don't think this is normal
19:49Most people will not accept this
19:55People will be afraid that they will be afraid
19:58They will feel the same
20:00Our life will be sanitized
20:02Everything will be packed
20:04And this is why we see it in our eyes
20:07We see it in our eyes
20:12Everything is connected
20:15A photo with Grim Reaper?
20:18Wow, why not?
20:19We will be able to take this
20:28How are you?
20:30I am Detective Alex Cross
20:31I am with Vanessa Norris
20:32I am with Vanessa Norris
20:34I know Detective Cross
20:35But Vanessa is not here
20:36Okay, I only have to talk to her for 5 minutes
20:38But Vanessa is not here
20:40Aunty
20:41One minute, wait a minute
20:42She is not in danger
20:43She is not in danger
20:45She is not in danger
20:45Why are you looking for her?
20:46We know that she has a phone with Taviyo
20:49My game is not going on
20:50Mommy said that I can play a game
20:52This is your mom's tablet
20:54I am sorry Taviyo
21:00Listen to me
21:00I am sorry
21:01Hey, that is the game Animal Habitat
21:02I have heard that theme song many times
21:04My kids play this
21:05If you say that
21:06I can help her
21:13What is it?
21:13Look at me
21:15This is the desert habitat
21:16I am also hungry
21:17See, first you will have to tell yourself
21:19You will have to tell yourself
21:20Okay?
21:21Then you will have to go out
21:23You know the difference between turtles and turtles
21:25You know the difference between turtles and turtles?
21:26Turtle is in water
21:28Mommy has told me to read my book
21:31Okay?
21:33Is your mommy teaching you?
21:36Thank you Detective Cross
21:38But now you want to know you
21:39Hey
21:42I want to help your mom's mom
21:44Do you know where she is?
21:47Yes, when I meet her
21:49She will be in white horsey
21:50She will go out of my house
21:51Get out of my house
22:00Thank you
22:01Thank you
22:01Thank you
22:02Thank you
22:03This is the police
22:05Did she open the mouth?
22:07No, but Vanessa's son was on there
22:09She told me that when she will meet her
22:11She will be in white horsey
22:12What can she do?
22:14Just like that
22:14Just like that
22:15Do you want to try it?
22:16John?
22:17Just think that she will save us
22:19She is trying to find the phone
22:21She is trying to find the phone
22:21Just one time on
22:22I want to try it
22:30Thanks
22:43Hello
22:44Hey Mel
22:45No, are you okay?
22:47Yes, I'm okay
22:48When are you coming to me?
22:50When are you coming to me?
22:51Tavi, baby
22:52Ah
22:53I will come soon
22:55I will come soon
22:56Maybe tomorrow
22:56I will come soon
22:57The police have come
23:00They know about the phone
23:00They know about the phone
23:01They know about the phone
23:03They are all here
23:04They are all here
23:04Look, at this time
23:05You will go there
23:05You will go there
23:07Look, I know
23:09Mel
23:10I know
23:10Mel
23:12Everything is okay
23:13I will tell you
23:14I will tell you
23:15No one knows
23:15I will go there
23:16I will tell you
23:20I will tell you
23:38What is the night?
23:40I will tell you
23:42What is the night?
23:46Okay.
24:23Get on my liver!
24:24Get on my liver! Come on!
24:24Ever! Ever! Ever! Ever! Ever!
24:35You've reached Zania Hightower of the Washington Telegram.
24:38Please leave a message.
24:39Hi, Miss Hightower.
24:43My name is Vanessa.
24:44I know I know that you should know.
24:47This is the case.
24:49This is Amir Goodspeed.
24:51Please give me a call back.
24:53What does that mean?
24:57I said that I didn't want it.
24:59There's no difference between you.
25:01You'll find the one you want.
25:02You'll find the one you want.
25:04You're good.
25:05No, no.
25:07292010.
25:09I just need it.
25:09I just need it.
25:0924 hours of footage.
25:11I'm not going to learn from a young woman from a white woman.
25:14Damon, that's enough.
25:16That's enough.
25:17That's enough.
25:18That's enough.
25:21Hi, Damon.
25:23Aw.
25:23You thought that I didn't get that.
25:25I didn't get that.
25:26If you're scared of the piano,
25:29then what's the difference between anyone?
25:30I'm not scared.
25:32That's right.
25:33Aw.
25:33You're so talented.
25:35You're so talented.
25:35You don't want to know about the program.
25:38You're scared.
25:39No.
25:40I'm scared.
25:41I'm scared.
25:42I don't want to ask you,
25:43that the early Mozart Institute
25:45can do what to do with the future.
25:47Look, I said that you're scared.
25:50No.
25:51No.
25:52I can't talk.
25:53Okay.
25:54Okay.
26:04All right, mister.
26:06Please save me some skills.
26:10Jenny, I've added some numbers in your game.
26:13Jenny?
26:15Jenny?
26:15Jenny?
26:16I wanted to say that you're a very good person.
26:18You're like your mom.
26:19Jenny, what are you doing here alone?
26:31Yes, what are you doing here alone?
26:33Yes, that's all right.
26:35To hear it, mates.
26:37How can you understand longer than G note?
26:39And I'm talking now because I'm wondering what change.
26:46lorsque they're reasons for moving to G note.
26:46Demon, but you're not going to be perfect,
26:51My mom taught me to try this.
26:54Now try this.
27:02Mom, it's me.
27:04You'll be on a flight.
27:05But I didn't have a call for Ritz.
27:08I called for an interview.
27:10You'll call me.
27:11Okay, love you. Bye.
27:16Hey, there was a meeting on 16th Street.
27:18I thought...
27:21I feel like I got some good news.
27:23Yes.
27:24I have to go for an interview.
27:26I called Ritz from Ritz.
27:28That's great.
27:30What? What did you?
27:32Did someone call me?
27:34Probably.
27:39That's...
27:40Wow.
27:42I feel good when people are full.
27:44I can help for an interview.
27:45I can help for an interview.
27:47And...
27:48To prepare,
27:49tomorrow morning,
27:50at my home.
27:51Yes.
27:53I feel good to hang out with me.
27:56But...
27:57Maybe...
27:57You don't feel like
27:59going to go to someone's house?
28:02Wow.
28:03Sorry.
28:04I didn't mean that.
28:06And I don't mind.
28:07I mean...
28:08You are beautiful.
28:09Sorry.
28:10I need to stop.
28:11Thanks.
28:13Sorry.
28:15Why don't you do that?
28:16Tomorrow morning,
28:17I'll prepare you for breakfast and coffee.
28:20And you...
28:21Get home.
28:22Just as a friend.
28:24Just as a friend.
28:24For me.
28:25For the interview.
28:26Very friendly.
28:28Advice.
28:29Okay.
28:32Okay.
28:32I'll go.
28:33And you too.
28:35Go on.
28:36Miss Whitma.
28:39Miss Whitma.
28:39Miss Whitma.
28:58If you're a good speed case solved,
29:00you'll have to solve something.
29:00then you'll have to do something.
29:02You will have to do something.
29:04You will have to lie.
29:05Get home.
29:06What is the police?
29:06What's happening?
29:08You're the only thing?
29:10One guy left behind my family.
29:13Damon was a little over.
29:14I got a gun.
29:15And...
29:16It's like a guy,
29:17I think it's a bad guy.
29:18You're bad.
29:19You're bad.
29:19You're bad.
29:20You're bad.
29:21That's not bad.
29:24But you're bad.
29:26So...
29:26તર પંરલીણ તરમીણ રલી ધીણ હૂરરી જરંય કરાલીએ પંદેણ તેણડ માスકરીણ કંરીણ નયે ચીણ વકરીણ તેણણ
29:56Yes, but it can be like that. I understand everything.
29:59He called you to your house for dinner.
30:01No, stop.
30:02I didn't say anything wrong.
30:03Just go and go and put some perfume on top.
30:07Perfume?
30:08Yes.
30:08He needs you, because you have to die.
30:27Hello, Vanessa.
30:29Tanya Hightower.
30:30Can you tell me something?
30:31Yes, I'm a girlfriend of Tavio and Tavio.
30:34She's got a phone.
30:36She's got a phone.
30:38She's got a voice.
30:40I feel like everything is connected.
30:42Where are you?
30:46Why do you think that she's a woman in DC?
30:49Have you seen the modern textbook workbooks?
30:51Yes, the mom was full.
30:53Okay.
30:55Maria also did this with the children.
30:57Every day, one hour, without anyone doing anything.
30:59I saw Vanessa's daughter's house.
31:01And she was filled with every page.
31:04And such a mother...
31:05She'll never do this.
31:07Whatever she's scared, she'll never go far away from her children.
31:20This song, I remember.
31:25Junior high dance.
31:28Yes, I remember.
31:30Yes, I remember.
31:45Yes, I remember.
31:47Yes, I remember.
31:48Yes, I remember.
32:00The lights were on.
32:02The lights were on as well.
32:02So all the videos have left.
32:05And now the other dark films is gone.
32:06Detective Alex Cross.
32:09You'll dance?
32:10How will you do this?
32:23I always thought
32:28What would happen if
32:29the lights don't have to be on?
33:02Oh, oh, oh, oh, oh, oh, oh, wait, wait, wait, wait, wait, wait, uh, I'm sorry.
33:11I'm sorry, I thought I was ready for this, but I, I, I can wait, I can wait, I can
33:23wait.
33:50Hello.
33:51Well, hello there.
33:52Now tell me that you are the best.
33:54What?
33:55She sent a message from Taboo Lemons in 6 minutes.
33:57Where?
34:10Have you ever thought about that lock?
34:13Why do you call that lock?
34:18The one that was in there,
34:23now is my place.
34:26Please, don't kill me.
34:28That's okay.
34:30That's okay.
34:37Go to Taboo Lemons in 6 minutes and I'll go without you.
34:42Now it's the same time.
34:44Please, I'll die.
34:46I'll die when I die.
34:56I'll die.
35:02I'll die.
35:03No!
35:04No, no, no, no!
35:27Let's go, let's go, let's go, let's go.
35:34Oh, you look good.
35:39It's good.
35:42He said sorry to me.
35:45Okay.
35:48Taviyo's phone is on?
35:49It was on, but after sending one message, he stopped.
35:54If he got one more time, he will know his location.
35:57But now, we know so much that he is in this area.
36:01DC?
36:05If you understand it, it will come out.
36:08Maybe someone has a phone on.
36:10Or something like a black horse.
36:12It's not just a child's mind.
36:15It's not just a child's mind.
36:19Vanessa, this is what he did.
36:22He's thinking about the child's mind.
36:24He's thinking about the child's mind.
36:27Well, it makes sense, right?
36:28Look, his whole world has gone.
36:30He's alone.
36:31He's far away from home.
36:32He's gone.
36:32He's going to go to such places.
36:33He knows where he can feel safe.
36:37He's working here, right?
36:39Taviyo's daycare is here.
36:41Yes.
36:41And Taviyo's workbooks will be here.
36:44He'll go back to the daycare.
36:45Paradise Motel.
36:46There's a medical store.
36:47Yes.
36:48Yes.
36:48Yes.
36:48And when I went there for the last time, what did I see?
37:12I was doing too many miles on the hunt.
37:15It's time to get in, but it would also be very bad.
37:19so we will only be one of those who will be dead.
37:27Oh, this song!
37:35Kamal!
37:36My favorite song!
37:49It's so fun, right?
37:52Do you like it?
38:09Do you like someone's real name?
38:13Have you seen this girl?
38:15Oh, yes. Cute couple.
38:17Room 222.
38:19Let's go, let's go.
38:21You are Vanessa.
38:24Do you want to stop this train?
38:32Put an emergency brake
38:34and at this time,
38:36open the lock of the phone.
38:39No, no.
38:39What is the train?
38:45No, no.
38:46Stop, stop.
38:46Please, please.
38:48I will remember the phone.
38:49Please, please.
38:50I will remember the phone.
38:51Maybe you will remember the phone.
38:59Don't forget the phone.
39:00Don't be scared.
39:01Vanessa.
39:02Yes, please.
39:05I will.
39:07Yes, sir.
39:09I am so sorry to get out of the phone.
39:11Yes, sir.
39:14I will.
39:15Yes, sir.
39:21What are you doing?
39:24I will.
39:25Yes, sir.
39:30Then, I will.
39:31Yes, sir.
39:32I'm sending a message to myself.
39:40What a joke.
39:43Let's play.
39:52I need to go here.
39:52I need to go here.
39:58What a joke.
40:05Shit, you heard that.
40:06Let's go. Vanessa and Alice.
40:09Oh, shit. We'll open this door.
40:12Go, go, go.
40:22Hey, hey.
40:24Tell me, who did it?
40:26Who did it?
40:27Who did it?
40:28Vanessa.
40:29Everything will go.
40:3810-14. Civilian down.
40:4110-14. Paradise Motel.
40:43Per ambulance.
40:44Room 222.
40:48A young girl killed one.
40:50We got a phone.
40:53We got a phone.
40:55We got a phone.
40:56We got a phone.
40:56We're in a hospital.
40:57We're in a hospital.
40:58I understand.
41:00Is that a hospital?
41:06A hospital.
41:07The hospital was told that the phone was off.
41:08The hospital was sent to someone.
41:12Vanessa has sent a message to someone.
41:14I'm going to send someone.
41:15But who?
41:16Maybe.
41:17God damn it, Cross.
41:18What happened here?
41:19What happened?
41:20He's a small child.
41:21He was a good person.
41:22He was a good person.
41:24He was a good person.
41:24He was a good person.
41:25I want a small favor.
41:26Before the story break,
41:27give me two hours.
41:28Just two hours.
41:29No, I'm not going to favor.
41:31You'll do this?
41:32You'll do it, right?
41:33Of course, he has something big.
41:37I need three questions for the background.
41:39And the one thing in this investigation,
41:41will be different.
41:46You'll do it, right?
41:47You'll do it.
41:47Yes.
41:48You're a good person.
41:48And the other thing in this investigation,
41:49can you stop fighting?
41:51Yes.
41:52Yes.
41:55I'm sure.
41:58Yes.
42:00I'm sure.
42:24a little time.
42:27Hey, Davi.
42:29I remember, right?
42:31Meila, auntie told me I don't have to talk to you.
42:33No, I'm not going to talk to you.
42:35I don't want to talk to you with my child.
42:40I was here to tell you that I got a new trick of this game.
42:47You don't need to tell me anything. I can show you.
42:57My child has a secret code of underwater habitat.
43:05Just one time, I don't remember that cat.
43:10What happened?
43:15You will help my mom, right?
43:22Davi.
43:27It's not good for today's day.
43:30It won't be good today.
43:32It won't happen.
43:34Why?
43:40Look, there's no difference between that.
43:43Okay?
43:45Just remember one thing.
43:46You always remember me.
43:48You know that you know that you need to fight every bad thing.
43:52What you need to fight for you is within you.
43:56Do you understand?
43:57I can see.
43:59Super human like this.
44:00What is the ability?
44:02See so.
44:04Look, there's a pattern.
44:06You are both of them inside.
44:13Do you know it?
44:15How are your children?
44:161994 in price?
44:18Mark Parvill…
44:19You have got it from…
44:19…
44:27What?
44:27Hmm?
44:29Hannah?
44:31What?
44:32You can't get it.
44:34You can't get it.
44:38I want to say this.
44:41I am a superhero.
44:43I'm a superhero?
44:45That's right.
44:46And you can also use anything.
44:47Alright, tell me that I'm a superhero.
44:52Now that's it.
44:53I'm a superhero.
44:54I'm a superhero!
44:56Go back!
44:57Leave her!
44:57Let's go!
44:58Let's go!
44:59Let's go!
45:00Let's go!
45:01You're a superhero!
45:04You're a superhero!
45:33It was necessary.
45:37You put something on your hand?
45:42Tavio, I'm saying.
45:44I was able to meet that man's house.
45:46But something is great, friends.
45:47I'm in a coma and I'm not even in a coma.
45:49He's done something.
45:50You won't be here.
45:52I'm in the 41st Street.
46:18Let's go.
46:20I did what you wanted to do really well.
46:22Please.
46:37This house is very beautiful.
46:39Thanks.
46:40Maybe it's a little big deal for a single man, but what can we do?
46:44This is a small house.
46:46Let's go inside.
46:51So, when was your interview?
46:52Ah, 2.30.
46:55Oh.
46:56I'm scared.
46:58I couldn't sleep at night.
47:00Please, don't worry about it.
47:02You...
47:04You will do very well.
47:07Mimosa?
47:09No thanks.
47:11It's an interview today.
47:20I'm not the same person, Shannon.
47:24Yes, I'm going.
47:26No, no, it's okay.
47:27It's good to live in the world.
47:29There are many bad people.
47:31But you don't have to worry about Mimosa.
47:34It's a hand sanitizer.
48:04What?
48:07You will use it.
48:08You will use it.
48:08It's a standard.
48:10Oh, oh, oh.
48:12If you're in trouble, it's because of fentanyl.
48:15What do you know?
48:15It's absorbed by the skin.
48:19I'm sorry.
48:19Oh, oh, oh.
48:20Oh, you're still a girl.
48:25People know what I'm saying.
48:27My mom.
48:28My mom, my mom, my mom.
48:29So...
48:30You should call them before you need trouble.
48:36Sorry.
48:40Shannon.
48:41Shannon, what's going on, baby?
48:45You need mommy.
48:48I'm coming to you.
48:58Shannon.
48:59Hey, Shannon.
49:13Hello, Eileen.
49:41I'm coming to you.
49:43I'm coming to you.
49:44I'm coming to you.
49:45I'm coming to you.
49:45Just tell me, John.
49:47I'm coming to you.
49:50I don't know who it is.
49:52But I'm coming to you.
50:11All five all night.
50:13No, I won't give up easily.
50:17Find me, you need to see this feeling.
50:30английño
50:32I'm trying to lose myself.
50:34Think I could use somehow, but they don't see me.
50:39Getting used to this feeling
50:43My girl caught me talking to myself again
50:47Mind up and just what goes on in my head
50:50I told her that even if I could express
50:53It all falls on that piece I can
51:08I told her that even if I could express
51:39It all falls on that piece I can
52:09I told her that even if I could express
52:12No way to express
52:12It all falls on that piece I can
52:12I told her that even if I could express
52:12It all falls on that piece I can
52:23I told her that even if I could express
52:46You
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