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Igra sudbine, Epizoda 1717,Igra sudbine 1718, Igra sudbine 1717, Igra sudbine Epizoda 1717, Igra sudbine Epizoda 1718, Epizoda 1718 Igra sudbine, Epizoda 1717 Igra sudbine
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00:12I don't know if I'm going to meet you with my partner, but we'll talk about it.
00:17Only with my partner.
00:20And you're telling me that?
00:24Well, it's funny that I'm interested in whether such a fantastic woman has someone in front of me.
00:30It's not funny, but I could be able to get another other motive, as well as the job.
00:38We should always look at the therapist.
00:41Eh, it's not a bad idea.
00:43If we go back to the court, you go to the court, and you go to the court.
00:47No one knows who I am, who I am and who I am.
00:52What did I say?
00:53What did you say?
00:55Who can fly every second?
00:57Yes, we are alone. Don't go to the court.
01:00No, no.
01:04Why thank you?
01:05What are you talking about?
01:08Sorry, you're not the most clear.
01:10Because everyone here is only a ride, and no one is going to go to the court.
01:14No, I don't know why.
01:17I don't know why.
01:18I don't know why.
01:19I don't know why.
01:20If you're a good cop, you're a good cop.
01:22You're a good cop.
01:22You're a good cop.
01:25You're a good cop.
01:32You're a good cop.
01:35You're a good cop.
01:37You're a good cop.
01:39That's what you're in the car.
01:41A horrible shame.
01:43I don't know who it is so good to have to laugh with the police.
01:45I just wanted to send a nice gift.
01:51Oh, that's it, that's it!
01:53Every time I see you, I'm upset.
01:57What am I asking?
01:59Because you're so beautiful, I understand.
02:09Are you sure that it's only because of that?
02:12It's because of that, and it's because of that.
02:16Hey, what am I asking?
02:18When could I see you with Alex?
02:20I think you know when I'm free with him.
02:21You know when I'm free with him.
02:23You know that I don't see him with Alex,
02:26I don't know what I'm doing when I'm free with him.
02:29I'm sorry, I'm sorry.
02:31Not me, when I say it.
02:33I hope that everything is done as necessary.
02:36I think it's better.
02:38Well, it would be better,
02:39because you don't want to speak only to Gabriel,
02:41but to me.
02:48How is it back?
02:49Let's not do that.
02:51How?
02:52She lives here with us,
02:54and she is a little girl.
02:55She is so enthusiastic.
02:59We need to listen to her and listen to her,
03:02and not just Gabrielle.
03:03You always have these ambitious women
03:06who are a little tough.
03:08How do I not?
03:11Okay.
03:12Good day, Chichelutkice.
03:14Good day.
03:14Good day.
03:15Good day.
03:16Someone who is powerful,
03:17someone who will finish the job for her,
03:20and he will follow all of it.
03:24And who is the first one to do?
03:30Well, who is the other one,
03:32than Grkljan?
03:33Right.
03:34Can you tell me about what you are working?
03:39I think Gabriel wants to get rid of him.
03:41Here.
03:42What?
03:43What?
03:43I can't do this.
03:46I can't do this.
03:48I can't do this.
03:48I can tell you about the story.
03:49I can't tell you about it.
03:51I can tell you about it.
03:51I can't tell you about it.
03:52Why do you think you'd start to talk about
03:55the game of a dresser in America
03:56if she wouldn't do it?
03:59I can't do it.
04:00Everything is fine.
04:00We are all different.
04:02Yes.
04:06Who is Alex?
04:10Well...
04:11Well...
04:12Well...
04:12Well...
04:12Well...
04:14Well...
04:14Well...
04:15I would have to start.
04:17It's really late.
04:19I think...
04:19If you don't have a problem.
04:22Hey...
04:24What are you, Alex?
04:26Well...
04:27Well...
04:28Nothing...
04:30What...
04:31Was it okay?
04:32How you look weird?
04:35No, I'm sorry.
04:36I'm sorry.
04:37I'm sorry.
04:38Yeah.
04:38Okay.
04:41Well...
04:42What am I?
04:42I'm sorry.
04:43I started to hold a monologue
04:45on their own words.
04:47You know it's the theater?
04:49I know it's the first one.
04:51I know it's the first one.
04:52It's the firecromancy.
04:53I can't trust it.
04:53I know it's...
04:54It's not a good time.
04:55It's also a good time.
04:57It's a good time.
04:58I told Alex.
05:00Alex?
05:01Yes.
05:01I'm so frustrated.
05:02Yes.
05:02How did you?
05:04Yes.
05:05I mean, how did you react then?
05:35I mean, how did you react then?
06:14I mean, how did you react then?
06:43I mean, how did you react then?
07:15I mean, how did you react then?
07:18I mean, how did you react then?
07:24I mean, how did you react?
08:23I mean, how did you react then?
08:29I mean, how did you react?
08:38I mean, how did you react?
09:03I mean, how did you react then?
09:04I mean, how did you react then?
09:05I mean, how did you react then?
09:07I mean, how did you react then?
09:09I mean, how did you react then?
09:13I mean, how did you react?
09:39I mean, how did you react then?
09:42I mean, how did you react then?
09:51I mean, how did you react then?
09:56I mean, how did you react then?
09:58I mean, how did you react then?
10:14I mean, how did you react then?
10:17I mean, how did you react then?
10:20I mean, how did you react then?
10:21I mean, how did you react then?
10:31I mean, how did you react then?
10:33I mean, how did you react then?
10:37I mean, how did you react, you just did it.
10:39What are you doing at that?
10:40How did you react then?
10:42I mean, you don't know exactly what you're doing.
10:44You're doing.
10:46I don't think I'm going to do it.
10:47Oh, that's extreme sports, you can see it.
10:52Let me tell you something, this is what I'm doing.
10:53This is what I'm doing for the whole life.
10:55All the extreme sports, she needs to practice only one.
10:58That's the square of 15 centimeters.
11:00That's it and nothing more than that.
11:02Do you think that one woman can train a box if she wants?
11:05Maybe if she wants to get up on Mars, that's what I'm talking about.
11:09But it doesn't matter, it doesn't matter.
11:13What does it mean that it doesn't matter?
11:17What do you mean?
11:18What do you mean?
11:21What do you mean?
11:22I'm just going to get up here.
11:24I'm going to get up here to be a success.
11:26I have never had to be done anything like that.
11:29She asks me what is women's life.
11:30I'm a big woman.
11:32I'm a big woman.
11:35I'm a representative person.
11:38I have a definition of fashion and women's life.
11:41She's like that.
11:42Come on, I'm going.
11:44Yeah.
11:45What do you mean, Dijana?
11:47Aleksa, as you can see, it's being a young woman.
11:49Time that they don't have to do with that.
11:51Or I'm just coming for a few, because I don't have a really important part of you.
11:53I have a couple feet.
11:54I don't have time, Dijana.
11:56I don't have time.
11:57I have time for you to finish the finish.
12:00Okay, good.
12:01Let's do it.
12:01Let's go.
12:02Here we go.
12:03Ludkice, while I'm at the meeting, you both train the life and the life of Dijanerski.
12:09I'll ask you when I come back.
12:10Let's go.
12:13Let's go.
12:15Let's go.
12:27Dijanerski.
12:27What do I want to do?
12:29Why don't you do that?
12:29Why don't you, man?
12:31We need to make some compromise.
12:34You're my good mother and you.
12:37I'll make a compromise.
12:38I'm a man of compromise.
12:40I can't do it all in two hours.
12:41I'll wait for two hours.
12:43Nothing.
12:44Nothing.
12:46Okay.
12:47We need to make a meeting.
12:49We need to make a meeting.
12:49We need to.
12:50I'm going to make a meeting.
12:51But your meeting can't go.
12:52You understand?
12:54What do you propose?
12:55What do I propose?
12:56I can't do it.
12:57I can't do it.
12:59Matrogasana says to do it from 12 o'clock in the morning.
13:02What if anything is worse than 12 o'clock in the morning?
13:04Everything is worse.
13:05Here we go.
13:06Here we go.
13:07What?
13:08You see how he has a solution.
13:09What?
13:09It's just a problem.
13:11It's a mess.
13:12It's a little mess.
13:13Get over!
13:14No, no, no, it's not a thing.
13:15Listen.
13:16Then, it doesn't happen.
13:18I understand you, the fact, the tip for yourself, I don't know I'm gonna do it.
13:22It's a mess.
13:23It's a mess.
13:32No, I can't do it.
13:36I have a space for everything to do with me.
13:38I don't have enough space, I don't have enough space, I don't have enough space.
13:42I just have to share it with the transfer.
13:44I have to share it with the transfer.
13:47I don't know how it's going to be different.
13:48I have to do two hours in the morning,
13:50two hours in the afternoon and after the evening,
13:52and someone takes another break,
13:53two, three, four hours, who knows?
13:57You have to do it in your mind.
13:59You have to do it in your mind.
13:59What do you think?
14:00I have to do it in my mind.
14:04So?
14:04So?
14:05Are we going to gore?
14:06Yes, we are.
14:08But...
14:08Gorane!
14:09What is it?
14:10If you have some grease on the body,
14:12where is it?
14:14I think...
14:15I have a special cream for that.
14:18Is it possible?
14:20It's possible.
14:20Nothing is mine.
14:21It's possible.
14:21It's possible.
14:23Nothing.
14:24It's possible for Gorana.
14:26There is every ingredient.
14:28Let's go.
14:28Let's go.
14:48I don't know why you ask me.
14:50How did I react?
14:51What did I say about Alex?
14:53I really don't know what to say about Alex.
14:56I'm asking you why you never say anything.
14:58I'm constantly asking you.
15:00What to say about you?
15:02You know everything.
15:02You know, I didn't have any significant relationship
15:07from when we both grew up.
15:09You know.
15:10You know, I went to a couple of dates
15:13that were not good.
15:15I mean, it wasn't that.
15:16Well, no.
15:18You can't even say that you're not real.
15:19You can't even be it after such a relationship.
15:22Of course.
15:23We lived together and worked together
15:27and had a family together
15:29and talked about plans for the future.
15:31We were planning a date and so on.
15:33And now, how after that,
15:35for me, a date is good.
15:37I mean, really,
15:38that's not possible.
15:39Well, for me,
15:40that's not possible.
15:42I mean,
15:43that's not possible.
15:43I mean,
15:43you see,
15:44that's the case.
15:45That's the case.
15:46I mean,
15:47that's a potential opportunity.
15:49That's the case.
15:50that's the case.
15:53That's the case.
15:54That's the case.
15:54That's the case.
15:55That's the case.
15:57That's the case.
16:30That's the case.
16:30That's the case.
16:30That's the case.
16:30That's the case.
16:31That's the case.
16:32You think that all this work,
16:34that all this work is and
16:34that it's all false?
16:36No.
16:37I don't think that.
16:38I think that it's a bit complicated.
16:40I think that a man is interested for you,
16:43In any sense, if you understand me, you have a choice,
16:47or will you ignore that, because it doesn't matter,
16:50or will you accept that it's like that?
17:08I really don't know why you won't talk about it.
17:10That's why I already know what you want to ask me.
17:13Okay.
17:13It means that we already have half of the job.
17:16I'm not sure.
17:18Look at this.
17:19Alexa, I just believe that I can see what I can see
17:22and what I can do with my hands.
17:24That's why you don't have to stop listening.
17:26Okay, I didn't want to say that.
17:28I know what you want to say.
17:31Okay, Alexa.
17:32I don't know why you don't want to throw the bill
17:36into the delivery process.
17:37I understand?
17:38Okay.
17:38I don't know how many people go around and explain why I don't want to.
17:42I've said to Ivan, I've said to Miletu,
17:44nothing about the partnership.
17:46Look at this.
17:47Marketing is marketing, you understand?
17:49I don't know.
17:49If you're in the company,
17:51then you'll get your product and get to 200%.
17:54You understand?
17:55I'm talking about another language.
17:56Thank God, the job is as much as it needs.
17:59So, I don't care about the increase of 200%
18:02and that means that nothing is wrong.
18:06That's right.
18:08That's right, right?
18:09That's right.
18:10That's right, right?
18:10That's right.
18:11That's right.
18:11That's right.
18:13That's right.
18:15I think it's interesting to me.
18:19That's right.
18:37That's right.
18:38That's right.
18:40That's right.
18:41Let me know you're a new person.
18:44Hey, for the second person.
18:47He's a new person.
18:50It's a new person that's inspired by
18:51the sea dog.
18:53What you wanna say?
18:54Wait.
18:55Wait.
18:56Wait.
18:57Wait.
18:57You see?
19:01Poo.
19:03I see, Yes.
19:04I am auel.
19:05Oh, jadna ova, obotnica.
19:09Jada sam ova manekjenga.
19:12Ja bih tačno uzela pipak da se zadavim.
19:15E, ali sve ovo ide uz njenu ludu ličnost.
19:18Ide.
19:19I nekako je cool, misteriozna je.
19:22Leane Lupetaj, molim te.
19:24Ajde stvarno, ajde nađi što ona stalno nosi jednu rukavicu.
19:28E, to nisam našla.
19:30To nisi.
19:31Ali nekako mi je ona cool.
19:33Misteriozna, baš mi je.
19:35Ma super je.
19:36Lea, molim te ne lupetaj.
19:39Samo da ne dolazi više ovde da nas smara.
19:42Ja stvarno ne znam koliko ona dobro zna Aleksu.
19:44E, to sam našla na Instagramu.
19:47Iznajemljivala je kancelari u Cannes Holdingu.
19:49Ma ti si ozbiljan detektiv, mala.
19:53Šta ću? Sve za Aleksu.
19:55Čuti, čuti, čoveče.
19:58Neko će da čuti.
19:59Ne.
20:00Ves dve devojke opet zabušavate, a?
20:03Sad smo sve završile, registratori su godine.
20:05Suna!
20:06Nemoj više da je zaprinčavaš.
20:09Ali stvarno nisam ništa sad...
20:11Dosta se izgovorimo.
20:13Ajde vrati se svom posao.
20:14Ne znam dok će jo više da ponavljam.
20:39Zdravo, Prijo.
20:43Zdravo.
20:45Te bi izgleda nisu baš sve koze na broju danas.
20:49Nisu.
20:52Predpostavljam da te žulja moja Gabriela.
20:56Dobro, predpostavljaš.
20:58Ali te isto tako podsjećam da je to moja čerka.
21:02I da paziš šta pričaš...
21:05O, sorry, ne. Paziš šta misliš.
21:07E, baš sam to ja htjela da ti kažem.
21:11Te bi tvoja čerka trebalo da pazi šta govori.
21:14Ja? Što?
21:16Da prestane da puni lulet u glavu nenormalnim idejama.
21:20Ona luleta voli kao da je njen.
21:23I uopšte ne vjerujem da tako kako ti kažeš ona puni nekim glupostima glavu tog deteta.
21:29Ja?
21:30A otkud onda te priča odlask u Ameriku?
21:32Otkud dete odjednom priča da hoće da igra košarku i da ide tamo?
21:35Hm?
21:37Pa, ja ne vidim da je tu nešto nemormalno ili glupo. Ja to ne vidim.
21:42On je isu više mali da mu se priča o tome.
21:46Šta hoćeš da kažeš? Ajde, reci.
21:49Hoću da kažem da bi trebalo da prestane da mu puni glavu tim idejama odlask u Ameriku.
21:56Jer mogo bi čovjek da pomisli, ne znam, da hoće da ga svetarasi.
22:06Hala jo boju jih!
22:08Hala jo boju!
22:13Hala jo boju nešto nemaki sen naš nekajim.
22:16Hala jo boju, ne znam, da ke mi.
22:31Bune je nasem za živijo nam.
22:32Hala jo boju, ne znam, ne znam, ne znam, ne znam, ne znam, ne znam.
22:36Hello?
22:39Hey, what are you doing?
22:42What's going on?
22:43What is going on, brad?
22:43I'm going home.
22:46I'm home.
22:47I'm in the middle of the time.
22:49No, no, no.
22:51No, no.
22:52You know what I'm doing when you decide to do it?
22:55No, I'm going home.
22:58That's right.
22:59You just give me free days.
23:02What did you say? You gave me a free day, what did you say?
23:06I don't remember that, so it didn't happen.
23:09You said to me, take a free day and go back to normal.
23:14That's what I said.
23:15I won't talk to you.
23:18Come on with this free day and come to the store,
23:21so I wouldn't buy a free payment.
23:24You heard it?
23:25Good, you're a lot of heavy man.
23:28I'm ready, I'm ready, I'm ready, I'm ready.
23:32Ciao.
23:45I'm going to stay calm and civilized.
23:50I just want to ask you to ask me more.
23:55Why?
23:55Why?
23:56I didn't say anything.
23:58I don't say anything.
23:59I don't care about your insinuations, your thoughts.
24:02Especially if you're saying to me, child.
24:05I don't blame anyone.
24:08I try to show you the problem that I heard from the Lulet.
24:13Okay, I'm going to show you the problem.
24:16Can I just be free to drink coffee?
24:19Do you want to talk to your daughter or do not?
24:22I'm just a daughter, but she's a young woman.
24:27She's a young woman, she's a young woman.
24:28She can only decide she will not be a good advocate.
24:31And if you have something to tell her?
24:34I'm going to call her in the face.
24:37I'm going to try to show you the problem in communicating with the child.
24:43What?
24:44What?
24:46What?
24:46What?
24:55What?
25:00What?
25:02What happened?
25:02What happened?
25:17It was a little strange that she's tenía 15 minutes left on me.
25:23But what she did?
25:26What's she doing?
25:27It's not normal to do it here.
25:31I know that it's not normal, but I will enjoy it.
25:34I will enjoy it.
25:35I will enjoy it.
25:36It is called mobbing.
25:39What is it?
25:40It is again after you.
25:42What?
25:43You have to say to you?
25:43You are sorry, Alexi.
25:44Do you have a foundation for that?
25:46I have, but I don't have anything.
25:48Why?
25:50Because I have something to understand today.
25:55I understand that Gabriel test me.
25:59I want to see if I'm going to poke.
26:02And that's the decision? That you're going to attack?
26:05No, I don't want to be a jack.
26:08But my father taught me when I was young
26:11that I'm never going to die in school or later.
26:15If you laugh, you work, you suffer,
26:17then they love you.
26:19Or they give you.
26:21And that won't be allowed.
26:24If you get to the extreme,
26:26then Gabriel will see who they are working.
26:41How did you get a little bit?
26:43Wait to help me.
26:44Leave me.
26:45What do you do?
26:46Nothing.
26:47Everything is fine.
26:48Okay.
26:50Okay.
26:51Sit down to help me.
26:52Nothing.
26:55Nothing.
26:57Nothing.
26:58Nothing.
26:58Nothing.
26:59Nothing.
27:00Do not know.
27:03Nothing.
27:05Something.
27:05Why, стороны.
27:06That seems to like that Smartline was viktig.
27:08Just read it for me.
27:08French.
27:08You have been to me god's.
27:10Things outside the people.
27:12You better have gabble.
27:13You have a passion for his work.
27:14You know,
27:15a lot of times you want to forget.
27:17My baby.
27:18All mymışes are on Malsoft.
27:24You need to think about your health.
27:26Yes, I'm a man in years, but in the best years, you know?
27:30I'm going to go to alcohol and go.
27:33Oh, my God.
27:44Diana, city tracks are really interested in me.
27:47No, no, no, they're not city tracks.
27:50I don't give them the tracks.
27:51I'm going to go to the next stage.
27:53Let's go to the next stage.
27:55No, they're not.
27:56I'm a professional, I'm a man in the case.
27:59What's this other than the other side of the tracks?
28:01I don't see it, Alex.
28:04I'm a professional, I'm a man in the case.
28:08And since we are friends, I think that's all right.
28:12If I have an information, I'll be able to take you to the information.
28:15The romance is an insinuation, please.
28:18No, I don't know.
28:18It's an insinuation.
28:20I told you, see what's going on with me.
28:22Diana, you and I are not friends.
28:24You are friends.
28:25You are friends.
28:26And you fight for his progress.
28:29I'm not friends.
28:30You are friends.
28:32I know you are friends.
28:34You are friends.
28:34That's right.
28:35But you are friends.
28:36You are friends.
28:38And you are friends.
28:38So, if you are friends.
28:39Then, for people who are particularly working on this job.
28:43Or they are friends.
28:45And you are friends.
28:46And you are friends.
28:47I think I'm a friend.
28:48Let me bring you this information. I'm doing it for you.
28:52Dijana, avoid those semantical questions.
28:54I don't care about the relationship with Renda and Milet,
28:56and I don't care about the other thing you said.
28:59We're all confused.
29:03If I could, I'll ask you to start slowly,
29:05since I had a meeting on which I needed to reach 20 minutes.
29:11Okay, Alex.
29:13Okay.
29:16Do you think about this?
29:18Doviđen se.
29:40Da, Biljana.
29:43Gabriela, sine, desila se neka nezgoda ovde u kući.
29:47Kako nezgodu?
29:50Pa, Ivan se posekao na neku čašu enologa,
29:55ooga tamoga, previja sada.
29:58Dobro, Biljana, a kakav Ivan sad? Ne razumijem.
30:01Kakva posekotina?
30:02Je li to sad stvarno toliko važno, ta trapavost tog čoveka,
30:05da ti sad mene zoveš u sred posle?
30:06Gabriela, nije to samo trapavost tog pitanja, veruj mi.
30:09Ja sam upećena da to ima veze sa zdravlje.
30:12Dobro, neka onda ide kod doktora.
30:14Ne znam kako ja odavde da mu pomognem, stvarno.
30:17Ajde, spusti malo loktu, stvarno.
30:19Ne možeš da budeš stroga poslovna žena kad su porodična pitanja tu.
30:24No, ne može tako.
30:26Ja mogu da budem kakva god ja hoću.
30:29Češ li ti prestati da mi soliš pamet?
30:31Ne možeš tako da pričaš.
30:33Znaš da moramo da osvojima srca ukućeno u ovoj vili.
30:37Molim te, ne postavi se ti svojih manira.
30:41Našta ciljaš?
30:44Znaš našta ciljam.
30:46Olga je potpuno poludela zato što ti nam govoraš
30:49malog luleta da ide u Ameriku.
31:10Zvali ste me.
31:11Da, izvolite, sedite.
31:14Hvala.
31:17Želite li nešto da popijete da pozovem?
31:20Ne, ne, ne, ne treba, hvala vam.
31:22I?
31:24How is it going?
31:26Super, super. Everything is just as it needs to be.
31:31I'm glad to hear that.
31:33And if you don't hate Natasha Kukrena to criticize Kim,
31:36she has a weird guard in the beginning,
31:39but later she is already hot.
31:40Well, I have a problem with a woman.
31:43I'm used to be a woman.
31:44I understand.
31:46The only thing is being thrown out of me
31:49is when someone is ashamed of the quality of my work.
31:52Yes, it is.
31:52I'm going to be irritant.
31:53Yes, and then I'm going to go to the red line.
31:58And you can call me if you come to that.
32:02Yes, I mean, it's some small problems.
32:04It will all be solved.
32:06I'm going to hear myself.
32:11But...
32:12How are you?
32:18That's a strange question,
32:19but also a tough question.
32:21I'm going to have a million people.
32:23Well, it's fine.
32:25You can only focus on what the most important thing is.
32:31The most important thing is.
32:36I really...
32:38I met a fantastic woman who inspires me in all the fields.
32:44That's amazing!
32:51I have some feelings, and I rarely do that,
32:55that I have some unrighteous accounts with someone from the past.
33:02You know what?
33:02Well, according to the law enforcement,
33:05I am an expert for male and female relations.
33:09So, just continue.
33:29Let's do it.
33:34Hahaha!
33:37I'm free!
33:39Pan Chet,
33:43I'm not...
33:44Kissinger?
33:47Who are you?
33:48Who are you?
33:48Who are you?
33:49That Henry Kissinger,
33:51the most American diplomat in the history of the world!
33:55I ask you,
33:56what kind of diplomat are you doing?
33:59I'm going to...
34:00I'm going to take a few diplomats,
34:04for which I believe
34:06that they will become blood!
34:08I'm sure,
34:09that you have to see
34:12again how you will end up
34:14this for the rest of the world!
34:16Yes!
34:17They don't have a cup!
34:18It's not a woman's head,
34:20it's not a...
34:22I've got a pact!
34:26I'm going to hear it!
34:27I'm going to hear it!
34:28What the pact is,
34:30that's a big part of the Berlin's ceiling!
34:32Okay,
34:33Pan Chet,
34:33what do you have to do?
34:35I'm going to start my diplomats
34:37skills!
34:38I'm going to...
34:39No, I'm going to do that.
34:41I've seen everything on the scene.
34:43You always throw out
34:45from the fruit of the fruit of the fruit.
34:46It's like,
34:47that's the fruit of the fruit of the fruit!
34:50Over Spider!
34:51Can you go in one minute
34:53Kingi!
35:19And you won't stop me
35:20I think he's a good guy.
35:22I'm trying to get him out of the future.
35:27And for future life.
35:30Yes?
35:31That's what he said from the Guslar book.
35:34Tell him, nice!
35:36What's he saying?
35:38What?
35:41How you're talking about you!
35:43You're a smart and intelligent man!
35:46And he's like a good guy!
35:48Mido, don't get out of the way, don't get out of my mind, tell me what you said in a
35:55second!
35:56Yeah, I've been a lot to say. I've said that, Gorane, this way you can't.
36:02Okay. And what did you say?
36:05Do you know what?
36:07I've said that.
36:10I've said that.
36:11I gave him two hours before the morning to be free, two hours before the morning, two hours before the
36:16morning, two hours before the morning, two hours before the morning.
36:17I'm going to go.
36:20Clicker.
36:21Mido, I'm going to break you now.
36:24What did you say?
36:25What did you say?
36:26I'm going to understand that he's lost.
36:29Hello, man, do you understand me?
36:31What did you say, Tito?
36:33He's me.
36:34No!
36:36I won't drink anything, but I came to the first day of money for the start of the campaign.
36:42Ah, money for the campaign.
36:44Yes.
36:46Yes.
36:56Yes.
36:56Yes.
36:57Yes.
36:57Yes.
36:59Yes.
36:59Yes.
37:00Yes.
37:00If you want to stay there, you should disconnect previously.
37:15What are you sense when you felt terminal about their work?
37:20Yes.
37:21You have to explain everything and energy.
37:23Only one will sit down.
37:29you and you.
37:42You first need to break yourself,
37:44then we will see whether or not you need to do it.
37:47What are you doing,
37:48a snake from a cage, a man?
37:50What are you doing?
37:53How are you doing?
37:54You know that you give a very bad example.
38:07You know what I'm doing in the past.
38:09What's happening?
38:10What's happening?
38:11What's happening?
38:12What's happening?
38:13What's happening?
38:13What's happening?
38:14What's happening?
38:14What do you think?
38:14You know how many people love the Crnogors?
38:17Let's go.
38:18That's it, brother.
38:19You know what?
38:19You know what?
38:20You know what?
38:29Hello, Gala.
38:31How are you doing?
38:32How are you doing?
38:33I'm working.
38:35You won't ask me how I am.
38:37You would ask me to ask me.
38:41You would ask me to ask me.
38:41I don't remember that I asked you to sit for my stomach.
38:44I'm free.
38:56I feel like I'm stuck with my sleep.
38:59I'm trying to tell you.
39:01I want to see you in the book of your diploma.
39:02I want to be myself to decide the inspection.
39:09What kind of thing you are supposed to do?
39:23What kind of thing you are going to do?
39:43Senka!
39:45Senka, Jesse, senka!
39:48Senka!
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