- 17 hours ago
Jupiter Moon is a science fiction soap opera television series first broadcast by British Satellite Broadcasting's Galaxy channel in 1990. 150 episodes were commissioned and made, but only the first 108 were broadcast before the closure of BSB. Episodes 109–150 were first shown in the UK on the Sci Fi Channel in 1996.
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Instagram only allows me to upload videos less than 20 minutes, YouTube just isn't having me..
where else do random people post/share random videos for random people?
For full-length version of this and access to the >150tb archive from which this was pulled.. feel free to contact me directly.
-*_*We appreciate your donations to our Server Fund*_*-
Venmo: https://venmo.com/shareyourworld
Paypal: https://paypal.me/allcreatures313
Buy me a Coffee(or Beer!): https://buymeacoffee.com/reidsquard
Cashapp: $allcreatures313
We also accept Amazon and other gift codes
If you are interested in a Jellyfin subscription, keys to unlock direct downloads from open directories or other options outside of soulseek please send email to woollarding@gmail.com
-mahalo
Category
📺
TVTranscript
00:08Victoria, I'm sorry.
00:11It's not your fault, is it?
00:15I was so happy to stay out on the EVA.
00:19Nothing's happened that can't be put right.
00:24Oh, yes, it has, Max.
00:27It's all gone.
00:30It's like that.
00:32I've lost everything.
00:33It's all gone.
00:36It's all gone.
00:50It's all gone.
01:22It's all gone.
01:50It's all gone.
01:52Oh, for heaven's sake.
01:53All right, what was it nobody told Victoria about Melody?
01:56You mean you haven't heard?
01:57Obviously not.
01:58Go on, Anna, tell him.
02:00You've told everybody else.
02:01Lies.
02:01It's all lies.
02:03Well, for God's sake, somebody tell me.
02:05Otherwise, I'll die of suspense.
02:06Oh, she's pregnant.
02:07Up for death.
02:08What?
02:08With a child.
02:10Melody?
02:10Well, how?
02:11Well, if you don't know, Daniel.
02:12Oh, don't be so stupid.
02:13I think there might have been some dodgy contraceptive patches or something.
02:17Good God.
02:18Do you see a bit of gossip, eh?
02:20You can see why Anna couldn't wait to blab it all over the ship.
02:24Paul, there you are.
02:25Do you fancy buying a girl a drink in the club?
02:27There's some things we need to talk about.
02:28Oh, not more.
02:29The plot thickens.
02:31Yes.
02:31I told you I'd be glad of the escape, didn't I?
02:33Oh, hi, Thimbo.
02:34Do you want to come, too?
02:35I'd be honoured to drink at the captain's staple.
02:38Oh, well, thank you, but no thanks.
02:40I've got calculations to double-check.
02:44Well, it's reassuring to be in safe hands.
02:46I was never quite comfortable with Elliot in command.
02:51Right.
02:52I dare you to go to Professor Brelin's cabin and knock on the door and say,
02:56Charles, Charles, I can't bear it any longer.
02:59It's tearing me apart.
03:08Yes?
03:10It's Professor Brelin there, please.
03:12Oh, my God.
03:13Isn't anyone entitled to a moment's peace on this ship?
03:15Charles, it's a Miss Baganie for you.
03:18This had better be important.
03:22You rotten little cheat.
03:24You're not supposed to say it's a dare.
03:27You never said that.
03:28It's totally obvious, isn't it?
03:30There's no point in the game if you cheat, Anna.
03:32All right, make her do a forfeit or something.
03:34Let's just get on with it, shall we?
03:35Okay.
03:36You've got to answer a forfeit truth, and you've got to promise to answer it properly.
03:41I promise.
03:43Right.
03:45What's your plan of campaign for the elections?
03:49Well, Victoria just seems to be in a state of shock.
03:51And Melody's awfully quiet.
03:53How far away do we have to send that boy before he stops wreaking havoc?
03:57Ask me another.
03:58You know, the mystery to me is what they will see in him.
04:00So what are we going to do?
04:02Well, Melody just has to talk to Jean-Francois, but at the moment she wouldn't even consider it.
04:06We'll chat with her in the morning, woman to woman.
04:08Then we'll get together with Christophe and decide what to do.
04:10What about Victoria?
04:12I mean, she's always had a tendency for doom and gloom.
04:15Excuse me!
04:16Pathetic, Anna!
04:18Pathetic!
04:18Okay, what's the matter with Anna, eh?
04:21Playing spin the bottle, and she didn't want to answer one of you's questions.
04:24Yeah, mind you, it was a little bit below the belt, wasn't it?
04:27Perfectly fair, perfectly.
04:29If you're going to play, you've got to take a look at it.
04:31Spin the bottle?
04:32You know, I haven't played that since I was at the Crescent Moon in Abu Dhabi.
04:35You first again?
04:36Me?
04:37I am not playing spin the bottle.
04:38Oh, go on, it's really good fun.
04:40All sorts of skeletons come out of the cupboard.
04:42Come on, move it.
04:43Come on, move it as well.
04:44Right, come on then, someone.
04:45Spin the bottle.
04:50Right, Paul, truth, staircase, or promise?
04:54Uh, truth, that's not fair.
04:55Sure, sure.
04:57Your question is...
04:59Do you fancy Rebecca?
05:15Hi.
05:18Oh, hi.
05:20How are you feeling?
05:22Did you sleep all right?
05:24Oh, I've talked about babies.
05:27Hundreds of little Jean-Francois all running away from me.
05:31You don't have to be Freud to work that one out.
05:34Fear of rejection.
05:37I can't believe it.
05:40I can't believe it.
05:41I just can't believe it.
05:43You know, Victoria, sometimes God sends us these little problems to see if we have the strength to fight for
05:49what we want.
05:50You must be positive and you will emerge a stronger and better person.
05:54Is that supposed to be a comfort?
05:57Never mind.
06:01What do you think of this?
06:04I'm not sure about the slogan.
06:07You don't think it will grab people's attention?
06:11Oh, yeah.
06:12It'll do that all right.
06:15Have you ever?
06:17No.
06:18Let me tell you, I've had a few nasty scares.
06:22When you're as scatty as I am, you're bound to have.
06:25What do you think you'd do?
06:28I don't know if I'm the right person to ask.
06:31You know no one can make your mind up for you.
06:35No.
06:36I've always liked children.
06:39I used to help out at the space orphan's nursery.
06:41Yeah, on Saturdays they were sweet.
06:45I could toss a coin.
06:50Look, I know it's none of my business.
06:53But don't you think you ought to talk to Jean-Francois?
06:56Why?
06:57Well, a problem shared.
06:59Pointless.
07:00You don't have to go through this on your own.
07:02It takes two.
07:04Look, Jean-Francois is history, Rebecca.
07:07He's out of my life.
07:08If he's the last person in the universe I'd wanted to confide in.
07:11Look, it's my body, my baby and my problem.
07:15And I'm the one that's got to decide what to do.
07:17Full stop.
07:17I think you're making this harder for yourself.
07:19Yeah, well, I'll muddle through.
07:21Don't worry about me.
07:22Melody, it's my job to worry about you.
07:25Well, you've done your dutiful bursa bit and I'm grateful.
07:32What I really want at the moment is to be left alone.
07:35Okay.
07:37Well, the dutiful bursas bought you some bump from the essence.
07:41If you're not interested, just bring it in the bin.
07:43Hi, Bex.
07:44Hi.
07:44Hi, Melody.
07:44I've brought you a donut.
07:46What's the matter?
07:47Don't say you're feeling sick again.
07:49Oh, Fiona, don't you ever know when to be tactful?
07:51I thought I was bad.
07:52What?
07:53It wasn't me that told her.
07:55Told who what?
07:57Victoria about you, Bex.
07:59Look, it doesn't make any difference to me what Victoria knows or thinks.
08:04It's got nothing to do with her.
08:11What do you think?
08:14It's a nice picture of you, Anna.
08:16My friend, Hank, took it for me last time I was down in Space City.
08:19She's a great photographer, Hank.
08:21Yes?
08:23Hey, that's given me a great idea.
08:25A photography club.
08:27You won't tell Fiona, will you?
08:28I don't want her pinching any of my ideas.
08:31I wouldn't dream of it.
08:32I know Fiona laughs at me sometimes, but I've got a totally stunning program.
08:37It's totally stunning.
08:38Well, I better get the rest of these up, then.
08:41Anna.
08:43The posters and the, um, the slogan.
08:46Yes.
08:49They're great.
08:50They're really great.
08:52Thanks.
08:53Well, I've checked.
08:54Everyone else has been using the patch.
08:56No problems.
08:57Good.
08:57I didn't fancy having to open a creche.
08:59I already told you the patch wasn't to blame.
09:01Well, something's wrong with them.
09:02What about Mercedes?
09:03One patch was found to be releasing hormones at a slightly faster rate than it should have been.
09:07So what are you saying?
09:08The melody just got careless?
09:10Well, pressure of exams, strain of the relationship with Jean-Francois, too many late nights at the stardust.
09:15She may have got a bit lax about keeping her last patch in place.
09:19Or, of course, it might have been deliberate.
09:21You're saying she got pregnant on purpose?
09:23Well, I don't know.
09:24Why?
09:24She has enough trouble looking after herself.
09:26Yeah, exactly.
09:27You know, she's had a very unsettled life.
09:29Traumatic at times.
09:30And what she craves for more than anything is love and attention.
09:34Maybe to her subconscious, but there's a very real possibility that she may have seen getting pregnant as a way
09:38to give some sort of focus to her life.
09:40And assuring herself of Jean-Francois' undying devotion.
09:44Well, if it was that, it's all gone horribly wrong.
09:47Well, look, I talked to her this morning.
09:48She didn't seem terribly upset, just rather thoughtful.
09:52So what do you think she'll do?
09:53Oh, who knows?
09:54Not having Jean-Francois doesn't mean that she won't want the baby.
09:56She might even see it as a way to get him back.
09:58She's not interested in getting him back.
10:00I'd swear to that.
10:01Look, she needs careful counselling.
10:03I don't want her making the wrong decision.
10:05She's got her whole life ahead of her.
10:07You gave her the SMC literature?
10:08Yeah, but there's nothing in there she doesn't already know.
10:11Yeah.
10:13So, is somebody going to tell the father?
10:17Don't tell me.
10:18It's my job.
10:19I'm the versa.
10:21Well, I suppose if there is going to be a baby Jean-Francois running about on this ship, he ought
10:25to know about it.
10:27They look all right to me.
10:28I'll program them in now and say, tell Peter.
10:31Do you think Braden will want to double-check them?
10:33Oh, for heaven's sake, Thimbo, you're the captain.
10:36Why does everyone keep telling me that?
10:38Because you're behaving like a prized wimp.
10:41Yes, well, a fine world it would be if we were all domineering.
10:43Assert yourself, Thimbo.
10:45I'm only telling you this for your own good.
10:47I've got the makings of a brilliant captain.
10:49Petra, prepare for orbital parameters.
10:53Standing by.
10:54All right.
10:55I'll see you later.
10:57Oh, Mercedes, I've arranged for you and Paul to do an EVA tomorrow.
11:00Oh, I thought it was just a straightforward perpetual.
11:02Well, in my opinion, it'll take two.
11:04You're the boss, just as long as I'm not left passing in the screwdriver.
11:07Yes, well, you have to sort that out between you.
11:09Well, it is always used to getting his own way, where I'm concerned.
11:12Always has been, ever since the freshest dance on Island Nine.
11:16Oh, not Paul Drummond.
11:17Paul Lockwood.
11:18Oh.
11:19Paul Drummond's doing his seminar on emergency procedures during EVA.
11:23Brothers anxious that that should continue.
11:25Oh, anxious that you wouldn't be allowed to spend a moment alone together more like.
11:29No, no, I think he's just concerned how few people on the ship can do EVA.
11:33We've only got five.
11:34It's ridiculous we're all bearing about with you.
11:36Fascinating time we live in.
11:38All right, Thimbo, I love you and leave you.
11:40Oh, Mercedes?
11:42Yes?
11:43Can you make sure you're both suited up properly?
11:45I don't want to waste any more time than is absolutely necessary.
11:51I should have known she wouldn't give up that easily.
11:53If that's ridiculous, Victoria.
11:55Why?
11:56I mean, she's far more devious than people give her credit for.
11:59Look, she must have conceived before she even found out about you two.
12:03And presumably, once Jean-Francois dumped her, they weren't...
12:06Well, you know.
12:07So that's that theory out of the window, hmm?
12:11So, how pregnant is she?
12:13I don't know, actually.
12:15It's not too late.
12:16No.
12:17She can terminate if that's what she wants.
12:20No, she won't.
12:22But she's going to go through with it just to torment us.
12:25Look, I'm sure Melody's got more sense than to bring a child into this world just to torment you and
12:29Jean-Francois.
12:31She's trying to get him back.
12:32I know she is.
12:35Once Jean-Francois finds out, he'll probably feel obliged to marry her or something.
12:38Victoria, Melody's not interested in Jean-Francois.
12:41She doesn't give a monkey's about him.
12:42You know, she can't even be bothered to tell him.
12:45I promise you, even if Jean-Francois begged her to marry him, she wouldn't be interested.
12:52But I do think somebody ought to tell him.
12:55He's going to find out sooner or later and he's not going to thank us for keeping it a secret.
13:00Maybe he needn't...
13:01Oh, come on.
13:01Are you kidding?
13:03This is the hottest piece of gossip this century.
13:05I am.
13:06So, are you going to tell him?
13:09Or shall I?
13:26Please, Fimbo.
13:27It's highly irregular.
13:28It's the only comms link we have now we're descending into the gravity world.
13:31It'll only be for a few minutes.
13:33You know, it's hard enough for them to keep a relationship going as it is without being incommunicado.
13:38Oh, all right.
13:39But two minutes only.
13:41You're a dream, thank you.
13:42And it might be tactful if you just sort of turned your back so they can talk freely.
13:45You know, these young sweethearts.
13:47Don't worry.
13:48I'll have my fingers in my ears.
13:49Thank you, Fimbo.
13:50You know, if I didn't think it was disrespectful to the captain, I'd give you a big hug.
13:55If we could find a way of supplying free booze, we'd have it cracked.
13:59How about the International Tourist Board?
14:01What?
14:02Con them into thinking we're having cultural evenings or wine tastings.
14:05Nobody can go on holiday anywhere, Fiona.
14:07Ah, Fiona, a quick word.
14:09Sure.
14:10Well, I just want to appeal to your better nature and ask you not to torment Anna too much during
14:15these elections.
14:16Torment Anna?
14:17What do you mean?
14:18Come on, we both know she hasn't got a snowball's chance in hell of winning.
14:22Oh, I don't know.
14:23She says she's got a totally stunning programme, totally stunning.
14:26Come on, I want these council elections to be fair and square.
14:30May the best man win, isn't that right?
14:32Quite.
14:33Just as long as you know that any candidate indulging in character assassination will be disqualified.
14:40Yeah?
14:41Yeah.
14:42I'll see to it myself.
14:47Charming.
14:48Oh, he's just upset because I hit a raw nerve about Rebecca.
14:51Now, who's the most gullible member of the International Tourist Development Agency?
14:57Indonesia?
14:58Iceland?
14:59Wales?
15:00Victoria.
15:02I couldn't believe it when I got your message.
15:04We haven't got very long.
15:06Fimbo's waiting outside.
15:08How are you?
15:09I'm really missing you, you know.
15:10Me too.
15:12Oh, Sharon.
15:14You look too pleased to see me.
15:15Something happens, I thought you called me.
15:17Yes.
15:20I don't know how to tell you this.
15:23What's happened?
15:24Has somebody upset you or something?
15:26No.
15:26If she and her friends are ganging up on you.
15:32Melody is pregnant.
15:35She's going to have your baby.
15:37Oh, my God.
15:38It's got to change things.
15:39I mean, I know I realise that.
15:42No.
15:43No, no, it won't change anything.
15:45What if she decides to keep it?
15:46Well, it'll be her decision.
15:48You mean you wouldn't feel obliged?
15:52But it would be your child.
15:54Look, you've got nothing to worry about, Victoria, okay?
15:56You never will have.
15:57I love you.
16:00I love you, too.
16:02I suppose I'd better talk to her.
16:04Um, can you talk to Fimbo, get another comms link or something?
16:07This is another one of her games.
16:08I'm going to kill her.
16:12Victoria's talking to Jean-Francois right now.
16:14I've persuaded Fimbo to let her make the call.
16:16You know, he's not a bad old thing, really.
16:17You know I'm repairing those sideburners for him.
16:20It's often here with Mercedes.
16:22Well, just you stick up for him if she starts having a deal.
16:24Oh, don't you worry.
16:25I'm a Fimbo supporter through and through.
16:28We're a right pair of do-gooders, aren't we?
16:29Yeah, well, somebody has to be on this ship.
16:32It's funny.
16:32I'm not used to being on this side of the fence.
16:34Always used to be other people getting me out of scrapes.
16:36Well, I've always been totally solid and dependable.
16:40Surely not.
16:40Surely there's a wicked streak in me somewhere.
16:42Well, it's funny, you should say.
16:44Oh, no, not the process.
16:48How can anyone be so warm and so wicked?
16:52Come on, Anna, let's go and have a coffee.
16:54Somebody's going to wish she'd stayed on the Mars liner.
16:57Melody.
17:01I've just spoken to Jean-Francois.
17:03That's nice.
17:06I've told him about me.
17:10I thought perhaps you ought to know.
17:12I'm surprised you didn't have anything better to talk about.
17:16He wants to talk to you.
17:18Does he?
17:20Don't you think you owe it to him to talk this through?
17:24I don't think I owe him anything, actually.
17:28He's calling Comsen at 1345.
17:30Fimbo says as long as you're quick.
17:32Oh, I'll be quick.
17:33There's precisely nothing to discuss.
17:37Jean-Francois does care about you, Melody.
17:43No, Victoria.
17:45Jean-Francois cares what happens to him and him only.
17:51But if it makes you happy, I'll talk to him.
17:55Is it still time to finish your lunch?
17:57No, thanks.
17:58I'm off my food, rather.
18:02Well, you've just had a very lucky escape.
18:04Who, me?
18:05I've just heard Paul calling you every single name in the book.
18:08If he didn't have to do an EVA, I wouldn't fancy your chances.
18:12What are you on about?
18:13What have I done?
18:13You don't have to pretend with me.
18:15We've been in here all morning.
18:17Fimbo Lewis and Anna Begani.
18:21Personally, I thought it was quite funny, but Paul didn't seem to.
18:26I think you'd better find yourself a cast-iron alibi.
18:32Don't spend too long chitter-chattering.
18:33I don't want the lines clogged up.
18:35Oh, and I'm afraid I can't that you've come, Sam.
18:37Fimbo, if it was up to me, I wouldn't be chitter-chattering at all.
18:40I thought you and Jean-Francois had finished.
18:42I don't mean to pry, but it's as well to know these things,
18:44otherwise you just end up putting a foot in it.
18:46So you haven't heard?
18:48Oh, you haven't got back together again.
18:51No, but there's a slight complication.
18:54What?
18:55I'm pregnant.
18:57Island 5 to Ilia.
19:01Melody.
19:02It's so unfair.
19:03I mean, here I am, trying my utmost to give the people on this ship a good time,
19:07and all they can do is keep slagging me off.
19:09Oh, shut up a minute.
19:10Why? What are you doing?
19:10See, if I can get a link through comms then,
19:12if I get it right, we might be able to get a line out.
19:14Oh, great idea.
19:15We can get through to the agency and book some bands.
19:17Nearly there.
19:18That should do it.
19:19So, how's your research going?
19:22Don't be ridiculous.
19:23I didn't call you up at 400 acres a minute to talk about my research.
19:26Sorry.
19:27I know you used to go on about it all the time.
19:30Melody, is it true you're pregnant,
19:31or are you just playing some joke to upset Victoria?
19:34Same old charming jiffy.
19:36Pig.
19:37I'm sorry.
19:38I didn't mean that.
19:39You know I always wanted us to be friends.
19:41I just can't believe we're not always going to be.
19:43Turn it off.
19:44What?
19:44Turn it off.
19:46She'll tell me all about it later.
19:48I just want to make sure you're not going to do anything stupid.
19:51And what do you call stupid?
19:53You know what I mean.
19:54You're 18 years old, for heaven's sake.
19:56Are you saying I ought to have an abortion?
20:00Well, there's no chance of us getting back together, is there?
20:02And you can't possibly bring it up on your own?
20:04What a good Catholic boy you are.
20:07Melody, are we going to have a serious conversation about this or what?
20:10Melody, I'm sorry.
20:12Sorry, Jean-Francois.
20:13Looks like our time's up.
20:14Melody.
20:15Bye, jiffy.
20:16It's just we've got an important EVA to do.
20:19Yeah, it doesn't matter.
20:20I didn't have anything to say to him anyway.
20:22You're right.
20:23Hello.
20:24Thanks, Fimbo.
20:26Poor kid.
20:26What's she going to do?
20:27God knows.
20:29Right.
20:30Now, I'm going to have to take you through this.
20:31Time, as you know, is not on our side.
20:33What?
20:33Fire away, Captain.
20:34It's an intricate operation.
20:36It should be done by a qualified engineer.
20:37Or a robot.
20:38As Charles keeps reminding us.
20:40So, we just have to do our best, won't we?
20:42Mm-hmm.
20:43Well, the first thing I want to do is thank you both for supporting me on this.
20:45Fimbo, you're the captain.
20:46We're just obeying orders.
20:48So, let's get on with it, shall we?
20:49Hey?
20:51Melody.
20:52Hi.
20:53How are you?
20:55Oh, all right, I suppose.
20:56I've just spoken to Jean-Francois.
20:59How'd it go?
21:01No, I didn't, really.
21:03Well, what did he say?
21:06Not much.
21:07I didn't really want to talk about it.
21:10I'll see.
21:11Do you want to talk about it now?
21:15Yeah.
21:17Yeah, I think I do.
21:20It's going to be trickier than we thought, Fimbo.
21:23Yeah.
21:23If it wasn't for the safety override, it would be a walkover.
21:26I just can't get near to it.
21:29That's real to call it a day.
21:30We've tried.
21:32Rubbish.
21:32We're good, Dad.
21:33It's just going to take a bit more time.
21:36I've always cared about you, Melody.
21:37I always will.
21:38We've always been friends.
21:42I'll just pass it down.
21:48Destroy it a bit, aren't you, mate?
21:52Good old Jiffy.
21:53Good old Jean-Francois.
21:55Gets his guard into trouble, then runs up with somebody else, eh?
22:02Listen, Daniel.
22:05Remember the last time I cried on your shoulder,
22:07the week Jean-Francois gave me the push?
22:10When?
22:11When you found me in the dome.
22:13Yeah.
22:14I thought he said I hadn't got a pound.
22:18I think you might wish you hadn't the last time.
22:22Why?
22:25Do I have to spell it out to you?
22:27Jean-Francois isn't the father.
22:30Oh, right.
22:31Don't you?
22:36You'll have to come in now.
22:38It wouldn't take a couple of minutes.
22:40Without the safety override, I think we could do it, you know?
22:43Yeah, it's better than attempting a slim shot with the burners down.
22:46No, no, it wouldn't.
22:48I'm calling you in.
22:49Look, we've got this far, matey.
22:52Come on, Fimbo.
22:53We know what we're doing.
22:54The safety override is not built into the system without reason.
22:58It's deactivated.
22:59Oh, God, well, look, be careful.
23:01At least let me check that nothing's been downloaded.
23:03Nearly there.
23:04Careful, careful.
23:05That other point's live as well.
23:07It's all right.
23:09I've always had a steady hand.
23:12I've always had to thread my mother's needle when she was sewing on my buttons.
23:16You male chauvinist pig, you should have sewn your own buttons.
23:20No!
23:21No!
23:29No!
23:29No!
23:31No!
23:42No!
23:45No!
23:46No!
23:47No!
24:16Transcription by CastingWords
24:18CastingWords
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