- 6 minutes ago
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00:00Satsang with Mooji
00:30I'm back!
00:48I'm telling you, I don't have four pounds.
00:51I had it earlier, but I forgot I'm wearing my suit.
00:55There's not quite enough money in the pocket.
00:58I do none of my business.
00:59Stand me the pound until I'm wearing the correct clothes, Bullant.
01:02No.
01:03No.
01:04Tell him, would you?
01:05What?
01:05Tell him he's being unreasonable.
01:07Um, I don't...
01:08No, I know.
01:09Give him a pound.
01:13There.
01:14There's your precious money.
01:16My precious money.
01:18I ran a cafe.
01:19This is a cafe.
01:20Give me another pound.
01:23And this is the tip that you are now not about to get.
01:27LAUGHTER
01:28What?
01:35I'm back.
01:36Ah!
01:37I don't care.
01:39Are you going to order something?
01:41Haven't got any money now.
01:45Hi!
01:46Hi!
01:48I am back!
01:50So, you keep saying.
01:51Did you get that paint?
01:53What paint?
01:54Was it not you I asked to get the paint?
01:56I've been gone for six months, Arthur.
01:59Where have you been?
02:00Home.
02:01York.
02:01Do they not have it locally?
02:03LAUGHTER
02:04I've seen it.
02:06I've seen it.
02:09Oh, yeah.
02:10Oh, hello!
02:15Hi.
02:16Um, sorry, Simon.
02:18This is Michael.
02:20Simon!
02:21Oh, and you're...
02:22It's like a tongue twister.
02:24Simon and seen him.
02:26Simon and seen him.
02:27Simon and seen him.
02:28It's almost impossible to say.
02:30Simon and seen him.
02:32I don't know.
02:32I can say it.
02:34Yes, you can.
02:34It's like an incredibly straightforward tongue twister.
02:38Well, bye.
02:40Goodbye.
02:40Love you.
02:43Sorry?
02:46What?
02:48What did he say?
02:49When?
02:49Yesterday.
02:50Don't think I said anything.
02:52He said he loves you.
02:54For some reason.
02:57Well, I like you too, Michael.
03:00Well, I guess it's nice of you to get on.
03:06Hasn't anybody noticed that I've not been here?
03:08Come to mention it,
03:09it has been a bit quiet on your side of the table.
03:12Where have you been?
03:14York.
03:14I told you.
03:15I've been writing.
03:16Well, trying to.
03:17To be honest, it's not going great.
03:20Thought I'd come back here and see if anyone had missed me.
03:22Michael, you're back.
03:24Thank you, Eggie.
03:26Did you get that paint?
03:27LAUGHTER
03:27What have you got?
03:33Some paper.
03:35Sandwiches.
03:37Flask.
03:37Flask.
03:38Well, you bring that.
03:39I'll bring the flask.
03:44Screwdriver to get the lid off.
03:46You bring that.
03:47I'll bring that.
03:48What are you doing with the paint?
03:49We've got ourselves a little job on.
03:51Oh, really?
03:52You've gone into decorating?
03:53We have recently won the contract to paint a garage door yellow.
03:59LAUGHTER
03:59That's black.
04:02Is it?
04:05Well, black, then.
04:06It doesn't matter.
04:08LAUGHTER
04:08A very dear friend of mine passed away.
04:12He left me some overalls and a stepladder.
04:15LAUGHTER
04:15You must have been very close.
04:21Hey, I'll tell you something, Eggie.
04:22You do a good job on this garage door and the money will be rolling in.
04:26What do you mean, if I do a good job?
04:28Well, my strength lies more on the administrative side of things.
04:32Wining and dining clients, etc.
04:34That's what I bring to the table.
04:36Oh, OK.
04:37Anyway, come on.
04:39Let's go.
04:40This door won't paint itself, will it?
04:42Hi-ho, hi-ho, it's off to work, he's gone.
04:48LAUGHTER
04:49I was meaning to tell you,
04:54remember what you were saying about you're not able to write any more?
04:57Oh, no, I wouldn't go that far.
04:58It's just a little block.
05:01It's actually very common.
05:02You see, writers need certain things in order to create.
05:05Solitude, a sense of calm.
05:07One can't simply...
05:09I've written a book.
05:11What?
05:12What? Yeah.
05:13You've written a book?
05:14Yeah.
05:15When?
05:16How?
05:17Don't know.
05:18Just did.
05:20Right, well, er...
05:22Actually, well done, Arthur.
05:24It's not easy to write a book, so...
05:27Kudos.
05:29In fact, if you'd like me to have a look at it,
05:31I'd be more than happy to.
05:32Really?
05:33Might as well make myself useful.
05:34What kind of book is it?
05:37Racist one.
05:38LAUGHTER
05:38What?
05:43Oh, yes.
05:45A racist one?
05:46Ruffle a few feathers, believe you me.
05:49You've written a racist book?
05:51It's very racist.
05:53I can't wait for you to read it.
05:55In what way is it racist?
05:57You know...
05:57Hello.
05:59Hello.
05:59Ooh, madame.
06:07Not racist.
06:09Racy.
06:10A racy book.
06:12Oh, you've written a racy...
06:13You've written a racy book?
06:15You know, like that, um, 50 crates of plates.
06:21Oh, now I want it to be racist.
06:24But there's a twist.
06:27Oh, God, is there...
06:28It's for the over-70s.
06:31LAUGHTER
06:32There's nothing for them on the racy book front.
06:36When can you read it?
06:38Do you know, I don't think I'm going to have time to read it.
06:41Well, you just said you would.
06:42I've... I've just remembered my... my agent insists on reading everything I'm sent.
06:46For... for legal reasons.
06:47Even better. She can read it.
06:49Um...
06:50Ooh, it's going to be a big one.
06:52I'll corner the over-70s racy book market with this.
06:55Is there a market there?
06:57Racy isn't...
06:58I think at that age, most people would be happy with a hug.
07:00This calls for a celebration.
07:02Two teas, please, Bula.
07:03We're celebrating.
07:05I've written a racist book.
07:07LAUGHTER
07:08Beneath the Paisley-patterned Eiderdown.
07:16Oh, God.
07:17Please, Sheila, just... just read enough to get a sense of it
07:19and then write a polite note.
07:21That's... that's all he's hoping for.
07:22Oh.
07:23The things I do for my clients.
07:26Well...
07:27At least you're delivering a book.
07:32It's not funny, Michael.
07:34They'll want that advance back.
07:35Can you get me a new deadline?
07:37Please, Sheila.
07:38I-I-I'll make this one.
07:39I promise.
07:40Well...
07:41Oh, I can get you another six weeks.
07:43Oh, thank you.
07:44But don't embarrass me again, Michael.
07:46I'm warning you.
07:48She was warning me, Arthur.
07:50I don't like being warned.
07:52That'll be the drink-talking.
07:54It's always the drink-talking with Sheila.
07:56It doesn't make it any less scary.
07:57Yes, but she's got the book.
07:59Er, yes, she took it home with her.
08:01She's away for the weekend,
08:02but she'll read it first thing Monday.
08:03Now, please, Arthur,
08:04I have got six weeks to write something
08:06or Sheila is going to take a contract out on me.
08:10There you go, Arthur.
08:11What's this?
08:12Carry on cruising.
08:13Yeah.
08:14That was the one you wanted, wasn't it?
08:16Leslie Phillips on the cruise ship.
08:18I wanted Captain Phillips.
08:20You know, the one where Forrest Gump's a pirate.
08:23Oh, Peggy, I was looking forward to that.
08:25I was.
08:26Why don't you just buy it if you want it so much?
08:28I don't buy films until they come down to £1.99.
08:31It's taken ages for this one.
08:33I'll have it, Peggy, but I'm not happy.
08:38What's that?
08:40You've written another?
08:42I've taken the precaution of making a copy of my book
08:45in case Sheila tries to publish it under her own name.
08:48She's not going to do that, Arthur.
08:50She's not insane.
08:51Oh, this is exciting.
08:52To think in a few months' time,
08:54people might actually be reading about
08:56the steamy union of Michael and Sheila.
08:59You never know.
09:00Sorry, what did you say?
09:05If all goes well, of course.
09:07No, no.
09:07Back then, who's steamy union?
09:10Michael and Sheila.
09:11You're getting mixed up.
09:14That's my name and my agent's name.
09:17And the name of my characters.
09:18You've named the characters
09:22in your racy book for the over-70s
09:25after Sheila and me.
09:29As the stairlift ascended,
09:33Michael's hand similarly ascended
09:38to the top of Sheila's support anklet.
09:40What?
09:43What?
09:43You've put me in your dirty book.
09:45Racy book, Michael.
09:48Not dirty.
09:49I don't do filth.
09:50Anyway, it's not you.
09:52It's an elderly version of you.
09:55But why Sheila?
09:56You don't even know her.
09:57Well, I feel like I know her.
09:58All the gossip you've told me about her.
10:00Like the time she had the affair with...
10:02Martin Amis!
10:05That's in it!
10:06You've written about her affair with Martin Amis!
10:09Was that not OK?
10:10No!
10:11Not OK!
10:12Not OK at all!
10:13She told me that in confidence!
10:15Oh.
10:15Oh, come on.
10:16She'll never trace it back to you.
10:20You've named your characters Michael and Sheila.
10:23Oh, God.
10:24She can't read this.
10:25She can't read this.
10:27Sheila was halfway through her fifth bottle of gin.
10:30She likes a glass of wine at lunch, Arthur.
10:33You said she was more or less an alcoholic.
10:36She's going to drop me.
10:38She's going to drop me!
10:39She won't drop you.
10:40You make her money, you do.
10:41Arthur, I can't write.
10:43I have spent the last six months playing Candy Crush.
10:48If she reads this, my career is over.
10:51And you think that this might affect her brokering a deal of my behalf.
10:57Oh.
10:59That is a problem.
11:00And all that happened?
11:10Martin Amis pulled his underpants back up.
11:12And told her their affair must come to an end.
11:17Just one more night, Martin, she pleaded.
11:19I promise I won't snore.
11:21And all that happened?
11:24It's word for word.
11:25Oh.
11:26Could you lift your head?
11:27I don't think that's hygienic.
11:29Oh, sorry.
11:30I can't survive in London without an agent.
11:32The rents here are astronomical.
11:34So, er, you got a flat?
11:38Yeah, I...
11:39Yeah, I thought I would for...
11:40for a while.
11:41Really?
11:42That's, er...
11:44Hey, darling.
11:47See you later.
11:51Love ya.
11:55Oh.
11:57Oh.
11:59Oh.
12:01Here.
12:02I've been thinking.
12:03Stop it.
12:04Stop thinking.
12:05Do you know where Sheila lives?
12:07Yes.
12:08Well, there you go.
12:10You said she was away for the weekend.
12:12We can get into her house and change her manuscript for a new one.
12:16Hey, you can change all the bits you don't think she'll like.
12:18She won't like any of it.
12:20I'd have to rewrite the whole thing.
12:22Well, we've got nearly a whole weekend.
12:24That's longer than it took me to write it.
12:26Sheila always leaves a key under a plant pot by her front door for the neighbours to feed the cat.
12:31Brilliant.
12:32We can get in, drop off the dummy manuscript and make our getaway.
12:37Hey, it'll be like a heist.
12:39It's not like a heist.
12:41It's a bit like a heist.
12:42No, we're just dropping something off.
12:44I know you like to live as if you're in a film, but I don't.
12:47I'm not a heist type of person.
12:50You're not.
12:52But I know a man who is.
12:54You see, I don't do that stuff anymore.
13:03I'm retired.
13:05Come on, just one last job.
13:07For me.
13:08Let me make a few calls.
13:10Will you please turn the light on?
13:18Michael!
13:20This is how you do this sort of thing.
13:22We all know who it is!
13:24And anyway, I've changed my mind.
13:26We're not going to her house.
13:27All right, what do you suggest?
13:28How are we supposed to swap them?
13:30I don't know.
13:32I'll go to her house first thing on Monday morning and say,
13:35here you are, Sheila.
13:35Here's a nicer manuscript where everything is spelt correctly
13:39and there's nothing about an older version of you and me
13:42in a menage a trois with Will's self.
13:45All right, clever clogs.
13:47What if she decides to come back early and reads it, eh?
13:50She comes back, goes to bed, can't sleep, gets up,
13:53has a few drinks to send her off,
13:55drinks a bit too much, sick all over the place.
13:59There's nothing wrong with that.
14:00We've all done it.
14:02Looks down, sees a manuscript, thinks,
14:04ooh, now I've been sick, I'll have a read of that.
14:08No, no, no, no, no.
14:09An exciting heist is the only sensible solution.
14:13How are you getting on?
14:14I've finished the first chapter.
14:16All right.
14:18I've called in a few favours.
14:21What? What favours? What do you mean?
14:23I'm a fixer, Michael.
14:25I connect people with other people. That's what I do.
14:28What other people?
14:29Well, don't be telling other people about this.
14:30Who are these people? Stop talking to people.
14:32I don't want to do a heist.
14:34Get it straight, pal.
14:37I hear you say, please, this ain't Duncan Abbey.
14:40This is real life.
14:41And if you ain't got a stomach for it, tell me now, or I'll walk.
14:45No, no, no, no, no, no, John, it's not like that at all.
14:48Your help here is definitely appreciated.
14:50Michael, say you're sorry.
14:53He hit me!
14:54John hit me!
14:56Snap out of it!
14:57You've got to pull yourself together!
14:58Well, don't you hit me!
14:59Nobody's allowed to hit me any more!
15:02You better put some iron in your knickers, missus.
15:05There's no room in this outfit for a Jemima.
15:12Isn't this brilliant?
15:14How much longer have we got to stay cooped up in this room?
15:26It's driving me crazy!
15:32Right.
15:33Here we go.
15:34Arthur.
15:39What?
15:40I'm quite scared.
15:42I don't want to get mixed up with gangsters and that sort of thing.
15:45I'm finding this all very stressful.
15:46Pull yourself together.
15:47We've talked about this.
15:49There's no other option.
15:50What if we get caught?
15:51John's one of the best fixers there is.
15:54We've got to get that book back on its curtains for both of us.
15:58How are you doing?
16:00All right.
16:01I lost Chapter 3 because it didn't really add anything,
16:03so I think you can get into the action a bit quicker now.
16:05Sounds good.
16:06Where are you up to?
16:07I'm at the bit where they check into the Premier Inn for the weekend.
16:13I'm quite frightened about that too.
16:16Is that the bit where she scolds her backside on the towel rail?
16:21Thanks for turning out.
16:22I appreciate it.
16:24I know you're a busy man.
16:29Hello, everyone.
16:31Eggie?
16:32That's who we've been waiting for?
16:34What a lovely surprise.
16:36Sorry I'm late.
16:37I was on the toilet and the cat fell asleep in my trousers.
16:41I didn't have the heart to wake him.
16:43Oh, that would make a nice poster.
16:48You bloody slapped me and we were waiting for Eggie.
16:51No names.
16:55We've got to use nicknames.
16:57Here's a look-out.
16:58Every outfit has a look-out.
17:00What are you, then?
17:01You're a fixture.
17:02Because you phoned Eggie?
17:06I'm the ghost.
17:08The ghost?
17:09What makes you the ghost?
17:11Because I'm a shadow.
17:12I'm a rumour.
17:13No-one knows if I...
17:15If I exist.
17:26What about me?
17:27Should I have a nickname?
17:28Bookworm.
17:28I don't want to be called Bookworm.
17:30Thank you, Arthur.
17:31I was called that at school.
17:32What about the computer boy?
17:35I'm not a boy.
17:36All right.
17:37The computer man.
17:38No, that sounds like I work in a repair shop.
17:40Don't knock it.
17:41There's a lot of money in that.
17:42They do say that in the future, there'll be a computer in every home.
17:48As piss-posterous as that may sound.
17:51Oh, Eggie, did you remember Captain Phillips?
17:53Sorry, Arthur.
17:54The whole cat thing put it out of my head.
17:56Oh, Eggie, you can't let nesting cats affect you to that extent.
18:00If something like that's going to distract you, we might as well give up now.
18:14What was it doing again?
18:15Nick Lames.
18:16No, Nick Lames.
18:17So, that's settled.
18:20The fixer.
18:22The lookout.
18:23The ghost.
18:25Captain Mark Phillips.
18:26This is ridiculous.
18:28We don't need nicknames.
18:29You're ruining it for everyone.
18:30Not enough, you two.
18:31Well, I didn't want him on the job in the purse place.
18:34What?
18:35The kid's green.
18:37Green as a stick of celery.
18:39All right, fine.
18:40I'll be fingers.
18:41Because I type with my fingers.
18:43Oh, that makes a lot of sense, that gentleman.
18:46All right, that's settled then.
18:47The fixer.
18:49The ghost.
18:49No, you're the ghost.
18:50All right, keep your hair on, thimbles.
18:52Fingers.
18:53Who's fingers?
18:54I am!
18:55Because I type with my fingers.
18:57Oh, that makes a lot of sense, that gentleman.
19:06Finished.
19:07I did it.
19:09I did it.
19:11A few days ago, I had writer's block.
19:13Now, I've written an erotic novel about the elderly.
19:15LAUGHTER
19:16Oh, careful.
19:19Don't get it confused up with the old one.
19:21Well, no, no, that's the old one.
19:23This one?
19:24No, no, that one.
19:25Oh, don't get them mixed up.
19:26LAUGHTER
19:27Imagine if that happened.
19:28LAUGHTER
19:29Here we are, everyone.
19:38What's in there?
19:39Our disguises.
19:40Disguises!
19:41Oh, this just gets better and better.
19:43What kind of disguises?
19:44Because I can't wear a balaclava, unless it's silk.
19:46Is it silk?
19:47I can't have wool on my face.
19:48Can't you?
19:49Well, I have a similar thing.
19:50I can't wear anything with lace on it.
19:52Oh, lace is a nightmare.
19:55No, no, look.
19:57Of course.
19:58And if anyone asks, we can say we're painters and decorators.
20:02Brilliant, Eggie.
20:05We're going to need transport.
20:07Something to own your attention.
20:09Don't worry, John.
20:10I've got that covered.
20:13LAUGHTER
20:14I've told you, we don't do ice creams.
20:19We're painters and decorators.
20:21You do it up so late, anyway.
20:25What is wrong with people letting the children gallivant about at this hour?
20:29You put the music on!
20:30That was an accident!
20:32All right, all right.
20:32Don't let's go over all that again.
20:34Well, I haven't seen any lights for an hour.
20:37There's definitely nobody in there.
20:39All right.
20:39I think we're as ready as we're ever going to be.
20:41Go, go, go!
20:42OK, is everyone ready?
20:46Right, let's do this.
20:52Where are you all going?
20:57Is it that one?
20:59No!
21:01Have you all been looking at the wrong house?
21:03Is it not that one?
21:05No!
21:07The lookout.
21:08What do we say again?
21:16If somebody comes, who are we?
21:1824-hour emergency painters and decorators.
21:21LAUGHTER
21:22It's not here.
21:25What's not?
21:26The key.
21:27She always leaves it here.
21:29Brilliant.
21:29That means we can break in.
21:31It is a heist.
21:32It's not a heist.
21:34Hello?
21:34Hello?
21:35It's all right.
21:44We're painting Sheila's door.
21:46Don't use her name.
21:48Oh, I'm sorry.
21:49We're painting this door,
21:51but we don't know who lives here.
21:54What, at night?
21:56Emergency 24-hour call-out.
21:58LAUGHTER
21:59Do you have a card?
22:03Sorry?
22:04Do you have a card?
22:06Er, not on me, no.
22:08Oh, but if you want my number for a quote or something,
22:11it's Arthur Strong.
22:13Count Arthur Strong.
22:15And the number is 020-7946-0012.
22:21Oh, I may be in touch.
22:25Arthur!
22:26You've just told him your name.
22:28Oh, for crying out loud.
22:30Hello?
22:31I'm sorry.
22:32Er...
22:33Hello?
22:35Er...
22:35What?
22:36I gave you a false name, then.
22:38I sometimes use for things like this.
22:41Er...
22:41My real name is...
22:43Rocky Fuglar Hegarty.
22:47LAUGHTER
22:48Thanks.
22:49I think I got away with it.
22:50LAUGHTER
22:50I went in round the back.
22:53All right, come here, come here, come here.
22:55Where are the torches?
22:58Torches.
23:00You forgot the torches.
23:02I didn't believe it, John.
23:03Right, the first thing we have to do is find some torches.
23:06Er, fingers, you know her better than anyone.
23:08Where would Sheila keep a torch?
23:10That's right, I'll use my phone.
23:11Who are you phoning?
23:12Sheila.
23:13Ask her where she keeps the torch.
23:15I'll use my phone as a light.
23:17Hang on a second.
23:18You could use that to find the manuscript.
23:20Then we won't need a torch.
23:22I know.
23:22I mean, we won't need to phone Sheila.
23:24Cancel the call to Sheila.
23:26Go outside and start the van.
23:28I can do this myself.
23:29I want to come with you.
23:31Why?
23:32It's exciting.
23:33All right.
23:34LAUGHTER
23:34Right, come on, quick.
23:41What's up with you?
23:43I thought there'd be a bit more to it than this.
23:45You know, like guard dogs and tripwires.
23:48This isn't a film.
23:49LAUGHTER
23:50No, no, no, it's not too late.
23:57We're just coming in now.
23:59It's Sheila.
24:00Thank you again, Sheila.
24:01Peter says thank you.
24:02And, yeah, and thank you from me too.
24:04It's been a brilliant stay.
24:06All right, enjoy the rest of it.
24:08Bye.
24:08Bye, sis.
24:10Ah, right.
24:11Have a shower and go to bed.
24:13I might just watch a film.
24:24Ooh.
24:25Captain Phillips.
24:28LAUGHTER
24:29I've been dying to see this.
24:36Have you fed the cat?
24:40All right.
24:41I've fed the cat.
24:44Shall we make a run for it?
24:46It's Captain Phillips.
24:48So what?
24:50I really want to see it.
24:52We can't watch it now.
24:53Why not?
24:54Have you seen it?
24:56No.
24:56Well, then.
24:58Arthur, I won't be able to enjoy it.
25:01This situation is stressful enough
25:02without having to watch Captain Phillips.
25:04It might take your mind off things.
25:07No.
25:08Don it!
25:08For God's sake, he's coming back.
25:09Oh, my God.
25:13Oh, my God.
25:31He's asleep.
25:34I can't take this off.
25:36If they don't rescue Tom Hanks soon,
25:37I'm going to have a heart attack.
25:38No, I've had enough.
25:41There's not a proper pirate, is it?
25:44Something to Johnny Depp.
25:48Come on.
25:53Where have you been?
25:55We were about to find the police.
25:57The police?
26:01Brilliant.
26:02I've been watching Captain Phillips.
26:04Oh, was it good?
26:06No, I didn't like it again.
26:07Beautifully acted.
26:08But the thing...
26:09It's not important.
26:11By the way,
26:12is this not the one you should have taken in?
26:15No, no, no, no, no, no, no.
26:19Oh, Eggie!
26:20It's not his fault.
26:21Well, shut up, John!
26:22Don't you tell me to shut up.
26:24I won't tell you to shut up!
26:24Why didn't you tell me?
26:25Well, because you sent me back out to the van.
26:27You couldn't come back and cry.
26:29Guys, guys!
26:29Don't be such a listen to you!
26:32Arguing like cats fighting in a pair of Eggie's trousers.
26:37All right!
26:38Maybe the heist wasn't entirely successful.
26:42But two of us got to watch a bit of Captain Phillips for free.
26:45And I'd say that was pretty good going.
26:47Even though, in my opinion, it's slightly overrated.
26:52It just shows you what we can achieve.
26:55What we can achieve?
26:57We have just replaced a manuscript
27:00with all of Sheila's stories in
27:03with another manuscript
27:05which is exactly the same.
27:08Yes.
27:10And we did it together!
27:12I loved it, Michael.
27:18Completely unpublishable, of course.
27:20But it's very jolly.
27:22Did you know he's named the protagonist after us?
27:25Oh, and she's a great character.
27:28Boozy old flirt with a drink problem.
27:30I know so many people like that in this business.
27:33Right.
27:34OK.
27:35Thanks, Sheila.
27:36Bye.
27:39She liked it.
27:42Did she?
27:43What about the names and all the stories you told me about her?
27:46She just thinks it's true to life.
27:48Brilliant!
27:49Hey, everyone!
27:50I'm having a book published!
27:51Oh, no.
27:52No, sorry, Arthur.
27:52She...
27:53She doesn't think the public's quite ready for it.
27:56Oh.
27:58Oh, well, it doesn't matter.
28:00Head of its time.
28:03I'll just have to write another one.
28:05How do you do it?
28:06How do you just sit down and do it?
28:09Well, you just make a start, don't you?
28:12Remember, a job begun is a job half done.
28:17Hey, Arthur!
28:19Is it true?
28:20Seen them paid for your lunch?
28:21Seen them very kindly said I could pay her tomorrow when I'm wearing the correct clothing.
28:25I told you.
28:28You eat now, you pay now.
28:29All right, Michael.
28:31Hiya.
28:32What's your writing, Pringos?
28:36I don't know.
28:37No, no, no, no, no, no.
28:39Listen.
28:39It's not good.
28:40It's not good to do it.
28:41I told you.
28:41No, no, no more.
28:43That's it.
28:44It's enough.
28:44You can't move this again.
28:46You are not...
28:46I'm moving this again.
28:47See, no, no, no.
28:48I told you no time.
28:48Enough.
28:49I...
28:49I...
28:49Give it.
28:50I...
28:58I...
28:58I...
28:59I...
29:05I...
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