- 6 minutes ago
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FunTranscript
00:00This is somebody else. This is obviously not you.
00:21No, no, no. I've had all this before. Dear, oh dear.
00:26I do not claim that that is me.
00:29That photograph, it's merely there to show you
00:32what a relaxed human male might look like.
00:36Look, when I put this card in the newsagent, I thought...
00:38Let me stop you there.
00:40Look, I'm no Tom Daley, I admit it.
00:43No, no, no. That's very kind of you, but I'm not.
00:47I don't care what you say.
00:48But what I bring to the table is a body that has lived.
00:53My body has been there, done it, got a T-shirt.
00:56So, the choice is yours.
00:59You can either take the easy route, or you can accept the unique challenge that a body
01:04like mine might set you. It's entirely up to you.
01:07I think we'd rather...
01:08Well, let's settle then.
01:11I'll hand you some here, shall I?
01:14Ooh.
01:14Oh!
01:22How do you want me then?
01:24Socks on or socks off?
01:26I'll tell you what, I'll leave them on till the heating's kicked in.
01:29Oh, I should just mention, fluctuations in temperature may change some aspects of my physicality.
01:42So, you might want to make allowances for that in any sizing up you do.
01:47Just be a bit more generous than you usually would.
01:51Is this all right?
01:52Or, erm, I can do a Christine Keeler.
01:55Oh, don't use that chair!
01:56What?
01:57Oh, right.
01:58Erm, I'll not worry about me.
02:00A little bit of a breeze never hurt anyone.
02:06Well, she'll take the canteen.
02:08Ooh, do you know, I could murder a sausage roll myself.
02:16Ah, morning, Harper.
02:17You're in late.
02:19I have to say, you missed a right old ding-dong earlier.
02:21Oh, yeah?
02:22Yeah, John came in and he, er, he didn't have the right change.
02:24And Boolan got really frustrated and John said,
02:26Oh, it's something really funny.
02:28John, erm, what was it you said again to Boolan earlier?
02:31Sorry?
02:32You said something earlier to Boolan.
02:33It was really funny.
02:35Did I?
02:35Yes, you know.
02:37Erm.
02:38Ha ha!
02:39Oh!
02:41I'm sorry I missed that.
02:44How much longer is he going to be here?
02:46Who is he?
02:47My old comedy partner's son is writing a book about his bloody dad.
02:52He's called Martin.
02:54Michael, I can hear this whole conversation.
02:56Can you?
02:57Oh, I knew that.
02:58I was just having a bit of fun with you.
03:01Oh, right.
03:02Ha ha!
03:02That's nicely done.
03:04Oh, I love all this.
03:07Er, Arthur, where did you and Dad do your national service again?
03:10Aidan.
03:11And it was bloody hot.
03:13It was that hot you could fry an egg on a tank.
03:15Although it, erm, wouldn't taste very nice.
03:19Not the same can be said about my good friend Boolan's eggs.
03:23I don't mean your eggs in that way.
03:26I'm not inferring that you produce them from your body.
03:31Mind you, people would pay good money to see that.
03:34You might want to give that some thought.
03:36I couldn't eat one, though.
03:39Oh, no, no, no.
03:40I couldn't eat a human egg.
03:46I'm surprised at you.
03:48Yes.
03:50I'm not very hungry.
03:54Can I have a number four, please?
03:55Oh, if I want a number four, mate,
03:57you want to get a number two with some lovely sausages.
04:00That is a number four.
04:01You want a number four.
04:02Don't listen to him or talk to him or take any advice from him.
04:05And you, are you going to eat something?
04:07I've already eaten.
04:08I'll have a cup of tea, please.
04:11Good morning, Katya, my perfume garden.
04:15Good morning, Mum.
04:16I found out what he does, our mystery man.
04:22Oh, yes?
04:22Who is he?
04:24He's a restaurant critic.
04:26He's doing a big thing on local cafes.
04:29What?
04:29Yeah.
04:30Big write-up on all the cafes in the area.
04:34Sit.
04:36Sit.
04:43Sorry.
04:44Have I done something to upset Booland?
04:46Um, it's the way you're sitting.
04:52In Turkey, it's sort of over-familiar to sit facing the cook.
04:58Oh, is it?
04:59Well, if you don't know him very well.
05:01Oh, why didn't somebody...
05:03You should have said...
05:04Oh, that's pretty widely known.
05:05Well, I really didn't know.
05:06I'm so sorry.
05:08I did wonder.
05:09It seemed a bit insensitive of you.
05:11Oh, I promise.
05:11I didn't know.
05:12I'm not one of its...
05:14I'm not a...
05:14No.
05:15I'm a nice man.
05:16I promise.
05:25Here, Barton.
05:26Michael.
05:27What would you pay for a work of art like that?
05:30What am I looking at?
05:31It's me.
05:32There's me head, and there's me socks.
05:35What's that?
05:35Oh, God!
05:36Oh, God!
05:36Oh, God!
05:37No!
05:37Good, isn't it?
05:39Do you want to buy it?
05:40I'll pay you to burn it.
05:42Here, John!
05:45Take a look at this.
05:46Oh, God, it's still in my eyes.
05:49Bobby, what are you doing here?
05:52What?
05:53Oh.
05:54Er...
05:55I like it here.
05:57I'm getting so much done.
05:59And Arthur's being brilliant.
06:00He's like Google.
06:02But a Google that has lots of information about my dad.
06:05It's surprisingly little about my dad's early years on the Internet.
06:08And what's Arthur getting out of it?
06:11Sorry?
06:12You're going to give him royalties or something?
06:16No.
06:18You see what he has to do to get by.
06:21I guess I thought it would be nice if you could pay him back for all the help he's giving you.
06:26Hello, Seenum.
06:31What are you up to?
06:32Er, you know.
06:33Just keeping myself amused.
06:35Oh.
06:38You didn't have to come.
06:40I can do with this myself.
06:41You sure?
06:42It's not a bother.
06:42Just leave me alone.
06:43Oh, that's all right.
06:46I need to get a paper anyway.
06:52Seen me, do you know if there are any guardians left?
06:55I don't work here, mate.
06:59No, I didn't think you did.
07:00I just, um, thought you might read it, too.
07:04And you know.
07:06Do you know if there are any guardians?
07:07No, there don't seem to be.
07:09So, anyway, it's been very nice talking to you.
07:11And nice to meet you.
07:15Goodbye.
07:16God bless you.
07:20I have to go.
07:21We have to go.
07:23I've got to get my cards.
07:24They've gone yellow.
07:25How many of these do you have out there?
07:27These are all you.
07:28These are all you.
07:29They are.
07:30This shop window is my shop window.
07:34French Polish.
07:35German lessons.
07:38You can't speak German, can you?
07:39Ah, I do not claim to be able to speak German.
07:42I just talk about Germany for a bit.
07:46Yeah, come please, just...
07:48All right, all right.
07:49Keep your hair on.
07:52Oh, sorry, sorry.
07:53I thought, um, from God.
07:56Do you want to...
07:56Oh, sorry.
07:57Out the seat, please.
07:59There we go.
08:00Sorry, very nice.
08:01Bye.
08:03For God's sake, get a grip on yourself.
08:05God, that was awful.
08:09What was?
08:11He thinks I think that...
08:12I don't think that.
08:14You don't think what?
08:15Whatever are you on about?
08:17He doesn't think I'm a nice man.
08:21He doesn't think I'm a nice man.
08:23Well, what does that matter to you?
08:25Well, I can't have that.
08:26I can't have people thinking I'm not a nice man.
08:28When I am a nice man.
08:30Well, if it means anything, I think you're a very nice man, Martin.
08:35It's my coal.
08:36Yeah, what was it?
08:39Horse-rising lesions.
08:41What are horse-rising lesions?
08:43What?
08:43Well, it's where you get a horse and you...
08:48Give that to me.
08:52Fund-writing lessons.
08:55Dear, dear.
08:58My two favourite customers.
09:00No, no, please, please.
09:01Come, come, come, come.
09:02Sit down, please.
09:03My friend, yes.
09:05Very nice.
09:05Please, sit down.
09:07A word about the menu.
09:11Look out for the sausages, which have a touch of fennel.
09:14I think a very nice effect.
09:16And the baked beans, which have been sprinkled with cinnamon
09:18and sweetened with apple juice.
09:19Oh, I like the sound of that.
09:21Yes, please.
09:22I'll have toast.
09:27Why would anyone want to touch a sausage with a flannel?
09:31No.
09:32There's a touch of fennel in the sausage.
09:34That's what I said.
09:35Must have been on the floor.
09:36Are you all right?
09:38Yeah.
09:39Don't know why, but my cheeks are really hurting.
09:41Oh.
09:41Do you think it's all right if I sit this way now?
09:43Oh, I don't know.
09:45It is a Tuesday.
09:47Oh.
09:47Oh, yes.
09:48Oh, God.
09:48Sorry.
09:49Of course.
09:49Now, Arthur, we need to swap.
09:50What?
09:51Quickly, quickly.
09:52What is the matter with you today?
09:57Ripper tours?
09:58You do Jack the Ripper tours?
09:59Yes.
10:00I have a mate with an ice cream, then.
10:06So?
10:08I do Jack the Ripper tours from the van.
10:14Why?
10:15All these Jack the Ripper tour guides, they'll make a mint, that lot, but if you so much as
10:19go near the patch, they're all over you.
10:21So, what you do is you drive around Ballham looking for tourists, and when you find a
10:26few, you jump out and give them an instructional and educational Jack the Ripper tour.
10:32Why, Ballham?
10:33That's where they did all the murders.
10:35That was Whitechapel.
10:37Was it?
10:37No, they're evidently.
10:40But why do you do it from an ice cream van?
10:42I still don't get that bit.
10:43Oh, that's the really clever part.
10:45Two reasons.
10:46Reason one.
10:47What do people do when they hear an ice cream van?
10:50They run out, don't they?
10:52If they're ten.
10:53Well, witness.
10:54When they run out, they see it's a rip at all, and they have that instead of a cone.
11:02That's almost not an idea.
11:05Why not?
11:05Do you sell ice creams as well?
11:07No, no, no.
11:08That would be confusing.
11:11People go up to an ice cream van for ice cream.
11:14If they go up to an ice cream van, and instead of getting an ice cream, they get quite badly
11:18misinformed about Jack the Ripper, I don't think people will pay for that service.
11:24No part of this idea works.
11:28I don't understand which part you think works.
11:31The only thing is, you need a driver, in case one of the real ripper guides comes back and
11:36you have to make a quick getaway.
11:38Oh, they can be terribly aggressive people, Jack the Ripper tour guides.
11:42Nobody's making a getaway in an ice cream van.
11:44They only do about ten miles an hour.
11:46I know.
11:47They're normal vans.
11:48What?
11:49You never see them going any kind of speed?
11:50I've got to be careful with kids.
11:52That's what I always go in slow.
11:53They're normal vans.
11:54Oh, even if that's true, you've got a freezer and a whipping machine on there.
11:58I don't see that doing above 30.
12:00It's connected to the music.
12:02Sorry?
12:03The faster the music, the faster the van goes.
12:06It's right, you know, if you ever hear one playing Flight of the Bumblebee, run for your
12:10life!
12:14There's something wrong with the page.
12:16There's a bit on the floor.
12:18It's hard to wipe everything with the flannel.
12:20I will tune your harpsichord.
12:23Do you know how to do that?
12:25I do indeed.
12:26These are all very specific.
12:28Do you really think a news agent's the best player?
12:31Oh.
12:32Arthur, do you know what you should do?
12:34Oh, my God.
12:35Get ready.
12:36I am about to change your life.
12:48No, I don't know about this.
12:49I'm not good with computers.
12:51Arthur, it's so simple.
12:52I can guide you through the worst of it.
12:54Now, just press OK.
12:55Where's OK?
12:57No, it's not on the keyboard.
12:58It's on the screen.
12:59Is it this one?
12:59No, that...
13:00No, you just turned it off there.
13:02OK?
13:02Just beat it back up again.
13:04And you're giving me this?
13:07Yes.
13:07Yes, I'm...
13:08I'm actually giving you a computer.
13:11Right, here we go.
13:12Now, press OK.
13:14Where's OK?
13:15Again, not on the keyboard.
13:16It's on the screen.
13:17See where it says OK?
13:19OK, shall I do this a bit?
13:22Right, now, this is like an online message board type of thing.
13:26You put things up here and then people see them and get in touch.
13:29Think of it like the shop window, but on a much bigger scale.
13:33Millions of people can access this page.
13:35Well, a lot of people saw that shop window.
13:37It was by a bus stop.
13:39OK, now, what kind of things do you want up here?
13:42You can be as specific as you like.
13:44Put Mesmero, the child hypnotist.
13:48Mesmero, the child hypnotist.
13:50Sorry, what is that exactly?
13:51It's a hypnotist act, except for kids.
13:53I get them biting into onions, they think they're chickens, all that.
13:57They love it.
13:58Oh, it's hysterical.
13:59When it works.
14:01I'm not necessarily sure this is the right...
14:04You said anything.
14:05All right.
14:06That's it.
14:07You'll just leave it.
14:08Put down.
14:09Mesmero.
14:10I'll make your child behave like an idiot.
14:13Look, you know what you can do there.
14:18What's up with Eggie?
14:19He's complaining about the menu.
14:21I said, if you don't like it, you can bugger off.
14:23No, no, no.
14:24What did you do that for?
14:27Eggie!
14:27Can you find phone numbers on this?
14:30Er, yes.
14:31Just type what you're looking for into that space there.
14:36It's all good, isn't it?
14:38Yep.
14:38I've helped you.
14:39I've done something for you.
14:41In a sense, I've paid you back for all the help that you've given me.
14:45Er, yes.
14:46Good.
14:46Good.
14:47Great.
14:48Can I use your phone?
14:51Er, yes, yes.
14:54Ahem.
14:58Oh, oh, oh.
15:02Hello.
15:03Could I speak to the managing director of Miami Fashions UK?
15:08Oh, she's putting me through.
15:10This is amazing.
15:11You were right.
15:12This is going to change my life.
15:14Ah, no problem, Arthur.
15:16Hello.
15:16Is that the managing director?
15:18It is.
15:19Oh, hello.
15:20How are you?
15:22I just wanted to say, I've got you now, you bugger.
15:25Why didn't you answer my letters?
15:27Thirty-eight times I've written to you about those socks?
15:31Well, I've got you now.
15:32Well, I've got you now because I've found your number on the Ilfacombe.
15:37Sir, I'm on to you.
15:38I'm on to you.
15:39I'm on to you.
15:40I'm on to you.
15:40Watch your back.
15:43What was that?
15:45What?
15:46There was a threatening phone call.
15:48No, it wasn't.
15:50You just made a threatening phone call from my phone.
15:52Yeah, but it was monominus, wasn't it?
15:54No.
15:55They have my number now.
15:56It wasn't monominus.
15:57It was me.
15:58They'll think that was me.
15:59Oh, my God, there's a police officer over there.
16:03What, Roger?
16:05It would take more than that to shock Roger.
16:07It would take a bloody earthquake.
16:09Here, John, I'm saying, what would it take to shock Roger?
16:12Roger?
16:13He's unflappable.
16:14That's it.
16:14That's the very word.
16:15You've hit the nail on the head there.
16:17That's him to a T.
16:18He's inflammable.
16:20Unflappable?
16:22Inflammable.
16:23Unflappable?
16:24Unflappable?
16:25That's it.
16:26He's inflatable.
16:27Nothing phrases it.
16:28Anyway, I think I should take this computer back.
16:30What?
16:30No, you can't.
16:32You can't take it off me.
16:33I feel powerful, like nobody can touch me, like I could do anything I wanted.
16:38Give us me computer.
16:39Well, what are you going to do?
16:40I'm going to tell that Stephen Fry what I think of him.
16:43Oh, no, you are not.
16:44Oh, my God, you are a troll.
16:45You've not been online ten minutes and you're already a troll.
16:48You leave Stephen Fry alone.
16:49Give me that.
16:50Get off.
16:50Get off it.
16:51You gave me it.
16:52Get off.
16:52Oh, God.
16:54I'm going to have to ration you with that.
16:56Almost wish I hadn't got you online, you.
16:58Rascal.
17:01How do you get the lid up?
17:02Hey, hey!
17:13Ha-ha!
17:16Hey!
17:18Hey, this is brilliant.
17:21Look at all these people.
17:22That review.
17:23It really did a good job.
17:24Er, don't get too excited.
17:26They're not ordering anything.
17:27What review?
17:29I got an alert from TripAdvisor.
17:32Ha-ha!
17:33Ha-ha!
17:33But it's not a...
17:39It couldn't be him.
17:40No, it is.
17:41Look, look, look.
17:41Michael Baker.
17:43And look.
17:44He has given us...
17:46One star.
17:50Thank you so much.
17:53It's getting harder and harder to find people who can do this kind of work.
17:56Don't you have a picture of the harpsichord?
17:58Oh, er...
18:00Actually, I think I do.
18:03Yeah.
18:05Ah.
18:06Er, I'm afraid I'm unable to help you after all.
18:10I had a completely different idea of what a harpsichord is.
18:14Number 43.
18:21I've come about the bikes.
18:23Er, two free bikes to a good home.
18:25Oh, yes.
18:25Er, can I have a look at them?
18:27What?
18:28Let's have a look at them, then.
18:29I haven't...
18:31I...
18:31I thought you were giving them away.
18:33What would I want to give away two bikes for?
18:35Do I look like an idiot?
18:37I want two free bikes.
18:39Oh, sorry.
18:40Number 44.
18:41No, no, no.
18:46I talk about Germany.
18:49The lessons are about Germany.
18:52You know, Heil Himmler, er, er, Rindmiddels, all that.
18:57Come on, come on.
18:58There's people waiting.
18:5945.
19:02Why did you do this?
19:03What?
19:04Why did you write these things about my cafe?
19:06I didn't write anything about your cafe.
19:08Don't test me, my friend.
19:09I will whisk you.
19:12The sausages have been wiped with a flannel.
19:16The eggs are unflammable.
19:18What does that even mean?
19:20You are not a nice man.
19:21I am a nice man.
19:22Please don't whisk me.
19:24That was Arthur.
19:25It must have been Arthur.
19:26He must have signed it under my name somehow.
19:29It's him?
19:30How many the hell did he get on the internet?
19:32Arthur and the internet are two things which must never go together.
19:35Take him down.
19:38Take him offline.
19:40All right.
19:41All right.
19:41I'll do it.
19:44Now.
19:45Yes, now.
19:45Of course.
19:48Oh, hello again.
19:50Sorry, you probably don't remember me.
19:51I thought you worked in the newsagent.
19:52I don't know why I'm bringing it up again.
19:53Anyway, we should go for a drink sometime.
19:55Arthur, this has to stop.
20:00I'm going to have to take you off the internet.
20:03Well, you can't.
20:04Look at all these people.
20:06And they all want a piece of me.
20:08You can't shut me down.
20:09I'm just about to exchange my bank details with the Prince of Nigeria himself.
20:15I have to.
20:17You're out of control.
20:18Out of control?
20:19Don't be a fool, man.
20:21I've never felt more powerful.
20:23Look, Katya has nowhere to sit.
20:27Katya.
20:29Nowhere to sit.
20:31What have I become?
20:34You see?
20:36I'm sorry, Arthur.
20:37I'm going to have to take you offline.
20:40No, no, I won't let you.
20:42You can't throw open the doors to a brave new world
20:45and then take it all away from me.
20:47I've crossed the Rubicon, Michael.
20:50And I like it.
20:51It's where I belong.
20:52Surfing a web of the Ilfracombe.
20:56I'm sorry.
20:57No, no, I won't let you.
20:59I won't let you.
21:00I'll make it up to you.
21:01I promise.
21:01How?
21:02How can you possibly make it up to me?
21:07Jack the Ripper toys.
21:22Stop me and go on one.
21:24The notorious burglar and murderer.
21:29Jack the Ripper and his merry men.
21:32He robbed from the rich and slaughtered all the prostitutes.
21:42Whitechapel, the end of the 19th century, or thereabouts.
21:47There is something in the air.
21:50Is it the smell of the effluent that comes from not having proper, um, toilets?
21:56No, it is the smell of fear.
22:00Fear of Jack the Ripper.
22:04Who or what is or was Jack the Ripper?
22:09That question has fascinated people's donkeys for years.
22:13No, it has fascinated people for donkeys' years.
22:17We know he lived at 221B Baker Street.
22:22We know some called him the Elephant Man.
22:25That much, at least, is beyond conjecture.
22:28However, there is much that is shrouded in fog.
22:33Follow me and I will assure you how little I know, er, is known of this eternally romantic and dashing figure.
22:42And it was on this very spot, here, behind, er, Lidl's, that the body of Jack's first victim was found.
22:57I say body because the post-mortem revealed the victim had no head.
23:04They do say that in the dead of night, she can still be heard walking these streets, tapping on windows and going on about it.
23:15Now, are there any questions before we carry on?
23:17How could she be going on about it if she doesn't have a head?
23:24Oh, very clever.
23:27I'm sorry about this woman, everybody.
23:30There's always one, isn't there?
23:32Oi!
23:33What are you playing at?
23:35Were you all waiting for the 2pm Ripper tour?
23:37Yeah.
23:38That's me.
23:39I don't know who this bloke is.
23:42I was just getting a coffee.
23:44Have you given him any money?
23:45Yeah, ten, I have.
23:59Sorry.
24:01No.
24:02Sorry, I just...
24:03Hi!
24:03Get us started.
24:09We're off.
24:11This is them now.
24:12Right, don't panic.
24:14Just put the music on.
24:18Everything's completely normal.
24:22Just a normal ice cream van.
24:25I've told you, we don't do 99s.
24:38Well, can I have a fab?
24:40We don't do fabs.
24:42We don't do all of these ice creams.
24:45It's Jack the Ripper tours.
24:47Do you want to go on a Jack the Ripper tour?
24:50Is that your mother?
24:52Go and ask her if you can have 15 pounds for the Jack the Ripper tour.
24:56If she says no, tell her school says you've got to do it.
25:00Mother.
25:02Some of these kids look a bit angry.
25:04What?
25:05Them that wanted the strawberry movie?
25:07Maybe we should start selling ice creams.
25:10No.
25:10I've told you.
25:12It's confusing.
25:14Whatever.
25:15I'm going to get a sandwich.
25:17Have another Cornetto.
25:18I need real food.
25:19I cannot eat any more Cornettos.
25:21I've got the worst ice cream headache.
25:23I'll be back in a second.
25:31Jack the Ripper!
25:38Oh, hi.
25:39Hi.
25:40Um.
25:42No.
25:43Sorry.
25:44I...
25:44Sorry.
25:46Excuse me.
25:48What's going on now?
25:50Get out of here.
25:52Oh.
25:53What have you done?
26:01What?
26:01Ha.
26:07Ha.
26:10Ha.
26:11Ha.
26:11Ha.
26:12Ha.
26:12Ha.
26:12Ha.
26:13Ha.
26:13Ha.
26:14Ha.
26:14Ha.
26:15Ha.
26:15Ha.
26:16Ha.
26:16Ha.
26:16Ha.
26:17Ha.
26:17Ha.
26:17Where are you going?
26:26Wait!
26:28Wait, come on!
26:30Wait!
26:30It's me!
26:32No!
26:33Please, no!
26:34It's me!
26:35Just stop!
26:36Leave me alone!
26:37No, no!
26:38I'm a nice man!
26:39Leave me alone!
26:41I'm a nice man!
26:43What are you doing?
26:44In!
26:46I've found him!
26:56Martin!
26:57Get in!
27:12What did they?
27:13I think you're right.
27:19I'm better off without the Ilfracombe.
27:22I don't like what it made me.
27:25I'm more of a people person, Michael.
27:29Michael.
27:30I said Michael.
27:32Oh, yes, you did, didn't you?
27:34Oh, sorry, shall I...
27:35No, you're all right.
27:37Um, on the house.
27:38I'm sorry.
27:40What for?
27:40Sometimes, I'm not a nice girl.
27:44Oh, well, I think you're very nice.
27:48Thanks, Martin.
27:55Are you sure I can't tempt you, Martin?
27:57Thanks, all right.
27:58No!
27:59Oh, my God.
28:00Oh.
28:01Oh.
28:07Oh, my God.
28:09Oh, my God.
28:10Oh.
28:10Oh, my God.
28:11Oh, my God.
28:13Whoa.
28:14Oh, my God.
28:15Oh, my God.
28:15Oh, my God.
28:15You're afraid of me.
28:16Oh, my God.
28:21Oh, my God.
28:21Oh, my God.
28:21ベmering the screen is wild.
28:22Yeah, my God.
28:23Oh.
28:24Oh, my God.
28:25Right, and then the Victorian policeman, yeah, he chased the first Jack the Ripper, yeah,
28:47down over there, and then an ice cream van turned up with another Jack the Ripper, and
28:54he says get in, and then they both just, they just drove off.
28:59Right, so we've got two Jack the Rippers in an ice cream van, pursued on foot by a Victorian
29:07policeman.
29:08Yeah.
29:09And what time was it?
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