- 4 hours ago
First broadcast 22nd March 2006.
The murder of a teenage girl leads the team to travellers working at a nearby fairground.
Blythe Duff - DS Jackie Reid
John Michie - DI Robbie Ross
Alex Norton - DCI Matt Burke
Colin McCredie - DC Stuart Fraser
Mirin Barr - Sarah Donnelly
Alan McHugh - Rab Donnelly
Andrew Lee Potts - Samuel Buckland
David Bradley - Elijah Buckland
Garry Cooper - Noah Buckland
Julie Duncanson - Vancy Buckland
Ron Donachie - Harry Stein
Kathryn Howden - Carol Stein
Malcolm Shields - Dermott Mitchell
Yvonne O'Brien - Anselina Mitchell
Nicola Jo Cully - Gina Mitchell
Michael MacKenzie - Dr Magnus Baird (as Michael Mackenzie)
Paul Donnelly - Officer
James Cullen - Policeman
The murder of a teenage girl leads the team to travellers working at a nearby fairground.
Blythe Duff - DS Jackie Reid
John Michie - DI Robbie Ross
Alex Norton - DCI Matt Burke
Colin McCredie - DC Stuart Fraser
Mirin Barr - Sarah Donnelly
Alan McHugh - Rab Donnelly
Andrew Lee Potts - Samuel Buckland
David Bradley - Elijah Buckland
Garry Cooper - Noah Buckland
Julie Duncanson - Vancy Buckland
Ron Donachie - Harry Stein
Kathryn Howden - Carol Stein
Malcolm Shields - Dermott Mitchell
Yvonne O'Brien - Anselina Mitchell
Nicola Jo Cully - Gina Mitchell
Michael MacKenzie - Dr Magnus Baird (as Michael Mackenzie)
Paul Donnelly - Officer
James Cullen - Policeman
Category
📺
TVTranscript
00:00:00Satsang with Mooji
00:00:30Mooji
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00:03:27Mooji
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00:03:49Mooji
00:03:51What's getting to you the day?
00:03:54Nothing.
00:03:55I just think...
00:03:57What?
00:04:00Nothing.
00:04:17I tell you, this is it this time.
00:04:20Once she's back, she's in her room for a year.
00:04:21If she comes back.
00:04:23Well, she's got to learn, Carol.
00:04:24A bit of discipline, that's what she needs.
00:04:26And that'd be right up your street.
00:04:28What'd you say?
00:04:31Nothing.
00:04:34Got anything else to say?
00:04:44Mr. Steen.
00:04:46You found her?
00:04:47Can we come in?
00:04:48Where did they find her?
00:04:54The wasteland.
00:04:56Down near the shores.
00:04:59Is that significant?
00:05:01Stupid petition.
00:05:03What did I say?
00:05:05What did I tell you?
00:05:06Police.
00:05:17I can see that.
00:05:19I'd like to ask you a few questions.
00:05:21I'll see to it.
00:05:23For you?
00:05:24No, Buckland.
00:05:26Elijah's son.
00:05:27What about it?
00:05:28You know why we're here?
00:05:30We don't know anything.
00:05:31Elijah told us that he saw the victim, Shelley, around the shores.
00:05:34What if he did?
00:05:36Was she here last night?
00:05:40Samuel.
00:05:41My lad.
00:05:42He'd have seen her if she was here.
00:05:47That lass.
00:05:48Was she here last night?
00:05:50Never saw her.
00:05:52Anything else?
00:05:53Did you know Shelley?
00:05:54I just saw her with the mates.
00:05:58What if you lot?
00:06:00Somebody must have seen something.
00:06:04Get a van.
00:06:05Bring the lot of them in.
00:06:07Sir.
00:06:08I suggest we do the interviews down here.
00:06:11Do you now?
00:06:14Over here.
00:06:14I'll give you an order.
00:06:20I just feel we need to find a way past their suspicions.
00:06:23We're not going to do that hauling them down to the station.
00:06:26If you've got an opinion, you give it to me in private, not in front of an audience.
00:06:29Do you understand?
00:06:30Yes, sir.
00:06:30You do that once more and you'll be out in your arse.
00:06:32Okay?
00:06:34What you have to understand are these people are a bunch of chancers.
00:06:37They'll take advantage of you.
00:06:39What do you mean, these people?
00:06:40You know what I mean.
00:06:41All I can see are people.
00:06:44All right, you proved me wrong.
00:06:51Movements.
00:06:52Last night.
00:06:54My usual.
00:06:55Went to the cars.
00:06:56Who do you see?
00:06:57Usual crowd.
00:06:59Some strangers.
00:07:01Usual.
00:07:02Anyone you recognise?
00:07:04Some familiar faces.
00:07:06That's all I know you see.
00:07:08Faces.
00:07:09Don't know the people.
00:07:11When you didn't see Shelley.
00:07:13Not that I know of.
00:07:14Who told you she was dead?
00:07:16My father.
00:07:17He found her.
00:07:20Is that it?
00:07:24Did you know Shelley, Gina?
00:07:25She doesn't know anything.
00:07:27Let her speak for herself.
00:07:29There was a big bunch of them.
00:07:30You're staying about the waltzes.
00:07:33Did you ever talk to them?
00:07:35Not allowed.
00:07:37Why is that?
00:07:38Isn't it obvious?
00:07:40Gina.
00:07:41We need to know Shelley's movements.
00:07:43Anything you can remember about last night would be helpful.
00:07:46I was at the pictures.
00:07:47What did you see?
00:07:48My daughter is not a liar, detective.
00:07:50Same story with Samuel Buckland.
00:07:56Well, your approach certainly worked.
00:07:57They're just suspicious of the police.
00:07:59Hardly surprising the way they've been treated.
00:08:01My heart bleeds for them.
00:08:03So how do we get them to talk?
00:08:04We have to earn their trust.
00:08:05Good luck to you, chum.
00:08:08Well, Harry Steen's been battling with the show folk for years.
00:08:14Petitions, protests.
00:08:16Some kind of revenge killing.
00:08:17Yeah, it's a possibility.
00:08:19Why now?
00:08:20Well, things have come to head.
00:08:21I mean, this latest petition has around 300 names on it.
00:08:25Talk to some of the names on the list.
00:08:27Find out what they really think of these show folk.
00:08:29Shelley Steen had a mobile.
00:08:30There was a text message on it.
00:08:32Meet me at the shows at 2am.
00:08:34She was lured there.
00:08:36Who sent the message?
00:08:37It was a pay-as-you-go phone.
00:08:38No registered account.
00:08:40But the strange thing is, it wasn't Shelley's phone.
00:08:43It belonged to a Sarah Donnelly.
00:08:49Many times have I told you to stay away from that lot.
00:08:54That lot?
00:08:55What would you know about that lot?
00:08:57I know they're nothing but trouble.
00:08:59Sarah, why did Shelley have your phone?
00:09:05Um, hers ran out of money.
00:09:08She had to borrow it.
00:09:10Why is that important?
00:09:11There was a text message on the phone.
00:09:14Possibly from the killer.
00:09:16Do you hear that?
00:09:17Do you hear that?
00:09:18What was the message?
00:09:19It was asking to meet up at the fairground at 2 in the morning.
00:09:22Is that something you've done before?
00:09:24She's always hanging about that place.
00:09:26I've told her.
00:09:26So what's the attraction?
00:09:30Nothing.
00:09:31Just a place we go.
00:09:33Look, there is obviously some pervert living at that place.
00:09:39Who's we, Sarah?
00:09:41Me, Shelley.
00:09:43Some others.
00:09:46Oh, God.
00:09:48Shelley.
00:09:49No signs of any sexual attack.
00:09:56That's an obvious motive, then.
00:09:57No, but these marks here.
00:10:01Old bruises, fading, made some time ago.
00:10:03Could have been a fall.
00:10:05Or maybe a beating.
00:10:06Sorry for the inconvenience.
00:10:17We're used to it.
00:10:20Bet you've signed a few statements in your time.
00:10:24I can see why they made you a detective.
00:10:26Have you ever been charged?
00:10:31I thought you kept records.
00:10:33I didn't check.
00:10:35I thought I'd let you speak for yourself.
00:10:38Just once.
00:10:40I bought a radio off a man in a pub.
00:10:43Cash job, no proof.
00:10:45Turned out he'd been nicked.
00:10:46And they charged you with stealing it?
00:10:47They tried.
00:10:49I had an alibi for the time of the robbery,
00:10:51so they tried to say I knew it was nicked when I bought it.
00:10:53Which, of course, you didn't.
00:10:59Never crossed my mind.
00:11:03Good potato.
00:11:07Shelley's body is covered in old bruises.
00:11:10Could Harrystein strike you as the violent type?
00:11:12Do you think he'd beat his own daughter?
00:11:14I thought we were working on the theory that Sarah Donnelly was the target.
00:11:17Well, we don't know that for certain.
00:11:18Other folk might have known that Shelley's seen at Sarah's phone,
00:11:21including her dad.
00:11:21We're lacking a motive.
00:11:23Right now, Harry Steen's all we've got.
00:11:25Get back to him.
00:11:27Ask him about those bruises.
00:11:30And did you ever have any problems with Shelley?
00:11:33Problems?
00:11:34With her behaviour?
00:11:36She was a teenager.
00:11:38Did you have to keep her in hand?
00:11:40Bit of discipline.
00:11:42What are you saying?
00:11:44There were bruises on her body, Mr Steen.
00:11:47Old bruises.
00:11:49How did she get them?
00:11:49Do you see this?
00:11:52What did I tell you?
00:11:54Can you tell me how she got them?
00:11:57How I chose to bring up my daughter is my business, okay?
00:12:02Did you beat Shelley, Mr Steen?
00:12:04My daughter is lying in a mortuary and you come here to ask me that?
00:12:12Well, she got the bruises from somewhere.
00:12:14Listen.
00:12:16You think what you like.
00:12:18I know who did this and if you don't get it sorted, I will.
00:12:21You see, your problem is one of history.
00:12:26The divide between us and the rest.
00:12:29Isn't that your problem?
00:12:31Well, maybe in part, but it's a question of injustice.
00:12:34A crime happens.
00:12:35A theft.
00:12:36Some damage to property.
00:12:38Where do you always come first?
00:12:40Is it any wonder we don't feel much like talking to the law?
00:12:42Well, there's only one law of the land.
00:12:45You have to live by it like everyone else.
00:12:48Yeah, but if you can't trust one law, you have to make one of your own.
00:12:53There's an example.
00:12:57Your grandson.
00:12:58Aye.
00:12:59Good lad.
00:13:00Headstrong, though.
00:13:01He's supposed to marry Gina.
00:13:03One of us, the Mitchell's daughter.
00:13:06An arranged marriage.
00:13:07It's a tradition.
00:13:10Part of our laws.
00:13:12Now, they've known each other all their lives, and that's the best start you can have.
00:13:16You won't find much divorce with us.
00:13:18What about love?
00:13:20Well, is it all it's cracked up to be?
00:13:22It was for me.
00:13:24What was her name?
00:13:27It was a he.
00:13:29Ah.
00:13:31He's gone now?
00:13:33Yeah.
00:13:33Well, that's love for you.
00:13:37That's love for you.
00:14:03See you, Dad.
00:14:32Sarah.
00:14:34Sarah.
00:14:43Sarah.
00:14:47Sarah!
00:14:53Sarah!
00:14:56Sarah!
00:14:56Sarah!
00:15:02Leia!
00:15:12What the hell's that?
00:15:13Where is she?
00:15:15Where is she?
00:15:16He broke one of the caravan windows. Made the general a nuisance of himself.
00:15:32A nuisance?
00:15:33There's only one thing that gets me out in the middle of the night, mate, and it's not you.
00:15:36It's here that's missing.
00:15:38And I know this lot got something to do with.
00:15:46You found her?
00:15:48Not yet.
00:15:50You searched the fairground?
00:15:52Yeah, we've checked, but there's no sign of her.
00:15:54When did you last see her, Ram?
00:15:57She was there when I went out to the pub. She was watching the telly.
00:16:02Where does she keep her clothes?
00:16:03Her clothes?
00:16:05In the drawer. There's a chest of drawers in her room.
00:16:10Well, it's empty.
00:16:11Did she give any indication she might be leaving home?
00:16:14She wouldn't leave me.
00:16:16Why is that?
00:16:19Since her mother died two years ago, me and Sarah has brought us closer.
00:16:25She wouldn't leave me.
00:16:27So, why did you attack Mr Buckland's caravan?
00:16:32There's a boy I've seen her with.
00:16:34Samuel.
00:16:37That's why she's always hanging about the show.
00:16:40He's always at her.
00:16:42Bothering her.
00:16:43Jackie.
00:16:47Samuel Buckler's got a car.
00:16:49Sarah.
00:16:56You okay?
00:16:58I'm here, and so are you.
00:17:04Do you have any idea how much I love you?
00:17:05We'll be okay.
00:17:06Won't we?
00:17:07Head down.
00:17:08Alright.
00:17:09I'm serious. Head down.
00:17:10Head down.
00:17:11Okay, thanks.
00:17:12The car's been spotted.
00:17:13Where?
00:17:14Outside the registry office.
00:17:15Oh, great.
00:17:16Oh, great.
00:17:17Oh, great.
00:17:18Oh, great.
00:17:19Oh, great.
00:17:20Oh, great.
00:17:22Oh, great.
00:17:23Oh, great.
00:17:24Oh, great.
00:17:25Oh, great.
00:17:26Oh, great.
00:17:27Oh, great.
00:17:29Oh, great.
00:17:30Oh, great.
00:17:31Oh, great.
00:17:32Oh, great.
00:17:33Oh, great.
00:17:34Oh, great.
00:17:35Oh, great.
00:17:37One day.
00:17:47Now, remember Mr. Donnelly.
00:17:48Yeah, I know.
00:17:49I know.
00:17:50I know I, girl.
00:17:54Too late.
00:17:55I want to work with my daughter.
00:17:57She's my wife now.
00:18:00Sarah?
00:18:04How did you make her do this?
00:18:06I didn't.
00:18:08What's he done to you?
00:18:10It's my decision.
00:18:12You can't do this to me.
00:18:14I can't spend my life looking after you, Dad.
00:18:18Is that how it is?
00:18:20I need my own life.
00:18:22Aye, but is it me and you?
00:18:24We're a team, Sarah. You said it yourself, aye?
00:18:27Not now.
00:18:29No, come on. I'm homey.
00:18:31We can talk about this.
00:18:33No, Dad. No.
00:18:36It doesn't look like coercion to me.
00:18:43Yeah, but we need to be sure.
00:18:45I want them charged. Kidnap. Assault.
00:18:48Listen, if you could just bleed a finger in her.
00:18:51Look, they're both over 16, Mr Donnelly.
00:18:53They haven't broken the law.
00:18:54No!
00:18:55He has forced her into this.
00:18:57No matter what she says.
00:18:59You've got to do something about this.
00:19:03So, who proposed to who?
00:19:06It was me.
00:19:08I think you found it was me.
00:19:10Once I'd given you a shove.
00:19:12There you go. Force me into it.
00:19:13Please help me.
00:19:15And she's violent. You better write that down.
00:19:17What are your plans now?
00:19:19I can put my name on the housing list.
00:19:21Find somewhere rented first.
00:19:23You do realise the sort of problems this might cause.
00:19:26Between your people, Samuel, and some of the locals.
00:19:29Done nothing wrong.
00:19:30We know that.
00:19:32But we need a favour.
00:19:34If you could just give it a wee bit of time just to let things calm down.
00:19:38You can't keep us apart.
00:19:40I know.
00:19:41But you can see our problem.
00:19:43It's up to you.
00:19:45I suppose we've got to get a place first.
00:19:48There's no harm in letting the folks get used to it.
00:19:51I suppose.
00:19:53Aw, would you look at that pout.
00:19:56By the way, congratulations.
00:20:04This could really kick things off between the show folk and the locals.
00:20:07I don't know.
00:20:08Might have the opposite effect.
00:20:10And I might develop a liking for quiche.
00:20:13Well, I've had it planned for weeks.
00:20:15No coercion.
00:20:16True love.
00:20:17Makes for bloody wars.
00:20:19True love's all fine and well.
00:20:20We've still got a dead girl in our hands.
00:20:22And I want to know how and if this is connected.
00:20:25How are you doing with your nice guy routine?
00:20:27Strangely enough, sir.
00:20:28Seems to be working.
00:20:30Alright, take Samuel home.
00:20:31Keep at him.
00:20:32This phone business.
00:20:34If Sarah was the intended target, then she still is.
00:20:37You can go all hot and bothered once that's sorted.
00:20:41Hot and bothered?
00:20:42It's been that long, Jackie.
00:20:56Sarah.
00:20:58Go easy on your dad.
00:21:00It's a hard time for him.
00:21:03Just wish Samuel was here.
00:21:06You'll be together soon.
00:21:08Yeah.
00:21:17You're not getting a wee bit romantic with all of this?
00:21:19How many times in your life did you get a chance to find the right thing?
00:21:22Erm, including you about 47?
00:21:23I bet they're compatible.
00:21:25So will you stay around here?
00:21:37There's no point running.
00:21:39Because your dad will come after you.
00:21:41Once he sees that we're serious.
00:21:42Once he sees that we're serious.
00:21:43Once he sees that we're happy, you know.
00:21:44What about Gina?
00:21:45I don't love Gina.
00:21:46I thought you had rules about these things.
00:21:47All-fashioned nonsense, innit?
00:21:48What happens if you break them?
00:21:49I know what's supposed to happen, but I'm not going to let it happen.
00:21:50Shit.
00:21:51Shit.
00:21:52What are you doing?
00:21:53How you doing?
00:21:54All-fashioned nonsense, isn't it?
00:21:57What happens if you breathe, though?
00:22:00I was supposed to, but I'm not going to let it happen.
00:22:05Shit. Shit.
00:22:20How you doing?
00:22:21Anyone hurt?
00:22:22No, it's under control.
00:22:23Thanks.
00:22:24Harry!
00:22:37Saw fire in the distance.
00:22:39Wanted to see what it was.
00:22:41It was started deliberately.
00:22:44Shame.
00:22:47Mr. Steen,
00:22:49you have a grievance.
00:22:52You were in the area.
00:22:52Proves nothing.
00:22:55No, you listen to me.
00:22:58I'm giving you an official warning.
00:23:00Stay away from that fairground, do you understand?
00:23:04Perfectly.
00:23:04I heard you got married.
00:23:06I heard you got married.
00:23:10I did.
00:23:11Why?
00:23:13Love.
00:23:15You don't love me?
00:23:17Not in that way, no.
00:23:19Okay.
00:23:22Hey, you'll be okay.
00:23:24I know.
00:23:24Well, is this where I last died?
00:23:27I.
00:23:29Well, Sarah died.
00:23:34No.
00:23:35Not if I can help it.
00:23:39You go back now, Jane.
00:23:40Okay.
00:23:41Okay.
00:23:45What are you doing here?
00:23:47Just thinking.
00:23:48About what?
00:23:51Maybe I can help you, Samuel.
00:23:55You can't.
00:23:55Noah.
00:24:04Noah.
00:24:05Is it true what they're saying?
00:24:07Dermot.
00:24:09Apparently so.
00:24:10What are you going to do?
00:24:11I've spoken to Samuel.
00:24:13And?
00:24:14It'll be okay.
00:24:16That's not what he told our Gina.
00:24:18I said it'll be okay.
00:24:20I don't go back on my word.
00:24:22You better.
00:24:23You know what's at stake here.
00:24:25I don't worry.
00:24:26I can make up the dowry.
00:24:29I wasn't talking about the money.
00:24:38Sarah.
00:24:42I've got something for you.
00:24:44What is it?
00:24:49Your mum wanted you to have it.
00:24:51On your wedding day.
00:24:54Our wedding ring?
00:24:58Oh, Dad's.
00:24:59See.
00:25:01You know I love you, don't you?
00:25:02Yeah.
00:25:04I know.
00:25:04And only one of it's best for you, right?
00:25:08Here.
00:25:08Here.
00:25:09Try it on.
00:25:10I think it goes on the other hand.
00:25:13I've got Samuel's ring there.
00:25:15Aye, but room for two, eh?
00:25:17I don't think...
00:25:18Sarah, it's what your mum would have wanted.
00:25:24There.
00:25:25It's perfect.
00:25:29She could see us now.
00:25:33Right.
00:25:34A couple of pints and I'll be back for my tea.
00:25:37Dad.
00:25:38Just a couple.
00:25:39I promise.
00:25:40What's wrong with Gina?
00:25:48Nothing.
00:25:49She's just not for me.
00:25:50You've known her all your days.
00:25:52I didn't pick her.
00:25:53She's perfect for you.
00:25:55Mum, I want to be with Sarah.
00:25:57She's no wife for you.
00:25:59It's my decision and I've made it.
00:26:01No.
00:26:02Not your decision.
00:26:03My decision.
00:26:05And I say different.
00:26:06You're too late.
00:26:08This proves it.
00:26:09Aye.
00:26:11And what's it prove now?
00:26:13You think that makes a difference to me?
00:26:16Listen to me, son.
00:26:18There's an honour involved here.
00:26:21And a dowry long paid.
00:26:23I don't care.
00:26:25Would you have me kill me only son?
00:26:28Would you?
00:26:31No.
00:26:31Would you do what I say?
00:26:52Listen, Heidi.
00:26:53Heidi.
00:26:53Heidi.
00:26:55Heidi.
00:26:58What are those two doing together?
00:27:00Like they're hatching something?
00:27:05Maybe Steen's enlisting Donnelly to the cause.
00:27:09Could have a war on.
00:27:12Should you take them in?
00:27:15Nothing to charge them with.
00:27:20Oh.
00:27:21They're splitting up.
00:27:26All right.
00:27:27Let's see where Donnelly leads us.
00:27:30I'm going to give a minute.
00:27:32Come on.
00:27:32Let's see where Donnelly leads us.
00:27:33I'm going to let you show you.
00:27:33I'm going to let you show you a bit of a gun.
00:27:50He's been on a knife.
00:27:51Farrah!
00:27:59Leave me.
00:28:04So what's he doing here?
00:28:06Guilty conscience.
00:28:14He was on his knees, in tears.
00:28:17Maybe realising what he's done.
00:28:19Why would Donnelly want to kill Shelley?
00:28:22Maybe he thought the show folk would get the blame.
00:28:25That might turn Sarah against them.
00:28:27That's all we need. A public riot in our hands.
00:28:30Sir, I've got an idea.
00:28:35What am I doing here?
00:28:37What were you doing at the murder scene last night?
00:28:40I was drunk.
00:28:42Which brought on an attack of the guilts.
00:28:46What?
00:28:47We get drunk.
00:28:49And bang.
00:28:50Reality kicks in.
00:28:52You're accusing me?
00:28:53What were you doing there, Mr Donnelly?
00:28:55I was drunk.
00:28:56I don't know why I went there.
00:28:58I was just thinking.
00:29:00I can't imagine you know what if it'd been her.
00:29:03What were you talking about with Harry Steen?
00:29:06Nothing, just drunk talk.
00:29:08About the show folk?
00:29:10No.
00:29:11About Samuel and Sarah?
00:29:13No.
00:29:19Mr Buckland, take a seat.
00:29:20What's he doing here?
00:29:25Well, it appear you've got a situation in your hands.
00:29:29Your kids are married.
00:29:30Not in my eyes.
00:29:31And no in mine.
00:29:32Good.
00:29:33At least you're agreeing something.
00:29:36Now, legally there's nothing you can do to stop the kids being together.
00:29:41If you ignore it, they'll take off and you might never see them again.
00:29:45Is that what you want?
00:29:47They can live with me.
00:29:49I'll take the lass in.
00:29:51You think I'd let my daughter live with legs of you?
00:29:52What's that supposed to mean?
00:29:53No daughter of mine's gonna live like a tramp.
00:29:56You wanna watch your mouth, Donnelly?
00:29:58I'd die before I let her anywhere near you.
00:30:00Well, that can be arranged.
00:30:01Enough.
00:30:03Samuel belongs with me.
00:30:04And Sarah with me.
00:30:06Know this filth.
00:30:17You loser, Rob.
00:30:23Would Sarah have any other friends?
00:30:26A group of them used to hang out here.
00:30:28You could take your pick.
00:30:30Sarah's different.
00:30:31How do you mean different?
00:30:35Well, it's like I've always known her.
00:30:38She's just natural.
00:30:40It feels right.
00:30:42What did your dad have to say about it all?
00:30:45We'll come round.
00:30:47Did anyone else know that you and Sarah were getting married?
00:30:50Like you?
00:30:51The dad?
00:30:52The Mitchells?
00:30:53Nobody knew.
00:30:55And these friends are Sarah's.
00:30:56Did you know them?
00:30:57I knew the faces, not the names.
00:30:59Sarah never mentioned their names.
00:31:01Um...
00:31:03Angie...
00:31:04Mary...
00:31:05I don't know.
00:31:06Who the hell cares?
00:31:14Good work.
00:31:16So what's the score with the show folk?
00:31:18Still working on them.
00:31:19Nothing to report?
00:31:21Takes time, sir.
00:31:23Who you been talking to?
00:31:24Samuel and his grandfather Elijah.
00:31:26There seems to be something about a way of law.
00:31:28They have rules about marriage.
00:31:30About marrying their own kind.
00:31:31Do you think this marriage thing's got something to do with Shelley's murder?
00:31:34That's a big leap to make.
00:31:36Well, what if one of these show folk found out that's Samuel and Sarah's wedding?
00:31:40Then killed Shelley thinking she was Sarah?
00:31:41Sir?
00:31:42Any joy?
00:31:43Well, practically came to blows.
00:31:45Well, this isn't in the bloody social work department.
00:31:47Anything in Harry's team?
00:31:49There's no record, but Stuart found this report from years back.
00:31:52His wife accused him of assault.
00:31:53She later withdrew the allegation.
00:31:55So maybe you went too far this time.
00:31:57Well, forensics found nothing at the fire.
00:31:59Jackie.
00:32:00See if you can have a quiet word with his wife.
00:32:02On her own.
00:32:05You better come in here.
00:32:09Thanks, me.
00:32:10Look, Harry's gonna be back at any minute.
00:32:20Does that worry you?
00:32:22Well, he'll only be pleased about me speaking to you.
00:32:26What will he do about it?
00:32:29I know what you're gonna ask me.
00:32:31About the time I reported him.
00:32:34He beat you up?
00:32:36We had a row.
00:32:37I lost it big time and that was it.
00:32:40I checked.
00:32:43You ended up in hospital.
00:32:45We fight all the time.
00:32:47I give as good as I get.
00:32:49No, I've seen the way you look at him.
00:32:51You seem scared.
00:32:52I'm not scared.
00:32:55What about Shelley?
00:32:58He wouldn't have dared lay a finger on Shelley.
00:33:01So it's never crossed your mind that he might have done it?
00:33:03No.
00:33:05So what about the bruises?
00:33:07How did she get them?
00:33:08Look, I don't know.
00:33:10Why are you defending him, Carol?
00:33:14He's a hard man.
00:33:16And sometimes he's a terrible man.
00:33:19I know that.
00:33:21But he would never have killed Shelley.
00:33:26Look, please.
00:33:27You're gonna have to go.
00:33:28What are you doing here?
00:33:30I was just having a word with your wife.
00:33:32What about?
00:33:33What have you been saying?
00:33:35I was just asking you about Shelley's friends.
00:33:37She wanted some names, Harry, that was all.
00:33:39There's only one name you need.
00:33:41That's Buckland.
00:33:42Thanks very much for your help.
00:33:43Yeah, she admitted he was violent, but she's still defending him to the hilt.
00:33:45Battered wife syndrome.
00:33:46Or maybe the truth.
00:33:47I've got something.
00:33:48A text message that lured Shelley to the fairground.
00:33:49What about her?
00:33:50It was sent from her own phone.
00:33:51Yes.
00:33:52It was sent from her own phone.
00:33:54Thanks very much for your help.
00:33:56Thanks very much for your help.
00:33:58Yeah, she admitted he was violent, but she's still defending him to the hilt.
00:34:04Battered wife syndrome.
00:34:05Or maybe the truth.
00:34:07I've got something.
00:34:08A text message that lured Shelley to the fairground.
00:34:11What about her?
00:34:12It was sent from her own phone.
00:34:13phone. Take a look in there. Where's her phone, Mr. Steen? I've told you, I've no idea.
00:34:32Did you dump it somewhere? I've had enough of this. We've just lost our daughter and
00:34:36we've had nothing but shit from you lot. I've even told you who's responsible. Well, we
00:34:40only have your word for that. Where's your sense of decency? Listen, I'm just doing my
00:34:45job, following the law. Well, I'm sorry to get in the way of your precious law, but I
00:34:49want you out and I'm phoning my solicitor. You leave us in peace to more now, daughter.
00:34:53It's nice here. I used to bring you here when you were a baby. I don't remember that.
00:35:15I've spoken to Buckland. I've told him Samuel can stay with us. What did he say? Oh, it
00:35:23doesn't matter. That's how it's going to be, I've decided. It's not enough, Dad. We can
00:35:28make a life for ourselves. Sarah, you're still just a lassie. What do you know about life?
00:35:32Enough to know that I want to spend the rest of it with the man I love. A man? A man?
00:35:36He's not a man. Look, Sarah, can't you see that I've got a responsibility to you and to
00:35:43your mum now that she's not here? It's up to me to make sure that you do the right thing
00:35:47and believe me, Sarah, this is not the right thing. This has got nothing to do with me or
00:35:51doing the right thing. This is all about you. Look, how? Why won't you listen to me? Because
00:35:55I'm not mum. You ground her into the grave and you won't do the same to me.
00:35:59You know I loved your mother. You made her life a misery. You can't deny it. Oh, I can.
00:36:09I can. What is this? Is this some sort of revenge for how you think I might have treated mum?
00:36:18It's me trying to make a life for myself. Why did you move the ring?
00:36:25Didn't look right. I'm Samuel's wife. Not yours. What?
00:36:34You've got me cooking for you, cleaning for you. You've given me a wedding ring. What next?
00:36:40No, no. No, Sarah. No, Sarah, you can't think.
00:36:45Look at us, Dad.
00:36:50No, Sarah, don't.
00:36:55No, Sarah, don't.
00:36:58I don't know.
00:37:28I don't know.
00:37:58How do you mean?
00:37:59Do you think he'll ever accept Sarah?
00:38:01He'll have to, aren't he?
00:38:02Then what if he doesn't?
00:38:04It's his problem.
00:38:06How far will he go, Samuel?
00:38:07Look, he can live by his rules. I'll live by mine, all right?
00:38:10Did he kill Shelley thinking it was Sarah?
00:38:14What?
00:38:15You want me to betray me, your father?
00:38:17If you know something, you better tell me.
00:38:19That's your law.
00:38:21It's not mine.
00:38:22He killed her, didn't he?
00:38:23Look, I don't know who killed Shelley.
00:38:27All I know is that I want to be with Sarah.
00:38:29What's wrong with that?
00:38:30Samuel.
00:38:31What's wrong with it?
00:38:33Samuel, come away.
00:38:34No.
00:38:36Tell him that he can't stop me from...
00:38:38Tell him!
00:38:39But it's supposed to be the law.
00:38:46Jackie.
00:38:47Somebody's just used Shelley's phone.
00:38:49The signal came from the area of the fairground.
00:38:51So why won't Noah let Samuel move in with Sarah?
00:38:58Are you sure that's what they want?
00:39:00It's a solution.
00:39:02Well, Noah can be a stubborn man once his mind is set.
00:39:05Surely he has to find a compromise.
00:39:08What you don't understand is that we see the world in a different way.
00:39:11In our law, the parents decide what happens.
00:39:14That's not so different.
00:39:16What's different is tradition.
00:39:17And I know you'll say you have tradition too, but...
00:39:21Will you be prepared to die for it?
00:39:28DS Reid.
00:39:31Yeah, we're on our way.
00:39:34Where?
00:39:35An incident's been reported at Rabdonley's flat.
00:39:37Are you turning left?
00:39:43Sarah.
00:39:45What's happened?
00:39:45I just came in.
00:39:48I just came in.
00:39:49He was there.
00:39:51It's okay.
00:39:52It's okay.
00:39:53Just try and calm down and tell me what's happened.
00:39:58Back to the left, sir.
00:39:59Are we just going to take this?
00:40:26What are you going to do about it?
00:40:27He'd...
00:40:34We'd had an argument.
00:40:37I said some things.
00:40:40What kind of things?
00:40:42Bad things.
00:40:44I didn't really mean them.
00:40:46I just...
00:40:47And then you walked out?
00:40:51He was fine.
00:40:53He was fine when I left him.
00:40:56Where did you go?
00:40:59I went to my pals.
00:41:01Angie's.
00:41:03How long were you away for?
00:41:06I don't know.
00:41:08Five.
00:41:09Maybe six hours.
00:41:12He phoned me when I was at Angie's.
00:41:15He was phoning round looking for me.
00:41:17I came back and he was...
00:41:19There were pills on the table.
00:41:25It's my fault.
00:41:30Sarah, your dad didn't kill himself.
00:41:35What?
00:41:36Your father was strangled.
00:41:43But the pills?
00:41:45The pills didn't kill him.
00:41:48Somebody got to him first.
00:41:49What exactly is this place?
00:42:08It's just some view we use as a shelter.
00:42:11You can stay here until we're finished with the flat.
00:42:13I'll come in with you.
00:42:14They're expecting us.
00:42:15It's OK.
00:42:16I can do it myself.
00:42:17I'm fine.
00:42:19Are you sure?
00:42:24Did Samuel give you that?
00:42:26My dad gave me it.
00:42:27It was my mother's.
00:42:29It's a shame she's not here now.
00:42:31I don't think she'd approve.
00:42:33No, you don't know that.
00:42:36What do you think?
00:42:37Have we done the right thing?
00:42:40Sarah, I'm not the right person to ask.
00:42:42Are you married?
00:42:43I'm divorced.
00:42:47So I'm no expert.
00:42:50Did you love him?
00:42:52I did.
00:42:55How old were you when you got married?
00:43:00Probably too old.
00:43:01This is how it always ends up.
00:43:18Sir!
00:43:20Over here.
00:43:26We found this.
00:43:27It was Shelley Steen's phone.
00:43:37What was it doing under your caravan?
00:43:39Obviously somebody put it there.
00:43:42Where were you last night?
00:43:43Same as every other night.
00:43:45Working.
00:43:46All night?
00:43:47Took a couple of breaks here and there, but in the main.
00:43:49You never left the camp?
00:43:50What's happened?
00:43:56You had any more contact with Rab Donnelly?
00:43:59I've got nothing to say to the man.
00:44:01You were all for planting him the last time he was here.
00:44:03He's got a bad mouth on him.
00:44:05All these days it'll get him into trouble.
00:44:07Oh, I got him into trouble, all right.
00:44:10You as well, with the look of things.
00:44:13The rope fibres found in Rab Donnelly
00:44:15match those found in Shelley Steen.
00:44:17They were both killed by the same person.
00:44:19It has to be Noah Buckland.
00:44:21Why?
00:44:22Well, this whole marriage dowry thing.
00:44:24That's the motive.
00:44:25He killed Shelley, thinking it's Sarah,
00:44:27and now he's taken out of the Donnellys.
00:44:29He was taking a bit of a chance, don't you think?
00:44:31Killing Rab in his own flat?
00:44:33I got the impression that Sarah was scared of something.
00:44:36Buckland?
00:44:37Why would she be scared of Noah?
00:44:38I'm scared that she's going to be next.
00:44:40I don't think Noah would be that stupid.
00:44:43Stuart, why are you so keen on defending them?
00:44:46OK, well, how did he get hold of her phone?
00:44:50Well, he took it from her when he killed her.
00:44:51The text message was sent from her phone before she was killed.
00:44:54Somebody else must have sent it.
00:44:56I mean, Buckland could have stolen it.
00:44:58Yeah, but why hide it under his caravan?
00:45:00Why not just dump it?
00:45:01Who's?
00:45:02Could be a double bluff.
00:45:03They found some fingerprints on Shelley's phone.
00:45:06OK, thanks.
00:45:08One sent from Shelley, one from Harry Steen.
00:45:11Buckland?
00:45:11Afraid not.
00:45:12Never handled the phone.
00:45:15Get Steen in here.
00:45:16Two dead!
00:45:17These bastards are killing us and you lot are doing nothing!
00:45:20OK, I'm going to ask you again.
00:45:23How did Shelley's phone get under Buckland's caravan?
00:45:26How the hell would I know?
00:45:28Did you put it there, Harry?
00:45:29Ah, this is unbelievable, this is.
00:45:32You see, we found some prints on the phone.
00:45:34Not Buckland's.
00:45:36Shelley's.
00:45:37And yours.
00:45:38So I'm going to ask you once more, Harry.
00:45:41And I want you to think very carefully before you answer
00:45:44because we're looking at a double murder charge here.
00:45:47Did you put that phone under Buckland's caravan?
00:45:53I never killed Rap.
00:45:56All right, mate.
00:45:58But did you put the phone there?
00:46:02Oh, OK, OK.
00:46:06I'll put the phone there.
00:46:08But I never killed Rap.
00:46:11And what about Shelley?
00:46:17I never killed anybody.
00:46:21So what are we charging him with?
00:46:22Right now, conspiracy to pervert.
00:46:25I'll get a restraining order, keep him off the streets.
00:46:27He has an alibi for last night.
00:46:29Yeah, his wife again.
00:46:30You think she's telling the truth?
00:46:32Well, she's determined to defend him.
00:46:33See if he can break that down.
00:46:34He planted the phone, Carol.
00:46:39He admitted it.
00:46:40Is this some kind of trick?
00:46:43No, no trick.
00:46:44He's confessed.
00:46:46This is stupid.
00:46:48Well, what else did he say?
00:46:50He still denies the murders.
00:46:53Well, of course he does.
00:46:54Did he mention the phone to you?
00:46:56No.
00:46:56Do you still stand by the alibis?
00:46:59Yes, I do.
00:47:02Look, I've had enough of him.
00:47:06I'm sick to death of his stupid obsessions.
00:47:10I'd already made my mind up to go before all this.
00:47:14So you're leaving him?
00:47:15I warned him I would if this didn't stop.
00:47:21I'd be going to my sister's in Edinburgh.
00:47:25So you don't have to defend him anymore?
00:47:27No, I don't.
00:47:29But I will.
00:47:31It's because it's the truth.
00:47:34No, sir.
00:47:34I believe her.
00:47:36So where does that leave us?
00:47:37Back at Buckland.
00:47:40All right, he said he was working last night.
00:47:42Check it out.
00:47:43See if anybody saw him on his break.
00:47:45Harry Steen planted the phone.
00:47:54Thought it might be him.
00:47:56I thought I should apologise.
00:47:58The way you've been treated.
00:48:01We're used to it.
00:48:03Doesn't make it fair.
00:48:05No.
00:48:08What would you do about Sarah?
00:48:11I'd be up to Samuel.
00:48:13What about your traditions?
00:48:15Your father told me they were important to you.
00:48:20That'll be my business.
00:48:21He said he was here all night.
00:48:34That's right.
00:48:34We were working together.
00:48:36But he went for a break.
00:48:37We take turns.
00:48:39How long was he away for?
00:48:40Hour on, hour off.
00:48:43So where did he go?
00:48:44Search me.
00:48:46Probably back to his caravan.
00:48:48Okay.
00:48:49Thanks.
00:48:50Hubba, hubba, chubba, chubba, on the twisted ranch.
00:48:54Noah Buckland couldn't have killed Rob Donnelly.
00:48:56He was working at the time.
00:48:58He took an hour's break.
00:48:59Nobody saw it.
00:49:00That doesn't prove he was a killer.
00:49:01No, but it makes him a suspect.
00:49:04You got a problem with that?
00:49:05No.
00:49:06It just feels like it was always going to come to this.
00:49:09Some you win, some you lose.
00:49:20You look worried.
00:49:22What about you?
00:49:24What have I got to worry about?
00:49:26Your son, maybe.
00:49:27I thought all that was sorted.
00:49:32So did I.
00:49:34The fawn was planted.
00:49:36This dean's got an alibi for the murder.
00:49:40Do you think Noah would go that far?
00:49:43You can't expect me to answer that.
00:49:45You can't expect me to answer that.
00:50:15You can't expect me to answer that.
00:50:16You can't expect me to answer that.
00:50:17You can't expect me to answer that.
00:50:18You can't expect me to answer that.
00:50:19You can't expect me to answer that.
00:50:20You can't expect me to answer that.
00:50:21You can't expect me to answer that.
00:50:22You can't expect me to answer that.
00:50:23You can't expect me to answer that.
00:50:24You can't expect me to answer that.
00:50:25You can't expect me to answer that.
00:50:26You can't expect me to answer that.
00:50:27You can't expect me to answer that.
00:50:28You can't expect me to answer that.
00:50:29You can't expect me to answer that.
00:50:30You can't expect me to answer that.
00:50:31You can't expect me to answer that.
00:50:32You can't expect me to answer that.
00:50:33You can't expect me to answer that.
00:50:34You can't expect me to answer that.
00:50:35I want to be American, just leave me alone, come on, I'm busted, they don't see me, come on, just leave me, right, Carol, leave me.
00:51:05Oh, shit. Noah. Police, that young couple, what room? 205, second floor. Thanks.
00:51:21Get him over me! Get him over me, I can't get him!
00:51:36I let him into the room and he just went mad. He took out the knife and he was, um, he was shouting that he wasn't going to make the same mistake twice and that's when he went for Sarah.
00:52:01You stepped in.
00:52:03He wasn't going to touch Sarah.
00:52:04Yeah. And you turned the knife on him.
00:52:09I don't remember. You know, I was trying to get it off him. We fell and he landed on top of me and... Sorry.
00:52:22Look, I didn't even know he was dead. All right?
00:52:25Sarah, why did you go to a hotel? That shelter place doesn't let men in. I wanted to be with my husband.
00:52:39And then Noah arrived?
00:52:41He came into the room?
00:52:42What did he say? He said this was the end of it. He said he wouldn't make the same mistake twice. And then he took out the knife.
00:52:55He attacked you?
00:52:58Samuel got in his way. They were fighting. He was trying to get the knife away from him.
00:53:04And then they tripped and fell on the floor. That's when you came in.
00:53:11Well, both the stories match up. Yeah, it's all a bit slick, though, don't you think?
00:53:15Well, give it a rest, Robbie. I was there.
00:53:18What about a charge of culpable homicide, boss?
00:53:20That's up to the fiscal.
00:53:22Meantime, we can't hold him any longer.
00:53:24I gave Sarah the keys. They're going back to her dad's house.
00:53:27If it's OK, I'd like to tell the Bucklands.
00:53:30Sure.
00:53:31You two try and get some sleep. It's been a long night.
00:53:57He's dead, isn't he?
00:53:59I'm sorry, Elijah.
00:54:04Where's Noah?
00:54:08It's Noah that died.
00:54:12Not Samuel.
00:54:15Your son tried to kill Sarah.
00:54:18Samuel and him had a fight.
00:54:22Samuel killed him?
00:54:25In self-defense.
00:54:25He was trying to get a knife from him.
00:54:32What kind of knife?
00:54:34Sorry?
00:54:36Carved handle.
00:54:38That's right.
00:54:40Have you seen it before?
00:54:43Aye.
00:54:44Better tell Vancey.
00:54:51See.
00:55:21Is something wrong?
00:55:27Can I come in?
00:55:28And Sarah's not dressed yet.
00:55:30I've got her phone.
00:55:32Thanks.
00:55:33I have to hand it to her personally.
00:55:35It's the law.
00:55:38All right.
00:55:47I know you've been through a terrible time.
00:55:49But you have to look to the future.
00:55:51Yeah.
00:55:52We were just discussing funeral arrangements.
00:55:55I meant beyond that.
00:55:57At least you can be together now.
00:55:59So will you stay here?
00:56:02We'll move on.
00:56:04And what about you, Samuel?
00:56:06Will you go back to the shows?
00:56:08No.
00:56:09I'm going to get a proper job.
00:56:11Really look after her.
00:56:12I couldn't look after myself, thank you very much.
00:56:15See what I'm stuck with?
00:56:18I'd better go.
00:56:21Good luck to you.
00:56:25Mr. State.
00:56:46What do you want?
00:56:50It's okay.
00:56:52I just need your help.
00:56:55With what?
00:56:57Shelley's mobile phone.
00:56:58I'm wondering how you got it.
00:57:01It was in her room.
00:57:02Where in her room?
00:57:03Lying under her bed.
00:57:05And when did you find it?
00:57:08Just before I planted it in Buckland's caravan.
00:57:12See, the thing is, we had people search the room from top to bottom.
00:57:16And I'm guessing they looked under the bed.
00:57:19Why did they not find it?
00:57:21Somebody's messed up.
00:57:22Did anyone come to see you after we checked the place?
00:57:25No.
00:57:26Not that I could.
00:57:29Yeah.
00:57:30Young Sarah popped in.
00:57:32Came to say she was sorry.
00:57:34She brought a card.
00:57:36Nice of her.
00:57:37Did she go into Shelley's room?
00:57:38She did.
00:57:44She said she wanted to pay her respects.
00:57:47I just left her there.
00:57:50Sitting on the bed.
00:58:08I've made a big mistake, sir.
00:58:11Then I'd like to fix it.
00:58:19Hi.
00:58:20Is there anything wrong?
00:58:22You could say that.
00:58:24What is it?
00:58:26What it is, is that I know the truth.
00:58:30Don't worry.
00:58:32I'm on your side.
00:58:33What are you talking about?
00:58:35It was the mobile phone.
00:58:37All this time we've been looking for the person unknown
00:58:39that sent the text to Shelley that lured her to the fairground.
00:58:43Of course, it didn't happen like that.
00:58:46Did it, Samuel?
00:58:48How do you mean?
00:58:49Shelley came to see you that night.
00:58:51You were working.
00:58:53She asked to meet up with you after the shows had closed.
00:58:57But you end up killing her.
00:58:59You drag her body to the waste ground.
00:59:01You pocket her mobile phone when it falls from her jacket.
00:59:04And then you cover her body with rubble.
00:59:10You're way off the mark, mate.
00:59:14Only when you go to see Sarah, she's clearly horrified.
00:59:18But also panicked.
00:59:20Because what you don't know is that her phone is on Shelley's body.
00:59:24But you're too scared to go back to the body.
00:59:30So, you devise a plan.
00:59:32Then you send a text to Sarah saying,
00:59:35meet me at the shows at 2am.
00:59:37It's not very smart.
00:59:39Because we will eventually ID the phone.
00:59:43What I couldn't figure out
00:59:44is how Harry Steen managed to get his hands on Shelley's mobile.
00:59:47Very clever.
00:59:50Take her a card.
00:59:51Go to her bedroom.
00:59:53Slip the phone under the bed.
00:59:54It's OK.
00:59:55It's OK.
00:59:57It's all right.
00:59:59We don't understand.
01:00:01I do.
01:00:02You're in love.
01:00:04You want to be together.
01:00:05If only the stupid parents are out of the way.
01:00:08You have no other option.
01:00:11Once you're on that road, there's no turning back.
01:00:14But what I don't understand is why you had to kill Shelley.
01:00:17Don't say anything, babe.
01:00:18Don't say anything, all right?
01:00:20Listen, Samuel.
01:00:22I managed to work it out.
01:00:23It's only a matter of time before the others do the same too.
01:00:27I'm here to help.
01:00:30I hope we're doing the right thing here.
01:00:39Why?
01:00:41Huh?
01:00:44Why would you want to help us?
01:00:48Do you think you're the only one that's ever been in love?
01:00:51I'd have done the same as you to hold on to that.
01:00:59Hey.
01:01:00Hey.
01:01:03Come on, I'm easy now.
01:01:05It's all right.
01:01:08What can you do to help us?
01:01:09I have access to reports, documents.
01:01:13I can keep this buried.
01:01:15But you have to be straight with me.
01:01:18Why did you kill Shelley?
01:01:19I let Slaan.
01:01:23We're getting married.
01:01:26She threatened to tell my dad.
01:01:29Samuel just wanted to talk to her.
01:01:32She was threatening all sorts.
01:01:38She wanted me to sleep with her and she said we were screwed unless I did.
01:01:43I just lost it.
01:01:44We had a fight and I...
01:01:50Never meant to kill her.
01:01:56Got them.
01:01:57What about your dad?
01:02:00That was Noah.
01:02:01I can't help you, Sarah, if you keep lying to me.
01:02:04Brad was killed with the same rope that was used to kill Shelley.
01:02:09Sammy.
01:02:12Sammy.
01:02:12You said that it was Noah.
01:02:19I did it for us, Sarah.
01:02:21I did it for us, okay?
01:02:24When he told me...
01:02:24When you told me the way he looked at you and what he wanted from you,
01:02:27how could I just stand by and let that happen?
01:02:31You said yourself.
01:02:32You said yourself you wished he was dead.
01:02:34I don't mean...
01:02:35If I hadn't have done it, he would have just killed himself.
01:02:40You know that.
01:02:41I just wanted to save you from that.
01:02:43I did.
01:02:43I saved you from that.
01:02:45Come here.
01:02:45Come here.
01:02:47It's okay.
01:02:49We've got each other, right?
01:02:51I don't like this.
01:02:53Stuart's been in there too long.
01:02:54I'm going to talk to the boss.
01:02:55No, he said we were to stay put.
01:02:56Wait for the word, Robbie.
01:02:57Back in a minute.
01:03:04We can be together for the rest of our lives now.
01:03:11What is this, Samuel?
01:03:25Cops are outside.
01:03:27You shut us up.
01:03:28You shut us up!
01:03:29Why?
01:03:29I don't know what you're talking about.
01:03:31Are you...
01:03:32Are you wearing a wire?
01:03:36Shit!
01:03:36Little bastard's wearing a wire!
01:03:44I told you he'd stay put.
01:03:45Yeah, I know, boss.
01:03:46I'm sorry about you.
01:03:47Let's get in there.
01:03:47Now.
01:03:48Come on.
01:03:55I'm going to kill him.
01:03:57Come here.
01:03:58No!
01:03:58Come here.
01:03:59Come here.
01:04:00Come here.
01:04:00Set me up.
01:04:02Shut me up!
01:04:03Look at me!
01:04:15Tell me, look at me!
01:04:17Look at me!
01:04:19It's okay.
01:04:20Shut me.
01:04:21Shut me.
01:04:23I need to...
01:04:23I need to...
01:04:24What?
01:04:25What?
01:04:26Leave him.
01:04:26Leave him.
01:04:27Leave him.
01:04:28Shut up.
01:04:29It's okay.
01:04:29Shut up!
01:04:30You know I'm up here.
01:04:31Shut up.
01:04:32Shut up.
01:04:32Shut up.
01:04:32Shut up.
01:04:33Shut up.
01:04:33Shut up.
01:04:46Stuart.
01:04:47Stuart, you all right?
01:04:50Stuart!
01:04:52Robbie, kick the door.
01:04:56Hold on, Stuart.
01:04:57We're coming.
01:04:58Get an ambulance.
01:05:16Control room, Mrs. D.S. Reid.
01:05:20Zero.
01:05:20We'll do an ambulance, please.
01:05:21Harry, take the knife.
01:05:22Abulance on the way.
01:05:24Abulance on the way.
01:05:25Stay with us, pal.
01:05:26I'm fine.
01:05:27Abulance on the way.
01:05:28All right?
01:05:38Come on.
01:05:40Let's go.
01:05:40Come on.
01:05:40I should have prevented her.
01:05:53Don't blame yourself.
01:05:55It was always going to come to this.
01:06:02Some you win.
01:06:03Some you lose, eh?
01:06:05No one else here, sir.
01:06:10Some you lose.
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