- 9 months ago
Igra sudbine Epizoda 1660,Igra sudbine 1660,Igra sudbine 1661,Igra sudbine Epizoda 1660, Igra sudbine Epizoda 1661,Epizoda 1660 Igra sudbine ,Epizoda 1661 Igra sudbine
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TVTranscript
00:00.
00:07.
00:13You don't eat anything.
00:15I'm not sure.
00:17You didn't eat anything.
00:19Let's take care of yourself like a person.
00:22I don't try to eat all of that.
00:26When are you taking the rest?
00:28Tomorrow.
00:30Okay, Alexa, it's hard to hear us now, maybe we can talk about something.
00:36What do you want to talk about?
00:38No, I don't know.
00:40You want to talk about it, but you don't know what to talk about.
00:42Obviously, the reason I've left you in the house.
00:47I've watched you and I've seen you come here.
00:51You've watched me?
00:53Yes, I've watched you in your office.
00:57Okay, how can we help you?
01:00I'm interested in who you are involved.
01:04What do you want from me and my family?
01:08What do you do?
01:12I understand.
01:14Is that young man involved?
01:17Yes.
01:19Do I have another paycheck?
01:23Do you have a paycheck?
01:25No.
01:26No.
01:27Wait, wait, this will be done here in Maldivy.
01:30Yes.
01:31I'm a part of Maldivy.
01:33Yes.
01:34Yes.
01:35Yes.
01:36Yes.
01:37Yes.
01:38Yes.
01:39Yes.
01:40Yes.
01:41I've got a special tire for some special tire.
01:45I've got a lot of tire for me, and was really happy.
01:47She made a look and tired.
01:49She made something which the entire thing should be to be a world fighter in it.
01:52Wait, wait.
01:53Why do you talk about me?
01:54A tire, which is no more can find us than I could work with you.
01:58Wait a minute, how many materials you have?
02:07Good.
02:13Good.
02:15Good.
02:28Come on, boys.
02:30Come on, baby.
02:32I see, mother.
02:34I thought I was...
02:37If I say to you,
02:39I'm going to take care of something.
02:42Yes?
02:45Can I?
02:47Yes.
02:52I have a question.
02:53Listen.
02:54Do we know in which direction should be the next number?
02:58If we don't know in which direction,
03:00do we have some topics that are interesting
03:02or something that you want to share?
03:04Go and pray.
03:09Okay.
03:12I'm going to ask you something,
03:13but I'm going to trust you.
03:18Hey, Lenka,
03:19don't you hear the call?
03:20I've given you something,
03:21I've given you something,
03:22I've given you something,
03:23I've given you nothing.
03:28What happened, Lenka?
03:30Nothing.
03:31I don't know.
03:32I don't know this.
03:33I don't know this.
03:34I don't know this.
03:35I don't know this.
03:37What's the text about Dr. Vujošević?
03:42What's the text about Vujošević?
03:44What's the text about Vujošević?
03:46What's the idea?
03:47I don't know this.
03:48I know that Vujošević was a witness,
03:52but I don't know.
03:53What's the text about Vujošević?
03:54I don't know.
03:55What's the text about Vujošević?
03:56I don't know.
03:57And Gabriela?
03:58Well, Gabriela was a witness.
04:00But now,
04:01I can't tell you what was the idea of Vujošević.
04:02I can't tell you.
04:03I can say that Vujošević.
04:04But I can't tell you what was the idea of Vujošević.
04:09Do you have a chance with you, Mijela?
04:14I can give you a personal card.
04:20Excuse me.
04:21Or can you call my wife?
04:23I'll confirm all that.
04:24No need.
04:25I don't believe.
04:27I believe.
04:28I don't believe.
04:29I don't believe.
04:30That's what I told you, Vitamira.
04:33100 times, at least.
04:35That's the time.
04:37Do you want me to not look like a songwriter,
04:40rather than tell you what you're doing?
04:42A songwriter or not a songwriter,
04:44you've got a friend of mine.
04:46I really don't have time for you.
04:48I'm just telling you,
04:50I have to replace the hotel and the end of the story.
04:53Gabriela.
05:01Hello.
05:02I am.
05:03I don't know.
05:05Are you ready?
05:06I'm ready.
05:07Today is the first day of the day.
05:09Everything I told you.
05:11Of course, everything will be the same as we said.
05:13Certainly.
05:14Certainly.
05:15Don't care.
05:16In any case,
05:18he will call you,
05:19he will tell you to tell you.
05:21And what I recommend you to tell you is true.
05:24True.
05:25True.
05:26We will tell you true.
05:27True.
05:28True.
05:29We will tell you true.
05:30That's right.
05:33I have to eat and eat.
05:34Pause for a hand.
05:35I'm going to...
05:36I'm going to...
05:37I'm going to...
05:38I'm going to cheer.
05:43Hello?
05:51Tell you where the life is written a book and tell you that life is a good life.
14:39We must have tableware.
14:41So we have to take the floorkraft.
14:43On me, we have to czpassag.
14:45We have to enjoy it.
14:47We have to address it.
14:50Okay.
14:51Anyway, none of us can hear this.
14:53It is ofnocent.
14:55Yes, no, no, sir.
14:57We are on me.
14:58Give me a little space.
15:00Please, please, please.
15:02I have a second offer.
15:04I have a second offer.
15:06I have a second offer.
15:08Who wants you?
15:10There is no one who wants me.
15:12I don't care.
15:14Who is this?
15:16Yes, thank you.
15:18Okay, good.
15:20I'll give you a little time.
15:22I'll give you a little time.
15:24My time is precious.
15:26You're not going to remember who is precious Magneto?
15:28No, sit up and talk.
15:30I know, I'm just going to develop things.
15:34I'll just give you a little more.
15:36I'm just going to see you.
15:38And what you just said.
15:40No, I don't have a concern with you.
15:42I'm just going to show you the position of who is.
15:44That's it.
15:46That's it.
15:48Let's go.
15:58For the chest.
16:02I'm going to say everything, Alexi.
16:04What do you want to say, Alexi?
16:07Everything.
16:08What does everything mean, Gabriela?
16:10I'm going to tell you that you are upset that you will stay unemployed because you are out of jail.
16:20And then you decided to write this text again.
16:25Wait, Gabriela.
16:26Wait, wait, wait.
16:29You fell into the crisis and you didn't see this coming out.
16:34And then you have to take your own tabloidness and bring the text to Jošević.
16:41I'm going to tell you that I'm upset because of the rage.
16:50But because I don't have enough experience in the newspaper, I'm going to have to make the decision to you.
16:57I'm going to tell you that I'm going to tell you.
16:59Gabriela, it's not true, Gabriela.
17:02It's true.
17:04It's true.
17:05It's true.
17:06It's true.
17:07No, it's true.
17:11Just tell me.
17:12You're not afraid of me.
17:14You show me that you don't have to leave me.
17:17I'm not going to leave.
17:18I'm not going to leave, Gabriela.
17:19No, I'm not going to leave.
17:20I'm not going to leave.
17:21You're not going to leave me.
17:22Do you hear what you're talking about?
17:32What you're talking about?
17:33You're not afraid of me.
17:34You're not afraid to leave me.
17:35You're not afraid of me.
17:36I'm afraid of you.
17:37OK, I'm going to call Gabriel.
17:41It's only a moment.
17:43Mateo, what are you talking about? What are you talking about now?
17:48Excuse me, what are you talking about?
17:50The famous Mariana came here.
17:53She claims to be working here.
17:55We don't know a woman, we don't know where to talk about her.
18:00That famous Mariana is working today with her.
18:05Aha. What about you?
18:08You know, her biography is impressive.
18:11She is the director of television, so you will have something to learn from her.
18:17I didn't know it, who didn't tell her.
18:21She is directly in my office, I want to send her to my office.
18:24All right.
18:26Sorry, I'm sorry for waiting.
18:29I just wanted to ask you a little bit.
18:31She said to Gabriela that she is waiting for her office.
18:33If she is not a problem, she will be very soon.
18:35No problem.
18:37Lazare, I ask you to ask you a new colleague until Gabriela is in the office.
18:41Of course.
18:43Let's start.
18:45If you could have a cup of tea.
18:47Page of the coffee.
18:48Oh, Tana and I.
18:49Tana and I.
18:51But I'm not going to talk with God.
18:55Whatever.
19:00All right.
19:01No problem.
19:02No problem.
19:03No problem.
19:06–Oh, so what I came from? –So let alone.
19:07True.
19:08Tana and I thought you'd be honest?
19:09That's what I'm saying.
19:12You don't think so?
19:13I don't think so.
19:14I don't think so.
19:16But you think that is something different, right?
19:18No, just...
19:20...that your truth becomes a problem for you.
19:23I don't want to do it personally.
19:25And I don't want to go to all the city media
19:27and go to everything that I know about you.
19:29How do you think so?
19:30That's nice as I said.
19:32What do you want to say?
19:36I can say...
19:39...that you want to stay with your colleagues.
19:42Gabriela...
19:43...mene is...
19:44...sexual...
19:45If I go and tell you what I'm saying,
19:48then you can become a teacher...
19:51...the speaker of the city of the city.
19:54For example.
19:55I will do that.
19:57I will go and I will talk to you all the best.
20:00No, Gabriela.
20:01Let's pray for you.
20:02I pray for you.
20:03I pray for you.
20:04No, I pray for you.
20:05I pray for you.
20:06I pray for you.
20:08I will tell you that you are an alkoholic.
20:09I will tell you that you are an alkoholic.
20:11I will tell you that you are going to be inside.
20:12If you don't know how to be inside.
20:13You can fly.
20:14I will tell you that you are an alkoholic.
20:15You can fly.
20:16I will tell you that you are an alkoholic.
20:17I will tell you what you are asking.
20:18Good day.
20:20Good day.
20:22It looks beautiful here, a modern house.
20:24You're on a high mood.
20:26This is our creator, Lenka.
20:28Good day.
20:30Good day.
20:32Good day.
20:34You are really nice here, a modern hotel.
20:36You're just looking at the top of the closet.
20:38A high fashion.
20:40We're looking at the top of this.
20:42This is our creator, Lenka.
20:44Glad to be doing this to you.
20:46Great, this is a good thing.
20:49She's got to be like a soul.
20:53What's this?
20:57What's that? Something that you don't have to do?
21:00No, I'm not the one that I've been doing.
21:03What's the one that you've been looking for? I mean, you've been looking for Malbury?
21:07Yes, I've been looking for Malbury, but this one isn't the one that I've been looking for.
21:12How is it? I mean, we don't care about the material.
21:18This is the one that is the Malbury-svila that you've been doing.
21:21Mrs. Lennon, don't let me talk about it.
21:23I've been working for half of the world and I've been working with it and I know that it's not the one that's the one.
21:30Mrs. Lennon, she's really trying to find the one that you've been looking for.
21:35No, I'm going to talk about it.
21:37Where is this one? Where is this one? Where is this one?
21:41How are you doing?
21:43It's a sign of her name.
21:44It's not me.
21:49Malbury-svila is the name of the river.
21:51I'm going to visit the river.
21:53It's a sign of course.
21:55Do you know what you want?
21:56You know what I want.
21:58Everyone will know about this scandal.
22:01Everyone will know what you're doing.
22:02I'm going to kill you everywhere.
22:04Mother, what kind of scandal?
22:07There is no scandal.
22:08This is the right of the villa.
22:09I will tell you that I won't give you any money
22:12if I don't get anything that I have promised.
22:25Do you want me to change the next week?
22:38Do you want me to go?
22:41I don't know.
22:42How do you know?
22:43Do you know where is the next week?
22:45I don't know what I'm going to do tomorrow.
22:47I don't know what I'm going to do.
22:48Okay, so I won't be able to get any money.
22:51Oh, son.
22:52I'll take a look at me from the forecast.
22:55I'll show you all on.
22:57Play it.
22:59Dajuna.
23:00Do you remember?
23:01I don't have any advice.
23:04I want to try to check to the whole conversation
23:07and the discussion of the business club.
23:09All of this stuff was done with Vitomiro.
23:11So, did you do?
23:13Yes?
23:16I don't know what happened.
23:19Of course not.
23:21But I'm your chef and you have to listen to everything I'm saying.
23:24I'm your chef, you're a conobar.
23:28I just wanted to see if you understood.
23:32So, it didn't happen.
23:35Well, of course it didn't happen. We didn't see anything, we didn't hear anything.
23:40That's it.
23:51Okay, you're a Christian.
23:54Why?
23:55A famous manager must know what he said.
24:00A famous barman, he doesn't leave a prst on the chest.
24:07Of course.
24:15Wait, wait, it's not that it's not that it's not that it's not that it is.
24:18Yes, it was because I thought that it was a real hotel and not a self-sacrifice.
24:26It's not a self-sacrifice.
24:29We worked very hard on this model.
24:32We put a lot of money and time for that and that we can't return.
24:35We can always do this for another one.
24:39We can use it for another project.
24:42How do you think you use it?
24:44I'll take her. If she doesn't answer, I'll take her if she doesn't answer.
24:50It doesn't matter. She doesn't go anywhere until we don't understand the situation.
24:56Right. We need to understand the situation.
24:58We need to sit, talk, and find a solution that helps both sides.
25:04There is no solution. I'll take her.
25:07I'll take her.
25:09I'll take her.
25:11Do you want me to do something?
25:14Do you want to listen to what you're talking about?
25:16Wait, please, wait. We're going to behave like young people.
25:20Just so you know, I'll tell you.
25:23You'll feel it for me.
25:25You'll feel it.
25:27Lady, wait for us to solve it.
25:39Lady I wan out.
25:43There's nothing.
25:46I've got into as many things that I wanted to do.
25:51If you heard, I'll take a video out, if it was.
25:52And I can't try that, surely.
25:54Yeah, no problem.
25:57I'll never forget it.
25:58I'll make it easy.
26:00Let's go and finish.
26:02I mean, your writing is definitely morning.
26:06It's really impressive, phenomenal, I don't have anything to do with it.
26:10One thing I can say is that I really do not work with you.
26:14I don't know where you are.
26:16I don't have any problems.
26:18I don't have any problems with you.
26:20So, what you say is that I'm very impressed with you.
26:23That's great.
26:25I think I don't want to do that one point.
26:28It's good to start with the portal, for example.
26:32And then you go back to where you are needed.
26:36It's a good option.
26:40You should be able to do all the stories.
26:44You should be in the middle of all the work.
26:47You should be in the middle of all the work.
26:51You should be in the middle of all the work.
26:54How do you think about this work?
26:57How do you think about this work?
27:01Of course.
27:02I'm going to get to the office.
27:04Yes.
27:06Of course, in the office, but also outside.
27:11I don't understand, Gabriela.
27:12What do you want to say?
27:18Hello, Alexa.
27:19Hello.
27:20What's happening here, Gabriela?
27:23Where is Mariana here?
27:25Lazar and Mateo told me that she got a new friend.
27:29Okay, that's okay.
27:30You're still starting?
27:32Okay, you're in입niring.
27:35Have you g Gear e Football?
27:36And do you think you are normal?
27:37Okay.
27:38That's okay, you're normal.
27:40Or do you think you'd getolen?
27:42You want to getaway, do you we go?
27:43So you don't want to getaway.
27:44Just you can't blind you.
27:46And hear?
27:47I absolutely stands inside of what I said.
27:52I know you're standing, but it's hard to hear you.
27:55And you can tell me that you're putting your nose up.
27:57I don't know, I really understand you're trying to keep your own physicalื่or down to the street.
28:02My name is the place where you're the place where you're being put in the street.
28:05No, I don't do anything, but, in this way, I don't stop being able to know you're going to trouble.
28:09You're not doing anything, my name is a big surprise.
28:13I'm finding you that you have a wrong place in a wrong place in a wrong time.
28:15What time?
28:16Slučajno, ja?
28:17Slučajno, majke mi.
28:18Šta ti je breživana?
28:19Pa jo, mene stvarno ne zanima šta je ko rekao, šta je ko uradio, ko je urlao, ko nije urlao.
28:25Posao koji ja radim, prljavi posao se dešava iza i to se zove vođenje lokala.
28:31Razumeš?
28:32Razumem.
28:33Naravno da razumem.
28:34Ali razumem i da je jedna gazdarica.
28:37I to razumem.
28:38Jedna je, ali nije jedina.
28:41Čekaj, ne razumem kako to misliš.
28:46Ako te zanima vlasnička struktura biznis kluba, slobodno je proveri, onda će ti sve biti jasno.
28:52Ja moram da idem, da se spremam za jedan vrlo važan sastanak.
28:56A ti lijepo možeš da ideš okolo, da prisuškuješ, da zapisuješ, da se baviš time, da, da.
29:02A prije nego što odeš kući, molim te da obrišeš ovaj šank sa vjelepljiv od piva.
29:07Dobro, vidim i ja da je lepljiv.
29:08Pa zašto ga onda nisi očistio?
29:10Stigao ranije.
29:11Va te krpu.
29:12Ćao.
29:13Ćao.
29:14Učajč.
29:15Evo, sad ću, samo sekundu.
29:23Alek, sedi molim te, sedi.
29:36Alek, sedi molim te, sedi.
29:37Ja mislim da ti dobro znaš da su nama neophodni ljudi. Marijana ima ogromno iskustvo i ona se činila kao logičan izbor.
29:51Ako neko zna koliko Marijana ima poslovnog iskustva, to sam ja. Još dok je radila i na KAM televiziji, a i vrlo dobro se sećam njenih ranih televizijskih dana.
30:02Dobro, Alek, tu situaciju smo stvarno rešili davnih dana, to...
30:06Da, to je tačno. Ali da se vratimo u blisku prošlosti, ja smo već pričali na temu tvog angažovanja u Donijel, tako?
30:13Jesmo, da.
30:14A i ti i ja smo pričali na tu temu, zar ne?
30:16Tako je.
30:17Dobro, da se vratimo onda u sadašnjost.
30:21S obzirom od kad sam se vratio, da sam saznao da je situacija u firmi loša, da je prodaja opala, je to tačno?
30:28To je istina.
30:29Dobro.
30:30Onda me zanima kako mi u takvoj situaciji možemo da zapošljavamo nove ljude.
30:35Ali da se i ja pitam i odlučujem o tome ko će doći i ko će biti zaposlena ovde.
30:40Alekse, naravno da se pitaš, ali Marijana je prilika koja se ne propušta.
30:45Da li ti sumnjaš u moj profesionalizam?
30:48Što je čudno, Alekse, što ja ne želim zaovek da budem spremačica.
30:52Nemam nikakve sumnje. Luka i ja smo već razgovarali sa tobom na tu temu, čak dok Dona nije ni postojala, evo tako?
30:58Da, i nemoj da se ljutiš, ali odgovor je uvek bio isti. Nije trenutak, nije sad prilika, nema para i tako dalje.
31:04Alekse, ja ću samo da te zamorim da se stvarno oko ovoga ne briniš. Marijana i ja ćemo se sve dogovoriti.
31:10Mislim, neće to biti neka velika plata. Simbolično nešto, čisto da se desi, razumeš?
31:17Jer ja sam sigurna da je njoj u interesu sada da radi u struci, zar ne?
31:21Jeste da, ali važan mi je i novac. Mislim, ja nisam znala da ovde postoje finansijski problem.
31:26Doro, Gabriela, ja mislim da se ovde svašta dešava bez mog znanja, a Marijana je trenutno najmanji problem.
31:31Ne treba Marijana ovo da sluša. To ćemo ti ja nasamo kasnije i o tom i o svemu drugom, ok?
31:37Mislim da je dosta za danas.
31:39Jel to znači da ja nisam angažovana ili...
31:43Ja mislim da je Aleksa u pravu, dosta je.
31:45Za danas je dosta i treba da se razilazim.
31:59Sluši, Marijana, ne treba ništa da brineš.
32:01Ti i ja smo sve dogovorile i mi nemamo problem.
32:05Mislim, ako ti uslovi odgovaraju.
32:07Ali sad mi je zbog Aleksa neprijetna, ne znam za šta da kažem.
32:11Ne treba ti da brineš tuđu brigu.
32:13Ti samo treba da mi odgovoriš ili hoćeš ili nećeš da radiš.
32:20Hoću, naravno.
32:27Pitomire, gde si ti celan?
32:29Ja?
32:30Da.
32:31Išao sam da istražujem temu za novi broj.
32:34Šta si istraživao, kakva je nova ideja?
32:37Da pišem o kafićima. O restoranima.
32:40To je o kafanama, kakav imaju utjecaj na društvo ili društvo kakav imaju utjecaj na kafane pre i sad.
32:48O vidiš što je... To je mnogo klupo?
32:52Da. Ne.
32:54Pre su to bile kafane i u kafanama su se prenalazili neki ljudi koji su intelektualci, učeni, obrazovani, pesnici, umetnici, revolucionari i to sve.
33:09A danas u te kafiće dolaze neki drugi ljudi pa sam mislio da to uporedim, da udarim jednu paralelu.
33:15Kako je pre bilo, kako je sad.
33:18Ili ne?
33:20Ajde kod mene u kancelariju malo.
33:22Što?
33:23Da porazgovaramo. Ajde. Aj izvoli. Ajde, ajde.
33:40Samo se ti smirim.
33:41Ma ne mogu da se smirim. Kako da se smirim, Olga?
33:43Ova žena, ova ludača je stvarno htjela da nam otme haljinu još nam preti sad.
33:48Znaš šta? Na kraju kreva dajuj tu haljinu neke nosi i više da završimo s tom pričom.
33:52Šta pričaš sad ti? Kako samo dajuj haljinu?
33:56Pa tako što nekad moraš da razmišljaš drugačije, razumeš, da pustiš da se situacija smiri.
34:01Jeste, nije fair. Al' veruj mi, bolje i to nego da ide i da nas opanjkava po gradu.
34:05Pa da mi na pamet da dajem za džabe nešto na čemu sam tako vredno radila i u šta sam u krajnjem slučaju toliko i uložila.
34:12Lenka, moraš da gledaš širu sliku da budeš taktična.
34:15Kako širu sliku, molim te? Znači, iz aviona se vidi da je žena prevarantkinja. Kako ne vidiš to?
34:21Pa dobro, ona je verovatno prevarantkinja, ali opet verovatno šta? Verovatno, sigurno je prevarantkinja.
34:27Znači, ona je to sto posto planirala od početka i htjela je da nas obrlati.
34:31Verovatno zna da sam ja nova u poslu, da nemam iskustva i tačno je to gađala.
34:35Pa upravo to ti i pričam. Nova si u poslu, niko te ne zna, jel' hoćeš da saznaju o tebi po lošem, po tome kako nas ona blati po grani.
34:43Ma ne zanima me uopšte, uopšte me ne zanima. Lenka, aj nemoj da si tvrdoglava, nikad nisi bila tako.
34:48Nego kakva sam bila, molim te. Znači, stvarno mi je više muka da me ljudi gaze, da služim kao tirač, neću da prelazim preko toga.
34:56Mislim, ne mogu da skapiram kako ti to ne razumeš.
34:59Ama razumem, ali tako ćeš samo da izgubiš mušterije. Znaš kako se kaže, loš glas se daleko čuje.
35:05Znači, ne mogu da verujem. Sad, ne mogu da verujem da si me i ti razočarala.
35:09Evo stvarno, znači, ja sam mislila da šta god da bude, da ćeš ti biti na mojoj strani, da mogu da računam na tebe, ali očigledno evo ne mogu. Super, hvala ti.
35:19Naravno da možeš da računaš na mene, Lenka.
35:21Mala marketeška agencija. Dobro. Daj šta daš. CV.
35:33Mala marketeška agencija. Dobro. Daj šta daš. CV. Dobro. Kratka prijeva. I send.
36:01Dobro.
36:21Super. Hvala da je, Polina.
36:30Na ovom e-mailu. Dobro.
36:35Poštovana, hvala vam na interesovanju za rad u našoj kompaniji. Na konkurs je pristikul dosta prijava i vaša se među njima izdvojila kao jedna od najboljih. Ipak, posle dužeg razmišljenja odlučili smo se za drugog kandidata.
36:56Želimo vam mnogo uspeha u dajem.
37:01Želimo.
37:02Želimo.
37:03Želimo.
37:04Želimo.
37:05Želimo.
37:06Želimo.
37:07Želimo.
37:08Želimo.
37:10Želimo.
37:11Želimo.
37:12Želimo.
37:13Želimo.
37:14Želimo.
37:15Želimo.
37:26Želimo.
37:27Želimo.
37:28Želimo.
37:31Dan je bio težak, ali seve posle je bilo savršeno. Na odličnu klopu si me vodio. Iako mi je drago što smo došli ovde na piće. Baš je lepo, nel' da?
37:41Yes.
37:42And night, how was night.
37:45You don't miss it.
37:46I was shocked.
37:47You literally didn't miss it.
37:49You know how it was good?
37:51I know.
37:53I don't miss it.
37:55And the rabbit that is a rabbit, it doesn't matter?
37:58I don't know.
38:00I don't know how it is.
38:02When I'm going to get up, I'm going to wake up.
38:04I'm going to sleep with the left and left.
38:06I think we need to change the rabbit.
38:08What do you think?
38:10You're not asking that we can change.
38:12You're trying to change.
38:14And that you're coming through the glory.
38:18And immediately in the white house.
38:20Uses the light.
38:21Because youích and look.
38:23I'm confident at that Chishing off dig.
38:27You're asking the llama for our place.
38:28We're just attacking the � crucifixion.
38:30I'm believing everything.
38:33We're here for the next to you.
38:35Only cool.
38:36If I change the conservatives.
38:38If we change them, it's okay.
38:40But I would like to be a bit more than that.
38:43You can't get the mrake.
38:45You can't get the day.
38:46You know how much is it?
38:48It's practically.
38:50It's practically practically.
38:52I'm very practical when you have it.
38:55I have to say something that I want to say.
38:58We have to give you a black paper for you,
39:01but I have to give you a couple of things.
39:03I have to give you a couple of things for yourself.
39:05I have to give you some cream.
39:07They don't get the cream that we have.
39:09And now I thought that we take the cream,
39:11throw it out and buy some brown cream cream.
39:14I have to give you some cream cream.
39:16I have to call you.
39:17I have to call you.
39:18I have to call you.
39:19I have to call you.
39:20I have to call you.
39:35and then go.
39:36come on.
39:39Sit.
39:44I wanted to talk to you,
39:47a text related to Dr. Vujošević.
39:52Where is Gabriela?
39:53Why did you talk about it?
39:54It's about your thoughts.
39:56Tell you where Dr. Vujošević was actually.
39:58Where is he at the idea?
40:00There were different stories about him in the city.
40:03Which was the idea really?
40:05It was my idea.
40:08I'm sorry.
40:10I started to fall off,
40:12I thought that the text was going to fall off,
40:14and I lost everything for my job.
40:16I'm sorry, I didn't know that the text was going to raise such a mess.
40:21I don't know why it was a problem.
40:23You don't see what the problem is related to the text of Dr. Vujošević.
40:26The first big problem
40:29is to become the most dangerous person in the city.
40:32And the other problem is the issue.
40:34You have taken a lot of serious issues
40:36on Dr. Vujošević, so I'm curious.
40:38Do you have any evidence for this?
40:53Brother, you couldn't have enough time to ask me to call me.
40:57Where are you?
40:58I have to come back to the business club.
41:00I'm waiting for you.
41:01Okay.
41:02Okay.
41:03I'll come back.
41:04I need to solve a private problem.
41:07Listen, come back.
41:08Let's leave here.
41:09Let's leave the rest of the place here.
41:11What did you do?
41:12What did you do?
41:13What did you do?
41:14What did you do?
41:15Don't ask me anything.
41:16Come back.
41:17Okay.
41:18Let's go.
41:19Let's go.
41:20Let's go.
41:21Let's go.
41:22Let's go.
41:23Let's go.
41:24Let's go.
41:42Let's go.
41:43I have evidence, and I have evidence that I can protect the writing.
41:49You mean you said you have evidence?
41:52Yes.
41:53Preminov said that you did it because of the fear of your job.
41:58There is no evidence, it is an action in the affect.
42:02It is a bad mistake.
42:04I don't think so. I really don't think so.
42:07That's all I wanted to hear.
42:10Do you think so?
42:12No. You are a workman, but you have to be aware of this serious situation.
42:17I mean, I am aware of this serious situation.
42:21I'm sorry.
42:23I'm sorry.
42:40I'm sorry.
42:42I felt like Maksim, we have to see each other again.
42:46There is some chaos.
42:48I said to come here.
42:49Now to see each other?
42:50Now, unfortunately.
42:52You know what?
42:54The job is.
42:55We have to see each other.
42:56Okay.
42:57But we need to go to the afternoon together.
42:59To enjoy each other, to leave each other.
43:01To meet each other.
43:02You know what?
43:03I know.
43:04I know.
43:05I just am the same.
43:06I mean, how is the job?
43:07When Maksim is the job, when it is the problem, it is only a problem.
43:11Okay.
43:12How is the job?
43:13I have to do the job.
43:14I know that I have to do the job.
43:16When I have to do the job, I have to do the job.
43:18And Maksim is the job.
43:19I will make it even more than what is the job.
43:21Okay.
43:22But it is a little bit of a doubt.
43:24When we have a moment where we go and enjoy it, you have to go with Maksim.
43:28I know.
43:29I mean, the job is like this, but it is not.
43:32I am.
43:33I am.
43:34I am.
43:35I am.
43:36I am.
43:37I am.
43:38I am.
43:39I am.
43:40I am.
43:41I am.
43:42I am.
43:43I am.
43:44I am.
43:45I am.
43:46I am.
43:47I am.
43:48I am.
43:49I am.
43:50I am.
43:51I am.
43:52I am.
43:53I am.
43:54I am.
43:55I am.
43:56I am.
43:57I am.
43:58I am.
43:59I am.
44:00I am.
44:01I am.
44:06Can I have a seat?
44:08Actually, I am.
44:09I am.
44:10I am.
44:11I am.
44:12I am.
44:13I am.
44:15Hello.
44:16Who is that?
44:17I am Alex with Kobi.
44:19Aha.
44:22I wanted to be nervous.
44:25What kind of way?
44:26Maybe in a nice evening or something like that.
44:40What do you want to drink?
44:42I'll give you a drink.
44:44You can.
44:46You, my dear?
44:47Yes.
44:48What do you hear from Gorana?
44:50Do you have a genius plan?
44:53Well, yes.
44:54Are you genius?
44:56Oh, genius, genius ideas.
45:00But no, no, no, no.
45:13When I got your tort, I gave you a visit card.
45:16Then I started, I needed a job, I was the top journalist, I was the director of television, I was calling me one hundred times, I didn't know what to do.
45:26But I bought it.
45:27I thought that's why I decided to be a little.
45:29I didn't have the money.
45:32I thought that I was winning-winning situation.
45:35I'll come back to you.
45:37I'll see you later.
45:39I'll see you later.
45:41I'll see you later.
45:43Oh, oh, oh, oh, oh.
46:13Oh, oh, oh, oh.
46:43Oh, oh, oh, oh.
47:13Oh, oh, oh, oh, oh.
47:43Oh, oh, oh, oh, oh.
48:13Oh, oh, oh, oh, oh, oh, oh, oh, oh.
48:15Oh, oh, oh, oh.
48:17Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
48:19Mr. Ožegović, good morning, where are you?
48:37Good morning, where is Dr. Vojošević?
48:40I don't know, I'm looking for him tomorrow.
48:43What, he doesn't have?
48:45He didn't come, but he didn't know that he was sick.