- 2 days ago
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00:00The
00:04The
00:10The
00:14The
00:20The
00:26ORCHESTRA PLAYS
00:56Professor Greville, are you all right?
01:01I'm fine. I'm going back to the faculty.
01:06And don't just stand there. Get back to rehearsal. You need it.
01:11It's like listening to a cat vomiting.
01:26I'm fine.
01:55Oh, my God. Oh, my God. Someone help, please. Someone help.
03:01That was good.
03:06Bye.
03:08Bye.
03:09Hi.
03:10Hello.
03:11You look nice.
03:15You look sweaty.
03:16Yeah, we were proper going for it.
03:19Hey, you're Patience, right?
03:21Yes.
03:22Hello.
03:23Patience Evans.
03:24I love Patience Evans.
03:25This is Violet, Truong and Rami.
03:27Hey.
03:28Are you coming to a gig on Friday?
03:30Um, I didn't...
03:32I'm not...
03:33It doesn't matter.
03:34It's just...
03:35It's just in a crappy book.
03:36Oi.
03:37It's our only booking.
03:38True.
03:39Have a nice lunch, you two.
03:40Bye.
03:41Bye.
03:42See ya.
03:43Sorry, gigs aren't really my thing.
03:45No, no, no.
03:46Don't worry.
03:47It's fine.
03:48So, uh, lunch.
03:50I wasn't sure what you'd fancy.
03:53I...
03:54I put us to a place in the shambles.
03:55I...
03:58Oh, you are kidding me.
04:06I'm, uh...
04:08I'm really sorry about this.
04:10We'll, um, we'll get us another time, yeah?
04:13Yeah.
04:14Yeah.
04:15Bye.
04:16Bye.
04:17Uh...
04:19Ah.
04:20Miss Evans.
04:21You are here, too.
04:22Come on, then.
04:23Um...
04:26I'm not sure I'm supposed to be...
04:40Well, that's a bust.
04:42Sorry, I dragged you in for nothing.
04:44Oh, nothing?
04:45Yeah, it was an accident.
04:46That was an accident. Clearly the woman tripped, fell and fractured her occipital bone.
04:51She'd have died the minute she hit the ground.
04:52The minute she hit the ground, are you sure?
04:54Absolutely. There's a temporal fracture at the base of her skull.
04:59Look, there's bleeding from her ear.
05:05No.
05:07Sorry?
05:08No, the bleeding wasn't from the fracture. That must have happened earlier.
05:13What makes you think that?
05:14Oh, look, the blood in her left hand.
05:18She wouldn't have been able to touch her if she died before the portal.
05:22Oh.
05:24Interesting hypothesis.
05:44Sorry. I just, um, um, got to go.
06:00So, what have we got here?
06:02Well, uh, at, uh, first glance, one might think it was an accident, but another convincing possibility is that the victim was dead before the fall.
06:17Can you think of anyone who might want to hurt Helen?
06:19No.
06:21No. No, no everyone liked, uh...
06:25You were both music students, yeah?
06:30Nice place to practice.
06:33A lot of the students rehearse here.
06:37Especially when we've got a big concert or something.
06:40Oh, Vanessa.
06:43I am so sorry.
06:47I would have come sooner if I got stuck at the doctor's.
06:51D.I. Munro, City of York Police.
06:53This is DS Hunter.
06:55You are...
06:57Oh, uh, Bernie Hudson.
06:59I'm Vanessa's pastoral supervisor.
07:02And my own official therapist.
07:06It can be tough on our students.
07:08They work very hard.
07:11Yeah, I guess it's pretty competitive.
07:14Oh, it's not easy on these kids.
07:17You have to really want it.
07:26So, can you access it all here?
07:29Yeah, I get all the rehearsal recording.
07:33That's what you police.
07:37That's where I work, yeah.
07:40Got it.
07:41Here we go.
07:49Oh, yeah.
07:53Uh, uh, uh, stop.
07:55Can you...
07:55Sorry, can you rewind that, please?
07:57Why?
07:58Well, I heard...
07:59I heard some talking under the music.
08:02I don't think so.
08:09Yeah, there.
08:10There.
08:10Can you isolate that, please?
08:12It's not easy.
08:13There are 42 mics.
08:16I'll give it a go.
08:17I don't know.
08:31It's all right.
08:33I understand you have recordings of the students' organ rehearsals, you know?
08:36I'm DI Munro, York City Police.
08:38Yeah, I'm already working on it for your colleague.
08:40What do you think you're doing, Evans?
08:46I just, I thought I heard something odd on the recording.
08:49How the hell do you hear that?
08:52I mean, I have hyperacusis, so sometimes I can hear things that others can't.
08:56Right, what have you heard?
08:57Oh, this.
08:58Sit down, Karen.
08:59Do that again, and I'll kill you.
09:02That's John Grebel.
09:03Vanessa's professor?
09:05Yeah.
09:05Well, he was there.
09:07He was at the rehearsal.
09:08Yeah, it sounds like it.
09:09That means he left the crime scene.
09:12Wait, crime scene?
09:13I thought this was an accident.
09:15Um, I think we need to isolate every one of those mics from that recording.
09:19What, there's more than one?
09:20Yes.
09:2141 more.
09:22Right, well, better get on with it then.
09:33So, do you want to tell me what you're doing here?
09:35Um, yeah, I just, I wanted to help with the case.
09:38How do you even know about the case?
09:39Uh, well, I've just come from there, but I was with Elliot Scott from forensics
09:43when he got the call because we were supposed to go out for lunch.
09:46Hang on, hang on.
09:47Oh, well, better.
09:49Yeah.
09:50Apparently, this professor's a real piece of work.
09:53Yeah, so we're here, yeah.
10:05He's got a hotshot reputation.
10:07Those of his students do really well, but he's also at the center of a bunch of bullying scandals.
10:12Two formal complaints, both of them shelved, and the words
10:15egomaniac, narcissistic, psychopath came up.
10:19Sounds delightful.
10:21Okay.
10:21Good find.
10:23Bring him in.
10:24Yeah, and have a sniff around Helen Merchant's house.
10:27Take Will.
10:28See where you can turn up.
10:29All right, will do.
10:31What are you listening to?
10:45Um, I asked for a copy of the rehearsal.
10:48There's something odd.
10:50Yes, a woman died in the middle of it.
10:53No.
10:55No, that's not it.
10:55Okay, what was it then?
10:57So what did you hear?
10:59Oi, headphones.
11:01Headphones.
11:07We've had some super exciting ideas.
11:09Not just for the city of York Police, but for you too.
11:12Oh, yeah?
11:13We need to raise your profile online.
11:15Get some clicks and likes.
11:17Get you out there.
11:18I'm not running for office, you know.
11:21Well, okay.
11:23I mean, the Chief Constable did seem to think it necessary.
11:26What were the recent survey results?
11:28Well, responding to surveys is what police work is all about.
11:33Yeah, I get you.
11:35It is annoying, isn't it?
11:37Everyone's needing reassurance these days.
11:39How was your meal?
11:40How was your delivery?
11:43But we could use that to your advantage.
11:48What do you mean?
11:49In your case, we're thinking big old rebrand.
11:52We think it'd really help if you came across as more approachable and kind.
11:58Fatherly.
12:18I've worked out the vampire number.
12:27From the code your mum left?
12:28Yeah, from the FANG.
12:29I've got it.
12:30I've got it.
12:31Eight, three, two, one.
12:35Yeah, but I don't actually understand what it means.
12:41Looks like the old system.
12:42The old system?
12:43Yeah, criminal records.
12:45Before they overhauled the whole thing.
12:47Before your time.
12:48Really?
12:48This is how the cases were numbered.
12:51You think that's an old file number?
12:53Well, that's worth a shot.
12:57Okay, yeah.
13:04Maybe I can help?
13:04Yes.
13:09Yes, thank you, Mr Gilmore.
13:12Why did you walk out of Vanessa's rehearsal early?
13:14I wasn't feeling well.
13:15Oh, I'm sorry.
13:16How are you now?
13:17We can get you a glass of water.
13:17I'm fine.
13:18Must have come on quite quick.
13:20You sounded a fighting fit when you were threatening Helen.
13:23I have no idea what you're talking about.
13:29It's on the rehearsal tape.
13:32Oh, I was just telling her to clear off.
13:35I'll say.
13:38Look, the girl's weird.
13:40Let alone a deeply mediocre student.
13:43She was infatuated with Vanessa, always hanging around.
13:49Hello, Professor.
13:51Tell me, how many black keys are there on a piano?
13:55Is it counting you struggle with or are you just colour blind? 36.
13:58Oh, we've just been at Helen Merchant's and it turned out hers had 37.
14:08Shall we have a look and see what's on this?
14:16Why should I listen to this ham-fisted pedestrian crack?
14:20You're like a toddler having a tantra.
14:22I'm sorry, Professor.
14:23Oh, I'm sorry, Professor.
14:25Pathetic.
14:26Get out.
14:28You're not fit to be on this course.
14:30Get out!
14:32Good teachers.
14:34They can change the world.
14:37What you do is lazy and cruel.
14:42I get results.
14:43Everybody knows that.
14:44Ah, by treating them like crap.
14:46By finding their passion and harnessing it.
14:49And yes, it's tough.
14:50But if my students didn't want to work hard, they'd have done interactive media.
14:55Oh, I don't know, Prof.
14:55I think if someone had this kind of dirt on me, I'd want to shut them up.
14:58Oh, no.
14:59You got me.
15:00Look, all this proves is that Helen was obsessed with Vanessa.
15:05That's...
15:05My forensic's called drilling interview.
15:17That's usually not a good sign.
15:19Right, so now it's not a murder.
15:36Turns out it was a ruptured aneurysm.
15:38That'll be why she fell.
15:39Right, so she had a stroke.
15:40Yes, and it seems rare, but it seems that the blood in her ear is actually leakage from the brain.
15:46So no murder, no murderer, I'm afraid.
15:49Oh, bollocks.
16:06This is an index of the old reference numbers and the corresponding new ones.
16:10Ah, there.
16:18Well, it looks like it's been recategorized as folder C078469B.
16:25Know where that is?
16:29Sorry, any question?
16:40This is an address in my mother's handwriting.
17:04Your dad would have done this case.
17:11Your mum must have slept it in when he brought the notes home.
17:19What do you want to do?
17:20I don't know.
17:21It's...
17:24It's okay if I don't think about it right now.
17:26Yeah.
17:27Yeah.
17:27Absolutely fine.
17:29The number you have called cannot be reached at this time.
17:46Where are you?
17:47I've been waiting ten minutes.
17:50I'm going inside.
17:51Oh, you're here!
18:05Ow!
18:06Stop!
18:09Pete!
18:10Stop!
18:17Oh.
18:21Oh, yeah.
18:36Yeah.
18:41Oh.
18:48Oh.
18:49Oh.
18:49Oh.
18:49Oh.
18:50Oh.
18:50Oh.
18:51Do you know those are coated in a layer of acrylamide?
19:21When it mixes with the gastric juices it can become toxic.
19:25Oh yeah?
19:26Yeah, it can produce excessive sweating, affects the whole nervous system.
19:32Anyway, so can you play the recording at exactly 8.05.05?
19:39Please.
19:45There.
19:48What?
19:49The interference. Can you play it again?
19:54There.
19:57There's nothing there.
19:58There is.
20:00Well I can't hear anything.
20:01I can.
20:02I am an audio engineer but whatever.
20:06There.
20:08Oh.
20:08Yes, Hunter?
20:17Someone's happy to see you.
20:18What?
20:19But he isn't checking me out is he?
20:21Um, yeah, Elliot and I went on a date.
20:24Oh, and will there be another one?
20:28No, I don't, I don't think so.
20:30Oh, okay.
20:30I just, I think I might be a bit boring for it.
20:35But you, boring, are you joking?
20:38I mean, you surprise me every day.
20:41Me?
20:42Yeah, I never know what you're about to do.
20:43Really?
20:45Yeah.
20:46Why don't you show him that side of you?
20:49Surprise him.
20:49Yeah.
20:53Are you sure it's okay that I'm...
20:55Oh, yeah, she said you were useful with the recording,
20:58so I think it's fine.
20:58Just relax.
21:00Okay.
21:11Heart attack.
21:14How do you know?
21:16Well, two degrees and 25 years in forensics helps,
21:20but you can tell from the skin and the fingernails,
21:23and there's a scar on his chest,
21:25which means he probably had a mechanical aortic valve.
21:29Okay, so hang on.
21:30Are you seriously not seeing this?
21:33Two deaths in two days in the same place,
21:36both bleeding from the ears?
21:37I know, but this one could be explained as well.
21:41The bleeding was caused by him falling on the floor
21:43and hitting his head.
21:47Uh, no, it wasn't.
21:51Look.
21:55What's that?
21:55What?
21:58Your diagnosis falling apart.
22:01Sorry.
22:01Well, when someone who's had an accident leaves a message,
22:04it's not an accident.
22:22Vanessa!
22:25What are you doing here?
22:31Uh, Professor Greville was supposed to give me a lift this morning,
22:35so we could go over my rehearsal.
22:37But he didn't show.
22:40Yeah, I'm afraid I have bad news.
22:44Professor Greville died earlier today.
22:46What?
22:53Where were you this morning?
22:56Um...
23:00Uh, waiting at home, and then...
23:06And I came here.
23:08Yeah.
23:09Let's get her inside.
23:10Come on.
23:11I'll be going.
23:11What?
23:12I don't know.
23:28He's not doing that.
23:29Did he tell me?
23:29Well...
23:31I was going to show you what he showed me.
23:33He's been telling me.
23:35He's been telling me.
23:35He's been telling me.
23:37He's been telling me.
23:38I'm telling you.
23:39these are a lot of tapes yeah he kept copies of all of his students concerts
23:47to Carter to Fuga is that what you were playing when you found Helen yes
23:58yeah what's this oh it's um it's a fermata
24:08it's when you hold a note beyond its natural duration let it fill the space
24:16hi
24:26hey patience I found your interference I isolate the mic and guess what
24:32I can't I can't guess you've not given me any information okay um I sent you an audio file
24:40slowed down cleaned up enhanced and you were right there is interference yeah
24:45you're recording some glitches and then it resumes does the interference start at 80505 and end at
24:52805 11 how do you know that well that's the fermata sway hyperacusis it's like a superpower
25:04not always
25:06look I was right his aortic valve yeah could you not wave that in my face I was showing it to you
25:17so what of it well the valve seems to have jammed causing thrombogenesis and our friend had a heart
25:21attack no murder what Evans doesn't agree with you the music killed him what does that mean I have
25:30no idea but apparently she's had a breakthrough no I don't agree well she's very very annoying but
25:35she does have a knack of being right
25:37headphones
25:43god's sake where are you
25:48what are you doing oh so this is an infrasound generator and it was inside the organ and it's
26:00what killed Helen and the professor what what so when Vanessa pressed down the organ key this began
26:06emitting a very low frequency sound it was below 20 hertz so hold this
26:11okay ready well I guess yeah
26:21see yeah do it again
26:28that's weird
26:33so this was connected to the modified key it's an infrasound generator and it creates infrasonic
26:42frequencies which are like inaudible but very dangerous vibrations and the kind of vibrations
26:48that can jam a heart valve which the professor had or rupture Helen's aneurysm so the murderer used
26:56the victim's conditions against them good work now let's find out who put it there yeah well that
27:02would have been a valid theory however this is a bit of a snag for you toxicology came through
27:07turns out Helen had love excel in her system it's an antidepressant so it causes hypertension she
27:14would not have taken that with an aneurysm it's too dangerous so then Helen didn't know she had an
27:18aneurysm yeah and if she didn't then neither did the killer bingo so maybe that poor girl was just
27:25collateral damage yeah well that's a possibility so that would make it one natural death and one
27:32murder I think we can call it a draw miss Evans
27:37well I've got to go and interface with some young business leaders whatever that means
27:46no matter who knows
27:47while we're at least in the last five years we are there so that would be a good idea of
27:48all this is a terrible thing
27:52but the feeling of justice has turned out like a bit of only a better idea of a good idea of what
27:53you think is a good idea of what I'm doing all this is real and I'm experiencing this
27:58but I'm at a steady point here we've been a dream of a good idea of what I've seen
27:59and then I'm having to have a good idea of this because I'm not working in the place
28:01I'm not gonna have a good idea of what I've seen in my eyes I'm not having to have a good idea of what I'm trying toнибудь
28:03and running out of this is just not working in this life and I'm trying to have a good idea of what I've seen all this is
28:06I love you, I love you, I love you, I love you.
28:36You all right there?
29:06No, I get it, it's all just noise to me too.
29:16Why should I listen to this ham-fisted pedestrian crap?
29:28You're like a toddler having a tantrum.
29:30Oh, I'm sorry Professor Pathetic, get out.
29:36You're not fit to be on this course.
29:38Get out!
29:42He was a coercive, cruel bully and he got in your head.
29:48No, no, he believed in me.
29:50I know this doesn't make sense but I needed to get it right for him.
30:04What you did is understandable.
30:08He made you feel worthless, scared and you wanted it to stop you.
30:16I wanted to protect him.
30:18I knew about the video, I stopped Helen from going public.
30:22I could never have killed him.
30:26I need him.
30:28Without him I'm going to let everybody down.
30:32That's not true.
30:34What?
30:36You're like a black belt in this now, right?
30:40To make it you have to be extraordinary, transcendent.
30:54You basically have to be Theos or just give up.
30:58What is Theos?
31:00Professor Greville's favourite student.
31:04The only one he ever really rated.
31:08Theos who?
31:10I don't know.
31:12It was a nickname.
31:16But he always said that whenever they played,
31:20he saw the face of God.
31:28It's a concert so hopefully there'll be an introduction.
31:32Thank you, digital native.
31:34I think I'll take it from here.
31:36I'll take it from here.
31:38Well, no intro, so useless.
31:40So we've got nothing?
31:42No, not nothing.
31:44We know where the concert was.
31:46It's the York Minster.
31:48How do you know that?
31:50Um, well, my dad used to take me when I was little.
31:54And I recognised the tones.
31:56The organ has 75 stops.
31:58Cool.
32:00Yeah, but it still leaves us for 40 years of concerts to go through there, I don't know.
32:04Yeah, but it still leaves us for 40 years of concerts to go through there, I don't know.
32:16So many concerts.
32:34Are you gonna answer that?
32:46Mm-hmm.
32:47Uh...
32:48Yeah, sorry.
32:50Uh...
32:51Hi.
32:52Hi.
32:53Uh...
32:54Good.
32:55You answered.
32:56Uh, yeah.
32:57Well, you called me, so...
32:58Listen, I, uh...
32:59I saw you came to my gig.
33:00And then left.
33:01What happened?
33:02Was the music that bad?
33:03Um...
33:04No.
33:05Uh...
33:06Can we meet?
33:07I'd really like to see you.
33:08Uh...
33:09Uh...
33:10Can we meet?
33:11I'd really like to see you.
33:13Uh...
33:14Uh...
33:15Uh...
33:16Uh...
33:17Uh...
33:18Uh...
33:19Uh...
33:20Uh...
33:21Uh...
33:22Uh...
33:23Uh...
33:24Uh...
33:25Uh...
33:26Uh...
33:27Uh...
33:28Uh...
33:29Uh...
33:30Uh...
33:31Uh...
33:33Uh...
33:34Uh...
33:35Uh...
33:36Uh...
33:37Uh...
33:38Uh...
33:39Uh...
33:40Uh...
33:41Uh...
33:42Uh...
33:43Uh...
33:44Uh...
33:45Um...
33:46Uh...
33:47They must really like you.
33:49Sorry?
33:50Well, I've someone walked out of my gig.
33:52I don't think I'd be calling them back.
33:55Yeah.
33:56Well...
33:58It doesn't... it doesn't matter.
34:01I mean, I'll never be able to do the girlfriend stuff, so...
34:05Girlfriend stuff? What's that?
34:08You know, like...
34:10bungee jumping and suddenly running off to Paris.
34:15Oh, you have been watching some terrible films.
34:19Has this man actually asked you to do any of this?
34:23No.
34:24Well...
34:25I am no relationship coach by any stretch,
34:29and I would rather clean out the fridge than do Valentine's,
34:31but I'm pretty sure there is no such thing as a perfect girlfriend.
34:37Yeah.
34:40I just don't know how to be.
34:43Must be you.
34:46Find someone who likes that.
34:49Sounds like you already have.
34:55Oh, hang on.
34:58Doesn't that look like, um...
35:01Vanessa's pastoral supervisor?
35:04Bernie.
35:06I didn't know she was a musician.
35:08I mean, that says it's someone called Marie Renton.
35:12Maybe it's a stage name.
35:18And look who she thanks.
35:19Um...
35:23John Grebill.
35:28Why did she fail to mention any of this?
35:37Ma'am?
35:38York means the concert ends in tragic accident.
35:41Bernie fell from the balcony her own recital.
35:43Yeah, I don't think it was a tragic accident.
35:46I think she jumped to get away from that dick of a professor.
35:48Yeah, and when that didn't work, she tried to stop the bullying in a different way.
35:51Yeah.
35:52Where was she on the morning of the first murder?
35:54We need the interview notes.
35:55Er, she was at the doctor's.
35:57Hang on.
35:58You weren't at the interview.
35:59No, I read the transcript.
36:04Okay, check it out.
36:05On it.
36:06Okay, Jake.
36:06I think we've got enough to bring her in.
36:18So, she's not at Montmartre University?
36:31No, but she booked out the Minster organ this morning.
36:48Also, Vanessa didn't show up for a meeting at the faculty.
36:50Oh, Christ.
36:51I won't meet you there.
36:59Just got off the phone with Bernie's doctor.
37:01She'd been seeing him for pain management.
37:02Traumatic nerve damage to her hands sustained in an accident 30 years ago.
37:07Yeah, so it sounds like the fall from the balcony ended her career.
37:10So, we have a washed up star jealous of a younger protégé.
37:14We need to get to the Minster.
37:16Er, I meant just DC.
37:19All right.
37:40Bernie?
38:03Bernie?
38:04I had no idea you played.
38:12That's about as much as I can manage these days.
38:14Bernie, that was so beautiful.
38:19I've never heard anyone play like that.
38:23I had a good teacher.
38:30Oh, my God.
38:34You're Theos.
38:47Magnificent, isn't it?
38:50I had a recital here.
38:54Many years ago.
38:56How wonderful.
38:59Minutes before the performance, Greville ripped my heart out.
39:02Told me I'd never be anything more ordinary and I'd never make it.
39:08This timing was exquisite.
39:12I tried to play, but I could barely breathe.
39:17Everybody was watching.
39:21And I knew then that it was over.
39:24My career.
39:24My life.
39:36Amir.
39:48Amir, Graham, go round the back.
39:50I wanted you to hear this from me.
39:56So that you'd understand that he had to be stopped.
40:02You killed him.
40:05Never meant to hurt her.
40:10Bernie, what are you doing?
40:11What's she doing here?
40:34Bernie.
40:35He's okay.
40:38Oh, my God.
40:41Please.
41:00Oh, my God.
41:02Go.
41:24Bernie?
41:28Bernie, put the gun down.
41:32I have to do this.
41:55God forgive me.
42:02I am so sorry, I am so sorry.
42:09I have to do this.
42:12I can't believe you.
42:14No?
42:16Oh, my God.
42:18I told you I'm fine.
42:40It was just a gunshot and no one got hurt.
42:48Still a lot to deal with. You were in shock.
42:51Yeah, but I'm fine now and...
42:55D.I. Monroe saved that woman.
42:58Yeah, I guess she did.
43:00I just...
43:04I just, I still miss Detective B.
43:11She was on my side.
43:13I was part of her team but now it was D.I. Monroe.
43:17This might be out there, but I'm on your side.
43:22And as much as I'd rather they didn't keep dragging you into dangerous situations,
43:27so is most of the crime squad.
43:30I guess so.
43:32And what about this boy in the band?
43:35He is on your side, right?
43:42I think he is.
43:45Okay.
43:48I'm sorry for running away from your gig.
44:00I mean, it's not that your singing was terrible.
44:03Oh good, yeah, that's what I was going for.
44:04Not terrible.
44:05Yeah.
44:06Um, it was just overwhelming.
44:11Yeah, I thought it would be.
44:13Yeah.
44:14Why'd you come?
44:15To surprise you.
44:20I just wanted to show you a different side of me.
44:24Why?
44:25I like this side.
44:29I think I see that now.
44:31And by the way, there's only one side of me.
44:33I'm sorry.
44:34And this is it.
44:35Hang on.
44:36Um.
44:37I've got an idea.
44:40Come with me.
44:45Okay.
44:50Come on.
44:55Elliot, this is a club.
45:01Trust me.
45:02Come on.
45:20Yeah.
45:52There's no magic potion can take away this pain
45:57Just when I think I'm over you, it comes back again
46:04I cried an ocean already knowing you don't feel the same
46:11Oh baby, you got me screaming in the rain
46:16Cry my heart out, screaming out loud
46:20I can't work out how to be without you
46:23Cry my heart out, screaming out loud
46:27I can't work out how to be without you
46:30Support information for the issues raised can be found online at channel4.com
46:43And dance your way into the next episode of Patience with all of the brand new series streaming now
46:50Or watch here as it continues next Wednesday at 9 on Channel 4
46:54To A&E, next tonight
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