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00:00Welcome to the Henry Manor.
00:03A gilded-age tale of mystery and murder.
00:09But first...
00:10Hey, Lucky.
00:11The power's out in the dining room again.
00:13...but trying to make the 40s.
00:15Well, I'm talking.
00:19Mr. Henry made his fortune as a junk man.
00:23Something he was quite proud of, actually.
00:26But it wasn't until a chance encounter with Mr. Thomas Edison
00:31that he became truly revelant.
00:56This should be good.
01:01Oh, shit.
01:05Oh, shit.
01:06At this exact spot is where Thomas Edison accidentally slipped on a rug, hitting his head right here on this second step.
01:28Run!
01:29Run!
01:30Run!
01:31Run!
01:32Run!
01:33Run!
01:34Run!
01:35Run!
01:36Do ya?
01:37Run!
01:38Run!
01:39Heart 우와
01:41militantある
01:42TERON
01:45And as we all know, Mr. Henry is widely credited with saving
01:59with saving his life it is the dawn of a hobbyist one day i'm going to be an inventor
02:08dear reader this is not a story in the conventional sense you see nothing is neat
02:24and tidy nor is it laid out with ease for a dim-witted pony which i hope you are not for both
02:32her sakes no this story in particular is a cautionary tale
02:38my husband is dead killed in the day anything to sabotage a deal with thomas looking back now i
02:50can admit i was rooting for her when i was a child i had foolish dreams of what i might become
03:05i saw the world differently
03:07i don't get it what does it do it's not about that what do you mean it's not about the trap
03:26if the entire contraption is used to cage poor beatrice here but look what i built
03:30look at all the intricacies of it it's interesting one day i'm going to be an inventor
03:40i wanted to invent something that might have saved our mother from her untimely fate
03:45you both understand why god created you to reside together on this earth
03:51she would say that her destiny was written but ours was not
03:55slightly ironic sitting here now right into you before our mother died she would instill
04:01a sense of connection that would bond us to our core
04:04we had promised our mother that we would come together on this day each year no matter where
04:18life might take us we would find each other again when you become one together you see the world for
04:26what it truly could be
04:28and today
04:40the day that norman died
04:44would be the day that i see clearly again
04:49what i see clearly again
05:02well
05:04here
05:05it's like
05:06what i see you
05:09and i ve
05:09and i see you
05:10it's my favorite
05:12so
05:12I don't know.
05:42Someone gets around.
06:12While Norman and I had become infatuated with one another all over again,
06:30the rest of our world, so it seemed, was at a standstill.
06:34That's the funny thing about love.
06:39It's quite indulgent.
06:42What have you done, Lily?
06:44I've done nothing.
06:46He's not called on you, not in days.
06:49I don't care.
06:54Read between the lines, this isn't good.
06:58Maybe we should leave.
07:00Huh.
07:00Leave where?
07:03Lilith.
07:06Leave to go where?
07:07I didn't see it then, but we had become frozen in time with no money.
07:14Fuck!
07:15And no way out.
07:21Finito!
07:22Duke are on Tuesdays.
07:25But it's Wednesday.
07:26And like any caged elf, you become fidgety.
07:29I say, old maid, who are you calling an old maid?
07:34She's gonna make that joke until she's dead.
07:36I was afraid to reveal the truth about Edison to my husband.
07:41Afraid of what it might do to us.
07:46Afraid yet again.
07:48And as our world grew more insular by the day,
07:54I grew more tepid.
07:57Cars!
07:58You know what that?
08:00You're just such a cheese, always.
08:02How are we supposed to hold this?
08:05She's so perfect, the head.
08:07Me.
08:07Oh, my God.
08:08What are you all doing?
08:09Are we playing cards or aren't cards?
08:11I could not shake the feeling that something was not right between us.
08:15Can we just play?
08:16And it was all a charade.
08:18Every single time.
08:24And then, like clockwork, she arrived.
08:32Right on schedule to break us free from this insanity.
08:46Okay?
08:55Okay?
08:56I'm not sure we was expecting you.
09:02Were the Henrys expecting you?
09:04Lovely to see you're still kicking, Gretch.
09:16Deal.
09:21Ah, the stench of rotting paper bills.
09:25How I have missed you.
09:27Gretchen, can you be lighter underfoot?
09:38I've been saying that for many years.
09:40It's as if you're a direct descendant of Napoleon himself.
09:43A choleric.
09:44Mr. Henry.
09:45Stomp, stomp, stomp.
09:47Yes, Gretchen.
09:47I do know the word choleric.
09:49Thank you very much.
09:50Mr. Henry.
09:50She has me reading now.
09:52Mr. Henry.
09:53Yes.
09:53We have a visitor.
09:57Is he coming for me?
09:59Now?
10:00You're not going to lie.
10:00Dammit, woman!
10:01Rosie!
10:03Rosie Morsh.
10:09Oh, no.
10:12Did she die?
10:14Not yet, sir.
10:17She's here.
10:18How the fuck does she find us?
10:23How the fuck does she always find us?
10:31Will you be greeting her?
10:33Relax, Norman.
10:35I do believe you should.
10:37She is your sister.
10:37She is, yes.
10:38Yes, she is your sister.
10:40Yes, yes.
10:41It's a terrible time to entertain company, though.
10:44She isn't company.
10:46She is my sister.
10:47It's just not a good time for us right now.
10:48We've got an artist wandering the halls.
10:49No, I'm not.
10:50She's asking for money everywhere he goes.
10:51It's fine.
10:51It's fine.
10:52It's fine.
10:52It's fine.
10:53All right?
10:54It's fine.
10:55It would not be fine.
10:57My sister had a way of making Norman feel exposed.
11:01I'll have the chef cook the remainder of the pheasant.
11:04This pheasant's old.
11:05Oh!
11:06I knew that pheasant wasn't old.
11:08I knew it!
11:11When Norman got nervous, he would laugh uncontrollably.
11:15Get out!
11:15Get out!
11:16The doctors called it manic hysteria.
11:20Previously only diagnosed in women, he was unable to form cohesive thoughts.
11:28Tonight we'll be hosting Marion's sister.
11:31That means our finest linens in our holiday china.
11:34Please.
11:35Lily, I shall need you to dance this evening.
11:37No, you do not.
11:37Yes, I do.
11:38I do.
11:38I said I will not.
11:39Cebu, play.
11:40Cebu, play.
11:41I will not.
11:41Oh, please!
11:43How much of that pheasant do we have left?
11:46There's not left.
11:47Oh, please.
11:48No.
11:48That's impossible.
11:50Chickens.
11:51Do a chicken or a hen.
11:52She's a sculptor.
11:53She won't know the fucking difference.
11:55Where are you going?
11:57This is for the miss in the great room.
11:59What's this for?
12:00Where's the ice?
12:01We don't have ice.
12:03No ice.
12:04We need to ration our supplies appropriately.
12:11We need to do a much better job rationing our supplies appropriately.
12:15You hear me?
12:17Goes for every single one of you.
12:21What are you standing there for?
12:22Why isn't anybody working?
12:24Uh-uh.
12:24Oh.
12:25Huh?
12:25Yes, sir.
12:26Yes, sir.
12:26What do you mean, yes, sir?
12:27Nobody's working?
12:28No, no, sir.
12:28I meant yes, sir to the other.
12:30Give me some fucking ice.
12:31Yes, sir.
12:31Chip it off the rocks.
12:32I don't care.
12:34You leave her parched.
12:35You leave her parched until you get a coffer full of fucking ice.
12:39Fuck her.
12:40How you doing, sweetheart?
12:42I can't wait to taste it.
12:44I cannot wait to have your lovely, horrible fucking food.
12:53Rosie.
12:55Marion, my darling.
12:58What?
12:59You look gaunt.
12:59It's as if the wrath of judgment day hath pummeled you across a cliff's edge.
13:06Oh, how I've missed you.
13:08Oh, I've missed you.
13:08Mwah.
13:09Mwah.
13:10For the sake of my.
13:10Sit down.
13:11Sit down.
13:15Are you remodeling?
13:17What?
13:17It appears as if you're remodeling in this room specifically.
13:20What?
13:21No.
13:22You're missing art.
13:23Oh.
13:24Uh.
13:26No, you know, it's just a room in a house.
13:28You haven't responded to my letters.
13:30I thought you were dead.
13:31Every day I'd wait and wait with a renewed sense of dread.
13:36It's a bit dramatic, isn't it?
13:41I've been holding a tenancy in a small boarding house in the city while I prepared my new show,
13:45which you'd have been to if you cared about art anymore.
13:48Anyway.
13:50I wandered over to you, Brownstone, by the park.
13:52You know, I'd never come uptown unless I felt the need of some suffocating masochism.
13:57Yes!
13:58Oh, my God.
13:58But as I knocked on the door, an entirely different rich old drab man answered.
14:03Not Norman, a different one.
14:06He said you sold the house and moved up to the country on some sort of exclusive basis?
14:09No, that's not exactly what happened.
14:11Mary, I think it's fabulous!
14:12Finally away from the druthers of status and free to think, think, think, and tinker.
14:17A free tinker-thinker again, at last!
14:20That rhymes.
14:21It does.
14:26So is it difficult?
14:27To finally leave Norman?
14:30I have a current work entitled The Menstruation of the Lonesome Mistress.
14:35I thought of you.
14:36Yeah, I have not left Norman.
14:40Oh, I'm sorry about that.
14:43No, in actual fact, we are experiencing a sort of renaissance.
14:48I think you'd be quite surprised by Norman.
14:49A renaissance are you creating?
14:51You must be creating something meaningful to declare a renaissance.
14:54No, no, that's not...
14:54Otherwise, you're just blissful.
14:55Well, then we're blissful.
14:57We're just fucking blissful, okay?
15:00Blissful with a tinge of defensiveness, I see.
15:04Still your sissy here, Mary.
15:06You give this note directly to Nora Bays.
15:11You tell her she can have whatever she wants.
15:13You heard that directly from me, yes?
15:15Yes?
15:16Yes, sir.
15:178 p.m. sharp.
15:18Tell her, 8 p.m. sharp.
15:19I don't think Nora Baez winter's in the country, sir.
15:22She's having an affair with the gardener next door.
15:24She's having an affair with more than just the gardener.
15:27See, she's having an affair with all sorts of people.
15:30Good for Nora Baez, huh?
15:31Great for us tonight.
15:33Sir, I have but a single working appendage at the moment.
15:37Yes.
15:37Oh, my God.
15:38Oh, Ferdinand, you shouldn't worry about me.
15:39I'm not entirely sure I'll make the walk from this Baez's residence in time for 8 p.m.
15:43Ferdinand, please.
15:44Sir?
15:45Put it away, Ferdinand.
15:46I'm begging you, please, put it away.
15:47Put it away.
15:47I said it.
15:48Okay, I don't mind.
15:50It's pond water.
15:58It's fucking pond water.
16:00Pond ice tripped from the rocks.
16:01Oh, my God.
16:05I don't have a panic attack.
16:10I don't think I'm having a panic attack.
16:13Stop it.
16:13Stop it.
16:14Stop it.
16:15Please.
16:17Please.
16:18Please.
16:18Somebody get my wife.
16:20Please get my wife.
16:21She's with her sister.
16:23I'll go fetch her.
16:23No, no, no, no, no, no.
16:25No, no, no, no.
16:26No, she's with her fucking sister.
16:29Please.
16:30Please.
16:30Please help me.
16:32Please, please.
16:33Help me, please.
16:34Please help me.
16:38Okay.
16:38Where are you going?
16:39Uh, nowhere.
16:40I'm just going.
16:41Let me come with you.
16:42No, no, no, no.
16:42You stay here.
16:43I'll have them bring you some refreshment, you know.
16:46I can fetch my own glass of water, Mary.
16:48I'm a single woman living in the village.
16:49I know.
16:50I know.
16:50But not here.
16:51Go.
16:51Sit down.
16:51I hate this room.
16:53Shut up.
16:57One more.
16:59My chest feels like my chest is cold, doctor.
17:15Please help me.
17:16Help me.
17:17Please.
17:17I'm so sorry.
17:18It's not a heart attack.
17:19You're not having a heart attack.
17:21I'm a little bit.
17:21I'm a little bit.
17:21I'm a little bit.
17:21I'm a little bit.
17:22I'm a little bit.
17:22I'm a little bit.
17:23I'm a little bit.
17:23I don't want to die.
17:25I don't want to die.
17:26Please.
17:26Oh, wait.
17:38I'm so sorry.
17:42I'm so sorry.
17:43I'm so sorry.
17:45I can't do it.
17:46I can't do it.
17:47I'm so sorry.
17:48I'm so sorry.
17:49I'm so sorry.
17:52Sorry, please.
17:56Oh, my God.
18:00You seem to be in a bit of a state.
18:03Lord, is that your professional assessment?
18:11I worry for you.
18:13Are you lurking in the halls now?
18:15I said I worry for you.
18:16Yes, yes, I heard you, but then instead of answering your question, I sort of pivoted to one of my own.
18:21I do not lurk.
18:23You're scaring us.
18:26Because I feel things.
18:28Because I'm a man who stinks with his heart.
18:32A man who will devote every second of every day to setting you free.
18:38Oh, God, you're an imbecile.
18:40Stop, stop, stop.
18:44My Marianne.
18:45No, no, no.
18:47Mrs. Henry.
18:49Dammit, Edgar, come on.
18:50It's Mrs. Henry.
18:52Please, let me approach you a few steps so that I may make out your figure in the light.
18:59Yes.
19:01I will say this once, and then I shall leave.
19:06Yes, yes, yes, you need to leave.
19:08Edgar, you need to leave.
19:09Look, I will arrange a promissory note.
19:12That's, you know, it's as good as cash on the Henry name, but you must leave.
19:16You really, you must leave.
19:18Please, hear me.
19:19Oh, I hear you, Edgar.
19:21Oh, I do, I hear you.
19:25Please, hear me.
19:25Shh, shh, shh, shh.
19:27I have never, ever felt my heart swoon so.
19:32Never, ever, in my life.
19:35It is quite concerning.
19:40My passion has always come from the control of my stroke.
19:46I have always been in control of my stroke.
19:51My only...
19:52Yes, thank you.
19:53Thank you, Edgar.
19:54Yes, yes.
19:56Halt.
19:56Halt.
19:57No, halt.
19:58Halt.
19:58I suddenly realized that the Buddhas are a metaphor for my life.
20:09I am but a trained hound.
20:13In the hand of their master.
20:16Edgar, I am not your master.
20:19I do not love you.
20:20I do not have secrets that only you can decipher.
20:23I, I, I, I, you've created this narrative of delusion.
20:26And that's what artists do, right?
20:28So, congratulations, Freethought.
20:30But, I am a married woman.
20:32And, you know, we, I mean, we, we, we, we shared a moment in, in, in, uh, uh, you know, a bedroom.
20:38Where you were as blind as a bat.
20:39And you couldn't even make out the contours of my fucking cheekbones.
20:42So, it's over, all right?
20:44It's over.
20:48Stop.
20:50I will not accept a promisade enough.
20:53I explained to your husband that I will not say ah!
20:56Halt! Halt!
20:57Please, hear me!
20:58Halt!
20:58Do you hear me?
21:00Come, come.
21:01Yes.
21:01I will not accept it!
21:04I'll be right back.
21:06Would you be, just go away!
21:07It appears as if you're being chased by a gardener!
21:10No, no, no, it's, it's just the help.
21:13It's...
21:13Or a murderer.
21:16You shall have me cast you as a wicked witch.
21:20En contraire.
21:21En contraire.
21:22En contraire.
21:22Will you leave us alone?
21:25Ah, I'd rather be a widow than you set us free.
21:29A widow, did you say?
21:31A widow, did you leave us alone?
21:36I trust it, you free.
21:43We're very sorry for your loss, but golly, it's the winter months, and the ground's frozen solid.
21:48What do you do?
21:49Introducing the new temporary receiving vault system.
21:52This state-of-the-art design allows your local cemetery to store up to five bodies with limited decomposition, just until the ground thaws.
22:00No more burning pyres or formaldehyde.
22:02The receiving vault system, coming to a cemetery near you.
22:06Norman, Norman, wake up.
22:21I just want to go to your body.
22:23Norman!
22:23Norman!
22:25Norman!
22:27Norman!
22:27Norman!
22:31Norman!
22:32You have your body.
22:48Norman!
22:49Norman!
22:53Vabene, vabene, vabene!
22:56Service!
22:59Service!
22:59I'm tired.
23:06Take it.
23:08Oh, my God.
23:10Which is what they don't tell you about.
23:12I'm too hot.
23:14Cowboy!
23:16Positively orgasmic!
23:18Do you remember the bathhouse?
23:20No, no, you shut your mouth.
23:23No, you shut your mouth.
23:24Uh, may I produce Mr. Norman Henry?
23:30Oh.
23:32Normie.
23:33Hi.
23:33Normie.
23:35You look positively tempestuous.
23:37Look at this one.
23:38Tempestuous.
23:38Am I right?
23:39Very good.
23:39Hello, Rosie.
23:40Hello.
23:41Loosen up.
23:43God.
23:43Do you know what your problem is?
23:44Do you meditate?
23:45No.
23:46You need to loosen up.
23:47You'll bring back that old Henry charisma.
23:55May I present the one, the only, fresh off her world tour?
24:01Who is Brooklyn?
24:02Brooklyn.
24:03Hello.
24:04Hello, hello.
24:05Hello.
24:05Hello.
24:05It's Nora Baez.
24:10Yeah, she's fabulous.
24:11She has fabulous tits, am I right?
24:13Rosie.
24:13Straight off a world tour.
24:16I've heard, Norman.
24:17Your geriatric maid just told me.
24:20She told everyone here in this room.
24:26Shall I begin?
24:28Lord have mercy.
24:29Yes, yes, begin.
24:30This is art.
24:37Don't let anybody tell you otherwise.
24:41I see clearly.
24:45Tonight, I will set her free.
24:49One day, we will all be free.
24:53Tonight, tonight is her night.
25:00There was a certain lawyer in a certain town.
25:07You're flat.
25:08You're flat!
25:09From always snooping round.
25:11Higher?
25:12He was the most peculiar man I'd ever seen.
25:16Have a note higher?
25:17Higher?
25:18There's nothing to do with you.
25:20Oh, there it is.
25:22Right, you are good.
25:23Would you shut up and let her sing?
25:24Well, if you're going to spend money on an act,
25:27might as well have her put the diaphragm into it.
25:29Rosie, it's no more bias.
25:31Are you having a stroke?
25:32Do you even know what a diaphragm is?
25:34What is it?
25:34Oh!
25:35That's a diaphragm.
25:37What is wrong with you?
25:38Never wore a collar.
25:40Snow, the lawyer.
25:41For fuck's sake, I've had enough of this.
25:43Never spent a dollar.
25:44Where's God?
25:46Oh, my God.
25:48Dizzy.
25:49Dizzy.
25:49I'm dizzy.
25:50Did you get him some ice?
25:51No, no, no, no, no.
25:52No ice for me.
25:53No ice for me.
25:53Don't be so silly.
25:54Suddenly a man of the people.
25:55Rosie, would you please just simmer?
25:57He has anxiety.
25:58I'm not anxious.
25:59I don't suffer from anxiety.
26:00He's wide open, darling.
26:02Let's just call it what it is.
26:03He's stressed about money.
26:04Norman.
26:05Rosie, Rosie, don't do this.
26:07Clearly this is a fucking charade.
26:11Rosie, right fucking here.
26:14You're to have me believe that you willfully moved up to the country...
26:30We have not moved up to the country.
26:30...to hear Nora Bay sing bedtime stories.
26:33We have not moved up to the country.
26:35You are broke, Norman.
26:52Rosie, don't do this.
26:55You just bend over and take it.
26:57You always have.
26:58No, you don't talk to my wife that way.
27:00I do not bend over and take it.
27:02I do not speak to my wife that way.
27:03Come on, what was I supposed to do?
27:04It's not what they expected you to do.
27:06It's what you expected of yourself, Mary.
27:08We are not broke.
27:10Yes, we are, Norman.
27:12Will I be paid?
27:13You'll be paid.
27:13Probably not.
27:14We are Henry's.
27:15I can assure you, you will be paid, my darling.
27:19You know she was a genius.
27:20She built things, contraptions.
27:22Did you know that?
27:23Your stupid name means nothing compared to what she could have been.
27:31I've worked very hard for my stupid name, Rosie.
27:35A junk man.
27:37I've built my fortune through diligence and hard work.
27:41I have built it out of absolutely nothing.
27:46And you still have nothing.
27:47You're a middleman with nothing.
27:49No skills, no talent.
27:51Nothing.
27:53Nothing.
27:55Well, that's not what Thomas Edison said.
27:57Oh, really?
27:59Thomas Edison, really?
28:02Yes, Thomas Edison and I are changing the world because I mean something.
28:09You understand?
28:10I mean something.
28:12What did you say?
28:13Wow.
28:13I don't know what I said.
28:14What did you say?
28:14I don't know what I said.
28:14What did you say?
28:15Shut up, Rosie.
28:16I don't know.
28:16I don't know what I said.
28:17What did you say?
28:18I made a deal.
28:18I made a brilliant deal.
28:21A brilliant, brilliant deal.
28:27Marianne.
28:41Marianne.
28:43Marianne.
28:46Marianne, please.
28:49Please, Marianne, let me.
28:50Can you please?
28:51Please, can you just let me explain?
28:56You...
29:10Well, it seems my work here is done.
29:21That's how you take a bow, honey. Gretchen! Gretchen!
29:32Get my valise, my hatbox, my easel, my luggage, and call my carriage.
29:39Yes, ma'am.
29:42Marriott, Marriott.
29:45Oh, that spike. Spike, Marriott.
29:50It's all about Spike.
29:56I'm sorry.
29:59I'm sorry.
30:06Oh, God.
30:09You don't have any?
30:14Will you let me explain? Please, will you let me explain?
30:19I wouldn't do this to you!
30:22I don't know what to say.
30:26Fuck!
30:31I forgave you.
30:34I forgave you.
30:37I've forgiven you our whole life.
30:41Nothing's equal!
30:45How could I have been so stupid?
30:47Not fair!
30:49To cast aside all inhibitions and believe that something might have changed within my husband.
30:58He left Marriott.
30:59He can quit the charade. He's gone about his business.
31:02There'll be other deals, I promise.
31:04No.
31:05He still saw me as a pawn.
31:07That was eventful.
31:10Always is.
31:12So, are you ready to make more money than God?
31:16A chess piece that he could simply move aside for the betterment of the Henry name, of course.
31:22Oh, my God.
31:23I prayed for you, Marion.
31:25I prayed for this deal.
31:27I prayed for this deal every day.
31:30I don't think I made a mistake, Marion.
31:32You just have to trust me, for God's sake.
31:34I'll wait you out, girl.
31:52I'll wait you out.
31:57I'm standing there trying to make a meal.
31:59Now I'm trying.
32:00He comes in and he says, oh, you are an artist.
32:02Oh, this stupid idiot.
32:04And I say to him, look.
32:05What?
32:06What?
32:07He takes the knife.
32:08He says, I'm going to save her.
32:09I'm going to save my Marion.
32:10And he stands up there and he goes walking away.
32:13And I say...
32:14Who's this?
32:15Who?
32:16Who?
32:17The fucking French artist.
32:18You know who.
32:19He's on his way, madame.
32:32America.
32:33Uh, no one.
32:34management.
32:35A U-M-A-R-M-T-R-In-D-In-D-In-D-In-D-D-In-D-D-D-In-D-In-D-D-In-D-In-D-D-In-D-D-In-D-D-D-In-D-D-D-In-D-D-In-D-D-In-D-D-D-innen.
32:39Hedga.
32:45Hedga.
32:46Hedga.
32:47Don't just.
32:49What are you?
32:51Marion, I'll leave you alone if you just come in here.
32:57Marion, talk to me.
33:00Marion, please.
33:02You just have to trust me for God's sake.
33:04Shut up!
33:05Shut up!
33:06Shut up!
33:08Like with the painting.
33:10You stop feeling sorry for yourself.
33:12You are not the fucking victim.
33:15Just because you had an onslaught of guilt
33:17doesn't mean that you get to, you know,
33:19make this moment about you.
33:21Darling, take your time. Take your time.
33:23Norman, this is not about that.
33:25Whatever this is, it's not that.
33:27And I am not forgiving you. Could you just...
33:28Your robe, Norman!
33:30Oh.
33:31Please, could you have a...
33:33That was unintentional.
33:35Of course it was unintentional.
33:36Everything you do is unintentional, Norman.
33:38That's not true, Marianne.
33:39That's the problem.
33:40That's not true.
33:41Just because, you know, you've, you know, you...
33:42Take your time.
33:43Yes!
33:44Ah!
33:45Ah!
33:46Ah!
33:47Ah!
33:48Ah!
33:49Oh.
33:50Of all the nights you could have snuck your whore
33:52into your bedroom?
33:53Oh, my God, I...
33:59Well, Marianne.
34:01You look quite queasy.
34:03I bet you are, Norman.
34:04I bet you are.
34:06Oh.
34:07Yeah.
34:08I think I need to call on the doctor.
34:13Oh.
34:14Call on the doctor.
34:16I think I need to call on the doctor.
34:19It doesn't work.
34:20No.
34:21Look.
34:22Doctor.
34:23Gretchen!
34:24Gretchen!
34:25Gretchen!
34:26Gretchen!
34:27Gretchen!
34:28Gretchen!
34:29Get the doctor!
34:30Get the doctor!
34:31Get the doctor!
34:32Get the doctor!
34:35Take your hand off her!
34:37You co-sucker!
34:38Ah!
34:39Ah!
34:40Ah!
34:41Ah!
34:42Ah!
34:43Ah!
34:44Get out!
34:45Mains!
34:46Gretchen!
34:47Gretchen!
34:48Gretchen!
34:49Gretchen!
34:50Gretchen!
34:51Gretchen!
34:52Gretchen!
34:53Gretchen!
34:54Gretchen!
34:55Help.
34:56Oh, no.
34:57What?
34:58Put your fucking hands up my husband's cock!
35:02Put that cock down, you fucking...
35:05Get out!
35:06Who's bad this week?
35:07America's a mess!
35:09Get out!
35:10Get out!
35:11What is it?
35:12For fuck's sake!
35:13Help.
35:14Why is it...
35:15I missed the doctor!
35:17It wasn't love.
35:19It wasn't love at all.
35:21It was simply...
35:23a swift...
35:25a juice.
35:26Fucking dammit, Norman!
35:28Why couldn't you keep your underwear on just this one night?
35:30He wasn't supposed to use me.
35:31Shut the fuck up!
35:32Oh, I'm sorry, I'm sorry.
35:34I'm sorry, I...
35:35I can't feel my legs.
35:37Fuck's sake, don't you fucking die on me.
35:39Don't you dare.
35:40Norman, don't you dare die on me.
35:42You were a coward.
35:43Don't you dare!
35:45You know...
35:46No, no, no, no, no.
35:47You know, I am...
35:49I'm gonna speak my...
35:50The truth, Norman, if it is the last thing that I ever say to you.
35:53I am gonna say this to you.
35:55Yes, I am.
35:56Norman Avery.
35:59I'm your wife.
36:01And I...
36:02invented...
36:03the...
36:04I do see you.
36:08I do.
36:13Is he fucking dead?
36:15Did you fucking die?
36:16Did he die on me?
36:17Did he...
36:18Norman, you fucking louse!
36:21How could you die on me right then?
36:23You...
36:24Fucking hell.
36:25I just...
36:27This...
36:28This...
36:29This right here.
36:30This...
36:31Is worse than...
36:32Edison, you know that?
36:33You...
36:34You had the last laugh, didn't you, Norman?
36:37You...
36:38You just...
36:40Oh, Norman.
36:42Oh...
36:43Oh, Norman.
36:44Oh.
36:45Oh, Norman.
36:48Oh...
36:49Oh...
36:50Oh, Norman.
36:52Oh, Norman.
37:10Oh, Norman, you can't.
37:22Do you ever imagine your life a hundred years from now?
37:31Oh, of course.
37:35What young lady doesn't?
37:37Well, you're different than most young ladies.
37:42Oh, because I'm educated?
37:46No, because you're different than most young ladies?
38:06A cantankerous painter once said that the bones of an artist would live on forever.
38:15Whilst the brick of a rich man like you shall fade to dust.
38:33The day Norman Henry died, it was frigid.
38:38The ground was frozen solid, too frozen to dig even the shallowest of graves.
38:45And so I would sit and contemplate what was to become of my husband after he would fade to dust.
38:51And in turn, what would become of me?
38:58As I told you on the first page of this journal, this was never a story of murder.
39:20It was always a cautionary tale.
39:27You see, if you're lucky enough to have ideas and passions, you must embrace them at all costs.
39:46Because it is these ideas and passions that push the world round.
39:55You see, there's a big tall tightrope, right?
39:57And I'm at a circus.
39:59And I'm wobbly up there in the sky.
40:04I know I'm gonna fall.
40:06And on one side of the tightrope, there is a beautiful life as a mother.
40:12And on the other side of the rope, a career.
40:19Both very hard.
40:22In different ways, I imagine.
40:26Exactly.
40:31I, for one, I don't believe in compromise.
40:38Yes, well, you're not a woman.
40:41You're not a woman.
40:48Now, I'll have you know that while I am indeed a woman, I will no longer be compromising.
41:00You see, I am a woman of invention.
41:04I always have been.
41:06And I always will be.
41:09Hi.
41:10Uh, I'm looking for the records of a student you had here in 1867.
41:15This would be it.
41:17It's very delicate works.
41:38What I have learned, dear reader, is that against all odds, you must stay true to who you are, or risk fading to dust.
42:03To be honest.
42:04To be honest.
42:05For a moment in time, I had forgotten my very name.
42:35And like all those around me, the artists, the craftsmen, the creators, while sometimes
42:56we might lose our way, we will never, ever lose our sense of purpose.
43:05I am Marian Morsh, college graduate, loyal wife,
43:13and the one and only inventor of the lightbulb.
43:27Now, perhaps, take a moment and imagine what I might do next.
43:42I am Marian Morsh.
43:47I am Marian Morsh.
43:52I am Marian Morsh.
43:57I am Marian Morsh.
44:01I am Marian Morsh.
45:05What's he digging for?
45:25Oh, my God.
45:37Come on.
45:39Come on.
45:40Janice!
45:56Janice, look at this.
45:58Those look like your poodles.
46:04Dolores, may she rest in peace.
46:07Oh, God, too soon.
46:09Hey, you should get this.
46:12You see that?
46:14It says, Degas.
46:18Degas.
46:19What a sense of humor you all have.
46:21But we're not paying $5 for this.
46:23Okay, what you want to do?
46:26I have $3 left on me.
46:29Will you take that?
46:30Three bucks?
46:32It's a picture of poodles.
46:34This is not a Degas, honey.
46:36I'm an art history professor.
46:37It's not a Degas.
46:38Three bucks?
46:43Yeah, three bucks.
46:44Just whatever.
46:46Enjoy.
46:47Thanks.
46:49So cute.
47:08You see that?
47:19I'm an art history professor.
47:21Here we are.
47:27I'm a genius professor.
47:29That's crazy.
47:29You see that?
47:30You see that?
47:31Yes, I'm a genius professor.
47:32Hey, I'm a genius professor.
47:33Hey, this is a manufacturing professor.
47:34I'm a genius professor.
47:35I'm a genius professor.
47:35I'm a genius professor.
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