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Transcript
00:00When we reached the last night at Wembley Stadium in London,
00:05all of us felt such satisfaction.
00:10We've had so many special moments where just, like,
00:13it just reminds me what a concert can do
00:17if you give it your all.
00:22Then again, no matter how good a tour is,
00:25it's a huge, massive undertaking.
00:28It's hard work.
00:30That's the challenge, that's the adventure,
00:33and that's what every person on this tour is doing.
00:41Every single night, no matter what's going on,
00:45we're gonna do everything in our power to blow your mind.
01:12My goal for the Eros Tour is that I didn't want the fans to leave thinking
01:16that they missed out on anything.
01:18one thing i've always tried to do is like give something to the fans that they didn't expect
01:23when we had done the first half of the tour what the fans didn't know at the time was that i was
01:29writing a brand new album the torture poets department and in the middle of me releasing
01:34the album we had to be all hands on deck creating a brand new era to put into the show to represent
01:40that album doing all of this completely secretly all in like a tiny little break that we had between
01:55asia and europe are there sounds from fortnite that are not the synth sound or do we go into like
02:02strings like this feels like a highly elevated chapter we build this top secret rehearsal
02:11facility for us to lock in the set list go who's afraid a little bit of down bad
02:19probably a verse and a chorus or a pre-chorus and a chorus that might be it like i would kind of do
02:25surgical tweakings to each song be like okay these songs but cut out the bridge and the second verse
02:30of this and then so tell me everything is not about me and then to make it so that we could fit this
02:40many songs in the show and say they didn't do it to hurt me everyone in and i want and and and double
02:50as big for i want it's not like i'm gonna have a mental breakdown during this song like it's gonna be
02:55so fun and then we put together all new choreography learning choreography all just hearing it in our
03:05heads because they can't play the music on speakers because it's not out yet the first line is did you
03:10really beam me up what i want is for a light to spotlight right on me like it's the alien ship right
03:19into this like crazy like alien light and then now down that way yeah there's an entirely new order of
03:32the chapters so i'm relearning the entire show essentially it feels crazy to like take all the
03:38pieces apart and then put them together in different order yeah and i think i'd rather feel this way
03:44where i'm a little bit confused a little bit like what what uh then being like on autopilot yeah
03:51because i could do the show we were doing in asia i could do with my yeah at first we're all like we
03:55all fear change but then we're like we got this yeah we're here because we accepted challenges our
04:00whole lives oh my god that was a risk that could have gone so bad there was the danger that we it could
04:06have felt like we had sort of shoehorned something in or that you know people didn't like the new show as
04:12much as they like the old show i swear to god if i heard people online being like i missed the old
04:16show i was going to be like oh my god you have no idea how hard this was to do we're going to get
04:22to watch 45 000 people experience the fact that they're seeing something that's never been seen
04:28before we went out to play our first show of the new set in paris the crowd has no idea that we've
04:35added a completely new section and rearranged things and and i am so so excited i love having a good
04:44secret when we brought out this new show in paris it was so rewarding because all of that secrecy and
04:53all of that working during our only time off paid off so much because the fans were so excited it was
05:00such a dynamic new addition to the show now going into the last show in london i have the opportunity
05:09to add to their experience even on top of that taylor wants to make the last london show as powerful as
05:19possible she's like i want to blow this thing out we're going to do this right she wants to do florida
05:24with florence welch florence the machine performing florida with florence is something i've wanted to
05:32do ever since the two of us wrote that song and then it just so happened that she was going to be
05:36available in london you're not nervous about the show you know you know how it runs and suddenly
05:41something like florence coming to do florida the choreography meets the music meets automation
05:50which is the stage movement and is uh starting from scratch again i know that when i say to them i
05:55want to perform florida with florence i really want to do it with full production i know that it's some
06:00kind of creative brainstorming sessions but i know it's doable because all the dancers the choreographers
06:07the production designers the crew the entire band every person we have is the best one doing it in
06:14the entire industry this is kind of funny uh we have to rehearse the song we kind of do what we usually
06:31do in the comfort of studio from the road but also trying to keep things from leaking before the
06:38surprise it's a stadium with no roof so there's like fans outside and say i have to turn the pa off
06:44and we have to do it quietly you know it is so much extra work to keep things a surprise let me tell you
06:56i i i need a nap just thinking about it but it's so worth it when it when we can actually pull it off
07:04your programming sounds at soundcheck the dancers are finding a place to work on choreography for it
07:10where people can't find out what's happening you know before you know it i'm in a random ballroom
07:15in the middle of the hotel with amanda at like 9 30 at night maybe then maybe you come off there
07:24florence open up on the into the diagonals maybe yeah with choreography i asked one of my friends emma
07:33stone who's done a lot of work in dance in her films you know who have you worked with that you would
07:38recommend for this and she's like there's only one person that needs to be on your list and it's mandy
07:41more i never would have thought that i would be in the same sentence as taylor swift ever in my
07:48life you know i've always been a big fan but i funny enough i come from really more film and
07:53television i don't really do artists performance now i understand why i was brought in because she
07:58really wanted to do something different and she likes the storytelling i mean her songs are
08:03mini movies so when i listen to them it's just lyrics and melody swirling with ideas in my head
08:10and then you just start making something yeah is there something about that like thought that
08:15yeah and then all of a sudden it comes out good yeah do you want to do seven beautiful gorgeous
08:27man love like one two amanda balen the first time that i saw her do her thing here we go she was
08:35choreographing the tour she was not a dancer her job was to show me what i'd be doing
08:40with the dancers in the middle of the night in my dreams i would just get so much inspiration
08:47from what she was doing as a performer i just kept saying like you're such a pop star amanda
08:56this was my dream truly it was my dream to do live shows and tour like this more so than broadway
09:02or anything i just i always was drawn to this i actually haven't looked at these i just keep
09:08throwing them in i started out by doing small things and then i booked a job as a swing for a janet
09:16jackson tour which was oh i'd always wanted to dance for her i went on to tour with celine dion
09:23what else have i done oh oh i danced for lady gaga for five plus years i toured for five years straight
09:30i worked on glee which was a long-standing dancing tv show for a while that was a wonderful job i went
09:35on to do some films like la la land i've performed at probably every major award show with different
09:42artists and i've been a part of many tours as much as you want it to last forever dance isn't a forever
09:53career the demand on your body is not sustainable we can get this strong when you do all those
09:59you know wild movements then this can stabilize your spine helping i have two labral tears in my
10:06hip flexors like things were just breaking down i kind of just decided it was a very tough decision
10:12but to gracefully start to peel myself away from being a professional dancer and to do things behind the
10:20scenes i remembered asking mandy i wonder if amanda would ever dance with us and mandy was like ah
10:29she's she's retired she hung up her dancing shoes a while ago at some point mandy came to me and said
10:36hey the team wants to know if you want to do the show my first response to being asked to the tour was
10:41a chuckle and a oh hell no i don't even know if i could do it being involved in the behind the scenes
10:47and then doing it on stage those are two different things i had doubts in my ability i was worried
10:53that i wasn't going to be as good as i was when i was dancing but at the end of the day even though
11:00there was a lot of fear it was just too wonderful of an opportunity a second chance i get chills it was
11:07a second chance that most people don't get to have
11:10we're counting this song in fast state so it'll be a one two three four five six seven eight oh one
11:21two three four five seven eight she says um and a five two three four on five it's the word weed and
11:29you guys are going to kind of do like a little bit of a deflate and my friends all smell like weed yeah
11:35yeah weed or little babies and you'll roll up uh-huh and my on the five of the fifth and my friends
11:43all smell like weed or little one two three four five six seven eight okay just so you have an idea
11:50and then guys what looks
11:59hey amanda and i were in like an empty ballroom last night just like okay it's just gonna like
12:04idiots you just see amanda as you can imagine it's the normal okay florida won gang gang gang gang
12:11it's a hell of a drug it is always weird i think with choreography because it is true it's like
12:18literally a week ago this thing didn't exist and my friends all smell like weed okay so with the exact
12:23oh do you want to do this and just roughly but oh great i was like why do they all just do
12:28and then like the dancers become the accessories to taylor and to the stage and to the whole
12:36experience so it's a really important thing and i take it very seriously you know i always get nervous
12:42when i'm showing taylor something for the first time because i i ultimately i just want to do well
12:48you know like i want to make her happy because i just you know so much respect for her i love her
12:53i mean i was really terrified the first time i had to store something we can figure this out together
13:02but luckily you know since the very early stages of this her and i have a really nice communication
13:15taylor can give me thoughts or colors or ideas and i think i'm able to understand what she wants
13:20visually i want to kind of channel like uh rights of spring florence machine like like like it's
13:26taking our body yeah like like fully like like reaching you know like like kind of like um like
13:34girl in an insane asylum slash wood nymph love it yeah so i mean yes wasn't nervous i'm always nervous
13:41i'm always sweating i'm like oh god did i make the right thing is this bad choices hello how are you
13:48really good how are you doing i'm good all right do you want to watch one i would think kind of see
13:52i'll do uh for instance uh we're just doing the speaker right here yeah i love it yeah okay guys ready
13:57ready to move yes okay go for 43.06 one two three you can stand by 4306.1
14:06and my friends all smell like we are little babies oh i love that go and the city reeks of driving myself
14:25down
14:35so you work your life away just to pay for a time shed down
14:41and then feel like you guys can play here
15:07and then yeah you made this like wave wow could it be kind of cool huh cool i hate that it's happening
15:16without us there you could do it earlier if you want just didn't know if it was whoa so epic back
15:24there and no one's gonna look at it no no they're gonna be looking at you and i almost wish that me
15:29and florence could be on that i mean that would be amazing and she's up for it yeah i'm worried if
15:36if me and florence are here there's people aren't gonna look at it and i and that bothers me and also
15:42i think florence is like gonna be really she's totally down for for like being in the mix and doing
15:47cool stuff and i did my best like and there to rest all of the bodies and i've done my body and my mind
15:55they sink into the smoke oh it'd be awesome if it goes down is that a bad thing to say in the song
16:02then it rises did you know and totally right then it all rises at the same fucking time and it's
16:10awesome and everyone sees it good okay let's run one more time and now that i've had this chat with
16:16taylor then i can fix all we have all the elements i just now need to rework them okay good job guys
16:21great job a lot of the time when you are casting for a tour um you know choreographers will sometimes
16:30have it in their head that uh they want a specific body type they want a specific look they want only
16:37women they want only men it's it they people can get very opinionated about um things looking very
16:44uniform that's not what i wanted to do with the errors tour i feel like when you look up on stage as a
16:49fan if you see people that represent you your friends the people you see in the world that's
16:56i think much more emotional and more connective and powerful i really wanted everyone to look up on
17:02that stage and think i see myself in that person
17:08spaces like the space that taylor is curating on a day on a night-to-night basis i wish we had more of
17:16that right even outside of entertaining it's so important to be seen to be heard to be understood
17:29my background as a dancer i had a lot of teachers and professors who were not so kind mostly around
17:37my size and and if i wanted to be a professional dancer i would need to lose weight i remember doing
17:43an audition and the director of the company said to me okay so what are we going to do about your body
17:49in life some people are going to try to tear you down they want you to do something else other than
17:55the thing that you are in love with and then there are kind people who ground you and in my experience
18:03that's my mom and my brother it's important to know i came from a family with an excess of love
18:11right my mother sacrificed a lot for my brother and i to just have experiences
18:20and so my brother he fell in love with sports i fell in love with dance and we were sort of
18:25navigating our training at the same time middle school high school college and it has been
18:33the joy of my life to watch him thrive in something that he loves so so much
18:42now he plays in the nfl and i watched my brother go to the super bowl three times
18:48i graduated college and thought i was going to be teaching
18:51dance for the rest of my life and i remember getting a email that said there's a closed audition
18:58we cannot disclose who the artist is but it's being choreographed by mandy moore
19:02i didn't have like a dollar to my name at the time and i called my brother i was like listen
19:10i don't know what this is but something is telling me that i have to be in this room
19:20he was like okay we will make it happen and he bought me a flight
19:31when he came into the audition i was just like he's magnetic i mean he's a great dancer his smile
19:37is like the thousand watt smile you know he's really well trained he just embodies what i felt
19:44was like the spirit of what these people need to be cam is someone who absolutely lights up not
19:50only the stage but just our entire vibe as a tour he's just so himself i don't want dancers that blend
19:59in i don't care about them pulling focus i want them to pull focus i want you to feel like you saw
20:05an entire crew of individual stars on the stage now knowing that spaces like this do exist for me
20:18that allow me to be the fullest version of me with with all i have to offer in this body as it exists
20:26right now this feels like my super bowl
20:39didn't leave my hotel room yeah i woke up with a cat on my head
20:44i don't want to get back we'll get your temporary ones okay yeah morning hi
21:00bonus day is so important because setting a precedent with the heiress tour is really important to me
21:06because people who work on the road if the tour grosses more they get more of a bonus and these people
21:12just work so hard and they are the best at what they do so every single person on the crew i've
21:19handwritten them a note it took me a couple weeks but it's fun to write the notes it's like fun to
21:26to think about everybody's lives that they're going to go back to and the time off they're going to have
21:30and the you know the kids they haven't seen because they've been away from months and it just making
21:35that worthwhile for them is like really it just it feels like christmas morning when you finally get to
21:41say thank you bonus day okay so each so each one is in its own baggie and i was thinking we can lay
21:51them out oh let me see the wax seal you wax sealed every one of these things yeah and i got it and the
22:01fire department almost had to come i want to show you this taylor six of the audio guys got this tattoo
22:08it says cruel summer 152 shows oh my god and then i don't know crazy i don't know if you remember but
22:16on reputation why is it a grim reaper i have no idea they have to keep it like scary they can't like have
22:23like a tattoo of like a butterfly and a kitty cat i think what that means is 152 dates almost killed them
22:30but they made it oh my god that is exactly what it is that's what it means that's the reality of it
22:35jesus yeah i'll go behind you guys get rid of the bags
22:42everybody has the same message on their card so i was hoping you could open it but before you look
23:01at yours i just wanted to say guys this this leg of this tour has been harder than anything i've ever
23:08done in a live setting and you guys have taken this on with such excitement and such curiosity and
23:14such the endurance you've shown um but the spirit you've shown how much you've given to these crowds
23:20that gives to me every single night the tour has done really well thanks to all of our hard work
23:26so if you will kindly read this message taylor swift okay oh
23:38dearest cam we've traveled the world like we set out to do we've dazzled the crowds but we've missed
23:44family too my full gratitude doesn't come from a thing but here's
23:49the father was the one that presented the checks to our drivers
24:15and he presented handwritten letters from taylor it's incredible i know tour truck drivers
24:21and i've asked do artists usually give out these big bonuses unheard of
24:29what's wrong max he's emotional oh my god do you need a hug are you okay i'm gonna pass out
24:45the first walks uh you know it felt nice if you were gonna slow first and then you round the corner
25:04everybody's got their things they're good at uh it's taken me a really long time to be even
25:10fine at choreography mandy knows how to approach teaching me choreography from a lyrical perspective
25:19what were you doing this these little steps yeah they're just steps um yeah so just starting with
25:23your uh did you think oh yeah almost really oh good town you'll get arrested i don't do eight counts i
25:32learn based on what syllable of the lyric i'm attaching a movement to and i can't really learn
25:38any other way i've tried texas florida should be yeah i didn't know if it should be like
25:43yeah sing it then throw to them or sing florida there you go that's what i thought yeah yeah oh
25:50sorry to get out there and learn the choreography in 30 minutes and remember to hit this spot hit
25:57this mark this dancer's gonna come over and stand next to me for this moment front of 90 000 people
26:03like my brain would explode it's an absolute challenge not to mention the whole time she's
26:13doing this she's singing and doing all these things at the same time so it's a lot like juggling for
26:19three and a half hours learning the choreography it's not just doing a step for the sake of doing
26:25a step it's all very visual and it makes sense to me narratively it also is interesting to be in a
26:33position where like you know this is a team of experts and there's something about that that keeps
26:39me on my game and focused and locked in it's one of the elements of like where that kind of pressure
26:45is a privilege because they're not messing up so it better not be me
26:51um okay so uh i feel good okay is it okay if i yeah because we're gonna put parents in tomorrow
26:58so we'll have you with her okay perfect perfect we're happy if you i love it i love it i love it
27:03i think it's gonna be so special beautiful job guys beautiful job thanks for the song
27:10it's my only job
27:16i'm excited about seeing the show again yeah the driver asked me
27:20oh is this your first time to the show i was like uh no no yeah i don't you know my knee is doing
27:28better and i don't really want to be in the wheelchair i need it a little bit but to get you
27:34there yeah but i want to dance tell them i'm gonna tell them because i feel like a hypocrite if i'm
27:39sitting in the wheelchair section and i start popping off you know i think they'll come and take the
27:44we're gonna start what popping off and is that the move something like that you know sometimes it's
27:51a shimmy uh-huh sometimes it's a roll and when does that when do it is i have so many and a lot of
27:57times it's you guys it's choreography too like it's this way it's like that that i do that for
28:05shake it off yeah shake it off shake it uh-huh i do that move too oh are you ready for it
28:12doom doom doom doom that that's my song i love that one this experience has been really amazing for me
28:26that's okay
28:26i've watched you make so many sacrifices
28:43it's okay
28:46so many for us to be able to do what we're doing
28:50mm-hmm and to um follow those dreams with every part of us and
29:03i am grateful that you're here to see it
29:07yeah because colin and i being able to do what we love to do in such grand spaces
29:15mm-hmm um it's product of how you love us
29:21and do so i'm i'm i'm grateful that you're able to um see pro the the
29:32fruits of your labor in this way and i will never not have you in these spaces with me and
29:40in celebrating with me because just as hard as i've worked i'm very clear and very conscious of how
29:51hard you've worked for us to be able to do so which is why i try my hardest to take so much care
29:57after you i know i know i know i love you i love you
30:04this will be a good show i know you're gonna enjoy it i'm gonna dance i know
30:12oh yay
30:13yay you're here you made it
30:22i'm mandy oh my gosh what an honor hi hi i saw the show the other night and it was so amazing
30:33this is gonna be amazing
30:36this is so big no it is it is and it's also it's like a lot of ground to cover here so we're gonna
30:42show you and then like the choreography is like we do something and they and it affects them like
30:47well we're just like florida but and they're like i have performed on big stages but this is not
30:53like i thought i just show up and i run around like because that's what i do at my own shows i just
30:59show up and i run like i just run around you're gonna come up on that back lift but you'll see it
31:04and i have never done a lift you haven't oh they're so fun you're gonna have so much fun
31:10and we'll when i got there and i was like okay now this is your choreo i was like oh no no wait
31:14wait you want me confused i don't do this i'm gonna this up
31:18it's good oh my girls got their laces and their crimes i'm watching my husband fist
31:44No one asks any questions, and so I did my best.
31:50So now, this is Karen, and Nat, and Tamia's behind you,
31:54and Raph here.
31:55So you guys are nice and safe.
31:56This is going to start rising up on So I Did My Best, OK?
31:59Oh, great.
32:00And she's going to lay down, or she's
32:01going to kind of come in, too, if you're OK with this.
32:03Yeah.
32:04And she's just going to lay her head here.
32:06And it'd be great if you wanted to connect to her head.
32:08On, like, I did my best to lay to rest all of the bodies
32:11that I've ever been on my body.
32:12So it kind of makes sense.
32:13I did my best to lay to rest all of the bodies
32:17that have ever been on my body and in my mind.
32:20They sink into the swamp.
32:22Raise your arm up.
32:23Beautiful.
32:24No, sorry.
32:25On a Is That a Bad Thing to Say in a Song.
32:27Sorry about that, yeah.
32:28So sink into the swamp.
32:29You're still down.
32:30Yes.
32:30Yes.
32:33Sink into the swamp.
32:35Song up.
32:37I've got it.
32:38Good.
32:38Now, good.
32:39So you pack your life away.
32:41Now you're going to initiate this.
32:43Now you're going to initiate this.
32:44Florida.
32:45Boom.
32:46Beautiful.
32:47One hell of a draw.
32:49Back center.
32:50Do it again.
32:51Florida.
32:52Woo-hoo-hoo-hoo-hoo.
32:53Then I use you.
32:54What a treat.
32:55Ah.
32:56We're similar in that the persona is huge, but the person is soft.
33:01And so I think that's why we get along.
33:03Externally, the thing is really big, but when we're together, we're just silly and goofy.
33:10Seeing the show, the most beautiful thing was the crowd.
33:17It was just the love and the vibe.
33:20Like, I could, I was just like, this, all the pockets of, like, girls in their dresses,
33:25like, dancing.
33:26I was like, this is so amazing.
33:26There's so much joy and, like, and, like, femininity that's not, there's no shame around
33:33it.
33:34No.
33:35It was so beautiful.
33:36Natalie and Odie are standing right here.
33:37So you just head to the back, two girls.
33:40And then you're going to have your footprints right there, and you just got to go in the
33:43middle.
33:44And I think turn back front.
33:45Yeah.
33:46Yeah, and then we'll take you down.
33:47And then Dewey will be there to get you at the end, okay?
33:50Yeah.
33:51Oh, God, this is going to be so fun.
33:54Can we?
33:55Yes, I would love.
33:56Taylor, are you good to run this, too, from the top with the lifts and everything?
33:58No, that was all we got.
33:59Can you imagine?
34:00You're like, Florence, good luck.
34:01It's going to be great.
34:02I'm sure you'll be fine.
34:04Good.
34:05You want to try one?
34:06All right.
34:07Yes, Florence!
34:08Ready?
34:09Ready to go down?
34:10Let's go in my first lift.
34:13Let's go down on the beat.
34:14And are you okay if I kind of talk you through and I say go right?
34:16Yes, please.
34:17Yes, please.
34:18Perfect.
34:19What?
34:20Whoo!
34:21Woo!
34:22Woo!
34:23Woo!
34:24Woo!
34:25Woo!
34:26Woo!
34:27Woo!
34:29Woo!
34:30Woo!
34:33Ooh!
34:34Woo!
34:35Woo!
34:36Woo.
34:37Woo!
34:38Mommy, you're saving me.
34:40I've been feeling so alone.
34:42I keep waiting for you.
34:44But you never come as this in my head.
34:47In my head, I don't know what you think
34:50He yelled to the prom and pulled out away and said
34:55Marry me, Juliet, you never have to be alone
34:59I love you and that's all I really know
35:03I talked to your dad, you're okay
35:05Out of white dress, it's a love story
35:09Baby, just said
35:11We never, ever, ever, ever
35:15Getting back together
35:17Yeah
35:20Yeah
35:22Oh
35:26I used to think
35:30That we were forever, ever
35:33And I used to say
35:36Never sing, never
35:38He calls me up and he's like
35:41I still love you and I'm like
35:43I'm just, I mean this is exhausting
35:45You know, like we are never getting back together
35:47Nah, bruv
35:49Getting back together
35:56We can be through you
36:04If you break the charges too
36:07They said I was a chick
36:11I guess it must be true
36:13I guess it must be true
36:14And my friends all smell like weed or little babies
36:20And the city weeps
36:23And the city weeps of driving by succinct
36:27Little did you know your home's really only a town you're just a guest in
36:35So you broke your back away just a thing
36:38For a time to show you're down in Destin
36:41Florida
36:42Florida
36:43It's one hell of a picture of
36:46Florida
36:48Florida
36:50Where do you see
36:52Oh
36:53London
36:56Wembley Stadium
36:57My friend Florence showed up to surprise you
37:01How does that make you feel?
37:07Working with my name when it came
37:10I got drunk and I gave it to wash me away
37:13Barricade in the bathroom with a bottle of water
37:16Well, me and my ghosts
37:18We had a hell of a time
37:20Yes, I'm haunted but I'm feeling just fine
37:23All my girls got that lace in their cries
37:26They're cheating in the holes, they've been disappeared
37:29Well, no one asks any questions here
37:33So I did my best, too late to rest
37:36All of the bodies that have ever been on my body
37:39And in my mind, they sink into the storm
37:43Is that a bad thing to say in a song?
37:49Little did you know your home's really old
37:52In a town you'll get a rest in
37:55So you'll pack your life away
37:57Just to wait out the shitstorm back in Texas
38:01Florida
38:02It's one hell of a guitar
38:05Florida
38:08Can't use you
38:12The feeling of coming up for the first time in that lift
38:18It was kind of landing on Mars
38:19Because I'd never seen the stage lit up before
38:21The sound of the crowd
38:22That was really extraordinary
38:25You know, it's like
38:27You see this cultural moment from the outside
38:29And I suddenly was inside of it
38:31It was wild
38:32But it was really fun
38:34And completely terrifying
38:36Also, Taylor's my friend
38:39And I know her as this very cozy person
38:41And I came out of that lift
38:43I was like, oh my god
38:44It's fucking Taylor Swift
38:46Don't let me
38:48Oh
38:49Oh
38:54I love you
38:56And I came out of it
38:58And I thank you
38:58And I, I would say
38:58And I would say
39:00From the outside
39:01We're là
39:02Oh
39:03as possible for national treasure, the extraordinary Flores in the Machine.
39:34You know, I used to kind of be leaving the shows and seeing people walk home and think,
39:39I really hope they got what they've been waiting for.
39:44I hope they got what they've been saving up their money for.
39:52There's a feeling I have of such pride and satisfaction,
39:57because when I leave the Eros tour, I never wonder that.
40:03There's just like this magic in the air.
40:08All these particles of shimmer and glitter and confetti and girlhood
40:14and friendship bracelet beads and, you know, magic in the Eros.
40:33So, I'll use a patch and see if something is coming up and says,
40:37well, I wouldn't have to do it.
40:38I'm doing a patch in the and the air.
40:40So, that's it?
40:42There's just like this thing.
40:43A lot of people have a magic piece,
40:44which is really all that's going to be a good idea.
40:47So, that's it?
40:48I love, I love, I love, I love, I love, I love!
40:51But I love this too!
40:53I love you.
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