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00:00This video is brought to you by R.I.P.
00:30Sper, um, drop out.
00:34There's nothing to do about.
00:37There's nothing to do, there's nothing to do.
00:38You know, I don't care.
00:40Where's that?
00:41And?
00:42I don't care.
00:43I'm going to do it all.
00:44I don't care?
00:45I don't care, don't care, and I don't care.
00:47I can't care, but we're not going to hang out.
00:50I think I'm going to hang out and work.
00:52There's nothing to do, I don't care.
00:54I don't care.
00:56Listen, listen.
00:58I want to get rid of the river and the forest.
01:00We have to go to the colleague Lanković.
01:02He will see it before.
01:03The boss is now.
01:04Who knows the doctor, he can get tired of his body.
01:05I understand.
01:06But we have to wait for him.
01:08We have to wait for him.
01:10What if I'm going to get rid of my colleague?
01:12I'm alive.
01:13Every minute.
01:15The boss is working.
01:17You go with the dogs on both sides.
01:20Maybe the river is out of his body?
01:21Okay, go.
01:22Listen, I want to take pictures from all cameras.
01:25I understand.
01:26I will follow all the information that comes to the house.
01:28Do we take care of him?
01:29No, don't let him take care of him.
01:31Just take care of him.
01:32We don't have anything to take care of him without evidence.
01:34He usually goes out of the door and doesn't get rid of him.
01:37He will not be able to get rid of him.
01:38I understand.
01:55He will not be able to get rid of him.
01:57I will not be able to get rid of him.
01:58I will not be able to get rid of him.
02:00I will not be able to get rid of him.
02:02Do you think we can make some of this event?
02:02Of course.
02:03Sorry.
02:05Come on up to you.
02:07Once again, we can make a good connect with the members,
02:29I think that the action had an idea in the public.
02:32All of us are ready for half a hour.
02:34Not even a half hour.
02:36I'm not sure that this year won't be a race.
02:39I'm like…
02:40Mrs. Šef, I know that the military will not be able to leave the room.
02:44We are walking right now.
02:55Hi, Vera.
02:57Let's go to the groundwork.
02:59Well, my former Tanjar,
03:02I said he'd go to the groundwork
03:04because of some project, I don't know.
03:06And now I'm not sure about it today.
03:08What?
03:10He's not normal.
03:14I don't want to go inside.
03:19I'll let you go, I don't care.
03:37Again you?
03:38Again.
03:39What's good?
03:40No good, I don't need to go outside.
03:42There's no chance.
03:43There's no chance.
03:44There's no chance.
03:45I have something important to tell you.
03:47He won't want it.
03:48He'll want it.
03:49Let's say the strike is close to the end.
03:54Go to the gate.
04:05The fire department has a little bit.
04:08Nothing. There's no trace.
04:10Okay, continue.
04:14The fire department has a little bit.
04:16What are you doing?
04:17What are you doing?
04:18We have to do a pause.
04:20How much water is there until the gate is removed?
04:22We can't do it anymore.
04:24We can't do it anymore.
04:25We can't do it anymore.
04:26I don't know, I'm going to be a civil service.
04:28We'll be able to find out if we don't find anything else.
04:31We can only find out the best way of being dead.
04:35What are you talking about?
04:36He's our colleague there.
04:37I'm going to forget something else.
04:40Let's go.
04:40Now he's going to take care of him, and he's going to take care of himself.
04:42I'm going to take care of him.
04:53Listen.
04:54Look, look, you're standing with us.
04:56Dear, I told you that Zlatan has some important information.
04:59Yes.
05:01Specialists go.
05:03Again?
05:05Open the room.
05:06Stop the strike.
05:08You don't have two options.
05:09Ready?
05:10Ready.
05:12Be clear.
05:14The team is special.
05:15There are no groups.
05:17I trust you.
05:18I'm talking about the person who is standing.
05:20Zlatan is the plan B.
05:22What are you doing?
05:23We have a third option.
05:25Maybe everything is gone.
05:27What is the plan B?
05:29What is the plan B?
05:31Let me go.
05:33Let me go.
05:35I don't want to go.
05:46What is this?
05:47Borić, Nitro,
05:49Vitezi 100, Vitezi 17.
05:52Vitezi 120,
05:53Plastični tzv.
05:54Khašasti
05:55Dodatkom ulja i vode.
05:56Nitrol
05:57Je praškasti,
05:58ali ide dogranulcana
05:59Dodatkom gorivog ulja.
06:00Vitezi 100
06:01Je plastični nitroglicerinski
06:03Svjede meseca
06:04je poluplastični
06:05Dodatkom
06:06Želiranog nitroglicerina.
06:07I don't think so.
06:08I think so.
06:09I think so.
06:1024 hours
06:11there's a conversation about our demands.
06:13Who looks red, does what he says,
06:15he says, he says, he says,
06:17he says, all three of them,
06:19and we, and they, and Rudnick, and Pozenc.
06:21Everything is on one spot, so let's see.
06:23Is it normal?
06:25No, I'll tell you what to do.
06:27I'll see one, one uniform,
06:29and Rudnick,
06:31and all of them.
06:43Hey Vera,
06:47we have a problem.
06:51Šepe,
06:53kolega,
06:54I'll see where I found him.
06:55Who is your colleague?
06:56What's that?
06:57Laković, I'll see him now to Sarajevo.
06:58Someone who has sent him an ambulance.
07:00Is it sure?
07:01Yes, he checked the local patrolman.
07:02Senči?
07:03No, there's nothing.
07:04Okay, let's go.
07:06Kolega Laković is alive,
07:07but we're still trying to find Senča
07:08to not find him alive or alive.
07:10Let's go.
07:23Tell me.
07:24You've been here for the night.
07:26When did you?
07:27I don't know.
07:28Nobody knows anything.
07:30Everyone is in trouble.
07:31Did you find him?
07:32No.
07:33Let's try to get a new car.
07:36Let's go.
07:37Let's go.
07:38Let's go.
07:39You're right.
07:40Let's go.
07:41No.
07:42You're right.
07:43Let's go.
07:44Let's go.
07:45You can't wait for me.
07:46You're right.
07:47You're right.
07:48I'm sorry.
07:49You're right.
07:50You're right.
07:51I'm sorry.
07:52You're right.
07:53Hi!
08:03Good, I'm good.
08:06When did he say something to him?
08:08He's a man who is a woman who is a man.
08:10I'm sorry.
08:11I'm fine.
08:13I'm not sure.
08:14Why not make you sound like this?
08:15I'm a man.
08:16He's a man.
08:17He's a man.
08:18You might have talked about this in this stage.
08:23Here, please.
08:31What is this?
08:32His things.
08:33He needs to bring something clean when he comes out.
08:36Where did he have his uniform?
08:37He didn't have his uniform.
08:39What did he do?
08:40What did he do?
08:41This one.
08:42How did he know he was a policeman?
08:46He was a colleague.
08:48What was he?
08:49He was a policeman.
08:50He said that he had experienced an accident and that he was his colleague, Sarajevo.
08:55We'll talk to them here and they'll know.
08:57Who did he have the policeman?
08:59Just a second.
09:07Here he is, Edib Pašić.
09:11Senči.
09:13Come on.
09:20You're a fucking mother.
09:25I'm coming to get him to the light of the sky.
09:27There's a woman's papers.
09:29I'm really interested in where.
09:32Is Senči's a paper?
09:35It's complicated.
09:37It's very simple.
09:38Either you have or you don't have.
09:40You don't have to do it.
09:41You can't do it.
09:42No.
09:43You want to sleep right now on the front wave?
09:48I'm not going to die.
09:49No.
09:50Your girl is not going to be seen.
09:51You don't have to do it before.
09:52You're never going to die like this shit.
09:58Oh.
09:59I don't believe that we're crazy.
10:02What did you hear?
10:03Yo, what is it?
10:04I have to ask everything.
10:05From the girl, she works on her.
10:09I don't know how, but they knew that Senchi doesn't have this paper.
10:13They took the paper and killed him, and sent the bomb to bring Senchi's contage.
10:19Zevodnik neriz na kako treba da se radi, i on key!
10:23Najpovretniji, najodgovorniji, najpovretniji, samo tebe!
10:26Ebz!
10:27Zdano u dani! Zdano u dani zdano u dani!
10:35Svi smo objesli, u dva dana smo izgubili dvojicu kolega.
10:39Treba to sve pohapsiti, poslati joj tri pičke materneš.
10:42Kako pohapsiti? Metak u glavu i završiti s golom Suzman.
10:46Let's go.
10:47I'm going to finish the course.
10:49Do you want to go to the new one?
10:50Okay.
10:51We're all at the room.
10:52I understand that.
10:53But don't tell me nonsense.
10:55I was looking for a bill for all of the objects
10:58that we know about Senčejev members.
11:00I won't.
11:01I won't.
11:02I won't.
11:03We're all on the rules.
11:05When we get the bill,
11:06we're going to the group.
11:07Is that right?
11:08Yes.
11:09Let's go.
11:16That's me.
11:21I'm sorry.
11:23I don't know.
11:24I don't know.
11:25I don't know.
11:26I don't know.
11:27I'm sorry.
11:29I'm sorry.
11:34Mister is not your fault.
11:37Schuy becomes the best.
11:40Woman rings seriously ...
11:43Jonathan Taponte'
11:44What do you need? This guy doesn't come here.
11:49I'm the professor.
11:54Senji, why are you?
11:57What have you changed?
11:59Let's go, let's go!
12:01It's cold, it's cold.
12:03Even if there's nothing else, it's not hot.
12:14Let's go.
12:16Let's go.
12:18Let's go.
12:20Let's go.
12:22Let's go.
12:24Let's go.
12:26Let's go.
12:28Let's go.
12:30Let's go.
12:32I know how to do it.
12:34I was a real hit.
12:36What did they do?
12:38Did they do it?
12:40Oh my God.
12:42I'm calling him.
12:44I'm calling him.
12:46I'm calling him.
12:48I'm calling him.
12:50I'm calling him.
12:52I'm listening.
12:54If something happens to my cars in the car,
13:00I'll wait to pay me.
13:02I'll pay for it.
13:04I'm all the cash.
13:06I'm all the cash.
13:08I know you, he's getting to the car.
13:10I'm calling him.
13:12I'm calling him.
13:14I've been calling him.
13:16I'm calling him the car.
13:18And we're still calling him.
13:19I'm calling him the car.
13:20I'm calling him the car.
13:22That is a very funny thing.
13:23I can't wait to see.
13:25I'm calling him.
13:26I'm calling him the car.
13:27Where are we for?
13:28You're calling him.
13:29I know him.
13:30We're calling him the car.
13:31I'm a man.
13:43Where is Sancho?
13:44It's not with you.
13:46Where did you stay, son?
13:48He was with me, son.
13:51Are you on the new one?
13:52Yes.
13:53What are you asking about Sancho?
13:55No.
13:56He fell into the jail because he killed him or was free.
14:01What happened to you?
14:02It's going to be the media.
14:04We can't call you out for identification.
14:11What happened to you?
14:13It's a man.
14:14It's a man.
14:15It's a man.
14:16It's a man.
14:17It's a man.
14:18It's a man without me.
14:20It's a man.
14:21It's a man.
14:22It's a man.
14:23It's a man.
14:24It's a man.
14:25It's a man.
14:26Where are we now?
14:27I'm waiting for Sancho to be here.
14:30If he survived.
14:31I don't know that he was survived.
14:33I don't think he was going to be a man.
14:35What will he do now?
14:36He will now take the car out of us.
14:39Don't look at him.
14:40He's a son of the police.
14:41He's a man.
14:42He's a man.
14:43He's a man.
14:44He's a man.
14:45He's a man.
14:46He's a man.
14:47He's a man.
14:48He's a man.
14:49He's a man.
14:50I can't.
14:51He's a man.
14:52I can't wait to leave the of them, köns with a gun.
14:57What can I take again?
14:58I lose weight.
15:01This stuffifier is
15:13a bonus.
15:14I'll remember not yet.
15:16What do you think?
15:18I don't know.
15:20Do you think people love you?
15:22I don't look like a candle.
15:24I don't think so.
15:26I didn't say that I killed myself.
15:28I don't think so.
15:32You really think that I'll do it until the end.
15:34Until the end.
15:36Until we don't return everything that is ours.
15:38The whole country is all.
15:40We don't give them this.
15:42What if I don't stop?
15:44How are you?
15:46He came from the ministry.
15:48He took her a little bit to the courier.
15:50I told you that there is no money.
15:52It has to be related to the Strankin.
15:54What kind of Strankin?
15:56She has found her. She lives in Norway.
15:58She's here with the idea where we're going.
16:00What a hell of a bitch.
16:02What about her?
16:04She was sent to her.
16:06She was sent to her home.
16:08She was sent to her home.
16:10She was sent to her home.
16:12She was sent to her home.
16:14Why can't it happen if the Strankin can happen?
16:16If the Strankin can happen to the Strankin.
16:18What happened to us?
16:20The Strankin are important.
16:24What happened?
16:26They call us the instructions.
16:28Maybe we should go to the Strankin.
16:30The only solution is to accept what we need.
16:32There is no solution.
16:34This is the opportunity.
16:36The opportunity?
16:38No, no one will be!
16:40Isn't it?
16:41It doesn't have to be able to shoot them.
16:43That's it.
16:44You should have to find it.
16:46Look what they do.
16:47You don't do it.
16:48Okay.
16:49Don't do it.
16:51You call us.
16:52Stay with us.
16:53If you want you don't do it.
16:54Yes?
16:55So, let's go.
17:25I, of course, have to check everything first, but this sounds like a good point.
17:34Is it?
17:35Of course, yes, yes.
17:37Good solution, especially for us.
17:40It's only one thing that's not true.
17:43Why do I do it?
17:45Yes.
17:46Why not?
17:47This is, I don't know who the strike is.
17:51People kill themselves, shit, no quality.
17:55And you don't have a memory of a ship from London.
17:57You're right in the river to buy the river.
18:00Maybe even that's why.
18:02I'm in London.
18:03I want a river.
18:06I'm not sure.
18:08Honestly, no.
18:10Is this a problem?
18:12I don't know.
18:14What are you planning?
18:16Do you want to decide a dangerous attack?
18:19You want to decide a drug?
18:21I don't know.
18:22But I've never had to see what it is for you.
18:25You really want to stay in the production?
18:28Yes, they want to be in the production.
18:31You have to make sure that you will not only take your car and your car...
18:35...but only take care of the truck, the truck.
18:37You will only come to know how you ride.
18:39I would not take your car and I would pay $20 million.
18:43When I contacted you for the first time, you were so skeptical.
18:50You asked me why would you be a bad logist?
18:5410 years later, I worked well, and it wasn't bad for you.
19:00You can see things from another perspective.
19:06It's important that the process will be established in the last year.
19:10Why are you so upset?
19:12This is a little secret for you.
19:16I will use this war and inflation on the energy market.
19:20Until it lasts.
19:24And then?
19:28I will do everything in my mind.
19:31In a serious manner.
19:33The price.
19:38I'm sorry when we talk about money.
19:42Okay.
19:44I recommend a couple of results from the past.
19:47Plus 10% of the results every year until the process lasts.
19:52And then?
19:53I have to take it.
19:54I have to take it.
19:55I have to take it.
19:56I have to take it.
19:58Let's see.
20:00I gave my hand.
20:18I don't have much time, come on.
20:24Hand!
20:26What are you doing? Are you still sleeping?
20:30What are you doing?
20:32What are you doing?
20:35What are you doing?
20:37What are you doing?
20:39This is a big one.
20:41Like me.
20:42I don't know.
20:44I'm looking for him and I'm looking for him.
20:51Thank you for you risk me.
20:53You don't have anything to thank me.
20:55You're not going to risk me.
20:57You're not going to risk me.
20:58What are you doing?
20:59You said you didn't risk me.
21:01I believe in your words.
21:10How are you?
21:11We haven't seen a long time.
21:12The same.
21:13I'm sitting there.
21:15I'm going home.
21:16I'm going home.
21:17I'm waiting.
21:18I'm coming from the museum.
21:19I'm watching the television.
21:20Go.
21:21I'm going home.
21:46Hello?
21:48You're alive.
21:50Where are you?
21:52I don't want to talk about it.
21:54I don't want to know.
21:56Listen.
21:58I got a little paper on these days.
22:00The land where Fukje made a cartoon.
22:02You know.
22:04That's all on the page.
22:06And the company,
22:08that's not to be afraid,
22:10before five days,
22:11went back to Fukje.
22:12You know.
22:14You know.
22:18Here's the police.
22:19I'm going to look for them.
22:21Let's go.
22:22Let's go.
22:23Let's hear it.
22:31Good, Esper.
22:33Did you catch him?
22:37Here.
22:38Put it there.
22:40And take care of yourself.
22:44I just got a call for the elections.
22:48But it's been shown that there's no elections.
22:51I know that they're going to sell the elections.
22:53I really knew that they're going to sell the runges.
22:57They're going to sell the runges.
22:58Let's go.
22:59Let's go.
23:00Let's go.
23:01Let's go.
23:02Let's go.
23:03Let's go.
23:04Let's go.
23:05Let's go.
23:06Let's go.
23:07Let's go.
23:08Let's go.
23:09Let's go.
23:10Let's go.
23:11Let's go.
23:12Let's go.
23:13Let's go.
23:14Let's go.
23:15Let's go.
23:16Let's go.
23:17Let's go.
23:18Let's go.
23:19Let's go.
23:20Let's go.
23:21Let's go.
23:22Let's go.
23:23Let's go.
23:24Let's go.
23:25Let's go.
23:26Let's go.
23:27Let's go.
23:28Let's go.
23:29Let's go.
23:30Let's go.
23:31Let's go.
23:32Let's go.
23:33Let's go.
23:34Let's go.
23:35Let's go.
23:36Let's go.
23:37Let's go.
23:38Let's go.
23:39This is not a story, this is what came to me, no?
23:42I don't know, I think it's something else.
23:44What was that? How was it?
23:46Super, a woman.
23:48That proposal would be a secret.
23:50There would be a job for all of us.
23:51What did you say?
23:53No, Kasim Rudnik.
23:55What do you ask?
23:57What did you ask?
23:58What did you say?
24:00We didn't get it.
24:01We went to a story with him, Kasim came and everything was done.
24:04What did you say, Kasim?
24:06No, I don't know.
24:08She came back to me and told me that she came back to me.
24:12God asked me what she said and how she came back to me.
24:16Is there someone who saw where she came back?
24:18I don't know, I don't know.
24:20Why did you ask me back to me?
24:22I tried to understand what happened here.
24:25Why are you here with us?
24:27No, I don't know.
24:28It's better to have someone who's neutral because of the agreement.
24:31I don't know if it's not that very raw.
24:33I don't mind that they are in my gut.
24:35Well, I think it's not a lot.
24:37Well then, I don't mind.
24:39I don't mind your mind.
24:41Don't mind your mind.
24:43You should be here than in the lake.
24:45Will it be worse at the lake?
24:47I don't know.
24:49It's good for nothing.
24:51Why the quiet, lost my mind?
24:53Why is it tough as a queer vessel?
24:55Why is it tough and very fragile?
24:58How is it tough?
25:00Clare, I'm just trying to get out of here.
25:02Amare, I told you that it's your blue machine.
25:05You didn't use my fingers?
25:08No, it's not.
25:09It's fine.
25:10In the evening, I'm sleeping, and in the morning, it's fire.
25:12Did you hear it?
25:13Yes, I am.
25:14I'm not sure.
25:16Okay, what are you doing?
25:18What?
25:28You're working. I knew you were alive.
25:33Listen.
25:34They took me off from where they were.
25:37That's the Mirza.
25:40But they were from the Crnogors, I believe it wasn't the only job.
25:45With Ajle, novinars.
25:49Okay, I want to go.
25:53Let's go.
26:05What?
26:06You need to go. Here he is in Sarajevo.
26:08For me?
26:09Just for you.
26:11I don't know.
26:13Do you think you're a member or not?
26:24I'm sure.
26:29Samila?
26:38Hello?
26:43I'm gonna go.
26:44I'm going to go.
26:45I'm going to go.
26:46We already drank coffee.
26:47What is she doing?
26:48She's a family home.
26:51We're going to go to the house.
26:52We're going to go to the house.
26:54And then, if we have our home food,
26:58you're not going to go to the minjona
26:59and the stroganova,
27:00go to the bathroom.
27:02Come on.
27:03Wait.
27:04Wait.
27:05Wait.
27:06I told you, I'm going to go.
27:07I'm going to go.
27:08Come on.
27:13Mama.
27:16You're going to go to the house
27:17when I ask you something.
27:18Is it right?
27:19Is it right?
27:20Is it right?
27:21Yes.
27:22If you're going to go to the criminal,
27:23then you'll get the red man for the criminal.
27:25You're going to go to the car.
27:44What is your mother?
27:45Which way are you?
27:46Make sure!
27:47Where are you?
27:53What? What do you want?
27:55I have to go back to the hospital.
27:57Let's go to the hospital.
27:59I don't know where I was and where I came from.
28:01I don't know why.
28:03And?
28:05It doesn't matter, trust me.
28:07What happened to you, Tonko?
28:09What happened to you?
28:11You don't have any connection with you.
28:13I'm sorry.
28:15I'm sorry.
28:17I'm sorry.
28:19Mom, listen to me.
28:21Listen to me, listen to me.
28:25I've already told you that the hospital is unrighteous,
28:27but it's something that we can all do.
28:29I don't care.
28:31The hospital has changed me.
28:33I don't care.
28:35Nothing you have to say.
28:37Be happy that Sergei didn't come to you,
28:39I'd have to take you from the hospital.
28:41Mom, let's go home.
28:43Mom!
28:45I can hear you.
28:47Mom!
28:49Mom!
28:53Yeah, please a song is the best.
28:55Mom!
28:57Mom!
28:59Mom!
29:01Mom!
29:03Mom!
29:06Mom!
29:11Mom!
29:12Mom!
29:14Mom!
29:16Mom!
29:17What are you doing here?
29:22No, nothing's wrong.
29:24Mom!
29:47The sound of 음.
29:57Where are you?
30:02Where do you miss yourself?
30:08Let's go.
30:20Alright, where are you?
30:27No, I can't even get him there.
30:29I'll go and get him somewhere else, see him again.
30:33There is no one who is there.
30:35There's no one in the middle of it.
30:37If you heard the strike.
31:05I don't know.
31:35I don't know.
32:05I don't know.
32:06I know you should transport him.
32:07I live.
32:08I live.
32:09I live somewhere in Sarajevo.
32:10It's obvious.
32:11You're here.
32:12You're here.
32:13You're here.
32:14You're here.
32:15You're here.
32:16I don't know.
32:17You're here.
32:18You're here.
32:19You're here.
32:20You're here.
32:21You're here.
32:22You're here.
32:23You're here.
32:24You're here.
32:25You're here.
32:26You're here.
32:27You're here.
32:28You're here.
32:29You're here.
32:30You're here.
32:31You're here.
32:32You're here.
32:33You're here.
32:34You're here.
32:35You're here.
32:36You're here.
32:37You're here.
32:38You're here.
32:39You're here.
32:40You're here.
32:42You're here.
32:57there's nothing to do with it.
32:59I'm not sure why.
33:01I'm not sure why.
33:03But it's not even more.
33:05There's a bar with you.
33:07If you want to go and decide to do it.
33:09Please do it for me.
33:17Come here.
33:27Good morning, professor. I don't know if you remember me.
33:31I know, I know. I'm a novinist.
33:34Yes. How are you?
33:36I'm not interested.
33:38Doško, I'm going to solve my problems.
33:42I'm starting to go ahead and see what I need to do with the job.
33:47I don't know if the professor is alive.
33:57And that's what I'm saying.
34:00Dekadencija of the old Sarajevo.
34:04Thank you for coming.
34:06I don't have such a challenge every day.
34:09Why?
34:11Well, for you.
34:14I don't have such a pain.
34:44Why are you leaving the old Sarajevo?
34:49Why are you leaving the old Sarajevo?
34:53Why did you leave the old Sarajevo?
34:56What do I do with her?
34:58I'm not sure if you're here.
35:00Why do you leave her as I can?
35:03If I leave her, she'll be back in the morning.
35:06Please leave her, she'll walk away.
35:08If you don't want to get out of here.
35:10Yes, yes, yes.
35:12And Gorana would have left the house.
35:16Everyone is coming back to the house.
35:23What's happening here?
35:25What's going on inside?
35:27Did I ask you something?
35:28I don't know.
35:29Don't lie.
35:30I don't know, my mother.
35:31My mother?
35:32I don't know my mother.
35:34Mama, I pray.
35:38I don't know.
35:46Of course.
35:50Two police officers are dead,
35:52and the two are fighting for life.
35:54It's enough to say how the society is doing.
35:56The only thing is related to this crime
35:58is Mr. Rudin Čampare,
36:00called Semčio.
36:01From tomorrow, the police will be unable to get out of here.
36:03The police are unable to get out of here.
36:05It would be great to open the case like a laptop.
36:10I'll catch him with Semčio.
36:13Maybe he calls him to come back.
36:15He doesn't need his help.
36:17Because of his relationship with Semčio,
36:19he could only have problems.
36:20Semčio has some other relationship.
36:22Someone has to go to the road.
36:24Yes, but I can't do this anymore.
36:26One point, I can't even believe that he might do it.
36:27Who is that?
36:28Who is that?
36:29What do you want to do?
36:30Who is that you can do it?
36:31Who wants to do it?
36:32Who wants to get into the training?
36:33Who wants to get out of here?
36:34Who wants to get out of here?
36:35As if no one has any private obligations.
36:37I'm over, Elson.
36:47Flying Challenge. Three, two, one...
36:51...i...
37:07I'm sorry. Good evening. I'm Ayla, nominarka magazine Leader.
37:18I'm working on the success of people from business, fashion, sport and art...
37:23...and I'll do this for the next number.
37:26I know that it's a bit unusual.
37:28Yes, it's unusual.
37:30It's better than Instagram.
37:32Send email.
37:34Zaboga, odpud vam uopšte ideja da me ovako se očekujete iz prospitna centra?
37:39Nemam baš mail, a imam kratak deadline.
37:41Radile bih intervju i fotku za naslovnu stranu.
37:44Pogledajte, ovo nam je bio specijalni broj.
37:48Trebali bi dostra najkasnije da to uradimo.
37:53A zašto je s vama, novinarima, uvijek sva na neku ufrku?
37:56E, možemo početi uvijetru u teretani, sa fotografom, a onda posjetiti par vama važnih mjesta.
38:02Mislim, ako ne želite ureda, samo da znam.
38:12Ok.
38:13Može.
38:14Može.
38:15Super.
38:16Vidimo se onda ujutru.
38:17Vidimo se.
38:18Vidimo se.
38:28Saki me!
38:36Ti ćeš dole harem otvorit vidim ja.
38:38Jel si lazi oko dole?
38:39Pa ko će si lazit kaos mi ako ne mora?
38:41Dobro, ajde, spusti nas dole.
38:43Tudi.
38:44Tako.
38:45Tudi.
38:46Ragazujem.
38:47Tudi.
38:48Pridimo se.
38:50Otvijem.
38:53Tako.
40:25K'o je to?
40:27Ta mandat pravi društvo.
40:30Imate vas, bude, puno toga zajedničkog.
40:32I ona bi svašta nešto sa rudnikom,
40:33ale evo, to njena se malo kosi s tvojim planovima,
40:36pa imat ćete o čemu raspravljati.
40:38A možeš je zatut s tom štangom dok je ovako nesvježdina.
40:41Je tebe stvarno boli kurac za druge, što ljudi umiru za tvoje fiks ideje?
40:47Moje fiks ideje?
40:48Pa vi ćeš pod cijeloj državi će počinjeti pogune.
40:50Narod će konačno počinjeti uzimati što mu pripada.
40:52Nema šanse.
40:54Nema šanse da se izvučeš, ni u Bosni.
40:57Mene policija sigurno traži.
40:58Eto, šteta njihova da ne smiju sići u rudnik.
41:06Imaš tu hrane i vode je za vas dvije, pa rasporedim.
41:09I lož mi sve sebi.
41:10I lož mi sve.
41:40I lož mi sve.
42:10I lož mi sve.
42:12Zastani malo i uši na malo.
42:24Samo smo ih htjeli prepast ništa drugo.
42:27Ali onda ona izvadila piši što jebi ga.
42:29Jebi ga?
42:30Koja si ti, glupač?
42:32Pa!
42:33Pa!
42:34Pa!
42:35Pa!
42:36Pa!
42:37Pa!
42:38Pa!
42:39Pa!
42:40Pa!
42:41Pa!
42:42Pa!
42:43Pa!
42:44Pa!
42:45Pa!
42:46Ureduje, gospodin.
42:47Sve okej.
42:48Sve okej.
42:49Ureduje, direktorica.
42:51Ja sam, ja sam, ja sam.
42:53Polako, polako.
42:54Sve uredu, sve uredu.
42:56Što radiš ti tubo?
42:57Ovdje je zabranjeno svim osim rudarima.
42:59Izgubio sam se, jebi ga.
43:02Hoće to, znaš.
43:04No, a puno priča tako o ljudima koji su četali po rudniku, izgubili se i nikad se nisu vratili.
43:11Jeben je rudnik, jedni me.
43:15No što s nama uštavil bi radije kuće.
43:18Mi siguran je da sam ovde.
43:19Za koga?
43:21Za nas i za specijalica.
43:23Za sve.
43:26A onda nekate, ajmo.
43:35Znaš što, samo jedno ne razumijem. Zašto?
43:37Ne znam, nije mi rekao.
43:38Nije ti rekao.
43:39A što da ti je rekao da skočiš sa zgrade?
43:41Ono je rekao da se ne petlja.
43:42Una.
43:43Izvina.
43:46A to dilanje, je li to njegova ideja?
43:48Nije.
43:49Joke to nije.
43:50Nije, to je sve kao sam organizovao.
43:52Nad gradom mojim nebo gori,
43:56a mi nije zikliže njegov svod
44:00i sve je kao žal.
44:04A za zenicom nebo se pali,
44:09i bezbrojni dimnjaci se dišu,
44:13iz čelika vatre i dima,
44:17za zenica nov život gradi.
44:21O zenici zatroti pjeva,
44:24o zenici plamenom što gori.
44:27Hvala.
44:28Hvala.

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