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tvshownew2025
  • 1 day ago

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😹
Fun
Transcript
00:00Hello, hello, hello, hello.
00:30I've had the wall.
00:34She's got on the floor.
00:37I'm not going to do this.
00:41I'm not going to do this.
00:44I'm not going to do this.
00:46I'm not going to do this.
00:49Let's go.
00:52I'm going to call this.
00:55What happened?
00:57You didn't sleep well.
00:59You didn't make a decision, isn't it?
01:03Why didn't you call me?
01:05I don't know why I'm going to make my account.
01:08I'm going to have to tell you that I'm going to kill you.
01:11What do we have to do with you?
01:13It's the same thing.
01:15We'll just say that.
01:17And you're here because of Remzije Festić, as I know.
01:20It's all connected, Vera.
01:23If you're in Sarajevo, you'll be able to solve a problem.
01:29Okay, what do you know until now?
01:34Dragan Barukčić, 60 years old.
01:36One of the injuries on the slipper.
01:39That's right, you're in Sarajevo.
01:41You can see that he's tied.
01:43As I said, we'll just say it.
01:45Why are you doing this?
01:47Why are you doing this?
01:49I'm gonna die.
01:52Okay, let's go to the police station.
01:54What are we going to do there?
01:55What do you think we're talking about with the lard of the witcher?
01:57How are you calling it?
01:58Why are you calling it?
01:59W-what if you наз this to me?
02:01What you calling it?
02:02Why are you calling it?
02:03Okay, let's go to the police station.
02:04You don't want to go.
02:05You don't want to go.
02:06You can't put the message.
02:07Why are you talking about the police station?
02:08You don't want to go.
02:09What are you doing?
02:10What are you doing?
02:11No, we can't stop it. We can't stop it, they kill us.
02:14We're in a murder, not just murder.
02:16Let's go there, we can't stop it.
02:18People strike up the barricade, they'll stop you.
02:20I don't know, what's going on with you?
02:24And I ask you.
02:41Good morning.
02:43Good morning.
02:46What's that?
02:47It's a sign.
02:48What's wrong?
02:49What's wrong?
02:50What's wrong with you?
02:53What's wrong with you?
02:54A bomb.
02:56Me?
02:57We're working on it.
03:01Love?
03:02Love?
03:04You're a friend.
03:06We have a meeting at the federal level for half an hour.
03:09The Secretary Nадиları International has been appointed for immediately.
03:11It's a sign of the police.
03:12Yes, that was a sign of the police to the army.
03:14No one of those parents…
03:15Yeah.
03:21Police officers are κα victKeep Sea.
03:25zoning police confession
03:30Clementine
03:34these trees
03:37Good morning, Inspector Zec from Skuprava, Sarajevo, I wanted to talk with Kasim, what is it called?
04:02Beganovic.
04:04There are a number of people here, right?
04:06Yes, I have a agreement.
04:08He has been announced.
04:09Let's call him.
04:11This is just an informative conversation, nothing more.
04:13Why are you talking about it?
04:15We are here.
04:16We are going to play football.
04:18There are not even on the map.
04:20I want to talk about it.
04:21Let's call us Premier, Minister, someone to talk.
04:24We don't have anything to talk with the police.
04:26Especially Sarajevo.
04:28I am here because of your friends, Remzije Fetić,
04:31and the beloved Dragan Barukčić.
04:33We are not allowed to stop it.
04:35I am here to help.
04:36I have a little bit of regret.
04:38There is no more than anyone who can help.
04:40If you really want to help,
04:42you will be able to help him.
04:44He is very bad for this.
04:46Here.
04:47Here.
04:48This is the same thing as I said.
04:53Here.
04:54With my help, Dominic.
04:55Let's go.
05:25He's standing up, let's go.
05:27Is that right?
05:29I'm looking for a handsome man,
05:32and in uniform.
05:38In order, Chef.
05:40You can now be free.
05:43We can't ignore this anymore.
05:55The other gun was killed in two days.
05:57The video was sent to the police to the strike,
06:00who was first to ask that he wasn't the king of this.
06:04We can't reach him.
06:06There is still a strike.
06:08The situation is more sensitive.
06:10I don't know if he can't reach out to the police,
06:13which is understandable.
06:15It's complicated.
06:18That's why I called you.
06:20This is between the police.
06:22It's best to take you back.
06:24Please, give them a chance.
06:27Who is on the ground?
06:29Pašču.
06:30Do you know this?
06:31I know.
06:32What?
06:33Who is on the ground?
06:35Nido.
06:36That's what he was working on in Hagadi.
06:39How is he?
06:40The best.
06:42As far as I know,
06:44you are the best for these areas.
06:47But they are now taking care of the chiefs,
06:49and...
06:50Well, chiefs,
06:52he will find the decision as soon as possible.
06:55If there is no help,
06:57I will send him to the federal government.
06:59That's the protection of the Already distance will reach his way.
07:04Because that's that's why.
07:05Good Bernstein.
07:06I should not reach him enough.
07:07And you?
07:08Inspector Zeca.
07:09Now, wait.
07:18Hey, son! Where are you?
07:21Hey, tata.
07:22How are you?
07:27Go.
07:28I got it.
07:29I got it because of the rudars.
07:31To you?
07:32Yes.
07:33Look at this, Dr. Zeca.
07:35From Sarajevo.
07:36There is your patient.
07:37Yes, yes.
07:38I need to write all the patient's work in the rudars.
07:42Right.
07:43Tell me.
07:44There was a request for a few days.
07:47But I have to take care of him.
07:50Is it good?
07:51No.
07:52He took care of a patient before three weeks.
07:54He took care of him.
07:55Okay.
07:56Let me give you a little trust.
07:58When we have a letter...
08:00You have a request, or not?
08:03You have a request.
08:05There is everything here.
08:07I don't know how to make sure.
08:09Even with the best advice.
08:11I only can write a letter and write a letter.
08:15The bar is filtered by the required variable.
08:19Which bar is used to be SQL?
08:21What?
08:22Yes.
08:23SQL.
08:24Give me.
08:25Wait.
08:26Hey, tata.
08:27Hold on.
08:28Okay.
08:34How are you, mom?
08:38You ask me.
08:40Do you live here, or do you?
08:42Yes.
08:45Hey, but where is it?
08:47What is it?
08:48Maybe I know who is the next one.
08:52Here.
08:54I can move on to the printer.
08:55Send it, send it.
08:57Where is the printer?
08:59Up there, where is it?
09:02Okay.
09:10Just let me tell you one minute.
09:12Listen, you know.
09:14Mom knows all of them.
09:15She works for some kind of support for them.
09:18Okay, thank you.
09:20Listen!
09:33So, it's nice, but I have supuesto go.
09:35You've never listened to them once more than four years later.
09:36I guess that they'll often find out.
09:55TABBODY
10:12You've been looking for such a great deal.
10:18It's not even the city.
10:21And then it's all about the fact that it's going to be a good thing.
10:32It's all about the truth.
10:35And I don't want to say anything.
10:44It's all about the truth.
10:46Sára mi ništa ni rekla, zam si to.
10:51Ja smo ne zlaz mu pa vej face, kad sam je vidio je.
11:16Hvala što pratite.
11:46I don't use my own analysis.
11:50I'm not going to get out of the way.
11:53You can take me from the way.
11:56What are you doing?
11:58It was at an event that I'm going to offer for a modern woman.
12:02What?
12:04If you have something to remember, you're going to offer a murder, I didn't get out of it.
12:08Where are you, Gino?
12:09Where are you?
12:11I don't think he's successful, he's just so ready.
12:16Here you go, I'm going to send me a mail.
12:20I'm waiting for you.
12:21I'm waiting for you for the summer.
12:23I'm going to get out of here.
12:24I want you to see me again.
12:26That's right.
12:28That's right.
12:30Hello.
12:32Hey, Tanja.
12:34Hey.
12:36Why are you wearing a uniform?
12:40I'll go later.
12:41Let's go.
12:42Let's go.
12:44Tanja.
12:45How are you doing?
12:46Go on.
12:50Yeah, I'm going there.
12:51Guys.
12:53I'm going there.
12:54That's right.
12:56I am not going to find you.
12:58Hello.
12:59This is me.
13:00Oh, my God.
13:03Oh, my God.
13:06Here we go.
13:09Is this a little trick?
13:20Hey, let me give you a USB.
13:23I don't have to go.
13:30You have to be mad. Who is going back to Sarajevo?
13:35I didn't have to decide. What's going on?
13:39What's going on when Sarajevo is going on?
13:42Better question is, what are you doing here?
13:44I came here because of the project of the energy.
13:47Okay, but you don't have to go back because of it.
13:50You just go back and...
13:52It's still when I'm here.
13:55That's why I wanted to talk with you.
13:58I'm here with some of the relationship with you.
14:01Do you have to go back to Sarajevo?
14:03I have.
14:04I think I'm going to go back to two and three times.
14:08I'll go back to two years.
14:10I know.
14:12What do you know?
14:14I'm going to get into the trouble.
14:16I don't know who.
14:18I don't know what he knows.
14:20I don't know. There's a strange energy between you.
14:24What?
14:26I know.
14:28I don't know what he said.
14:30I know.
14:31You know what I'm talking about.
14:33You know you're not saying anything about you.
14:35What?
14:36You're a liar.
14:37You're not saying anything about you.
14:40what are you doing?
14:42I don't know what I'm doing.
14:44Tell me about it.
14:46Well, it's not.
14:48But...
14:50Well...
15:10Let me show you something.
15:12I have a job.
15:14Okay, if you don't like it.
15:16Wait, what is it?
15:24What is it?
15:26It's a copy of the Vihrudara,
15:28which is in the oncology and other places.
15:30Where is it?
15:32Did you do this?
15:34I'm going to go with it.
15:40What do you think?
15:42I don't remember that.
15:44I'm going to go with the rules.
15:46What did I do?
15:48What did I do?
15:50What did I do?
15:52Who am I?
15:54Who is the best in our class?
15:56Why did you do it in Sarajevo?
15:58I don't know.
16:00I don't care.
16:10I don't care.
16:16This is the last look.
16:18I repeat.
16:20The last look.
16:22What is it?
16:24What is it?
16:26What's happening?
16:28What do you think?
16:30What do you think?
16:32I'll come inside.
16:34I'm signed.
16:36When?
16:38That's it.
16:50It's here, Edibe.
16:54Edibe!
16:55Tell him to talk.
16:57He'll be a boy, don't be a balance.
17:01Who's the mass here?
17:05Only your enemy.
17:08And what did you forget?
17:12That's right there.
17:13You've already hit me.
17:19The specialists are coming.
17:20They don't have a sense.
17:21Some of them are talking about 92.
17:23You remember?
17:24That's it.
17:25That's it.
17:34We're ready.
17:35We're only ready to go.
17:38Come on.
17:39Come on.
17:40The officer hit the police.
17:44Come on.
17:45Come on.
17:46Come on.
17:47Come on.
17:48Come on.
17:49Come on.
17:50Come on.
17:51Come on.
17:52Come on.
17:53Come on.
17:54Come on.
17:55Come on.
17:56Come on.
17:57Come on.
17:58Come on.
17:59Come on.
18:00Come on.
18:01Come on.
18:02Come on.
18:03Come on.
18:04Come on.
18:05Come on.
18:06Come on.
18:07Come on.
18:08Come on.
18:09Come on.
18:10Come on.
18:11I don't know if I can't do it.
18:13I can't do it.
18:41It's just a matter of time.
18:44Do you know what is your job now?
18:46You have to make a decision to make a decision.
18:48You have to make a decision.
18:52I don't know if there's no way.
18:54A man hasn't paid a job for two years.
18:57It's gone.
18:59Everything is gone.
19:01What is it?
19:03What's your name?
19:05What's your name?
19:06It's gone.
19:08What's your name?
19:13What's your name?
19:15What's your name?
19:17What's your name?
19:18I'm telling you where you're going.
19:20What's your name?
19:24Was it good?
19:28I'm telling you.
19:30You're right.
19:32You're a little bit.
19:34I thought you were going to go over the place.
19:38I thought you were going to go over the place.
19:46What do you mean?
19:48I'm going to take the word out.
19:50You're welcome.
19:51Back to your wife.
19:52She was a trippant.
19:53She was a fan.
19:54O.
19:55She said.
19:56We had to write down the number.
19:58She was a superficial.
19:59I'm not sure how to get a lot.
20:00You didn't have to write down the number.
20:01I was not sorry.
20:02I asked her, help me.
20:05I'm sorry.
20:07Just before her.
20:10I'll check out the number one.
20:13I'll check out the number one.
20:17Doctor.
20:17Hey!
20:21Hello!
20:22Hello!
20:23What are you doing?
20:24You're a V.D.
20:27You're a V.D.
20:28You're a V.D.
20:29I don't know.
20:30Where did you go?
20:31Where did you go?
20:32From now.
20:33You're not a chef.
20:34That's right.
20:35Let me ask you.
20:36There's nothing to do.
20:47Hey!
20:48How's this?
20:49No!
20:50Hey!
20:51How are you going?
20:53Hey!
20:54You have a V.D.
20:55Come.
20:56How are you going?
20:57gunson.
20:58You are going to play the Ring.
20:59Oh, my God.
21:00I'm going to play.
21:01Uh…
21:02Uh…
21:04Let's dig in.
21:06I'm going to play.
21:08Uh…
21:09Oh…
21:10Uh…
21:11Oh, no.
21:12I think I've been down here.
21:14How are you going to play?
21:15Oh, no.
21:16Oh, no.
21:17Mr. Champara, good morning, I'm Mirza.
21:32Mirza.
21:35Mirza Kšamović, project management and consulting in the construction of the company.
21:39It's nice to me.
21:41What do you need, Mirza?
21:43I want to buy this place.
21:46I don't want to.
21:46Wait a minute, I didn't finish it.
21:48The place is not on the product.
21:50You see, technically, what I need you to do is not a purchase.
21:55I need you to do it from love, because I don't want any problems.
22:01What's that?
22:03A book from the lower books.
22:05It's all you have to write.
22:09These often belong to the company of Ognon Prican.
22:12Yes.
22:13I bought a company of Ognon Prican.
22:17I?
22:19What I want to tell you about in the pravno-imovinskim sense, this is mine.
22:26In the pravno-imovinskim sense?
22:27Yeah, it's the only thing that I'm looking for.
22:33I want to ask you to do it.
22:35Do you want to do it?
22:37Yes.
22:39Do you want to do it.
22:43Do you want to do it so that we will be satisfied with you.
22:46Do you want to do it?
23:13Do you want to do it before you move to the NP단?
23:15I don't know what to do, but I don't know what to do, but I don't know what to do.
23:45I don't know what to do.
23:47I don't know what to do.
23:49I'll tell you what to do.
23:51I'll tell you what to do.
23:53Thank you, Edibe.
23:56Sorry, I'm sorry, I'm sorry.
23:59I'm sorry, I'm sorry.
24:01I'm all right.
24:03Let's go.
24:23Thank you very much.
24:53I don't care about it, I don't care about it.
24:56That's why it's like that.
24:59Don't think about it as you need.
25:02I'm going to lay a little on the couch.
25:04I'll explain it.
25:06Even better.
25:08I'll give you a number of colleagues in Sarajevo.
25:11It's a big deal.
25:15I'm thinking about making a clip.
25:17No, I don't want to eat.
25:19I'm coming in with me.
25:21My mother.
25:23Super.
25:24Can I see you here?
25:25Super.
25:26I can see you.
25:27I'm going to call him.
25:29Wait.
25:30How did he send you?
25:32Why did you say that he's the chef?
25:35I've got two days ago.
25:37I'm going to call him.
25:39You're the chef?
25:41Yes, I'm the chef.
25:43My son.
25:44I'm sorry.
25:46It's great.
25:49I'm going to call him.
25:51I'm going to call him.
25:52I'm going to call him.
25:53I'll tell you later, that you have a mother.
25:57That's right.
25:58I'll go.
25:59I'll go.
26:00I'll go.
26:01I'll go.
26:02I'll come to the floor.
26:04I'll go.
26:05Bye.
26:08Hey!
26:09Come on.
26:14Come on.
26:15Let's see.
26:16It's okay.
26:18I pray for you.
26:19Come on, calm down.
26:24Dad.
26:39You need to be.
26:45It's benefit me is there.
26:53You need to stand here.
27:02I'm lost.
27:04What are you doing here?
27:09What are you doing here?
27:11What are you doing here?
27:14Do you know how much you are doing here?
27:17I know how much you are doing here.
27:20When?
27:22What are you doing here?
27:24It's the first time I'm doing it.
27:27You'll have to ask a question when?
27:30I'm going to ask a question now.
27:32In the morning.
27:37What did you do?
27:39Did you help me?
27:46Here is Sergei.
27:54What do you do now?
28:02What are you doing here?
28:05What am I doing?
28:07You might tell me everything is fine.
28:10It sounds dirty.
28:11There is a good way.
28:16I can't be scared.
28:18Oh
28:48Is
28:49Provecho
28:50Quiero
28:55Votrame
28:57No te
28:58Fasho
28:59No
29:00Se
29:03No
29:04No
29:05Is
29:06Provecho
29:07Quiero
29:11Votrame
29:13No te
29:14Fasho
29:15No
29:16Sim
29:18Votrame
29:19No
29:20No
29:21Try
29:22No
29:23And
29:31More
29:32No
29:33No
29:36No
29:40Yıldiana
29:44Let's go.
30:14I don't know if I can tell you, please send me a message.
31:14I don't know.
31:44Hello, Rokki.
31:46I am, how are you?
31:48Well, today I'm coming.
31:50Wait a minute.
31:52Hello?
31:54What are you doing?
31:56Are you going to leave?
31:58Hello?
32:02What are you saying?
32:04What are you saying?
32:06Will you come to me or not?
32:08Sit on the bus.
32:10Who is coming to me when I'm out of the door?
32:12Well, no one didn't know that you were going to leave that day.
32:14Let's go, Rokki.
32:42Let's go.
32:44Let's go.
32:46Let's go.
32:48Let's go.
32:50Let's go.
32:52Let's go.
32:54Let's go.
32:56Let's go.
32:58Let's go.
33:00Let's go.
33:06Let's go.
33:08Let's go.
33:10Let's go.
33:12What do you think of?
33:14I have a word.
33:16And he writes all the way to white.
33:18Jabba! Jabba, man!
33:20Jabba, when you didn't try it through the ground floor.
33:23Let's try it.
33:25Okay, let's try it from the beginning.
33:29It means,
33:31he bought a parcel from the cello
33:33from the cello,
33:35after this bankroting.
33:37Is that right?
33:38Yes.
33:39And you two, you two, you can't do it.
33:41Do you understand?
33:42Do you understand?
33:43I understand.
33:44Then Fijićo had this parcel written to you.
33:47Is that right?
33:48Yes.
33:49And you two, you can't do it with this gift.
33:54Do you understand?
33:55Yes, sir.
33:56The most important thing,
33:58neither Fijićo nor Fijićo
34:00have not made their decisions through the ground floor.
34:03Why can't we not make it through the ground floor?
34:05I don't know,
34:06Turkey calls it right to the ground floor.
34:08First, Fijićin,
34:09then I'll open it.
34:10Yes.
34:11And you can't do it together
34:12before you later.
34:13How about Gino's contract?
34:16I don't have any contract.
34:17I don't have any contract.
34:18I'll open it here.
34:19I'll open it up here.
34:20I can prepare for the next day tomorrow.
34:21What does that mean?
34:22It's in the real estate.
34:25The parcel is still in the property of the company.
34:28So,
34:29I don't have Fijićin,
34:30I don't have Fijićin.
34:31That's right.
34:33Fijićo,
34:34that's right.
34:35I don't know.
34:36I don't know.
34:40I'll open it up.
34:41I'll open it up.
34:42Senči, do you remember me?
34:48Ajla Pašić, novinark.
34:51I wanted to see you in the morning and I saw everything.
34:54I wanted to talk to you again.
34:57I mean, you're welcome.
35:00What do you think?
35:08How do you not?
35:10Wait, wait.
35:12No, no.
35:15It's not good for you to take a picture.
35:18Let's go.
35:20Let's go.
35:40Let's go.
35:42Let's go.
35:46Let's go.
35:50Let's go.
35:52Let's go.
35:54Let's go.
35:56Let's go.
35:58Rocky.
36:03Rocky.
36:10Rocky.
36:28Rocky.
36:58Rocky.
37:28Rocky.
37:58That's true.
38:01You've been here for 30 years.
38:05I've been here for a while.
38:08For my house, the house is the most beautiful.
38:13You know where the house is.
38:28I'm not sure what you're doing.
38:35You're not sure what's going on.
38:38You don't change anything.
38:41That's what you're doing.
38:44What do you think?
38:46I think I'm a single one.
38:50I'm not sure what the house is.
38:54I'm not sure what the house is.
38:56I'm not sure what the house is.
39:02Listen.
39:03Come here.
39:05Can you stay here from the house?
39:06Right here.
39:07I've seen you.
39:08You're scared of hell.
39:09I'm not sure what the house is like.
39:11I'm sorry.
39:13It's okay when we come here.
39:15Yeah.
39:16You want to get in the house?
39:21Yeah.
39:22Cut.
39:40You're a devil.
39:42What is this?
39:44Don't go, don't go, don't go.
39:51Morana!
39:52Morana!
39:53Oh, my God!
39:54Oh, my God!
39:55Oh, my God!
39:56Oh, my God!
39:57I'm sorry, I've done something.
39:58I've never heard of it.
39:59Let's go.
40:04I'm here, little IT.
40:05I'm here, I'm happy to see you.
40:08I'm here, little it.
40:10I'm here, little it.
40:12I'm here, little it.
40:14Tietka Gok!
40:17Tietka Gok!
40:18Tietka Gok, kod ti je došel?
40:19Je li ti drago?
40:20Mama.
40:27Mama.
40:28Tietka Gok!
40:38I zaberite!
40:48Tietka Gok!
40:50Tietka Gok!
40:58It's just a moment.
41:28What happened?
41:30I'm sorry.
41:32I'm sorry.
41:34What happened?
41:36I'm sorry.
41:38What do you need?
41:40You, what do you need?
41:42I don't know why I'm talking about this.
41:44We're going to the house.
41:46The house?
41:48Is it going to be a bucket?
41:50We're going to the house of the house.
41:52What is that?
41:54We need to sell his sale.
41:56What's the deal?
41:58His deal about buying a company with a car.
42:02For a parcel.
42:04I have to go to the inspection.
42:06What's the inspection?
42:08There's a lot to go to the house.
42:10You have to go to the house.
42:12I'm sorry.
42:14I'm sorry.
42:16I'm sorry.
42:18You're not a man.
42:20Well, that's fine.
42:22Because he's a bitch.
42:24And his wife, as he was there.
42:26He said,
42:28It's better than he was there.
42:30Don't kill him.
42:32You should have to go to the house.
42:34You should have to go to the house.
42:36Oak.
42:38No, no.
42:44No.
42:46Det.
42:48Yes.
42:50I fucking go.
42:54Yeah.
42:56No.
42:58You not.
43:00It was a Democratic- Greens.