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00:00It looks like I've got a plane to catch
00:25Go
00:30You were born
01:00They told me you needed a hang
01:09No
01:11I'll take him down
01:13I can't stay here
01:14The plane is leaving
01:20Right behind you
01:22No one ever
01:29Move
01:31No
01:37No one ever
01:38Move
01:51Move
01:52He's going down!
01:54The gap is good!
02:06He's reloading!
02:08Hey, he's going down here!
02:10Oh yeah!
02:18I'm on it!
02:20He's reloading!
02:22Okay!
02:28Safety!
02:30Bring him down!
02:32Surrounded!
02:38What the fuck are they?
02:40I'm in!
02:42I'm in!
02:52Grab the hose!
02:54I'm in!
02:56I'm in!
02:58I'm in!
03:00I'm in!
03:06Oh no, you're gone!
03:08I'm in!
03:10I'm in!
03:12Not good Adam!
03:16No!
03:18No!
03:19What about winging it?
03:49Okay, 009, you're next.
04:08Package secure?
04:10Snug in the front.
04:11Did you kill the transponder?
04:13No such thing as small radio stations in 23 meters out.
04:17Let's try.
04:19And if David disappeared, I'll back to Red Plan B.
04:32Plane's flying dark.
04:34It's all up to me.
04:35Think.
04:36Need a way to force it down.
04:39If I could access the flight control system.
04:44Let's make some turbulence.
04:47I'll take him.
04:49I'll take him.
04:50Never a dull moment.
04:52Ready to go?
04:54No.
04:56Oh no.
04:56I'll take him.
04:57Oh!
04:58No!
04:59Never a dull moment.
05:00Ready to go?
05:01No!
05:02No!
05:03No!
05:04No!
05:05No!
05:06No!
05:07No!
05:08No!
05:09No!
05:10No!
05:11No!
05:12No!
05:13No!
05:14Fuck!
05:44Fuck!
06:14Fuck!
06:18Need to hit your right!
06:28Let's go!
06:40Now, let's see what all the fuss is about.
06:44Let's go!
06:50There's Greenway.
06:52Hopefully I'm the last thing on his mind.
06:58What are you here for?
07:00I've got to get back out there.
07:10I've got to get back out there.
07:12I've got to get back out there.
07:14I've got to get back out there.
07:18Kingsley alert.
07:20Best not get spotted just yet.
07:22Need to build a case first.
07:24I've got to get back out there.
07:34Bond, status?
07:36All is quiet in the parking lot.
07:38No sign of 009.
07:39Over.
07:40How do you do?
07:46Where have I seen him before?
07:48I think he models for Alexander.
07:50Oh, right.
07:54Now, where do you go?
07:56Is it your own concoction?
07:58I can't take credit, I'm afraid.
08:00The hotel owner has a huge collection of mixology books from the 20s.
08:04Book collector, huh?
08:06Now there's his pride and joy.
08:08He's got all sorts of antique books on display.
08:10About the castle and local history.
08:12I wonder if you could help me.
08:14I'll certainly try, sir.
08:15Did you notice the blonde bellhop who just passed through here?
08:17There's a faded Picard in the lineup.
08:18Probably one of the temps.
08:19He was asking for the directions to the backstage idea.
08:21A chess fiend.
08:22I knew it.
08:23I'd stay clear of him.
08:24Just need a quiet word.
08:25Nothing dramatic.
08:44Looking for these?
09:04Hold on.
09:10Just who the hell are you?
09:11Not now.
09:12Eyes on the road.
09:14Look out.
09:25That's the car.
09:27It's got too much of a head start.
09:29You need to cut some corners.
09:30Careful what you wish for.
09:44Ambulances.
09:45Watch it.
09:46Ambulances.
09:47Watch it.
09:48Look out!
09:49Buckle up.
09:50Look out!
09:51Buckle up.
10:03Buckle up.
10:04Buckle up.
10:05Buckle up.
10:06Buckle up.
10:08Look out.
10:09Look out.
10:10Buckle up.
10:11Buckle up.
10:13Buckle up.
10:14Up.
10:23Ship.
10:28You're right!
10:48Let's go, let's!
10:55Brace!
10:58There he is!
11:25Clear the road!
11:26Touch it!
11:27Clear the road!
11:29Hold tight!
11:37Now we're talking.
11:57You're right.
11:58You're right!
11:58Right, who are you really?
12:07Asian Charlotte Ross. I'm with the DGAC, that's...
12:10French Intelligence. James Bond, MI6.
12:13Yes, I figured as much.
12:15What's your interest in 009?
12:17Beckett didn't spend his fugitive years on a gold course, if that's what you think.
12:21DGAC has been hunting here for a long time.
12:24This is the closest we've ever gotten, and I'm not letting him slip through my fingers now.
12:28Sounds like we have a conflict of interest.
12:30How about we burn that bridge when we get to it?
12:32Fine by me.
12:42There, pull over.
12:47No sign of 009.
12:51Plenty of his friends, though. I'm not loving the odds.
12:54I've had worse.
12:56Well, in that case.
12:58Get down there. Draw their fire.
13:18Now, I could get used to this.
13:20Don't act too impressed, dearest, or you'll blow our cover.
13:24And James, do quit your pouting.
13:26I'm a glorified hood ornament. What could I possibly have to pout about?
13:30Sorry if the assignment doesn't live up to your grand expectations.
13:33Someone must watch the perimeter.
13:36If 009 slips through our fingers, we're the last line of defense.
13:40Exhilarating.
13:41Greenway's testing your mate.
13:43Asshole.
13:43Don't give him an excuse.
13:45The cap looks good on you, though.
13:47It really brings out your cheekbones.
13:56Take a left up ahead, James.
13:58Back seat driver.
13:59What's that, darling?
14:00Just a frog in my throat.
14:21Hold.
14:24Is everything in order?
14:26Routine inspection, ma'am.
14:28Won't be a moment.
14:31All clear.
14:32Please proceed.
14:46You think if I sold a kidney, I could afford to stay for a night?
14:49I think I have.
14:51Stayed here, I mean.
14:53A wedding back in 22.
14:54Doesn't sound like something you'd forget.
14:57Well, the hen was in Cannes, so we flew in by private jet.
15:00It was dark and we've been drinking, so...
15:02Oh, well, Cannes.
15:04At least Sheila will be happy.
15:05Private jet.
15:06What?
15:07Nothing.
15:08Darling, nothing at all.
15:12What do you make of Double at night?
15:15He was the best in his day.
15:16That was a long time ago.
15:18My guess is he's tired of running.
15:21Greenway thinks we're being played.
15:22And since when do you trust Greenway?
15:26I never said I did.
15:27They knew each other, though.
15:29That much is clear.
15:30Something to do with an operation called Nightfall.
15:33That begs the question.
15:35Did 009 pick Greenway out of good faith?
15:38Or bad blood?
15:39Well...
15:40We're about to find out.
15:42Pull up.
16:00This is our stop.
16:02We're alive, gentlemen.
16:03Switch to comms.
16:04Monroe, with me.
16:05James.
16:06Stay.
16:06Save the world some other time, yeah?
16:11Afternoon.
16:12Invitation, please.
16:14Blake and Loretta York.
16:16Plus the help.
16:17Mm-hmm.
16:18Welcome to the Grand Carpathian.
16:20Parking is right up ahead.
16:22Mr. and Mrs. York.
16:24Enjoy your stay.
16:25Much obliged.
16:27Oh, they will.
16:28All right.
16:35We're entering the premises.
16:36Team status?
16:37Nash.
16:38Delivery area.
16:39In position.
16:41Sink.
16:41Staff quarters.
16:43Ronson.
16:43Conference wing.
16:45Kingsley.
16:45First floor suites.
16:48Bond.
16:49Bond.
16:52Parking lot.
16:53In position.
16:54Greenway.
16:55Grand Hall.
16:56Switching off comms as instructed.
16:58Keep a low profile and don't let your guards down.
17:01009 most certainly won't.
17:04Out.
17:28Not exactly the five-star treatment.
17:31Not exactly the five-star treatment.
17:33Not exactly the five-star treatment.
17:40No harm than stretching my legs.
17:52Bond.
17:52Reporting suspicious behavior.
17:53009?
17:54No.
17:54One of the hotel staff.
17:55No.
17:56One of the hotel staff.
17:57Strangest looking bellhop I ever saw.
17:59He was mishandling.
18:00He was mishandling luggage.
18:01Are you joking?
18:02What are we?
18:03The local tourist pools?
18:04I guess he had to be there.
18:05It was odd.
18:06I'm going to check it out.
18:07You will not.
18:08009 is our only priority.
18:09Stay at your post, James.
18:10That's an order.
18:11Yes, ma'am.
18:12Yes, ma'am.
18:14And poor taste if you ask me.
18:16No.
18:16That's how we really have trouble.
18:17I know the wife's lost.
18:18There's a lot of interest.
18:19There's a lot of interest in the land.
18:20One of the hotel staff.
18:21Strangest looking bellhop I ever saw.
18:22He was...
18:23...mishandling luggage.
18:24Are you joking?
18:25What are we?
18:26The local tourist pools?
18:27I guess he had to be there.
18:30It was odd.
18:31I'm going to check it out.
18:32You will not.
18:33009 is our only priority.
18:34Stay at your post, James.
18:36That's an order.
18:36Yes, ma'am.
18:39They had poor taste if you ask me.
18:43I got what they deserve.
18:44Pardon me?
18:45Need to see a man about a bag.
18:49Missed him.
18:51Afternoon, sir.
18:52Staff and press only.
18:54Oh, damn.
18:55Forgot my press badge.
18:56You're not the first.
18:59Can I duck through?
19:00I need to catch up with that bellhop.
19:01Show me your ID and all is good.
19:04Better go and get my ID then.
19:05If you want to catch your bellhop.
19:07Fair point.
19:13Fair point.
19:43Do you think I could get Gretchen Wong's autograph for my daughter after the game?
20:08She dreams of going abroad.
20:09I...
20:11What's that?
20:33That...
20:35What?
20:51What the?
21:04God, sorry.
21:21What?
21:35Let's see.
21:39What is...
21:43Odd.
21:51The one in the dining hall?
21:56Yeah, I checked it long ago.
21:59I mean, alright.
22:01Did you open the door?
22:04No way, dude.
22:06You might need the other owner, of course.
22:09Besides, I couldn't find a looking...
22:12Gate crashing a black tie event?
22:15Haven't done that since final year.
22:18I'm not going to be a white person.
22:21No.
22:22What?
22:23Ken Banks, penetration tester.
22:25I need to have a stern word with your manager.
22:28Good to have you on the team.
22:31Okay.
22:32Let me stop you right there.
22:34Hey, I'm Patrick Gibson.
22:36And I'm honored to announce that I'm playing James Bond
22:39in IO Interactive's much anticipated game 007 First Light.
22:44It's thrilling to be bringing this character to life in the gaming world.
22:47And I'm joined by an incredibly talented cast, including...
22:50Lenny James as Bond's mentor, Greenway.
22:53Frianga Burford as M.
22:55Alistair McKenzie as Q.
22:57Kira Lester as Bond's most fervent supporter, Moneypenny.
23:00And Noemi Nakai as the enigmatic Ms. Rob.
23:04Bond's world is all about what's seen and what's hidden beneath the surface.
23:09You've just watched an extended mission playthrough.
23:12No commentary, just a raw experience.
23:15We hope you liked it just as much as we loved crafting it for you.
23:20But there's more than what meets the eye.
23:24In this next section, we'll guide you through how it all works.
23:28The tools, systems, and choices that shape the gameplay in 007 First Light.
23:34Let's take a closer look.
23:37Welcome to the world of James Bond in 007 First Light.
23:41Where infiltration and espionage are just two of many spycraft skills.
23:46In this mission, our unseasoned but highly trained Bond must track an assassin through a sophisticated Kensington Gala.
23:54You'll want to blend in with the crowd while scouting for tactical options.
23:59Creating a mental map of available pathways without giving yourself away.
24:06Sorry, just trying to get past you.
24:07Go to the security room. It's first floor. East Wing. Staff officers.
24:11Got it.
24:12Bond must gain access to the upper floors.
24:14But some areas are off limits. Even for those with a stolen ticket.
24:21Sorry, sir. Can't let you through.
24:24Just looking for the bathroom. Other side of the bar.
24:27Dialogue from other characters can offer clues to the mission's progression.
24:31Listening in on conversations is a useful intelligence tactic.
24:35Potentially revealing opportunities for an easy breach.
24:39If he doesn't make an appearance in the next ten minutes, he can watch from down here.
24:44Yeah, do that.
24:47Rob Minkley, Crux Magazine.
24:52And you are?
24:55Rob Minkley, sorry for the wait.
24:59About time, Mr. Minkley. We almost gave up on you.
25:03Right then, go grab your camera and I'll take you past security.
25:09Photography can be such a negative experience.
25:12You can characterize him.
25:14First Light provides multiple pathways for achieving Bond's objective.
25:18Looks you enough.
25:19If he's prepared to get creative.
25:29What?
25:30Ow, what?
25:31What's that?
25:32Follow me.
25:33Bond's gamble has paid off.
25:34The balcony should give you an excellent view of the stage.
25:39Sorry, miss, but this man can't go upstairs.
25:42Relax, fellas. He's with me.
25:44You say so?
25:45I read your articles in Trux Magazine on rogue AI and cognitive warfare.
25:46Hopefully this is a good time to drop in.
25:47You won't always receive the red carpet treatment.
25:48So, sometimes, you might have to take the initiative.
25:49In these highly volatile stealth situations, it pays off.
25:50You won't always receive the red carpet treatment.
25:51So, sometimes, you might have to take the initiative.
25:52In these highly volatile stealth situations, it pays to choose caution over direct confrontation,
25:57as everyone can be a valuable source of information.
25:59I love the soulness.
26:00So, I see.
26:01Sorry.
26:02I don't want to get on my mind.
26:03I know I'm scared.
26:04You're a good guy, or you're a good guy.
26:05You can't take the other way if he's with me.
26:06And that's why I don't worry.
26:07I'm sorry, sir.
26:08I don't want to get on my mind.
26:09Yes, sir.
26:10I know.
26:11Not anything.
26:12This is not even about the team.
26:13You won't always receive the red carpet treatment.
26:15So, sometimes, you might have to take the initiative.
26:16In these highly volatile stealth situations, it pays to choose caution over direct confrontation,
26:22as everyone can be a valuable source of information.
26:25Moments when Bond remains undetected offer the chance to
26:43survey hostile areas.
26:49Bond can use the environment to his advantage by choosing from multiple routes, exploiting
26:54opponents' positions or security vulnerabilities.
27:00Depending on the situation and the odds, Bond can always go with a quick and blunt strategy.
27:22He got away with it this time, but they could have called reinforcements.
27:26Alternatively, Bond can opt for a more elegant style, using the scan from his watch to highlight
27:32options for distraction and misdirection.
27:34What was that?
27:35I'll have a quick look.
27:39I'll have a quick look.
27:46I'll have a quick look.
27:47I'll have a quick look.
27:48I'll have a quick look.
27:53I'll have a quick look.
27:54I'll have a quick look.
27:58The new gadgets are custom-developed to be powered by resources found in the environment, so
28:03be sure to stock up when you have the chance.
28:07Aside from your signature watch, a gift from Q, you'll have other gadgets in your arsenal.
28:13The laser fires a direct beam of energy that can be used offensively against targets or tactically
28:20on environmental weak points, opening up strategic options to avoid combat or spring traps.
28:32The smoke device confuses and disorients foes, letting you pass through undetected, offering
28:38a chance for concealed stealth takedowns.
28:43The world of 007 First Light will see Bond face different opponents, some of whom cannot
28:49be bluffed or charmed into compliance.
28:52Using a dart phone to incapacitate them will give you an opportunity to talk your way out
28:57with a charismatic flourish.
29:11But sometimes, hard as you may try to stay hidden, a fight is unavoidable.
29:16Having been discovered, Bond will need to rely on more than wits and charm to contain
29:35the situation.
29:37In melee combat against multiple assailants, you'll need to think fast.
29:46Playing throws, parries, and direct strikes with environmental takedowns and items.
30:06Sometimes James will need more than his fists to get out alive.
30:10When enemies show clear intents to shoot and kill Bond, you will be granted a license to
30:15kill.
30:16Trained by the Royal Navy, Bond is an expert marksman.
30:24His Q-pistol firearm is a great conversation starter.
30:30Enemies can provide additional firearms.
30:32You'll just have to borrow them for a moment.
30:37With quick thinking, you can turn the tables on your enemies by making the very environment
30:42a deadly weapon.
30:48Gadgets used for stealth and infiltration can also be deployed in combat to disrupt enemy
30:53attacks or provide further offensive options, allowing you to fight fire with fire or distract to make your escape.
31:10Adversaries come equipped with different levels of armor, requiring either greater ballistic
31:17might or tactical improvisation.
31:20To support him in challenging situations, Bond can use his own instincts.
31:27This mode will help you focus on your most difficult targets.
31:33Whether human or environmental, Bond must be fast, cunning, and uncompromising to prevail
31:42in the world of 007 first lights.
31:45They're own rope to save him.
31:48He watched them fall, then found his way off that mountain.
31:52He was 11 years old.
31:54He then started the grand tour of every major boarding school in Britain.
31:59Always at the top of his class.
32:01Always at odds with authority, same thing in the Navy.
32:04His superiors all praise his instincts.
32:07And they're all in need of early retirement.
32:09Nobody knows what to do with him, ma'am.
32:11No.
32:12And I suspect he feels the same way.
32:15But what he did in Iceland...
32:17What he did in Iceland was insubordination.
32:20It was ill-disciplined, utterly reckless.
32:24He only survived thanks to blind luck.
32:26Give me one good reason to put him in the program, ma'am.
32:30I think you just covered them all, Greenway.
32:33It's really quite simple.
32:35Bond is a bullet without a target.
32:38Let's give him one.
32:39Do you have an appointment?
32:40The name's Bond.
32:41James Bond.
32:42He's with me.
32:43And you are?
32:44Don't think we've had the pleasure.
32:45No, let's not get ahead of ourselves, James.
32:46That's what you shouldn't have.
32:47The name's Bond.
32:48James Bond.
32:49He's with me.
32:50And you are?
32:51Don't think we've had the pleasure.
32:52No, let's not get ahead of ourselves, James.
32:54That's what you shouldn't have.
32:57We're facing a situation of the utmost delicacy.
33:11I need all my pieces on the board.
33:14009 isn't master manipulator.
33:18Whatever the endgame is, we won't see it coming.
33:30Jetlag.
33:31Kiss me every time.
33:33She's not your friend, Bond.
33:34She's an asset.
33:35With respect, man.
33:36To hell with that.
33:38Tell me, what do you do, James?
33:56Lately.
33:57Headhunting.
33:58A double-O agent needs the fastest, most dynamic, and of course most striking car when they're
34:19on duty.
34:20Hybrid twin-turbo V8.
34:22Over a thousand horsepower.
34:24Zero to sixty in under three seconds.
34:27Lightweight carbon fiber chassis.
34:29And a few modifications you won't find in the brochure.
34:33Meet the Aston Martin Valhalla.
34:36But this one is only for double-O agents, James.
34:39If you want to drive it, you'll have to earn the number.
34:43I've set your watch to field mode.
34:45It has a variable active range and a 360 reach angle.
34:49Why don't you give it a try?
35:08Shoot.
35:10Sorry for the mess, Bond.
35:11I wasn't expecting you quite so soon.
35:15I just need one more.
35:17Hang on.
35:19Oh.
35:20Come on you.
35:21Fit.
35:22Moment.
35:23There.
35:26Tactical simulation is now operational.
35:29Any questions?
35:32Pizza questions.
35:35I'm Tom Marchant.
35:36And I'm Vero.
35:37What up gamers?
35:38I'm Igor.
35:39I'm Izzy.
35:40Can you see?
35:41Oui.
35:42Yes.
35:47Such a great opportunity to be able to join a AAA studio and being very, and part of this
35:53adventure of creating those games.
35:55Big IPs, new IPs.
35:57The moment I knew I was going to fight to be like, I want to work at AIR.
36:04I had an amazing conversation during the interview process where I was like, oh, I'm not sure how well I fit into one of the projects.
36:11And the reply was like, what is your dream job?
36:14And I kind of explained what I wanted to do.
36:16And they were like, I think we can make that happen for you.
36:18If that is their approach is like, oh, we're not looking to put you into a hole that we have that exists.
36:24We're looking to invest in you as a developer and see if we can get the very best out of you by letting you do the thing you really want to do.
36:31Right?
36:32So the second I heard that, I was like, I want to work at this place.
36:35I knew a person that worked here and she was so in love working on AIR and she was having the best time.
36:43And I was like, yeah, I want something like this in my life.
36:46I felt the same when I started here.
36:48It was probably in the first week and I went, you know, I feel like I really belong again.
36:53For me personally, it's pushing forward on a long relationship with Bond and video games.
37:04It is a responsibility, right?
37:05We need to make it right because we have great games in the past.
37:09It's an IP that everyone knows, especially in the UK.
37:13It's like your Nan knows it, right?
37:15Like my Nan doesn't even really know what a games console is, but she knows who James Bond is.
37:20But also for Io, I guess, using our own technology to bring Bond to life.
37:26I bought an MX-5 RF, so I bought like a little sports car.
37:30It's my own personal Bond car.
37:32Does it turn into a submarine if you go off the pier and up?
37:36I mean, it might turn into a submarine if I drive it off the pier, but I'd rather not find out.
37:39Now we are adding what we do best, but we are also mixing a little bit with what is expected from James Bond.
37:52With IOI Bryden, Bond is kind of coming back to the UK, right?
37:57I think you need that British influence in the Bond IP.
38:01Bond is a British agent and he has to come through when we're making this game.
38:09And I think our culture and where we are at is helping a lot to bring all this subtlety in the way we're making the game so it will feel real.
38:21It's a match.
38:23It's a match.
38:24Yeah.
38:25Pierce Brosnan.
38:26Pierce Brosnan.
38:27David Hasselhoff.
38:28Pierce Brosnan.
38:29Pierce Brosnan.
38:30Sean Connery.
38:31Igor and Izzy take one.
38:33Oh, they're gone.
38:35Can we have interesting match?
38:37It can go wrong with Taylor Swift, right?
38:39She's melted off.
38:40We can't have melted Taylor.
38:45Oh, come on.
38:46Rope.
38:47Casino Royale.
38:49The chair with no...
38:51And then...
38:52For me, it's when Jaws is in the aeroplane about to...
39:00The Spy Who Loved Me.
39:01Die Another Day.
39:02Die Another Day for sure.
39:07Hate them.
39:08Love them.
39:09They are mean.
39:10They look at you like, you gonna eat that?
39:13I had a pet seagull when I was a kid called Sammy.
39:15Used to feed him.
39:16Yeah.
39:17Beware with your food in Brighton.
39:19007 First Light is an upcoming action-adventure espionage game developed and published by IO Interactive,
39:27slated for release on March 27th, 2026, for PlayStation 5, Xbox Series XS, Nintendo Switch 2, and Windows PC.
39:37The title represents a major creative leap for the James Bond franchise in gaming, as it introduces a wholly original Bond origin story rather than adapting or retelling any existing books or films.
39:50Design is the beginning of a new continuity.
39:52The game reimagines Bond not as the polished super spy audiences know, but as a 26-year-old operative still striving to prove himself worthy of MI6's elite and dangerous Zero Zero designation.
40:05At this point in his career, he has skill, charisma, and raw instinct, but lacks experience, discipline, and the hardened resolve that define the legendary agent he is destined to become.
40:17Built on IO Interactive's Glacier engine, the same technology that powers the Hitman World of Assassination trilogy, 007 First Light delivers high-fidelity graphics, physically reactive environments, detailed character animation, and a cinematic presentation style meant to rival modern blockbuster films.
40:36Early demonstrations showcase richly lit interiors, dynamic crowd behaviour, large-scale outdoor arenas, and a level of visual polish befitting the studio's ambition to redefine what a Bond video game can look and feel like.
40:51Voice and performance capture are central to this cinematic direction, with a full cast bringing nuance to the game's storytelling.
40:59Actor Patrick Gibson provides the voice and likeness for the younger Bond, supported by portrayals of key returning characters such as M, Q, and Miss Moneypenny, as well as newly introduced figures including mentor Greenway and tactical operations head Selina Tan, who serve to broaden Bond's early MI6 network and mentorship circle.
41:20Narratively, First Light aims to strike a balance between honouring the tone of Ian Fleming's novels and the classic Bond films, while establishing a truly independent identity.
41:31Instead of relying on familiar plot lines, villains, or past continuity, the story charts Bond's growth from an ambitious but untested agent into someone capable of handling the moral ambiguity, political nuance, and physical danger inherent to global espionage.
41:48The writers frame Bond's first official mission as a proving ground, one that must be executed with precision, creativity, and emotional restraint if he is to earn the prestigious 0-0 title.
42:01Themes of loyalty, personal sacrifice, ethical compromise, and the shaping of one's professional identity lie at the heart of this origin arc, reinforcing the studio's intent to explore Bond's humanity rather than merely his legend.
42:16Gameplay follows IO Interactive's philosophy of creative approach, which encourages players to tackle objectives in multiple ways depending on their preferred style.
42:27Missions can be completed using stealth, gadget-assisted infiltration, social engineering, disguise, or full high-octane action.
42:36Levels are structured with multiple layers of navigation, vents, rooftops, security tunnels, public spaces, private VIP zones, allowing players to plan and execute their strategies with a Hitman-like emphasis on systems-driven design.
42:52While the game is action-forward compared to Hitman, it maintains IO's hallmark respect for player agency, presenting challenges where intelligence gathering, reading NPC behaviours, observing guard patterns, exploiting environmental opportunities, and improvising mid-mission remain essential to success.
43:11Gadgets play a large role, offering modern and retro-inspired tools that expand Bond's tactical options.
43:19High-tech lockpicks, signal scramblers, covert listening devices, miniature explosives, specialised lenses, tracking darts, remote hacks, and multipurpose wrist tools all contribute to a sense of spycraft grounded in plausibility while still delivering the series' signature flair.
43:37Vehicles also feature heavily – sleek sports cars, motorcycles, armoured convoys, and maritime craft appear throughout the story, each supporting set pieces that escalate the narrative stakes.
43:51Early previews highlight a car chase along a stormy ocean roadway, showcasing the fusion of cinematic spectacle and player-driven control.
44:00Missions previewed so far already demonstrate the game's variety and mood, pacing, and aesthetic.
44:07A glamorous gala in Kensington emphasises social stealth, conversation infiltration, and silent observation.
44:14Now you can enjoy the screenshots without any interruption. Enjoy!
44:18Enjoy!
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