- hace 8 meses
Reparto: José Luis López Vázquez, Elvira Quintilla, Esperanza Roy, Adriano Domínguez, Agustín González, Venancio Muro, José Orjas, Lola Lemos, Ángel Álvarez, Julio Carabias, Erasmo Pascual, Luis Rico, Manuel Arbó
Dirección: Pedro Lazaga
Sinopsis: Pepe Rodríguez (José Luis López Vázquez) es un oficinista que está pasando el verano solo en Madrid, alejado de su esposa que está de de vacaciones con los tres hijos. Aprovechando sus días de "rodríguez", intenta disfrutar del día y la noche como 'soltero' en la gran ciudad. Pero al llegar el fin de semana, se dirige al reencuentro familiar en la casa de la sierra en la que están veraneando su esposa y sus hijos. Como aparece con un ojo morado tiene que dar explicaciones y su imaginación deformará la realidad de sus cálidos días de verano.
Dirección: Pedro Lazaga
Sinopsis: Pepe Rodríguez (José Luis López Vázquez) es un oficinista que está pasando el verano solo en Madrid, alejado de su esposa que está de de vacaciones con los tres hijos. Aprovechando sus días de "rodríguez", intenta disfrutar del día y la noche como 'soltero' en la gran ciudad. Pero al llegar el fin de semana, se dirige al reencuentro familiar en la casa de la sierra en la que están veraneando su esposa y sus hijos. Como aparece con un ojo morado tiene que dar explicaciones y su imaginación deformará la realidad de sus cálidos días de verano.
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CortometrajesTranscripción
00:00:00Sugar, two kilos, laundry detergent, Pepito's old shoes, the comics, the tanahel,
00:00:30the cream.
00:00:45Goal!
00:00:51Good morning, Mr. José.
00:00:52Hello, Manolo, come in. Please bring the suitcases down, I have a lot of packages to carry.
00:00:57What happened to your eye, Mr. Rodriguez?
00:00:59No, no. Last night, while trying to turn that off, I fell, tripped over the door, and well, you know how things go.
00:01:06We are nobody, Mr. Rodriguez.
00:01:08Nobody, nobody.
00:01:10Are you coming back on Monday?
00:01:11No, I'm going on vacation for fifteen days straight. Fresh air, sunshine, peace and quiet.
00:01:15That he really needed it, Don José.
00:01:17Yes, I suppose so.
00:01:18Oh, please tell your wife to sweep this way, you know.
00:01:23Man, you can't sweep alone, as my grandfather used to say.
00:01:26Oh, one more thing, newspapers can sell it.
00:01:28Thank you very much, Don José.
00:01:29This way we will compensate for what was lost with what was sold.
00:01:32Thank you.
00:01:34Okay.
00:01:34And the gift, little coconut.
00:01:40The light.
00:02:06I hope we can get together to play basketball.
00:02:31Where does the family give?
00:02:33Yes, yes.
00:02:35Oh, the children will be just as rich as if there weren't any.
00:02:37So rich, yes.
00:02:38Have you turned off all the taps properly?
00:02:40Electricity, gas, water, you have to be very careful.
00:02:43Remember the scare last night.
00:02:45No, but it was nothing, thank you, goodbye.
00:02:47But it could have been.
00:02:48But it wasn't, goodbye, see you later.
00:02:49Have a good trip.
00:02:50Regards to Juana.
00:02:51I'll give them to you, thank you, on your behalf.
00:02:54His kitchen caught fire, you know?
00:02:57The newspaper says that this time of year is the most likely for household accidents.
00:03:01Of course, how can they be left alone?
00:03:03And they know it, they have to fend for themselves.
00:03:04Natural.
00:03:05What would these poor people do without us?
00:03:06Let her say it, Pilar, let her say it.
00:03:08See you later.
00:03:18You need a bigger car, Don José.
00:03:20Sure, but for now I have to make do with this one.
00:03:23Don't forget about sweeping the floor.
00:03:25I don't agree.
00:03:26Bye bye.
00:03:26Goodbye, Don José.
00:03:27Bye bye!
00:03:32Hannibal!
00:03:33We've already started.
00:03:35Already.
00:03:43First look.
00:03:44Then cross, you're taking a risk, sir.
00:03:51Here's a bull!
00:03:52You to base!
00:03:53Hey, Torrejón!
00:03:55Already.
00:03:55There are still few accidents.
00:03:57There had to be more.
00:04:04Hand up.
00:04:06One-eyed on the right.
00:04:12Come on.
00:04:14To torture the change.
00:04:16And overtake on the opposite side.
00:04:18I know it's wrong.
00:04:19But we have to go somewhere.
00:04:20The hand.
00:04:28I have my hand outside.
00:04:30Don't you see the hand?
00:04:32It's not to see if nine is what I'm going to turn to the left, sir.
00:04:36Sir, a guard.
00:04:37Both guards.
00:04:39Why would there be a guard, my friend?
00:04:41Oh.
00:04:45This is a paradise for horseback riding.
00:04:47And then the traffic light.
00:04:51We're already at the red light.
00:04:54Okay.
00:05:00Before, that was before.
00:05:01She points it out first.
00:05:03Licenses need to be revoked.
00:05:04Many cards.
00:05:06All licenses.
00:05:07To leave people without licenses.
00:05:08Where is that going?
00:05:13Truck.
00:05:13Obstructing the crossing.
00:05:15They will not manufacture 600 with an atomic warhead.
00:05:18And that other idiot reading in the middle of the street.
00:05:20He clocks in at the office, man.
00:05:25You can't turn left.
00:05:27You have to pay attention to the signal.
00:05:28Haven't you seen the signs?
00:05:29It's a caboose.
00:05:36And the monastery of the air.
00:05:43But it doesn't take courage.
00:05:45Don't you want to go in with the child?
00:05:48Yes, yes.
00:05:49Touch, touch.
00:05:50So that acoustic signals are prohibited.
00:05:52Wait, wait, wait.
00:06:05Just a little bit, don't rush.
00:06:06He doesn't see that I have priority.
00:06:07I'm going to the right, sir.
00:06:10Ah, what people.
00:06:14Let's go.
00:06:16We're all set now.
00:06:22Oh, the gas is already running low.
00:06:27We need to fuel the fire of whoever caused it.
00:06:29What a mummy!
00:06:34Super, sir?
00:06:36Yes, put in 17 liters.
00:06:46And quickly.
00:06:48They're waiting for me.
00:06:49Yes, yes, don't worry.
00:06:52Excuse me, uh, are you going to make the clouds?
00:07:05I missed the bus.
00:07:06And if you could...
00:07:07Huh?
00:07:08That?
00:07:10But, hey, little tower, what are you doing here?
00:07:12Good heavens, Pepe!
00:07:15But, what a coincidence.
00:07:16Fanta, man!
00:07:17Throw that away and climb up if you can.
00:07:19What a small world, huh?
00:07:21Man!
00:07:21I'll drop you off at the crossroads, if that's alright with you.
00:07:24Great!
00:07:24You'll drop me off at home.
00:07:29For you.
00:07:30Thank you, sir.
00:07:32So, how are you doing?
00:07:33Well, very good.
00:07:35And you?
00:07:35Ah, okay.
00:07:36So, how's the car running?
00:07:44No, no, this thing is for rent.
00:07:47The mechanic is tuning mine up.
00:07:49Now I have a convertible super sports car that can reach 180 miles per hour with just a touch of the accelerator.
00:07:56Well, man, I guess he's settled down.
00:07:58Yes, I got married, I have three children, if that's what you call settling down, but still
00:08:03You do what you can, you know.
00:08:06A true character, huh?
00:08:08And where are you going now?
00:08:09To the ducal city.
00:08:10I have a villa that I had built for myself, fabulous, for the family to see.
00:08:14You're single, huh?
00:08:18Yes, I can't help it, I'm Rodríguez all year round, I'm Rodríguez because of my father.
00:08:23Hey, what happened to that eye?
00:08:25Hey?
00:08:26There.
00:08:27A sensational adventure.
00:08:30One of your adventures, huh?
00:08:33Do you remember that in the military we used to call you the quantum physicist?
00:08:36Well, that was in other times, now you're talking to a really important man.
00:08:40I have a job with a great future, a fantastic salary, and profit sharing.
00:08:45Actually, I'm the one who runs the company.
00:08:48Let Miss Berta come in, I have many letters to dictate to her.
00:08:51Please request a conference with our branch in London.
00:08:54Claim the one we have requested with the common market.
00:08:57Remind me in a couple of minutes about the GAT one.
00:09:00Let's not forget our TV date with Erhard.
00:09:02And again claim Terrassa, Sabadell and Herrera.
00:09:06Oh, one more thing.
00:09:07Now, find out the exchange rate of the Swiss franc to Amsterdam.
00:09:12And look me up in the encyclopedia, a polysyllabic word that begins with T.
00:09:17and may mean fatal disease in edible mammals.
00:09:22Were you calling, Don José?
00:09:34Yes, little one. I'm going to dictate some urgent letters as usual.
00:09:39Speaking.
00:09:40The common market won't give it to you right away. Stop.
00:09:43The GAT is communicating. Stop.
00:09:44Erhard hasn't reached a ball. Stop.
00:09:46Terrassa, Sabadell, and Herrera are experiencing three-hour delays. Stop.
00:09:50The Swiss franc is trading at 13.001618 in Amsterdam. Stop.
00:09:56Trichinosis. That's all.
00:09:58Correct.
00:10:04Gnosis.
00:10:05Wouldn't Berta be more comfortable in the chair?
00:10:09I can hear him better from here.
00:10:11Possibly, but if you sit in the chair,
00:10:14I hope to write urgent letters more coherently.
00:10:25Are you very suspicious, Don José?
00:10:27Just be prudent, Berta.
00:10:29When there's work to be done, then work it out.
00:10:31And how much...?
00:10:32Good morning, dear Pepe.
00:10:33That?
00:10:34How are we?
00:10:38Very well, dear Miguelito. And you?
00:10:47Wonderfully.
00:10:52I have read your quarterly report.
00:10:55Great.
00:10:56One can live peacefully with men like you.
00:11:00Take.
00:11:01They make them especially for me.
00:11:03Thank you, Miguel.
00:11:06I think it suits Dertita.
00:11:09Hey, you rascal?
00:11:11Well, I think so, but unfortunately one must keep one's distance.
00:11:16People come here to work.
00:11:18Well said.
00:11:19But you don't like it.
00:11:23Man, as for liking her, I'd eat her up right now, in the bad sense of the word.
00:11:28But I say, like the gypsies, do no harm where you live.
00:11:32Speaking of eating, what do you usually do at mealtimes?
00:11:38Eat, naturally.
00:11:40He invited us to eat, naturally.
00:11:42We went to a swimming pool to take a dip.
00:11:45As you know, I took the opportunity to train a little.
00:11:48Subscribe to the channel!
00:12:18Sánchez Albornoz!
00:12:27Thank you. Thank you. Thank you. Thank you. Thank you, brothers.
00:12:40Elena, Ch Frame. Thank you, brothers. Thank you, brothers.
00:12:53Water. Yes, kind. Great, you're a knockout.
00:12:57That's awful. It doesn't matter. I'll jump in without water another day. Mentally.
00:13:03Calm down, calm down, very calm down, one after the other, in an orderly fashion, without getting flustered, autograph for everyone.
00:13:13I get passed in all sports, I'm a prodigy.
00:13:19Exactly, a gifted child.
00:13:22But my real strength is billiards.
00:13:26At my club they call me the champion.
00:13:33No, on second thought, I'm going to make this one out of fantasy.
00:13:46Let's see.
00:13:59What a monster, bravo!
00:14:00Well done, champ! Bravo, champ!
00:14:02We've won the penalty without question. Where are we going?
00:14:05I'm sorry, but I have a lot of things to do.
00:14:08Any plans? Something like that.
00:14:10With whom? A girl?
00:14:11I am a Spanish gentleman and she is a foreigner.
00:14:15I'm sorry, but I can't give any more details.
00:14:19Bye! Up with him.
00:14:20Excellent!
00:14:21Wait a minute, can we come with you?
00:14:29No.
00:14:30Personal matter.
00:14:32Untransferable.
00:14:34Igitón!
00:14:35Orguájar!
00:14:36I'll tell you!
00:14:37Good evening, sir.
00:14:56Hello.
00:14:58A rather large expense.
00:15:00Loop!
00:15:00No, not in the hand.
00:15:13A love, just as I hope for it.
00:15:25A love, faithful and sincere.
00:15:32Good evening, sir.
00:15:33This way, sir.
00:15:34The table is set.
00:15:39The table is set.
00:15:44One day, if I dream...
00:15:48The usual, sir?
00:15:51Yeah.
00:15:52But bring two glasses.
00:15:54The same brand as always?
00:15:55No.
00:15:56I don't want it Catalan today.
00:15:59French.
00:15:59A great corduroy.
00:16:02Of my dreams.
00:16:03Reserve 29.
00:16:05Frappé good.
00:16:07Ce que l'on désire.
00:16:09Bon.
00:16:12Et qui pour vous plaire
00:16:16au diable sans peur
00:16:21vendrait, on l'espère,
00:16:25l'un pour le bonheur.
00:16:30Excuse me, sir.
00:16:32Un tel amour, je suppose,
00:16:37se demande trop de choses
00:16:39et quand un bonheur s'efface,
00:16:44vite un autre le remplace.
00:16:47Les amours un rendent folle
00:16:51Font Trois Tours
00:16:53et puis s'involent.
00:17:00Seriously
00:17:01mon seul jour de chance?
00:17:09Seriously
00:17:11Maintenant j'y pense
00:17:15Être pour me plaire
00:17:22Vous qui m'écoutez
00:17:26Love
00:17:29Que j'espère
00:17:32Mais dont j'ai
00:17:34Wake-up
00:17:36Love
00:17:39Que j'espère
00:17:41Et dont j'ai
00:17:46Wake-up
00:17:50Que j'espère
00:18:20Come for three nights
00:18:21I'm coming to see you
00:18:22I am actually
00:18:24Like family
00:18:25Je le sais
00:18:27I've already seen you
00:18:28I've seen you
00:18:29From the first night
00:18:30But you didn't seem
00:18:32Listen to me
00:18:33It's because I'm very introverted.
00:18:35What is your name?
00:18:39Richard Patton
00:18:40You
00:18:41But you didn't get married.
00:18:43Yesterday with Taylor
00:18:44No
00:18:44I've thought about it more.
00:18:46Elizabeth is already
00:18:48How would I say it?
00:18:50Very sucked
00:18:52I like you
00:18:55It already came out
00:18:57Kiss me
00:18:59You are presumptuous.
00:19:11Me too?
00:19:13You like me?
00:19:14I'm here
00:19:15Were you expecting someone?
00:19:19To you
00:19:19You always have
00:19:22The right phrase
00:19:23I'm just trying
00:19:25Cheers!
00:19:28You're adorable
00:19:38Things of the blood
00:19:40Natural blue
00:19:42Let's dance
00:19:49The twist man falls
00:19:52It's very good.
00:19:53The right phrase
00:19:54The right phrase
00:19:55The right phrase
00:19:56Thank you!
00:20:26Thank you!
00:20:56Thank you!
00:21:26Thank you!
00:21:28Thank you!
00:21:30Thank you!
00:21:32Thank you!
00:21:34Thank you!
00:21:36Thank you!
00:21:38Thank you!
00:21:40Thank you!
00:21:44Thank you!
00:21:46Thank you!
00:21:48You'll see. This way!
00:21:52Damn! Dance beautiful!
00:21:54Dance, beautiful
00:21:55Yes, she did.
00:21:57But they let you stay at home
00:21:59Are you serious?
00:22:01Don't believe it, just a little bit of chatter.
00:22:03Why don't you sit with us?
00:22:06Delighted
00:22:06That?
00:22:10Has he said what he can?
00:22:12Come on!
00:22:15I'm going to take it!
00:22:16Seem to you!
00:22:17I'll be right back!
00:22:24Nothing is owed, sir!
00:22:40Invite him over
00:22:41Thank you
00:22:42Centers for boys
00:22:44And money
00:22:45Thank you very much, sir.
00:22:46Thank you, sir.
00:22:47Good evening, sir
00:22:49Be careful with time
00:22:51Good evening, Mr. Jose
00:23:01What happened?
00:23:02Nothing, just a bunch of poor devils
00:23:04I had to give them some alzones
00:23:05Don't worry
00:23:07You may leave
00:23:08We'll take care of them
00:23:10Thank you, inspector.
00:23:11And have fun!
00:23:13It will be what it can be.
00:23:14Come on
00:23:14Hats off to Mont!
00:23:21Quimientas gubas
00:23:23Rich
00:23:25What always gets me lost
00:23:28It's my temperament
00:23:30He dies
00:23:34Yeah
00:23:36The car is ready.
00:23:54For you, a thousand cockroaches, general.
00:23:56Thank you, sir.
00:24:06Okay, so how did that end?
00:24:16No, it didn't end.
00:24:20Great passions never end, dear Torrecilla.
00:24:26She had to leave for Paris, and she left.
00:24:29It was a melancholic and sad farewell,
00:24:31But one day we'll meet again.
00:24:34Voila, I saw it!
00:24:39Pepe, Pepe, stop, stop, we're going to miss the intersection!
00:24:46Thanks, Pepe.
00:24:47I'm waiting here for the car that goes to the station.
00:24:49Very good, man.
00:24:50Would you like to have a drink?
00:24:51No, thank you very much, I'm in a hurry.
00:24:52And call me on the phone sometime.
00:24:54Okay, have a good one.
00:24:55Bye bye.
00:24:55Hey, hey, hey, hey, and what about the eye,
00:24:57You haven't told me what happened with the eye.
00:25:00Go away.
00:25:04She is a very passionate woman.
00:25:20French.
00:25:21Orguar Torrecilla!
00:25:27Goodbye, dear!
00:25:29Goodbye, dear!
00:25:30Come on!
00:26:00Come on!
00:26:16Let's see who gets there first! No, don't bring it!
00:26:20Hello, beautiful! What does the Comanche say?
00:26:24Yes, I also bring comics. There are comics for everyone!
00:26:29Oh, my little worm!
00:26:30Hi Basi, what does my little worm say?
00:26:35And the lady?
00:26:37She's in the shower.
00:26:38Oh, come on, let's go see Mom!
00:26:40Be careful with the comics, Daddy hasn't read them yet!
00:26:44Careful!
00:26:44Hey, do you eat well?
00:26:46Are you all comfortable and at ease here?
00:26:48Mom, Papayito has arrived!
00:26:51Let's go see Mom!
00:26:54Mommy, mommy!
00:26:57Ah, I see!
00:26:58Hi, Mom!
00:26:59You're cooling off!
00:27:00Have you arrived yet, husband?
00:27:02Yeah.
00:27:02I wasn't expecting you so soon.
00:27:03I am lightning.
00:27:04Give me the bathrobe, yes, it's hanging there.
00:27:07Give it to me.
00:27:07Here, here.
00:27:08Thank you.
00:27:10You can go and look around the house.
00:27:11Did you hire her over the phone?
00:27:13Let's go see the summer residence of the Rodriguez family.
00:27:18To the left is the kitchen and the service area.
00:27:21Ah!
00:27:22Ah, a little kitchen, a cooking kitchen, of course!
00:27:26Good.
00:27:26And I sleep on the right with the children.
00:27:28Let's look at the important area of the house.
00:27:31Ah!
00:27:33Ah!
00:27:33Very good.
00:27:34Very pretty.
00:27:36And the door across the hall?
00:27:38The girl's room.
00:27:40Ah!
00:27:42Basi, Basi, take the child.
00:27:44That dad needs to talk to mom.
00:27:46Come with me, little one, let's go!
00:27:47It's delicious!
00:27:49Goodbye, little worm!
00:27:50Okay, great.
00:27:51The house isn't very big, but it's well laid out.
00:27:54Hey, so how are we going to solve this...?
00:27:56What about?
00:27:57About sleeping.
00:27:59You'll do it on the sofa.
00:28:00I'm sure there's another solution, right?
00:28:02Children are afraid to sleep alone.
00:28:04Or that they sleep in the room, with the girl.
00:28:07That doesn't walk.
00:28:08So you're dressing up to make me jealous, aren't you?
00:28:12What were you saying?
00:28:12No, nothing.
00:28:13At least I'll be able to rest away from you.
00:28:18Heart, whenever a train passes, it moves like this.
00:28:20Yes, well, yes.
00:28:22That's why the house cost 70% less.
00:28:25I'll get used to it without being.
00:28:26No, no, no.
00:28:28You have read the thermometer.
00:28:29The girl had her baby last week.
00:28:32Thermometer?
00:28:32What we need is a seismograph.
00:28:35Do many trains pass through here?
00:28:38No.
00:28:39From time to time.
00:28:40What happened to you?
00:28:43What's in your eye?
00:28:45Ah, that, the eye, that.
00:28:47I was looking forward to getting here so I could tell you.
00:28:49You're going to be thrilled.
00:28:50Really?
00:28:51Tell me about it.
00:28:52What kind of husband do you have?
00:28:53You don't deserve it.
00:28:55Tell me, tell me.
00:28:56Have you piqued my curiosity?
00:28:57You'll see.
00:28:58The other day, after my nap,
00:29:00I was so bored that I decided to go for a walk.
00:29:04I missed you and the children.
00:29:10The other day, after my nap,
00:29:40What's it called?
00:29:44Her name is Luisita and she just turned six months old.
00:29:47Just a few months, how cute.
00:29:50Thank you.
00:29:51No, I mean the creature.
00:29:53I have one the same age as her.
00:29:55And do they bring theirs here?
00:29:56No, not at all, he's in the mountains now.
00:29:59How lucky, I'd love to spend the summer in the mountains.
00:30:01I think you must be a very nice young man.
00:30:04And you, a very obliging girl.
00:30:11Good afternoon.
00:30:12Good afternoon.
00:30:24What kind of life are you living?
00:30:26Do you have a cigarette?
00:30:45Can I have a light?
00:30:48Can I have a light?
00:30:51Grab me by the fire.
00:30:56Can I have a light?
00:31:01It's hot, isn't it?
00:31:26What do you mean?
00:31:29So, it's hot.
00:31:32He is not ashamed to engage in immoral activities.
00:31:36Insignia of honest people
00:31:38Listen, I just told you it's hot, sir.
00:31:42I don't want to pretend, poor woman
00:31:45You were trying to get under my skin.
00:31:47Please don't judge me harshly.
00:31:50I am a humble mother.
00:31:52This is the first time I've tried to get someone to tell me something.
00:31:55I'm desperate, desperate
00:31:58I need money to support my three children
00:32:01Have you ever tried working honestly?
00:32:05If I'm in a plastics factory in the mornings
00:32:08But I earn a meager and insufficient wage.
00:32:12My children are impoverished
00:32:14They need to be overfed
00:32:16The situation is life-threatening.
00:32:18They are not solved by throwing oneself into the chaos of illicit pleasures
00:32:22Or does he prefer that his children be marked for eternity?
00:32:26With the stigma of an impure mother
00:32:28No, no, please don't tell me that
00:32:31Oh, I get really sick
00:32:32Oh, please don't tell me that.
00:32:33Oh, oh, I'm getting so mean
00:32:35Oh, how awful!
00:32:37Please, good woman, humble mother
00:32:41Don't faint here
00:32:43With this mother where the salt is, honorable woman
00:32:46Don't faint here, here, here, no
00:32:48You can't do it here, it's forbidden
00:32:50Can't you see she's fainted?
00:32:52Help me, if it's not forbidden
00:32:53What are you going to tell me?
00:32:55These ones are always out hunting.
00:32:56Do you think I'm stupid?
00:32:59It's nothing, no, it's nothing, no, it's over now, it's already over
00:33:04I've barely eaten for many days.
00:33:07No, don't worry, I'm fine now, now, now
00:33:11Allow me to accompany you to your home
00:33:13No, no, no, thank you, thank you
00:33:14She can go alone
00:33:15By no means
00:33:16Now it is I who desires, who demands, who begs
00:33:20Allow me to accompany you to your home
00:33:23Lady
00:33:24No, no, it's that way.
00:33:29Over there
00:33:30Over there
00:33:30I gave that guard a lesson in civics that he will never forget.
00:33:37And a meal for the poor woman.
00:33:40One for the ages
00:33:42He's coming to Potrello!
00:33:45He's feeling better now.
00:33:55I certainly believe that, much better.
00:33:58Eat it all
00:34:00If you don't mind, I'd prefer to take it home.
00:34:03Don't worry
00:34:04We will acquire other suitable foods for the little ones
00:34:07Are you a widow?
00:34:09No, sir
00:34:10My husband has abandoned us.
00:34:12I've tried everything to get him back, but without success.
00:34:16Don't be discouraged, woman
00:34:17Things are never as good as they seem.
00:34:20Not as bad as they seem
00:34:23You are very good
00:34:25I'm just trying
00:34:29And I bought some food for the hungry angel sharks.
00:34:32And I accompanied the poor woman home.
00:34:37Oh, how interesting.
00:34:55Moviegoers
00:34:56How curious
00:34:57Come on, man, that bow
00:35:01Look at the cable, man.
00:35:03Drop the cable, man
00:35:05Hey?
00:35:07Wait a little bit
00:35:08Hey?
00:35:09Hey?
00:35:10Hey?
00:35:10Hey?
00:35:10Hey?
00:35:11Hey?
00:35:11Hey?
00:35:11Hey?
00:35:12Hey?
00:35:12Hey?
00:35:13Hey?
00:35:13Hey?
00:35:14Hey?
00:35:14Hey?
00:35:15Hey?
00:35:15Hey?
00:35:16Hey?
00:35:16Hey?
00:35:17Hey?
00:35:18Hey?
00:35:18Hey?
00:35:19Hey?
00:35:19Wait, good woman
00:35:20Lady
00:35:21Listen, no, no, you're not interested in all this
00:35:23The grandfather, the child, the sanitary fixtures, the filth, everything
00:35:26No, not at all, we're used to it.
00:35:29People come here every day to make movies.
00:35:32Oh, really?
00:35:32I think this neighborhood has, like, a lot of flavor
00:35:36Ah, curious.
00:35:37The other day some men with Italian accents came in, very strange, with beards
00:35:41And they asked me a ton of questions.
00:35:43They said all this was very interesting.
00:35:47I don't know, that's their problem.
00:35:50Sure, over there
00:35:51That's where I live.
00:35:53Oh, there?
00:35:54Come on
00:36:09Thank you
00:36:09No, don't thank me, don't...
00:36:11My husband used to make tombstones.
00:36:20He was a marble worker
00:36:22Now you see it.
00:36:24A wasteland
00:36:25I don't know how to thank you
00:36:28No
00:36:29My insignificant mission is not yet over.
00:36:33Do you know where your husband is?
00:36:36I already told him he's a lost cause.
00:36:37He spends his life in a tavern on Cava Baja, at the corner of Almendro.
00:36:41Good afternoon
00:36:57Can you explain to me who Julián Pérez is?
00:37:12The one in the corner of the window
00:37:14The one who now puts
00:37:16Another whistle
00:37:18I'll pass, I'll bend down
00:37:20The one with the other whistle, right?
00:37:21Yeah
00:37:22Yes, I will be back.
00:37:25Closed at the top of the barrel
00:37:26To tell
00:37:27Where?
00:37:29Are you Julian Perez?
00:37:32Yeah
00:37:32What's happening?
00:37:33Please
00:37:33Do you want to go out with me?
00:37:35And who are you?
00:37:37Beside the point
00:37:38What is it about?
00:37:39It's about your family
00:37:41Get out!
00:37:42I don't want to know anything about that, do you hear me?
00:37:43Get out!
00:37:44Aren't you ashamed to be here playing games while your children are starving?
00:37:48And what's it to you?
00:37:50I care about him and I'll get him home one way or another.
00:37:53This
00:37:55This
00:37:57It was the punch that gave me this eye.
00:38:00What happened here?
00:38:13It makes no sense.
00:38:14Who hit him?
00:38:20It was me
00:38:21Everyone will have to come with me.
00:38:22Excuse me, officer, it was an accident
00:38:25He wasn't to blame
00:38:29We were jokingly fighting
00:38:31He went a little overboard
00:38:35Wow, that would really be true.
00:38:37Well, in that case I'm leaving
00:38:39But be careful with jokes because one of these could lead to serious injury.
00:38:42Go with God, officer.
00:38:46Hello
00:38:48Hello
00:38:49Hello
00:38:58Hello
00:39:06X such?
00:39:09No
00:39:10No?
00:39:11간 lo
00:39:12Something
00:39:13Is
00:39:15Tea
00:39:15Thank you for not reporting me
00:39:19I still have time
00:39:23It would be assault, abandonment of family
00:39:25And some other things that might be found
00:39:27With a bit of luck
00:39:29One, two, three, four, six years
00:39:31And a day in the shade
00:39:32But you won't do that.
00:39:33With one condition
00:39:35Let him come and see his children
00:39:37But after...
00:39:40I can't...
00:39:41Can
00:39:41Just see them later
00:39:44Do whatever you want
00:39:47Careful, careful
00:39:58You're going to choke.
00:40:00Is everything for us?
00:40:03Yes, my dear, yes
00:40:04How delicious!
00:40:06Should we save something for Dad?
00:40:09Maybe he'll come back today
00:40:11Dad will still be away for a few days.
00:40:15Well
00:40:16Dad! Dad!
00:40:26Forgive me
00:40:35Ah!
00:40:41Oh no!
00:41:13You've moved me.
00:41:15What a lovely gesture!
00:41:18We have to go visit that family. I want to meet them.
00:41:21No, no, no. It's not going to be possible.
00:41:25Because?
00:41:26Because my husband, through my mediation, has obtained a job in Australia.
00:41:32They set sail yesterday in a caravel.
00:41:37May the poor things be very happy.
00:41:39Hey, if you need to wash up, hurry up, we're eating soon.
00:41:46Go! Start preparing the children's food!
00:41:48And set the table for us!
00:41:50Yes, miss. Right now.
00:41:58I explained it to him very well because he swallowed it whole.
00:42:00You're a scoundrel, Pepe.
00:42:11What more could I want?
00:42:13Then you're something worse.
00:42:14You're a liar.
00:42:16You have deceived your old comrade Torrecilla
00:42:18making him swallow a fantastic story of brilliant high comedy.
00:42:22And what's worse,
00:42:24You lied to your wife with a tearful, outdated, neorealist soap opera.
00:42:28I'm disgusted with myself.
00:42:32Yes, you're right, I admit it.
00:42:34I'm a miserable wretch.
00:42:35So why don't you tell the truth?
00:42:38Man, the truth is, it's not funny.
00:42:42And what do you know, you wretch?
00:42:44Tell the truth.
00:42:46Okay, okay, whatever.
00:42:48The thing, like all things, started in bed.
00:42:56No, no, no, no, no, no.
00:43:26No, no, no, no, no, no, no, no.
00:43:56No, no, no, no, no, no, no, no, no.
00:44:26No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:44:56Thank you!
00:45:26Hello, Juanito.
00:45:44Good morning, Mr. José.
00:45:47Hello, Bertista, good morning.
00:45:49Has the ogre arrived?
00:45:51Yes, a little while ago.
00:45:53Which suit?
00:45:54With the checkered one.
00:45:55The one with the big squares?
00:45:57Exactly. He asked about you.
00:46:00And?
00:46:01Outrageous.
00:46:04They've put a kind of tourist agency full of buses right under my house.
00:46:10Every night I have to park where the wind turns around.
00:46:13Besides, since I'm alone, you know what they say, a man who's alone goes to bed bad, but wakes up worse.
00:46:20Do you think I should go in now?
00:46:22He has no other solution.
00:46:23Things are happening while they're still hot.
00:46:26Yes, of course. Especially in summer.
00:46:37Happens.
00:46:38Did you call me, Don Miguel?
00:46:43Yes, come closer.
00:46:49Did you want something?
00:46:50Of course.
00:46:52To find out why he's late again.
00:46:54Well, you see, Don Miguel, it's very simple, since I'm all alone at home, I don't wake up on time.
00:47:02I bought an alarm clock!
00:47:04I already have one.
00:47:05I warn you that I will impose a penalty for the next delay.
00:47:15And now, prepare Herrera and company's file to request a leave of absence.
00:47:19Whose folder, please?
00:47:22From Herrera!
00:47:24Ah!
00:47:24From Herrera and company!
00:47:27Yes, sir. Right away, sir.
00:47:29And don't be any more of an idiot, Mr. Rodriguez.
00:47:33Calm.
00:47:35Always at your service, sir.
00:47:37Always.
00:47:38Always.
00:47:39Always.
00:47:43I've had my say.
00:47:45Me.
00:47:47Let's get it sorted, Herrera and company.
00:47:50Because I'm indispensable.
00:47:52Child!
00:47:55Faster when I call, rich.
00:47:57Coffee with milk and churros for dipping!
00:48:12Surplus.
00:48:14Oh, hey!
00:48:15And bring me the brand.
00:48:18First things first.
00:48:23Here, this is mine.
00:48:24I'd better save the two pesetas.
00:48:27You get more beautiful every day, Bertita.
00:48:32They will not be his eyes.
00:48:33No way! I was thinking of suggesting a plan to him.
00:48:36Oh, really?
00:48:37Upon leaving, we had lunch by the pool.
00:48:39Then, a good magazine.
00:48:41After...
00:48:41After?
00:48:42Dancing, champagne.
00:48:44After?
00:48:46The night is young.
00:48:48How splendid!
00:48:50You can tell she just got her bonus.
00:48:52One day is one day.
00:48:54What do you think of my plan?
00:48:55Is it a five-year plan or just a trial run?
00:48:59Well, you see.
00:49:00It depends on the result.
00:49:02I'm not interested in it as an essay.
00:49:05And if it's long-term,
00:49:06He needs his wife's approval.
00:49:10You're missing out.
00:49:12Pretty.
00:49:12What's the deal, Herrera?
00:49:33For now, he's not leaving Inter, sir.
00:49:35As?
00:49:40Moron?
00:49:41Yes sir.
00:49:42A thorn of a certain size.
00:49:44Between.
00:49:45I'm going to dictate it.
00:49:46I'm coming, sir.
00:49:47How could this thorn have been brought to me?
00:49:51Which achievement is more practical?
00:49:55Customers first.
00:49:57The brand, whatever the intellectuals say,
00:50:07It is the only decent newspaper,
00:50:09with interest and compassion.
00:50:10If it weren't for the brand,
00:50:12It would be impossible to go to the office.
00:50:14The brand is the exciting pause
00:50:17that links bed with friends and billiards.
00:50:20Come on, Pepe, you go first.
00:50:21If you do it, we win the game.
00:50:22And we're going to have dinner, it's time.
00:50:24Come on, you're not annoying, are you?
00:50:37That's incredible.
00:50:39We need to think about it, don't we?
00:50:40But that's how they treated Ferdinand VII, man.
00:50:45Sorry, but you have to pay, suitcases.
00:50:48Pay this guy, he seems like a fool.
00:50:54Okay, but you have to pay for all your drinks, right?
00:50:57Well, you pay for it.
00:50:58What's happening?
00:51:08Come on.
00:51:13But this must be very expensive.
00:51:15We could look for another place, don't you think?
00:51:17We think so, but they should have thought about it before.
00:51:19He who doesn't make a carom shot, pays the price.
00:51:21Go ahead, lads!
00:51:22The night is ours!
00:51:23But the money is mine.
00:51:24Rings off!
00:51:25Aha!
00:51:27She didn't go out.
00:51:31Hello good.
00:51:32Excuse me, the tickets, please.
00:51:34As?
00:51:35The tickets?
00:51:37Hey, the tickets!
00:51:39Oh no, the tickets!
00:51:40What do you want?
00:51:41Tickets, well.
00:51:42That?
00:51:43Sure, there.
00:51:44There it is.
00:51:45Four, please.
00:51:47Two hundred and forty.
00:51:48How much?
00:51:49Two hundred and forty pesetas.
00:51:50What do you want?
00:51:52Love face.
00:51:53What did the gentleman say?
00:51:55No, nothing.
00:51:56These are my own things.
00:51:57Here, copper.
00:52:02Thanks, handsome.
00:52:04The tickets.
00:52:09And you with the sonata, with your faces...
00:52:12Don't be shy, what do you want the money for, man?
00:52:13Goodbye, beauty.
00:52:32Here's the cash.
00:52:33You have it, honey.
00:52:44Okay, to the right.
00:52:46This is a male.
00:52:48Come on.
00:52:49But there's plenty of room.
00:52:55It's still early.
00:52:58And the scarce usable material is properly subject to control.
00:53:02Let's have a drink for now, shall we?
00:53:05Well, let's go.
00:53:17Four Coca-Colas.
00:53:20And why not whisky?
00:53:21Look, Pepe.
00:53:27There's one that looks good.
00:53:29That brunette who is alone.
00:53:32No, it's not bad, but...
00:53:34That?
00:53:34Go ahead, take the plunge.
00:53:35Maybe you'll do him a good favor.
00:53:37No, he's not my type.
00:53:38She's very fat.
00:53:39Come on, don't be silly.
00:53:40What difference does it make to you, one kilo more or one kilo less?
00:53:42Take her out dancing.
00:53:43Come closer.
00:53:44Okay, good luck.
00:53:45What did he say to you, huh?
00:54:05She doesn't dance.
00:54:08That's how it is.
00:54:08No, we've already seen it.
00:54:10But what's up with the party, Mom?
00:54:12So that's how it is after the party, Mom.
00:54:20Look.
00:54:23The thing is, our temporary bachelor status is showing through our tongues.
00:54:28What are you telling me?
00:54:32Where could that be?
00:54:34At the back, on the right, as always.
00:54:36Here, hold on.
00:54:40Are you going to be here for a long time, Giovanna?
00:54:42I have to wait for Rafa.
00:54:44Let's see if we get lucky and catch a Rodriguez who's just received his extra pay.
00:54:49It's difficult.
00:54:51They know a lot.
00:54:52Furthermore, their relative controls their money down to the penny.
00:54:55Shall we sit down?
00:54:57Sitting down always gives a greater sense of economic power, doesn't it?
00:55:00That's done.
00:55:02Waiter.
00:55:04What is owed?
00:55:0585 pesetas.
00:55:07Pepe pays.
00:55:08And with that, end of story.
00:55:14The carom shot can't go any further.
00:55:16We'll be waiting for you at the table.
00:55:18Well.
00:55:18Hi, girl.
00:55:20Hi, girl.
00:55:31Hello.
00:55:34Would you like something to drink?
00:55:50Well, yes.
00:55:51Three cognacs.
00:55:54Well, then I'm leaving.
00:55:56My mom scolds me if I get home late.
00:55:58Woman, at least have a drink.
00:56:01Two hundred, twenty.
00:56:03Health.
00:56:04And let's see if the extra pay thing is true.
00:56:09Bye bye.
00:56:10Bye bye.
00:56:12What did he mean?
00:56:14Nothing.
00:56:15She has a friend who works in film, you know?
00:56:17Since she looks Chinese, she's hooked up with the Americans, you know?
00:56:22So, by Broston.
00:56:24For the extras.
00:56:25Thank you.
00:56:32Dance, love.
00:56:33So that?
00:56:34Yes it's true.
00:56:36Hey, I'm getting an idea.
00:56:38Say it, say it.
00:56:40You also get scolded if you get home late.
00:56:44Depends.
00:56:45About what?
00:56:46From the company.
00:56:47What if you come with me?
00:56:48Approved.
00:56:50You seem like a serious guy.
00:56:53I was just thinking.
00:56:54Tell me, tell me.
00:56:55I work in a very nice office.
00:56:58Would you like to see it?
00:56:59Now?
00:57:00Clear.
00:57:01We'll be much more at ease there.
00:57:04And will I be able to type?
00:57:06I've always been passionate about typing.
00:57:09Of course, of course.
00:57:10We also have calculators, intercoms, and even a bar cabinet.
00:57:13Ah, that's great.
00:57:15Let's go for the dry ones.
00:57:16That's it, come on.
00:57:17Oh, wait.
00:57:18Is there another way out here?
00:57:20Yes, over there.
00:57:21I came here because of some friends, and frankly, you know.
00:57:25Okay, let's go then.
00:57:26Have you never been told that you are very beautiful?
00:57:37Oh, what a silly thing to do.
00:57:38You have very healthy, very beautiful teeth.
00:57:41Can you see yourself?
00:57:42Now we're going to give.
00:57:43Where are you going?
00:57:44Go for a walk.
00:57:45Stay with me.
00:57:45But he left with a friend.
00:57:47Did I say you should stay?
00:57:48But, but, René, what?
00:57:50Hey, buddy, please let this woman go right now.
00:57:54Don't get involved.
00:57:56Get out.
00:57:56But who is this?
00:57:57He's a friend of mine.
00:57:59I'd better keep it.
00:57:59Please let go so that I can let you go.
00:58:05This, this was the punch that gave me the eye.
00:58:10So.
00:58:13Ah!
00:58:14Me and my mother!
00:58:21Where? Where? Where is it? Where is that one?
00:58:23And you must leave too.
00:58:25Okay, okay, please let me go.
00:58:27We need to put an end to all these hooligans and the hooligans' hooliganism once and for all.
00:58:32When I say something, it's done.
00:58:33I'm not hurting myself!
00:58:40Sorry.
00:58:45Forgiven.
00:58:57Mister.
00:58:59Listen, sir.
00:59:01Wait.
00:59:02Did that brute hurt you?
00:59:13Let's see what happens. It's nothing.
00:59:15Are you angry?
00:59:17No.
00:59:18Are you coming with me or what?
00:59:19I would like to, but I can't.
00:59:22Won't he let you?
00:59:23No, that's not it. It's just that...
00:59:24If you could lend me 500 pesetas for...
00:59:27There, a day is a day.
00:59:43Thank you.
00:59:44I'll be right back.
00:59:44I'm here now.
01:00:12Hello.
01:00:12Hey, is this yours?
01:00:14For now, yes.
01:00:16Oh.
01:00:16Get in, beautiful.
01:00:17How lucky.
01:00:18Oh.
01:00:42Will you sign the note?
01:00:54Yeah.
01:00:56Thank you.
01:00:57What's wrong, Berta? Is that idiot Rodriguez not showing up?
01:01:01He's not at home. That's natural.
01:01:03Today is Saturday night.
01:01:06You caught me by the skin of my teeth.
01:01:08She had just arrived from the hairdresser to go to the theater.
01:01:10I'm sorry, Berta.
01:01:13But the matter is urgent and cannot be postponed.
01:01:17What? Shall we work?
01:01:18If there is no other option.
01:01:25Let's set the clocks, Giovanna.
01:01:27I don't have a watch. Time doesn't exist.
01:01:30Oh man. We're off to a bad start.
01:01:32Well, it doesn't matter. You go up that skyscraper.
01:01:35Floor 14, office F.
01:01:37I'll be waiting at the door.
01:01:39OK?
01:01:41Any questions?
01:01:42No questions asked.
01:01:43Floor 14, letter F.
01:01:45You in the...
01:01:45Well, no, letter F is the same.
01:01:47You at the door and a reasonable amount of time.
01:01:49That's it, perfect.
01:01:51If the doorman asks you where you're going,
01:01:53You tell him to the photographer, to the art photographer.
01:01:55That's right, to the art photographer.
01:01:57Don't be late, what do you say?
01:01:59Don't be long, darling.
01:02:01That's it, then, for the daughter.
01:02:02See you later.
01:02:03Do you see?
01:02:13Felipe!
01:02:17Goalie!
01:02:17One moment.
01:02:33Good evening, Mr. Rodriguez.
01:02:36What do you want?
01:02:37Hello, Felipe.
01:02:38He gives me the key to the office.
01:02:39I have to do some extraordinary things.
01:02:41By the way, but your boss and Miss Berta just came upstairs.
01:02:44As?
01:02:44Business must be going really well, huh?
01:02:46Because you work very hard.
01:02:48Incidentally, they've ordered a great dinner for two from the restaurant on the corner.
01:02:53Shouldn't they have counted on you?
01:02:54Well, no, uh, uh, I've already had dinner, Felipe.
01:02:59Okay, see you later.
01:03:00Thank you so much.
01:03:01You're welcome, you're welcome.
01:03:02Good job.
01:03:03To be tight.
01:03:06It's not working as usual.
01:03:10I prefer to walk up to throw away the fiartos.
01:03:12Goalie!
01:03:13Goalie!
01:03:14Goalie!
01:03:15Goalie!
01:03:16Goalie!
01:03:17Goalie!
01:03:18Goalie!
01:03:19Goalie!
01:03:20Goalie!
01:03:21Goalie!
01:03:22Goalie!
01:03:23Goalie!
01:03:24Goalie!
01:03:25Goalie!
01:03:26Goalie!
01:03:27Goalie!
01:03:28Goalie!
01:03:29Goalie!
01:03:30Goalie!
01:03:31Goalie!
01:03:32Goalie!
01:03:33Goalie!
01:03:34Goalie!
01:03:35Goalie!
01:03:36Goalie!
01:03:37Goalie!
01:03:38Goalie!
01:03:39Goalie!
01:03:40Goalie!
01:03:41Goalie!
01:03:42What's wrong with you, dummy?
01:03:55I caught her by the skin of my teeth.
01:03:59Fourteen floors of hair-on-hair racing.
01:04:02One more floor and I'll be in serious trouble with Don Miguel.
01:04:06I haven't said before that the truth is not funny at all.
01:04:10Keep going, keep going.
01:04:11Yes, yes, yes.
01:04:13That wasn't the end of it.
01:04:17Like cherries, events became increasingly tangled.
01:04:23Slow down, Magdaleno!
01:04:26But man!
01:04:29We've dodged a bullet.
01:04:32Wow, what a guy, and he seemed like a fool.
01:04:34What do we do?
01:04:35In these cases they always take me to their house.
01:04:38When the office fails, you know how it goes.
01:04:40Home.
01:04:41No, no, home, no, no, it can't be, no.
01:04:44Aren't you single?
01:04:45No, I'm not being a Rodríguez, I am Rodríguez.
01:04:48Well, what does it matter if it's this?
01:04:52Come on, take me to your house.
01:04:54I'm hungry.
01:04:56You'll have something to eat there, right?
01:04:57No, no, no.
01:04:59Dangerous, very dangerous.
01:05:00But you're a very brave guy.
01:05:03Come on, take me to your house, handsome.
01:05:10Alia Jacta es.
01:05:12What are you saying?
01:05:14No, those are Caesar's matters.
01:05:15The one from Barcelona?
01:05:16No, no, an older one, andiamo.
01:05:20Presto.
01:05:28Hey, do you live here?
01:05:31No, not yet.
01:05:32So what happens?
01:05:33Just as I feared, the night watchman is at the door, can't you see?
01:05:38I'm not going to tell anyone who's known me since I was a child that you're my cousin.
01:05:42So what do we do?
01:05:43Yes, I am a business.
01:06:08Seleno!
01:06:08No!
01:06:09Goes!
01:06:14What are you doing, you crazy guy?
01:06:15Hide, hide your head, the night watchman is coming.
01:06:39But, but, oh, my shoe, oh, oh, but, but, but, man, but, man.
01:07:01Okay, now pretend.
01:07:03Just pretend you don't know me, anyway.
01:07:04Pretend.
01:07:11He hides it well.
01:07:13You're not very good at hiding it.
01:07:14Be more discreet.
01:07:15Further?
01:07:16Go on, let the sun warm things up.
01:07:18I know.
01:07:27Go on, go on, tough.
01:07:31Go on.
01:07:31Go on, tough one.
01:07:31Go on, tough one.
01:07:31Go on, tough one.
01:07:31Go on, tough one.
01:07:34Oh, he's going to die.
01:07:44We will walk up in silence and without understanding the light.
01:07:47Give me your hand, daughter.
01:07:48This is outrageous!
01:07:49It looks like a hit movie.
01:07:50Silence!
01:07:53Silence.
01:07:53Come on, woman!
01:08:04I'm feeling unwell in my chest!
01:08:06But a lot?
01:08:06No, then laughing.
01:08:13Light!
01:08:13Good morning!
01:08:29Good morning!
01:08:34Good morning!
01:08:36Bye, big wine.
01:08:57Have you seen Julio?
01:08:59No, and home.
01:09:06I assure you that you saw home.
01:09:16Charm!
01:09:25That's beautiful, isn't it? Should I put it on?
01:09:27No, it's not worth it. And it's not the right time.
01:09:30They will be with the memory, meditating and reciting verses at midnight.
01:09:34Besides, you can hear everything from here.
01:09:36Well, go ahead.
01:09:38Your children?
01:09:39No.
01:09:41Well, yes.
01:09:44How's this? There's pre-war dust here.
01:09:47Don't believe it, don't believe it.
01:09:48After I've eaten something, if you give me a broom, I'll leave it spotless.
01:09:51Where is the kitchen?
01:09:52Here.
01:10:03It looks like something out of a movie.
01:10:05Of course, it's a sleazy movie.
01:10:07A man alone, what do you want?
01:10:10Is there anything to eat?
01:10:13It seems to me that...
01:10:14Here, start beating.
01:10:18Here, start beating.
01:10:19Keep stirring!
01:10:20Thank you!
01:10:50Good evening, Don José. I heard you coming and I've brought you these letters.
01:11:11Very well, thank you very much.
01:11:13Why are you only seen at these times?
01:11:15Yes, of course, it's like that.
01:11:16You know that if you need me for anything...
01:11:18Very well, but not at the moment, no.
01:11:19What's wrong with that eye?
01:11:21Oh, no, nothing. Just an unfortunate accident at the office with a filing cabinet.
01:11:24Oh my God.
01:11:25What a beautiful bag!
01:11:27It's for his wife.
01:11:29Yes, I saw it, I thought he'd like it.
01:11:32It smells like perfume.
01:11:33I bet he also gave her perfume.
01:11:35No, no, no, it's not that, it's this. What it smells like is this, it smells.
01:11:38It's tear extract, crocodile, Dior.
01:11:41Now everyone perfumes it.
01:11:42I always tell Tomás that you are an ideal husband.
01:11:45Thank you so much. Let's see if we can catch them.
01:11:48We were talking about you the other day.
01:11:50You are so formal, from work to home.
01:11:53Ah, this is it.
01:11:53I said that you are incapable of cheating on your wife.
01:11:56No, of course not. Well, and now, with your permission, I'm going to bed.
01:11:59I get up so early.
01:12:00He can't. And rest.
01:12:01I had everything ready.
01:12:02Oh, I almost forgot.
01:12:04They came to collect a debt.
01:12:06I told him that...
01:12:06No, no, no, oh, this is not important.
01:12:08It's the television's deadline.
01:12:10Yes, of course, I know.
01:12:10Things shouldn't be taken literally.
01:12:13See you tomorrow.
01:12:13Until he rests.
01:12:13Things shouldn't be taken literally.
01:12:43Help! Help! Oh, I'm getting hugged!
01:12:49Help! Help!
01:12:50What's going on?! Here! Here, here, take it! I'm going to hug you!
01:12:54Oh my God! Oh my God!
01:12:56Sodorma and comorran! They already said so!
01:12:58Oh, turn it off! Turn it off!
01:13:00With water?
01:13:00No, not with water! What a floor!
01:13:02With... with... with...
01:13:04With the kitchen bathroom! With the kitchen bathroom!
01:13:06Take that! With that! With that! Drowning him!
01:13:09With a blanket! With a blanket!
01:13:12I don't have a blanket!
01:13:14Oh, oh, oh, oh! Here, here! Drown him!
01:13:26Oh, drown him!
01:13:27Well, we'll have to eat sardines, as always, because they suit you very well.
01:13:35Hey, you're living well, huh?
01:13:36I can't complain, since I didn't prove myself that much.
01:13:39If I had a house like that, and a husband like you...
01:13:43What would you do?
01:13:44Of course, I won't leave you alone.
01:13:46Why? Children really enjoy summer vacations.
01:13:50And to the parents, you rascal.
01:13:51Frankly, I don't understand you.
01:13:54What's that about?
01:13:55You're all so selfish.
01:13:57You have everything.
01:13:58A family, a job, a good house.
01:14:00And yet you get yourselves into all sorts of trouble.
01:14:03Yeah, and you're telling me that.
01:14:04And you just stand there, so cool.
01:14:06You see.
01:14:07I get sentimental in private.
01:14:13Who will it be now?
01:14:14We couldn't make you anymore.
01:14:23Go on, hide me, hide me.
01:14:26That?
01:14:27Oh, but don't leave.
01:14:30You're not doing your part.
01:14:32Cover, my dear!
01:14:33Oh, oh, oh, you've put the screen right in my ear.
01:14:36Okay, what is that?
01:14:36Shut up, shut up, shut up.
01:14:39Good night.
01:14:44Who is it?
01:14:45Open the door already!
01:14:46Open it up or we'll tear it down!
01:14:49He called saying there was a fire here.
01:14:52Where is the kitchen?
01:14:59Is something wrong?
01:15:00No, the fright, that's it.
01:15:02He called Doña Margarita on the phone because he had seen a fire in the kitchen.
01:15:07Nothing new in the kitchen.
01:15:08Come on!
01:15:14Sorry for the inconvenience.
01:15:15Good night.
01:15:16And let the party continue peacefully.
01:15:18I'm glad it wasn't anything serious, eh, Don José?
01:15:20Oh.
01:15:20Good night.
01:15:27Count on the ciao.
01:15:44Tell us.
01:16:01Whistle, whistle, whistle, whistle!
01:16:04Hey, car, car, car, car!
01:16:06Leave me alone, please!
01:16:08But anyway, they've already left, haven't they?
01:16:10I'm nervous, very nervous.
01:16:14Let's go have fun somewhere else.
01:16:15I'm hungry.
01:16:16Me too.
01:16:17Wait, let me try to calm down a bit, daughter.
01:16:23Say!
01:16:25Is it the Humane Society?
01:16:29Yes, tell me.
01:16:30I am Mrs. Arredondo's widow.
01:16:32Hey, do you know if they've found my kitten yet?
01:16:35Yes sir.
01:16:36Okay, sir.
01:16:37Always at your service.
01:16:38Hey, hey, I'm asking about my kitten.
01:16:43Nothing, don't worry.
01:16:44Time doesn't matter when the future of our company is at stake.
01:16:48I'm already there.
01:16:49You heard it, daughter.
01:16:50I have to go to the office, boss.
01:16:52I have to take care of a matter of life or death.
01:16:54Hey, but aren't we going to eat something?
01:16:55Impossible.
01:16:56Duty first.
01:16:58And let's go before the Martians arrive, they're about to land.
01:17:01The crocodile, baby.
01:17:03That?
01:17:08Thus ended an unfortunate adventure that should never have begun.
01:17:20Another lie saved me from poor Giovanna, who went without dinner that night.
01:17:27This is the truth, the whole truth, and nothing but the truth.
01:17:31No, that's just your truth, your little truth.
01:17:38Poor thing, you've tried to make a long journey in search of something that's right in front of you.
01:17:45Haven't you noticed that all the women you like are like your wife?
01:17:51Hey?
01:17:51That men always fall in love with the same woman.
01:17:58And pay a little attention to your wife, you impassive fool.
01:18:01In my wife?
01:18:04Clear!
01:18:05Pepe, hurry up!
01:18:07I'm coming!
01:18:09I'll be right there.
01:18:10I was trying to clear my conscience.
01:18:12I mean, consciously.
01:18:13It's clean now, papaya!
01:18:37You're a sweetheart, husband!
01:18:40Oh, what a gorgeous bag!
01:18:42I thought you were going to forget that today was our wedding anniversary.
01:18:46For two people who love each other, every day is an anniversary of something.
01:18:52Let's see, let's see.
01:18:57Hey, you're...
01:19:00You look very pretty, which one is it?
01:19:04Not to be rude, but I think we should study this again, carefully,
01:19:09a fairer way of distributing the beds.
01:19:11You don't think so, either.
01:19:12The children, there are the children, man.
01:19:15So what?
01:19:16If they're going to have another little brother, like you.
01:19:17Hey, hey, what, what, what, what?
01:19:19They'd better get used to the idea.
01:19:22Besides, it's time for the children, the maid, and everyone else
01:19:25Know that I love you with all the devil in the world.
01:19:29The train!
01:19:43Thank you!
01:19:44Thank you!
01:19:45Thank you!
01:19:46Thank you!
01:19:46Thank you!
01:19:47Thank you!
01:19:48Thank you!
01:19:49Thank you!
01:19:50Thank you!
01:19:51Thank you!
01:19:52Thank you!
01:19:53Thank you!
01:19:54Thank you!
01:19:55Thank you!
01:19:56Thank you!
01:19:57Thank you!
01:19:58Thank you!
01:19:59Thank you!