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00:01What is there to say about Thomas Edison that hasn't already been written?
00:08Well, let me tell you.
00:17The year was 1867, and I was the very first female student chosen to participate
00:22at a very prestigious Ivy League institution.
00:26They called this the dawn of a new era.
00:36And that's when life starts.
00:39I don't know if that works, right?
00:43The aspect of life.
00:45Excuse me. I'm looking for Bioanthropology 215.
00:49I'm curious if any of you lot might be...
00:51Do you mind if I take a look?
00:56Bioanthropology. Hmm.
00:59215.
01:03215.
01:05215.
01:06Yes, 215.
01:08You can read numbers quite well.
01:11You know, I don't recall where that one is.
01:14Even though you're holding a bio textbook right there?
01:17That's for something different.
01:19Oh. I see.
01:22I see.
01:24You know, if the lot of you can't muster up a decent retort, how do you expect to charm your future wives one day?
01:30Well, we can... we can retort.
01:32Sure you're telling yourselves it'll be all about the money, huh?
01:38But the truth is, women, all over the country, the good ones anyway, they are just like me.
01:44They're challenging themselves to find unique purpose to do better, to be better.
01:51Enlightened women.
01:54I don't want enlightened women.
01:57I don't think you'll have much say in the matter after long.
02:02All right.
02:03Do you disagree?
02:04Yes, they disagree.
02:05It seems they disagree.
02:06Come on.
02:08Look at her. I mean, she's not a serious person.
02:11Look at her.
02:12Look at me.
02:13I am.
02:17Of the 6,072 submissions this year, there were 908 admissions.
02:22Which makes you all very smart.
02:24And very elite.
02:25But this fine lady, your name fine lady?
02:27Marion.
02:29Ms. Marion, here.
02:31Applied against an entirely separate pool of applicants.
02:33900 applicants.
02:35One slot.
02:38I'm sure I don't have to explain how ratios work, but that makes her even more elite than you.
02:43And I believe that Marion, may I call you that?
02:45Okay.
02:46I believe the difference between you lot and Marion is that she doesn't believe that any of this is owed to her.
02:50You see, Marion knows that there are plenty of women who deserve to be here, but there needs to be a first.
02:55A catalyst that sparks change throughout the world.
02:58So I suppose what I'm trying to say is that you're absolutely right about women.
03:01They don't need to be enlightened.
03:04But in fact, most already are.
03:06Just simply waiting in the wings for the right moment.
03:11Rest assured, I most certainly was not in need of his saving.
03:15If anything, you might say that I unknowingly saved him.
03:25Dear reader, I must warn that if it is indeed this narrow love story that you yearn for, I might encourage you to look elsewhere.
03:33That was nice.
03:34What's this?
03:35It's what?
03:36I don't know.
03:37That's nothing.
03:38Nothing, nothing, nothing.
03:39It's nothing.
03:40I just mean to say it's, it's, it's, it's not ready yet.
03:46It's, I don't know.
03:47It's far-fetched.
03:48Please, please don't judge me.
03:49I truly am on your list.
03:50You know, I don't expect it to go anywhere.
03:53God, listen to me, talking myself in circles.
03:55I should, I should really just shut up and, and stop talking myself in circles.
03:58But, uh, here it is.
03:59I don't know.
04:00I don't know.
04:01I don't know.
04:02I don't know.
04:03I don't know.
04:04I don't know.
04:05I don't know.
04:06I don't know.
04:07I don't know.
04:08I don't know.
04:09I don't know.
04:10God, listen to me, talking myself in circles.
04:12I should, I should really just shut up and, and stop talking myself in circles.
04:15But, uh, here I am.
04:17It's, it's really nothing.
04:22On the contrary, Miss Marsh.
04:24On the contrary.
04:26You're not allowed in front of the property, Celia.
04:40Choke on your mother's tit.
04:42Tell me I didn't just see what I just saw.
04:45What do you think you saw?
04:46Don't tell me, Celia.
04:52Filthy, filthy place.
04:56I put down the symbol.
05:01Marion, I implore you to leave this alone.
05:04Well, I think you're all fucking cunts and leeches.
05:07That's what I did.
05:08Shut up, woman.
05:09Shut up.
05:10I never lied to you.
05:11Please.
05:12Marion, shut up.
05:13A woman was never to be published.
05:15I did you a favor.
05:16They lied to us with their kind eyes.
05:19You are never gonna go to Paris.
05:21Shut up.
05:22Shut up, Marion.
05:23Shut up.
05:24I'm getting the sense this isn't entirely about me.
05:27Marion!
05:28Shut up, Jared!
05:29Shut up!
05:34Well, would you look at that?
05:35He's out cold.
05:39Where is my fucking room?
05:40Where is my fucking room?
05:42Where is my fucking room?
05:43My charbon!
05:44Sir, I'll show you to your room.
05:53This way, sir.
05:54To your right, sir.
05:55To your right.
05:56Sir.
05:57To your right.
05:58To your right.
05:59Sir.
06:00Sir.
06:01Sir.
06:02What?
06:07Sir.
06:08What?
06:09Sir.
06:10The bell is broken.
06:11The bell is broken.
06:12Norman.
06:13Doctor!
06:14Try and tell you that the bell is broken.
06:15Doctor, doctor!
06:16The bell is broken, sir.
06:17But you're in a manic spin.
06:18You see, you see, this is why he lost all of his businesses.
06:21He can't keep it together under pressure.
06:22Marion, I'm begging you to use discretion.
06:24We're looking at it.
06:25I am begging you.
06:26I am begging you.
06:27Oh, oh, oh, you don't want Thomas to hear?
06:29Anybody who doesn't need to be here, please go away.
06:30Go away.
06:31Thomas can't come to the window right now.
06:32It appears that he's truly cold under.
06:34Doctor, doctor!
06:35Doctor!
06:36Doctor!
06:37Doctor!
06:38Lily, Lily, where are you going?
06:41To my tent.
06:42To wait.
06:43For what?
06:46To be cold.
06:48Because I am a whore.
06:51Except I'm a stupid whore.
06:53Because I'm not even paid.
06:54Oh, don't be so dramatic.
06:56We're all whores.
06:57Lily, don't you do anything brash.
07:00Lily!
07:01No, you cunt!
07:03He's nothing but smoke and mirrors.
07:05He's better off dead.
07:06Marion, if you can contribute at least one thing to this family,
07:08it would be to help me revive this man.
07:10Well, um, I think you should get that bell fixed.
07:13Now, that's a meaningful confusion if you ask me.
07:16Doctor!
07:17Doctor!
07:18I fetch him, sir.
07:19Thank you, thank you.
07:20Doctor!
07:21Quite old!
07:22Doctor!
07:23Doctor!
07:24Doctor!
07:25Doctor!
07:26Doctor!
07:27Doctor!
07:31Hey!
07:32Hey!
07:33Hi!
07:34Hi!
07:36Oh, your wife's a cunt.
07:38Look, please, this is tremendous foolishness now.
07:44Please.
07:45How long was he out cold?
07:47Probably ten minutes or so.
07:48You have to be on my way, all right?
07:50This is foolishness.
07:51Mr. Edison, please, follow my finger.
07:53Would you like me to lead with my chin, or...?
07:55No, only the eyes.
07:56But, okay.
07:57That was the chin.
07:59I wouldn't recommend he drive tonight.
08:00Fine, it is settled.
08:01No, nothing's settled.
08:02It's settled.
08:03There's something called a cerebral edema.
08:05Do you know what that is?
08:06Never in my life have I been more accosted.
08:08I was assaulted, really.
08:09My lawyer is gonna be my first letter upon my release from this prison stint that is this hellscape that you call Rhode Island.
08:16Oh, Mr. Edison, please, there was nothing more than the slip of, uh, you ought to leave the fine state of Rhode Island quite out of it.
08:21Oh, it was a slip of nothing.
08:23It was positively intentional, and she needs a real talking to that woman of yours.
08:26Sir, sir, sir, I would never punch you intentionally.
08:28What?
08:29What?
08:30What did you say?
08:31Your wife, sir, needs a real talking to.
08:37Call me if you, uh, feel any dizziness or you see black spots.
08:40I should sue, is what I should do, for libel.
08:44Mr. Edison, it feels a bit brusque.
08:48That feels terse to you, does it?
08:50Can I ask you something?
08:51Yes.
08:52Honestly.
08:53Please.
08:54Are you a serious man?
08:55I believe you know the answer to that.
08:56Look around.
08:57Because I drove for hours to the middle of nowhere because I was told that you were someone who would not waste my time.
09:03And for that I shall write you a big fat check, at favorable terms, of course.
09:06Yeah, you're gonna award me more than that.
09:09What, what, what, what are you implying?
09:13I'm gonna need a formal apology from your wife, sir, before a deal can be done.
09:18And let me tell you something.
09:19Any deal that could be done, so it shall be done.
09:22And when it is, it's gonna make you more money than you've ever seen in your life.
09:26And let me tell you, saying something, ask your robber baron friends, hmm?
09:31Well, of course she'll apologize, Mr. Edison. She's, she's not a, a, a, a, a peasant. She's a Henry. She's a Henry, for fuck's sake. A few other things, too.
09:43Ha!
09:44Chère mère, je viens d'apprendre que je risque de ne jamais revenir à Paris.
09:52Mon monde s'est écroulé, d'autant plus parce que je ne te reverrai jamais, peu importe le ballet.
10:02Maman, je ne me suis jamais sentie aussi seule de toute ma vie.
10:11Marianne?
10:33Are you awake?
10:38Yes, Norman, what is it?
10:43You got us into trouble today, Marianne, and I, I, I mean that in the most constructive way I can, because I'm your wife.
10:50My husband.
10:51Instigated madness in this house. Madness that's bled through into my business dealings.
10:56Thomas Edison is not a business dealing. He is an ass fucker. I told you that.
11:00You don't tell me what a business dealing is. You don't tell me what a business dealing is.
11:05Norman, I would ask you to take two big deep breaths before you speak to me again.
11:10You're acting with such savagery and barbarism that it's hard to...
11:14Savagery and barbarism? Norman, you're the one who's frothing a...
11:17Let me finish, I...
11:18Warthog!
11:20You might think me a dim-witted opportunist, but you need to set your differences aside now for the betterment of the Henry name.
11:29Mr. Edison has asked for an apology.
11:34I, for one, think that's a good idea.
11:38I owe him nothing, and you're the one who punched him.
11:42You know what I think it is? I think you can't conceive that an uneducated man like him...
11:47Uneducated?
11:48An uneducated man...
11:49Say that again!
11:50...may try to claw his way out of the rat-infested rungs of society...
11:53The rungs of society is where he belongs.
11:54...and make something of his life without having to marry up!
11:59You will apologize in the morning. I know you can hear me. I know you're not asleep yet.
12:13You think you're the first artist who's ever whored herself for a warm bed and a loaf of stale bread? You disgust me!
12:34Do you know that? I loathe you! And not because you're an unadulterated cunt, but because you somehow actually believe that your talent means something more than all the others.
12:47You believe that you're better than all of us girls. And you're not! You're nothing!
12:54You're a... a... a passionate nothing! So don't you fuck us! Do you hear me?
13:04Don't even think about fucking this all up. Look at me. Look at me!
13:14I hit ambition once, too. You know that, don't you?
13:29I was reviewed by the Times.
13:35When you create something, even if it lasts but only for a moment, something you believe to be truly remarkable and singular in this world...
13:50Best to stay outside the house!
13:53Best to stay the clue and wait until you're summoned, Lily!
13:56Dear!
13:58And then to have it ripped away without an ounce of acknowledgement by a complete and utter nobody.
14:05You'd think, perhaps, that one might feel rage. Bitterness.
14:15But the truth is...
14:17No, man.
14:18The truth is, I could never get past the shame.
14:23Because it was always my fault. All of it.
14:28Tell me she's a liar.
14:30Tell me she's a liar, old man.
14:35I will go to Maui, yes.
14:40I will see you on that stage in Paris. If it's the very, very last thing I do.
14:59Annoying self-hatred that rattles you to your core.
15:04Because deep down, you know that you're better than the beg you've made.
15:20Did you hear the news? He did it! Tom, he did it!
15:23Tom, he did what?
15:25What did Tom do?
15:27He figured the whole damn thing out!
15:29Direct current. Using direct current, we can generate heat.
15:33Just like the candles in this very room, only it is enclosed within a glass tube.
15:37But what does it mean? Just speak plainly, you louse.
15:40It's a candle that can burn forever without ever needing tending.
16:03Congratulations, Tomas.
16:15I am so very proud of what you have accomplished.
16:21Of what you have accomplished.
16:44We'll continue this moment.
16:45Pardon me, miss.
17:01Oh, it's okay. I thought you were asleep by now.
17:06I didn't realize I drew your curtains about half past.
17:09I'm very sorry. It's fine.
17:10I suppose that's the reason.
17:11It's fine.
17:12I suppose that's the reason.
17:13I'm very sorry, miss.
17:14Ida?
17:19Are you frightened of me?
17:24Pardon, miss?
17:26I sense a liberal amount of anxiety pulse through your veins every time I turn a corner.
17:31I see.
17:37Is it like that with Mr. Henry, too?
17:46It's okay, Imigo.
17:52I'm not frightened, miss.
17:56You just confuse me, is all.
18:02Good evening, ma'am.
18:13I'll be right back to the west in a jiffy.
18:16You!
18:17Sit in at the table for me.
18:18Take my place.
18:21Tadol!
18:22Tadol!
18:23Tadol!
18:28Tadol!
18:31Tadol!
18:35Tadol!
18:36Tadol!
18:38May!
18:39Are you with hound?
18:40Am I with what?
18:42The Poodles!
18:43Are you with the Poodles?
18:46Yes, sir.
18:47Their evening walk.
18:48Are they the very same Poodles that I paint?
18:52Yes, sir.
18:53They seem less fidgety in the twilight.
18:56Twilight I suppose maybe they are perhaps in the evening
19:04So we paint in the evenings
19:09Do you hear
19:26Yes, why did you just say that?
19:33Oh my God
19:36It's alright
19:38I'm sorry
19:47Madam
19:51Good evening
19:52For an artist who painted poodles
19:58His passion was surprisingly palpable
20:04Passion I hadn't felt in years
20:09And for just a moment
20:12I felt like a woman again
20:23A dangerous woman
20:27With her own thoughts
20:29And her own ideas
20:34And quite a bit of power
20:35I asked myself if anyone might hear him gasping for breath if I strangle them right then and there with a pillow
20:47I love
20:48Oh my God
20:50The two kids
20:52The two kids
20:54I can feel
20:56Oh yeah yeah yeah
20:59Oh la la la la
21:00La la la la!
21:30But the truth remained. I didn't hold the power. He did.
21:43Oh, how history might have been written differently had I not lost myself in him.
21:50But in both of them.
21:55Instead, I sat empty, powerless, on the floor of a home that was in my husband's name.
22:11A home that we would not be able to afford without the proceeds from a deal with this man who had ruined me.
22:19Oof. I told myself at no point would I wallow in self-pity as I write to you.
22:25So I believe it best we break for an intermission so that I might regain my composure.
22:29Come one, come all to the city that never sleeps, New York City.
22:37Rub shoulders with the high society elite at the Madison Square Garden rooftop theater designed by acclaimed architect Stanford White.
22:43Feast your senses upon the greatest arena in this world, famous Metropolis.
22:48The only building on the island with a rooftop cabaret now opens Sunday.
22:56The following morning was a Tuesday.
23:00I knew this because there had been a murder in the city the night before.
23:06This was one of those unconnected events that would ultimately contribute to my husband's untimely demise.
23:14What?
23:18This is a good life.
23:20This is a good life.
23:22This is a bad life.
23:24This is a bad life.
23:25This is a bad life.
23:26Everything interesting?
23:27Yep, kind of killing in the city.
23:28No!
23:29Fucking hate the city!
23:31Yes, sir.
23:53Petit chuchon.
23:55Qu'est-ce que tu son?
24:15Hey, Maria.
24:17Hey, you know, I think that the missus was shagging Mr. Edison yesterday.
24:23Mr. E.
24:35Oh, deplorable.
24:37Absolutely deplorable.
24:39Have you seen this?
24:41Huh? What?
24:43The murder of Sanny White.
24:45Absolutely unbelievable.
24:47He was so proud of the...
24:49the rooftop at the garden. Have you been up there?
24:53Larry!
24:55Madison Square Garden? Of course, of course.
24:57Yeah, but have you been up top to the cabaret there?
24:59The, uh, it's absolutely wonderful.
25:01The view of the city in every direction.
25:03Mr. Edison, I've just said I've been.
25:05I wasn't exactly sure.
25:07Oh. If you had.
25:09What made you unsure?
25:11I think it was your tone, sir.
25:13Hm. Morning, Miriam.
25:15Morning.
25:17Morning, Mary. Morning.
25:21Have you heard?
25:23Uh, yes. It's deplorable. It is.
25:25Absolutely deplorable.
25:27Yeah.
25:28Harry always struck me as a man I'd never want to find myself alone in a room with.
25:31Well, of course not. You're a married woman.
25:33Oh, yes. I agree with that.
25:35Married women should definitely not be left unattended in rooms.
25:39And, uh, such.
25:41Well, he has just murdered a man, so I imagine it's more than just, you know, the married woman thing, wouldn't you think?
25:47I'm sorry, do you know the murderer?
25:50Yes, yes, we do.
25:51Well, you know, he is an associate of, um, Normans to some degree or other.
25:55So we've had them over and they've had their, so we're, you know, the way it goes.
25:59Well, isn't that a little bit troubling?
26:01I'm one signature away from being the associate of associates of murderers.
26:05Absolutely not close to the least.
26:06Mere acquaintance.
26:07Harry's always had a screw loose.
26:09Erling, remember the time, uh...
26:10At the, at the racehorses.
26:12Yeah, but, you know, was that even his real mother?
26:14Well, not when he was done with her.
26:15Mr. Henry, this message came in for you, sir.
26:18It was a note on prison letterhead.
26:21From the murderer himself.
26:25I'm gonna take care of poor Evelyn until it's time for her to testify.
26:30On my behalf, I'm afraid she's my only way out of this mess.
26:35This mess?
26:37Murder?
26:39Misunderstanding. Write that.
26:41Misunderstanding.
26:45Am I suggesting that you distance yourself from this person?
26:48I mean...
26:49Uh...
26:51Dad.
26:52He's a madman, isn't he?
26:54Playing devil's advocate a moment because...
26:56Weren't you meant to be on your way?
26:57I was meant to, yes.
26:58Sanford White did rape her, if I'm not mistaken.
27:01The incident happened...
27:02Plenty of times.
27:03...before they even met.
27:04So, why linger?
27:05What's a man to do?
27:06I'd at least sit by and watch...
27:07It's a glorious morning out here, Marian.
27:09But raping's a raping, if you ask me.
27:11Yeah, but Harry is a murderer. I...
27:12Do you not find your wife's tone a little bit troubling?
27:15Are you still here?
27:16Tone, Marian.
27:17Tone. Tone.
27:18You seem so bitter, Marian. So very bitter.
27:21And yet, apparently, you've been handed the world.
27:27How dare you?
27:29You just don't seem happy, Marian.
27:31Well, I am happy.
27:33Well, you sure there's not an ounce of regret? Not a shred? Nothing?
27:40Wow. You bitter, lonely little man.
27:44Is that all you have left? Is it?
27:46The need to placate your wrongdoings by trying to force me to admit that I might have been better off?
27:51I'm not following. What does placate mean?
27:53What?
27:54Placate means to mollify.
27:56To appease, Norman.
27:57I have told you what this man is. Why won't you believe me?
28:00I mean, I know I am... I am tempestuous, but have you ever known me to be a liar?
28:05What the fuck does mollify mean?
28:06What am I, Marian? Hmm?
28:09No, what am I?
28:10You step away from me.
28:11Don't shout, Marian. Don't work yourself into a huff.
28:13I'm not shouting. I'm calm. I am completely calm and collected.
28:16You know, he's a man who invented the light bulb. For heaven's sake. Give him some respect.
28:21Jesus fucking Christ!
28:32Don't touch that glass. You don't touch that glass, Gretchen.
28:37It's not your mess to clean up.
28:40No, you're right about that. You are absolutely right about that.
28:46Well, I guess that's my cue.
28:50Norman, he did not invent the light bulb.
28:54Oh, Marian. Fuck.
28:55Norman, please. He did not invent the light bulb.
28:59I suppose you know who did. Huh.
29:09Look at me. Look at me.
29:12You can't, can you?
29:17Pardon me.
29:31Pardon me.
29:32I'm so very sorry that you've had to endure such preposterous ridicule.
29:36You have my sympathy for what you have to put up with on a daily basis.
29:40I've had to do it on a daily basis.
29:43I don't know.
30:13You left your books.
30:20Just leave them.
30:21Here, you will need these, I assure you.
30:22Just leave them.
30:23Marion.
30:24You cannot just fucking leave them.
30:25Marion, you need to calm down.
30:27The nerve.
30:30And I want to say men, the nerve of men,
30:33but no, I've come to the realization that you are not men.
30:36No.
30:38No, you are so much worse.
30:41You are an abomination.
30:44And you can take this entire institution and fuck it.
30:48What am I even saying?
30:50You're not even a member of this institution.
30:51You're a squatter.
30:52A research assistant.
30:54Yeah, you're nothing.
30:58How can you do that?
31:01After what you just did to me, you smile?
31:05You stand there with a smugness that permeates to my very core
31:09and makes me want to take a boxing.
31:15I'm very sorry, Marion, but I'm entirely confounded by this behavior.
31:18It's not very ladylike at all, I'm afraid.
31:20Oh, you're confounded?
31:22Are you dumb?
31:24Are you mentally retarded?
31:26Keep your voice down.
31:27I said, are you mentally fucking retarded?
31:30Marion, I would just watch my tone if I were you.
31:32Or what?
31:34Marion, I was always going to add your name to the work that you know as well as...
31:38That women can't publish on their own?
31:40Yes.
31:41But they will.
31:43I will.
31:48You've stolen my work, Thomas.
31:52Marion, we're a team. We are not.
31:54No, no, we are not.
31:56We are not a team at this.
31:59My mind.
32:01My thoughts are not communal.
32:04They are wholly mine.
32:07Marion, Marion, Marion, Marion.
32:09Marion, when you, when you just, just marry me.
32:12What?
32:14I will never, ever marry you, Thomas.
32:32Not ever.
32:44Why, me?
32:46I won't let it be, you don't have yes any time.
32:47Let's go.
33:09No, no, no, no!
33:11Oh, shit, Tagole!
33:14Tagole, shut up!
33:17Oh, merde!
33:19Putain!
33:21Shut up!
33:26Putain de merde, shut up!
33:29Oh, la, la! Putain de merde!
33:32Shut up!
33:34Don't you ever speak to me like that?
33:37Do you hear me? Ever?
33:39I have had quite the morning of abuse,
33:41and I will not be spoken to,
33:43and am I a fake fucking artist who paints fucking bubbles?
33:49Do you hear me?
33:51Do you hear me?
33:54Oui.
33:56I hear you.
33:58I hear you.
34:00I will.
34:04I hear you.
34:06I hear you.
34:07I hear you.
34:09Everything all right?
34:11Lookie, look.
34:14Now he comes to rescue her from the crazy freshman.
34:17He's so possessive of her.
34:19Oh, he doesn't love her.
34:21I believe he does.
34:22Well, you're stupid.
34:23Honey, if he loved her, why would he be parading you around like his little pony?
34:27He's a complicated man.
34:32The painting is finished.
34:34It is?
34:35It is?
34:36Would you like to see it?
34:39She thinks it a foolish venture.
34:42My commissioning poodles.
34:44Yes, well, I don't usually paint poodles.
34:51What do you usually paint?
34:53Oh, look at her.
34:54She's just begging to be fucked.
34:57You see how she looks at the artist.
34:59She can't help herself.
35:00Well, this we both agree on.
35:02Hmm.
35:04Why don't you have the painting brought to my study,
35:06then we'll settle up and you can get on your way.
35:10Now, now.
35:12Good time, now.
35:14Without.
35:16Now.
35:17Please.
35:20Oh, she's a terrifying woman.
35:23I mean, I can understand why he can't, you know,
35:26make the whole thing work.
35:28Are you scared of powerful women?
35:30Not all of them.
35:32She's the reason I have not made him back to Paris.
35:35Well, I can't understand that logic.
35:38She doesn't believe I deserve to succeed.
35:41She'd rather seem trapped in a cage with her,
35:44living in a circle of hell over and over again.
35:47Oh, darling, it just doesn't add up.
35:49If it were up to Marian,
35:50she would have sent you back to Paris months ago.
35:52She hates you, Lily.
35:56All right.
35:57Les saisons, Gunter, please, from the top.
36:01You know, for a smart girl,
36:03you're really quite daft about the dynamics here in the country.
36:08Marian.
36:11Yeah.
36:12I'm sorry.
36:14What for?
36:16For not understanding you in the way a husband should, I suppose.
36:19I do wish sometimes, just sometimes, you could simply speak truth and honesty,
36:29and instead of dancing around your thoughts like a romantic.
36:40Maybe I am a romantic.
36:44Well, you're not French, thank God.
36:46I told you the truth, Norman.
36:49In simple terms, I told you the truth.
36:51He left Marian.
36:53He can quit the charade.
36:54He's gone about his business.
36:56All done now.
36:57Truth doesn't matter anyway.
37:05But you're my wife.
37:07I don't know.
37:10Here we are.
37:11Ironically, the feeling of resignation that sat squarely between his eyes that day
37:16was the very same emotion that I had wrestled with for most of our marriage.
37:20Well, um...
37:23Oof.
37:27I...
37:28I...
37:29I appreciate that, Norman.
37:30Uh...
37:32You know, for...
37:33For trusting me on this one.
37:34I...
37:36There will be other deals.
37:37I promise.
37:38But unfortunately, the truth was...
37:41For Norman Henry...
37:43There would be no other deals.
37:46Not ever again.
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