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00:00To be continued...
00:30Mrs. Henry, ma'am.
00:39They got him down the stairs.
00:47Take your time.
00:52Thank you, Gretchen.
00:57Dear reader,
01:00this is not a story in the conventional sense.
01:05You see, nothing is neat and tidy,
01:07nor is it laid out with ease for a dim-witted pony,
01:11which I hope you are not for both her sakes.
01:14No.
01:15This story in particular is a cautionary tale,
01:18and I shall begin at the very end
01:20as not to dramatize.
01:22My husband is dead.
01:39Killed in the dead of night.
01:40His last breath taken after a series of inexplicable,
01:46unconnected events that together would change the world forever.
01:51Ironically, the days leading up to his demise would remind me
01:54why I had loved him.
01:56But it would be the moments afterward that would set me free.
02:05You see, this is not a tale of murder.
02:09This is a story of rebirth.
02:11I suppose the reason I say all of this is to perhaps inspire you
02:29to look at this series of events from a different perspective.
02:32This is not a tale of mine.
02:40This story would begin the morning the artist arrived.
02:44He was supposed to be delivered the night prior,
02:47but I did not know this yet.
02:49Come on, you new present here.
02:51There you are.
02:52Service!
02:53Service!
02:56Service!
02:56Are they going to be out there all winter?
03:23I mean, it's fucking freezing.
03:25It's winter.
03:26I'm meeting, uh, tomorrow with Mr. Edison
03:29on a business opportunity.
03:32Thomas Edison.
03:37See, I overheard the Morgans,
03:39and, uh, well, now he's coming up to the house tomorrow.
03:42Might very well reverse our little conundrum.
03:46We can time this, right?
03:49Andrews invested twice.
03:50Both times they saw returns before putting pen to paper.
03:53Credit alone.
03:54Just on credit alone.
03:55It's just not fair to the little people in this world.
04:01You know, that doesn't really have to be the pheasant.
04:02I believe you know Tommy from a past life.
04:04It really could be, it could be a chicken breast.
04:07They're interchangeable fowl.
04:08We'd be none the wiser, right, Gretchen?
04:11Is there something I should know about Thomas?
04:13Well, like, how he likes his tea?
04:16Oh, God, I miss the city.
04:18No one misses the city.
04:19And good tea.
04:19We're in the country.
04:20It's an enviable location.
04:22There is no one in the country here to envy us.
04:25Or at least that is what I had assumed.
04:27Putain de machine americane de merde.
04:39I'm so very sorry.
04:41This is quite embarrassing.
04:43You see, the Henrys don't service these Model Ts as often as you might expect.
04:46Do you know, Ford?
04:54I sense some frustration.
04:56Oui, les Juifs.
04:58What was that?
05:02Are you a Jew?
05:04No, sir.
05:06Oh.
05:06Well, I don't think so, anyway.
05:10You hear that?
05:12What?
05:12The car.
05:16It's a car.
05:18Stop it.
05:19Hey!
05:20Hey!
05:21Hey!
05:26This pheasant's old.
05:32It's left over from something or other.
05:35How's the regiment?
05:39Well, look at me.
05:41I'm looking?
05:42So?
05:43You look as tempestuous as the day I met you.
05:46Only 40 years older.
05:48Ludwig says I'm almost ready.
05:50For what?
05:51You know, a jaunt.
05:52Sparring.
05:53Fight.
05:53You're not fighting.
05:54You're not a fighter.
05:55Maybe I could win a match or two.
05:56Poor people, they fight.
05:58You know.
05:58Have something to fight for.
05:59Bring in a little income.
06:00Oh, damn it, Marion.
06:01Don't be a fool.
06:01Oh!
06:02Said the man who invited Thomas Edison up to the house.
06:08You know, come to think of it.
06:10I do remember one of Thomas Edison's idiosyncrasies.
06:15He likes to win at all costs.
06:18Trust me.
06:19Thomas Edison, he's a really smart businessman.
06:23I'm being serious.
06:24Are you?
06:25You wanted Ludwig.
06:25I bought you Ludwig.
06:26Oh, you brought me Ludwig.
06:27Very literally, yes.
06:28You know what was wrong with you?
06:29Please do tell.
06:30You were just never very charismatic as a businessman.
06:33You know the definition of a hobbyist.
06:35You.
06:36You are the definition of a hobbyist.
06:39And I love you.
06:41I can say that because I love you.
06:43But you lack the ferocity to succeed.
06:47You've given up on everything but me.
06:54You know.
06:57I feel in the mood for some entertainment.
07:07The night would progress with normalcy.
07:10I would insist on a performance from his ballerina, Rachmaninoff.
07:15A prelude, perhaps.
07:16Not a prelude, not tonight.
07:17I have meetings tomorrow.
07:18C-sharp minor.
07:20No.
07:21G-sharp.
07:22C-sharp minor.
07:24If anything, G-sharp, you know she can't dance to the other noise.
07:28Lily.
07:30From Mrs. Henry inside.
07:32It would be the prelude in C-sharp minor.
07:34Set up!
07:36G-sharp.
07:46Have you seen the piece?
07:48Yes, of course.
07:49She toys with us.
07:51I did toy with them.
07:52Think of it this way.
07:53You'll be the first ballerina to ever dance to a Rachmaninoff prelude.
07:57Let's get on with it.
07:58Let's get on with it.
08:02Before you judge me and my circumstance, I implore you to read until the bitter end.
08:17It is only on the final page of this journal that you might be well enough equipped to tell fact from fiction, hero from villain.
08:27Come on.
08:29Welcome to Everyone's Story.
08:30It is only on the other page of this one.
08:30Good.
08:31Let's get on with it.
08:32Come on.
08:33After you now, I entwickelt the段 to finish your mind.
08:36Last year or soudrum, career선, career선, career선, career선, career선, career선, career선,
08:38thing about being self-set, career선, career선.
08:39If you end to the 끝 andью and young, heart-proof, career선, career선, career선, career선, career선, career선, career선, career, career선, career선.
08:42I'm sure you or your house should list.
10:16No one knows I should rack money off.
10:22You should fuck her every once in a while.
10:24Yeah.
10:25Yeah.
10:26Yeah.
10:27Very good.
10:28Yeah.
10:29Yeah.
10:30Yeah.
10:31Yeah.
10:32Yeah.
10:33Yeah.
10:34Yeah.
10:35Yeah.
10:36Yeah.
10:37Yeah.
10:38Yeah.
10:39Yeah.
10:40Yeah.
10:41Yeah.
10:42Yeah.
10:43Yeah.
10:44Yeah.
10:45Yeah.
10:46Yeah.
10:47Yeah.
10:48Yeah.
10:49Yeah.
10:50Yeah.
10:51Yeah.
10:52Yeah.
10:53Yeah.
10:54Yeah.
10:55Yeah.
10:56Yeah.
10:58Yeah.
10:59Yeah.
11:00Yeah.
11:01Yeah.
11:02Yeah.
11:03Yeah.
11:04Yeah.
11:05Yeah.
11:06Yeah.
11:07Yeah.
11:08Yeah.
11:09Yeah.
11:10Yeah.
11:11Yeah.
11:12Yeah.
11:13Careful.
11:14Yeah.
11:15Be careful.
11:21Imagine your perfect little dance of y'all on the stage in Paris for all the world to
11:31see, their eyes longing for my most intimate skin, the skin that you and you alone, the
11:41rightful owner of.
11:45It's what you want, is it not?
11:50To see me in Paris?
12:00Oh my God.
12:02I would love to see you in Paris.
12:06The girl and I were not all that different.
12:13She was young and optimistic.
12:20Filled with purpose.
12:26Looking back now, I can admit I was rooting for her.
12:33Subconsciously hoping she might avoid the mistakes I had made.
12:41I think there was a part of her that reminded me what it felt like to be alive.
12:50Congratulations Thomas.
12:51I am so very proud of what you have accomplished.
13:09I am so very proud of what you have accomplished.
13:16You are so very proud of what you have accomplished.
13:23What are you doing?
13:28I am so very proud of that.
13:31You are so proud of that.
13:33Let's see, let's see.
13:37Move your ass.
13:55Chère mère, je te crie depuis la pleine brûlante de la campagne,
14:00où je continue mon apprentissage.
14:03Monsieur Henry pense que l'isolation favorise le talent.
14:06Et je n'ai tout simplement pas mon mot à dire à ce sujet.
14:10Mais je joue le jeu, car il m'a été dit que si je me conduis bien,
14:14j'ai mes chances pour l'Anderolle de Coppelia cet automne.
14:18Je serai bientôt de retour à Paris, si Dieu le veut.
14:24Votre Lilith, toujours tendrement.
14:27Oh, my darling, oh, my darling, oh, my darling Clementine.
14:39I was lost and gone for...
14:42Yes, Norman?
14:53I just wanted to remind you I have meetings tomorrow.
14:58With Thomas Edison, yes.
15:00Good, good.
15:00Is that all?
15:05Dreadful sorry, Clementine in a cavern.
15:11I also have an artist coming tomorrow.
15:13You should know.
15:15What artist?
15:17Someone the Rockefellers introduced us to.
15:19Apparently, everyone's meeting with him.
15:22He's in from Paris only for a short time.
15:24You know me and Art.
15:25I know nothing until it's hit me on the crease of the forehead.
15:29The mini-creases.
15:30Often it's too late.
15:31We're left with nothing.
15:32And our neighbors with the classics.
15:34Not this time, Marianne.
15:36Look at me being the passionate, impulsive man you married.
15:39Are you proud?
15:40Huh?
15:41You should be proud.
15:43Norman?
15:43What are you talking about?
15:45Have you commissioned something?
15:47No, no, no, nothing major.
15:49No.
15:50You don't have time works, Marianne.
15:51Mm-hmm.
15:52Rockefellers, William, even Andrew.
15:53No, Andrew is a Carnegie.
15:55Well, I'm a Henry.
15:56Oh, my God.
15:56I miss the city.
16:00Good for you.
16:02I refuse to sit and have my portrait taken for an artist.
16:07I wouldn't expect it.
16:08He'll paint the poodles.
16:12It's already been decided long before this drab conversation.
16:15It was just like that.
16:17His fate had been sealed for a portrait of poodles.
16:31When you arrive at the windmill, you make a left.
16:34Yes.
16:34Then it's only four streets further.
16:37It'll be the only house with lights.
16:39The only house with lights?
16:41What does this mean?
16:42No one else lives here in the off-season except the Henrys.
16:47The Henry estate will be the only house with lights.
16:50It is very dark.
16:53It is very, very dark.
16:55Yes.
16:55I cannot see very well after dusk.
17:01I understand that you do not know much about me, but know this.
17:05I am all but blind.
17:06You're a blind artist?
17:11You're a blind artist?
17:11Yeah.
17:17Oh.
17:21We transit while they put.
17:24We transit while they mavres.
17:30Sir.
17:32Putain.
17:33Leave them.
17:34Sir.
17:34They're just monkeys, marionettes, so they're young.
17:39Sir, this is pretty good for a blind guy.
17:48We shall now take a short intermission while the artist fumbles around in the woods.
17:55Thomas Edison has done it again, only this time it's the moving picture with synchronized sound.
18:01Introducing the Kinetophone.
18:02And for a limited time, Mr. Edison will be offering shares to the general public,
18:06so you, too, might try your hand at changing the world.
18:09From the inventor of the light bulb, the Kinetophone, don't wait, purchase your stock today.
18:24He walked all night, unable to find the house until dawn.
18:30Who the fuck are you?
18:52Happy meeting day, sir, Mr. Henry.
19:06Is she awake?
19:07Uh, not yet, sir.
19:09You see to it, she stays occupied.
19:12Yes?
19:12All day?
19:14Yes, sir.
19:14I don't need tomfoolery, not today.
19:16No, sir.
19:17Tell me, has she ever shared with you the history?
19:19History, sir?
19:20Well, Thomas Edison.
19:24Peculiar comments last night about...
19:27Oh, never mind.
19:32I feel good.
19:33You feel good?
19:33I feel good.
19:34The artist, sir, he's here, too.
19:37Shall I arrange a tea with you, sir?
19:39Tea?
19:40What kind of tea?
19:42Earl Grey, if you like, sir.
19:43Arrange a tea with the poodles.
19:44Yes, sir.
19:45Okay.
19:46Go.
19:46Yes, sir.
19:47Gretchen, Gretchen, Gretchen.
19:48Yes, sir.
19:49Keep her occupied all day, yes?
19:51All day, sir.
19:52Let's go, let's go, let's go.
19:54Ah!
19:55Ah!
19:55Ah!
19:56Ah!
20:00Ah!
20:01Ah!
20:03Ah!
20:03Ah!
20:04Ah!
20:05Ah!
20:06Ah!
20:07Ah!
20:08Ah!
20:09Ah!
20:10Ah!
20:10Ah!
20:11Ah!
20:12Ah!
20:13Ah!
20:14Ah!
20:14Ah!
20:15Ah!
20:16Ah!
20:16Ah!
20:17Ah!
20:17Ah!
20:18Ah!
20:18Ah!
20:19Ah!
20:19Ah!
20:24It appears you've lost blood.
20:25It might be safe to assume that you are hallucinating at this very moment.
20:30Ah!
20:31Ah!
20:32Ah!
20:33Ah!
20:34Ah!
20:34...
20:40Mrs. Henry?
20:43Mrs. Henry?!
20:45Yeah, I'm in ear.
20:48Is everything alright, ma'am?
20:49Of course it's alright, why wouldn't it be alright?
20:53It's just normally you're lying in the bed until I pull the curtains.
20:56Well, I just thought a 6 a.m. bath would be just sprightly on a day like today.
21:01And what sort of a day is today, ma'am?
21:04That's a bit of an overstep, isn't it?
21:06Yes, of course. Sorry, ma'am.
21:08Yes, I just mean that today is just a day like any other day,
21:11and let's just leave it at that.
21:13And I won't have you prying and making something out of nothing.
21:21Find me Ludwig.
21:26Oh, damn it.
21:37Excuse me.
21:44Have I missed breakfast?
21:50Hello.
21:51You look unhoused.
21:59Artist.
22:01The hounds are ready for you.
22:03Mr. Ederson.
22:17Hi.
22:18I trust your journey was refreshing.
22:21It was nippy.
22:22Nippy, yes.
22:23Yes, it's nippy.
22:25Well.
22:25Tell me, was it, um, was it the polo match in Atlantic City?
22:31Was what the polo match in Atlantic City?
22:34When last we crossed paths.
22:36Oh, very possibly.
22:38Um, would you permit me to be brief?
22:40I'm due back in the city for supper, all right?
22:43Yes.
22:44Now, if you will, I was told it was something innovative that you were after.
22:48Something dramatic and something, well, very daring.
22:51Yes, that is exactly right.
22:53Something with dramatic upside, I should say.
22:56Well, my portfolio does not exist merely as a means to fuel your wealth, sir.
23:00What is it, then?
23:01Well, I'll tell you what it is.
23:07Uh, this right here is going to redefine the next hundred years, perhaps more.
23:14It's going to make women weep and men cower, so it's not just a cash grab.
23:18Please don't invest in it unless your personal fulfillment comes from truly changing the world.
23:23What are you due for supper?
23:25What?
23:26Who's home?
23:26My own, Mr. Henry.
23:32Let's get started, shall we?
23:33Sure, yes.
23:37I'd like to try a number from Les Saisons.
23:40Les Saisons, Les Saisons.
23:42There's always a number from Les Saisons.
23:45Oh, is it?
23:46Fucking puggers.
24:14Huh?
24:14And one, and two, and three, and four, and one, and two, and three, and four, and spin.
24:25Have you hired new help?
24:28Ludwig, would you speak plainly?
24:30A wizard man.
24:32With gardener's hands.
24:35He's been roaming the kitchen aimlessly.
24:38Hands up!
24:39Huh?
24:40Huh?
24:40You already see me?
24:55That might make sense.
24:56Put your eyes right in there.
24:58I'm going to lower these over your ears.
25:01They should be quite comfortable.
25:02I don't see anything.
25:03Not yet.
25:04This is the first of its kind, you understand.
25:06All right.
25:06This is immersive entertainment.
25:08A moving picture with music.
25:11Hands up!
25:12It has that deep sense of utter darkness.
25:16Darkness?
25:16And one, and two, and three, and four, and back arch.
25:37Darkness.
25:38Ludwig, what do you mean?
25:40Like that of a murderer.
25:41A murderer?
25:42A murderer?
25:45In my house?
25:56Oh, my face.
26:02Tell them out.
26:03Now, any accusation of murder is one we most always take seriously.
26:16I have to speak to Norman about this.
26:20Oh, my God.
26:22Yep.
26:23I have to speak to Norman.
26:26Even if the accusation is completely and utterly without merit.
26:37Back arch.
26:39Hold.
26:41Hold.
26:42Hold.
26:54Oh.
26:54What?
26:58For fuck's sake, what?
27:02It's your physique.
27:03What about my physique?
27:08Oh, Yoo-Hoo, is there a spot of tea I might have swung up from the kitchen?
27:14Yes.
27:14And honey?
27:15Lots of honey, yes.
27:17Oh, you're a doll.
27:18What's your name?
27:19Beatrice, sir.
27:20Oh, really?
27:22Beatrice.
27:22That's your real name?
27:23Yes, sir.
27:24An oriental maid named Beatrice.
27:27What a chinky, racial thrill.
27:29Fucking asshole.
27:33Listen, Lily.
27:34I pick and choose my battles with you.
27:37You understand this saying in America, yes?
27:39I understand the saying, yes.
27:40I do not understand you.
27:41You're just not selling me the fantasy, darling.
27:44And as I've said time and time again, to you and to him, I just don't see it.
27:49I, I, I, I just don't know how to get you there.
27:53Then I will speak to Mr. Henry and have him find me someone who will get me there.
27:57Oh, you wouldn't dare.
27:57And he would never get rid of me.
28:00Who do you think you'll side with?
28:02And all that, who couldn't sport talent if you fucked him in the face?
28:05Or who?
28:05You?
28:06His whore?
28:06I will go to Paris.
28:12And I will dance.
28:13Dream, baby.
28:14Dream.
28:20Oh, my.
28:22Oh, my goodness.
28:23Isn't that something?
28:25Ma'am, I've had the carriage brought around.
28:27I thought today would be a perfect day for a drive.
28:29Drive?
28:30And a picnic, maybe.
28:30Lily, didn't Ferdinand break his leg?
28:32Is it?
28:33Well, how is the carriage going to be brought around if Ferdinand has broken his leg?
28:42Maybe he's healed.
28:45Maybe he's healed.
28:48Oh, my God.
28:50Oh, Ma'am, look at that.
28:52And the music.
28:53Isn't that marvelous?
28:54This is spectacular.
28:56Norman?
28:58Norman?
28:59Oh, you're almost at the finale.
29:01Can you see the bearded man from Coney Island in a musical number with a llama?
29:04A llama.
29:05There's a llama.
29:07Oh, my God.
29:08Norman?
29:12Can you hear those acoustics?
29:13That's two cellos and a clarinet.
29:16I love it.
29:16Or two clarinets and a cello.
29:17Norman, I need a word.
29:19I'll have you know that I heard a word.
29:21You are a genius, sir.
29:22You are a genius.
29:22There's a rumor that this painter or this artist or whatever it is that the Rockefeller is called.
29:26Can you just give us a moment, please?
29:27He might be a murderer.
29:28Who's a murderer?
29:33Oh, hello.
29:34Um.
29:35Oh.
29:40Thomas.
29:41Thomas Everson?
29:42I can't believe I can't believe I can't believe.
29:43Yes, I know.
29:44I just didn't recognize you because you've grown really old really quickly.
29:50I'm sorry.
29:50Do we know each other?
29:52Hey, shut up.
29:54Well, the feeling of a woman.
29:56Forever humbling, eh?
29:57Oh, yes.
29:59The opinion of a woman.
30:00The work of a woman.
30:01The plight of a woman.
30:04I'm sorry.
30:05I don't follow that.
30:06Oh.
30:07I can't get it all.
30:08Marion.
30:10My name is Marion, as you very well know.
30:18Marion.
30:20God of mine.
30:21Mm-hmm.
30:24Lovely name.
30:25Oh, there's a strap.
30:26I believe you both might have crossed paths.
30:34Some years ago, Marion was a university student.
30:37You were a guest lecturer.
30:38I believe the year was, um, oh God.
30:401867.
30:42Yes, that's right.
30:42Yes.
30:44Yeah.
30:44Now, I do recall a young student named Marion.
30:48A bright young independent thinker.
30:51I believe the line was.
30:53She said, uh, over my dead body shall I ever marry.
30:57Mm-hmm.
30:58Mm-hmm.
30:59Mm-hmm.
31:00Yes.
31:00Yes, well, here we are.
31:04Married all the same.
31:05Yes.
31:06Married and seemingly happy.
31:09Happy and fulfilled, dear.
31:11Norman.
31:11Norman.
31:12Norman.
31:13Norman.
31:13Norman!
31:14Yes, yes.
31:14Would you please just have a word with the painter or whatever it is you call him before
31:18we lose the last of her help?
31:20Good day.
31:21God.
31:26My apologies, Mr. Edison, for her outburst.
31:28She's, uh, she's a woman.
31:31Um, if you'll excuse me just a moment.
31:34Uh, she didn't, uh, mean anything about the help, I assure you.
31:37She's just, uh, just excuse me just a moment.
31:45Ooh.
31:46Ooh.
31:46I knew you had such a grip on your Norman.
31:47I'll show you more than a grip.
31:48You'll screw this up for me.
31:49Ooh, funny.
31:50It could have been this assertive when we showed up bed together.
31:54There you are.
31:55Apologies.
31:56Busy day.
31:56Big day.
31:57Busy.
31:57You know the ones, I'm sure.
32:04You heard of Thomas Edison?
32:06Is that name, uh, wafted across the pond?
32:09He's here today.
32:12He's in the house.
32:15I told you, quite eccentric.
32:16Oh, sure.
32:17Henri.
32:19What is this animal?
32:21It's, uh, from my trip to South Africa.
32:25I was of the U.S. contingent.
32:28It was a goodwill trip through Grant.
32:30Ulysses S. Grant, former president of the United States.
32:33I am French.
32:34He's a dear friend.
32:34Why do I care about your president?
32:38I imagine you don't.
32:39I ask you about the animal, and you tell me that you have a friend.
32:42It's a story, I would say.
32:43You were inquiring about the buck, that's all.
32:46Listen, I'm on a bit of a schedule, um, yeah.
32:49Yeah.
32:50I simply wanted to inquire about your demeanor in the house.
32:54It isn't me, it's my wife.
32:55She's, um, uh, uh.
32:58What do you know about art?
33:00I know you're one of those impressionists.
33:03You make quite a ruckus over there, I've heard.
33:06So you read the press?
33:07No, I've heard.
33:08So you don't read?
33:10Do you?
33:10I paint.
33:12Which I imagine you do not.
33:14Therefore you're either a well-read intellectual who finds his passion within the page,
33:19or a soulless twat who's inspired by paper bills.
33:25I'd like to know what I'm dealing with.
33:28Whether my art is to be understood.
33:33Or merely a carcass on your wall!
33:36Or merely a carcass on your door!
33:36Or merely a carcass on your way!
33:36Or merely a carcass on your own, or a scat, or a acrobat that's where it is.
33:38Or merely a carcass on your own.
33:51Or merely a carcass on your carcass on your way!
33:53Yes.
33:56Well.
33:58I don't know.
33:58Ah, tea.
34:25Ow!
34:26Oh, God!
34:27I am going to Paris.
34:29You can help or you can get the fuck out!
34:32Oh!
34:33Oh!
34:34Oh!
34:35Oh!
34:36Oh!
34:37Oh!
34:38You wench!
34:39Oh!
34:40Oh!
34:41Get back here!
34:42Have you met your handsome subjects yet?
34:47They're fidgety.
34:48They're dogs.
34:49Fidgety.
34:50And they're so, perhaps they are unclean.
34:55They're so, perhaps they are uncomfortable with their existence in your world.
35:00Who isn't?
35:02Are you uncomfortable?
35:04Must you hold me?
35:06Sitting here with you?
35:08Quiet.
35:10I will need my twice-over quoted fee.
35:17Absurd.
35:18They're purebred poodles.
35:19Are they?
35:20Yeah.
35:21Perhaps you prefer to shoot the bitches and mount them on your wall next to this other,
35:25uh...
35:26It's a buck.
35:27And you can pay in cash.
35:31Cash?
35:32Me?
35:33I don't deal in cash.
35:34No.
35:35I'm a man of means.
35:36I don't deal in cash.
35:37Are you broke?
35:38I beg your pardon?
35:42I asked if you are broke.
35:44No, I'm not broke.
35:45No need to be ashamed.
35:47I am broke.
35:48That's why I'm here, pinning your fucking poodles.
35:51I'm not broke.
36:02I don't take credit.
36:04So I will reside on the property until I may collect my fee.
36:08Could take weeks to wait on the banks.
36:10Painting must remain in my possession.
36:12I could send you along with a promissory note.
36:13I will not take a promissory note.
36:15No, Henry, a promissory note, you can rest assured.
36:17I'm sure you will find a way.
36:19The rich always do.
36:20No.
36:22Um, would you be so kind as to have somebody show me to my court?
36:27Somebody's out the door.
36:28Just open the door and someone will help you.
36:30Uh-uh.
36:34Ah, yeah.
36:36Ah.
36:43Yeah.
36:50Mr. Edison's waiting.
36:55Sir?
36:56Sir?
36:57Huh?
36:58Mr. Edison?
36:59Oh, yes.
37:01No, no, no, no.
37:02How was he?
37:03How was he?
37:04He was French.
37:05He was very fucking French.
37:06What does that mean?
37:07Do I mean, you know what?
37:08We safe in our own home?
37:09No, I didn't pay you the attention you desire, Marion.
37:10I-
37:11Is that why you act like a petulant child today of all days?
37:13Anything to sabotage a deal with Thomas Edison.
37:17I need to close the deal.
37:19He is a liar and a cheat.
37:22He is Thomas Edison.
37:23He is Thomas fucking Edison.
37:26You will bite your tongue, Marion.
37:28And you will know your place, woman.
37:30If you need to stay here another minute, you're a wench.
37:35You think I need you?
37:36You are the two-bit whore with a crookin' pussy.
37:39Of course I'm a two-bit whore.
37:40I'm a ballerina.
37:41A great fucking ballerina on my way to Paris
37:43while you go back to your little show with the dancing monkeys
37:45with the little midges with a funny hat.
37:47You're the dancing monkey.
37:48My show was reviewed by the Times.
37:51In God's name is this.
37:52The fucking Times.
37:53Mr. Henry, look at what she's done to my-
37:54Lily, Lily!
37:55The Freud, he's fucking Freud.
37:56He takes your money and sleeps all my time.
37:57That's not true.
37:58I often work with my eyes closed.
38:00Saint Mary with her fake virgin pussy.
38:03Mr. Henry, Mr. Henry.
38:04She's a cunt, Norman.
38:05Yes, well.
38:06Who's a cunt?
38:08Oh, Jesus.
38:13Hello, Mrs. Henry.
38:15Marius?
38:16Who is a cunt?
38:19Apologies for the language, ma'am.
38:21Mariam, leave it.
38:23Just leave it.
38:24I was speaking to Marius.
38:26Mr. Henry.
38:27Yes.
38:28You know, let's just all journey back to our quarters.
38:30We can discuss this over drinks in the parlor later.
38:32Because I have meetings.
38:34I have very important meetings.
38:35Well, perhaps I shall handle this so that you can,
38:37you know, carry on with your very important meetings.
38:40Are you the cunt?
38:41Am I the cunt?
38:43Dear Lilith, no.
38:46Is she the cunt?
38:47Or my husband?
38:48Oh, no.
38:49Marion!
38:50I implore you to leave this alone!
38:53Shut up, Marion.
38:55Marion, Marion!
38:56Well, I think you're all fucking cunts and leeches.
38:58That's what I think.
39:00Marion!
39:01Mr. Henry.
39:02Mr. Henry, he's coming this way.
39:03Yes.
39:04You are a fucking cow of a woman.
39:07Ooh.
39:08You're making me sweat just for once.
39:10Look, I want to say something, Marion.
39:12You must feel trapped by him.
39:13Do you?
39:14Do you feel trapped living with these loves?
39:17You should feel trapped.
39:18You know why?
39:19Because you are trapped just like the rest of us.
39:20We're like mutts in a cage of...
39:22No, canaries in a cage.
39:23You know what I mean?
39:24Fucking metaphor about cages.
39:25Shut up, woman.
39:26Shut up!
39:27They lied to us.
39:28I never lied.
39:29They lied to us with their kind eyes.
39:30Marion, shut it.
39:31Shut it.
39:32What are you trying to say to me?
39:33Marion, hmm?
39:34He doesn't have it.
39:35He doesn't have it within him to set you free.
39:36A woman was never to be published.
39:38I did you a favor.
39:39You are never gonna go to Paris.
39:41Quite a brazen one at that.
39:42You are never going to Paris.
39:44Do you hear me?
39:45You bet on the wrong pony and you lost.
39:48We all did.
39:51The rest of it, that just doesn't matter.
39:53Because you lost, I lost.
39:55Shut up.
39:56Marion.
39:57We all lost.
39:58Shut up, Marion.
39:59I'm getting the sense this isn't entirely about me.
40:01Marion, Marion!
40:02God damn it!
40:03God!
40:04God.
40:05Oh, God.
40:06Oh, God.
40:07Oh, God.
40:08Oh, God.
40:09Oh, God.
40:10Oh, God.
40:11Well, would you look at that?
40:14He's out cold.
40:15Ha, ha, ha, ha, ha, ha, ha, ha.
40:21Where is my fucking room?
40:23Ensemble.
40:24What is it?
40:26Norman.
40:27Norman.
40:28Norman, Norman.
40:29Marion, he's not gonna kill you. He's just French.
40:33Sir, I'll show you to your room. Your room. This way, sir.
40:40My husband was right about one thing.
40:43It wasn't me who'd end up dead.
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