- 16 hours ago
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00:01The following program contains strong language.
00:10Would you mind stepping back from the edge, please?
00:12What's that in your hand?
00:13Give it to me, please.
00:15I'm Joyce Tuzo, Harriet Brooke.
00:17It's Monica.
00:18I feel like I don't know anything about it.
00:20Well, it's basically nothing to know.
00:22Iris, is it?
00:23Just trying to get you to come and work with me.
00:25Solving an incredibly difficult puzzle.
00:27Charlie Big Potatoes is a topological quantum device.
00:30So what's wrong with it?
00:31He's asleep, and I need you to wake him up for me.
00:34This is Charlie's creator, Jensen.
00:37What happened?
00:38Locked up!
00:39All we need to get the machine up and running
00:41is to enter an activation sequence,
00:43enciphered in this, his diary.
00:46Aye!
00:51With a reward at 4 million euros,
00:54the real question is,
00:55who's gonna find her first?
00:57Trovate Iris Nixon.
01:01What we need you to do is find a book
01:03she stole from us.
01:04Uh...
01:10Uh...
01:11Uh...
01:12Uh...
01:13Uh...
01:14Uh...
01:15Uh...
01:16Uh...
01:17Uh...
01:18Uh...
01:19Uh...
01:21You're месте center.
01:22Oh, you're right.
01:23Help us.
01:24Let's bring you up.
01:25A good some��...
01:26A good one for you.
01:27Take a deep breath...
01:28Yes.
01:29To the river...
01:30Take a deep breath.
01:31The river...
01:32There we go!
01:44How can you do it?
01:45And this is where you have my left.
01:46Who did you do?
01:47That's it?
01:48Just hit me.
01:50Just hit me!
01:51To be continued...
01:52To be continued...
01:53To be continued...
01:53To be continued...
01:56Oh, here comes that day
02:06Oh, here comes the rain on your parade
02:13There's a price to pay
02:17For a lack of insincerity
02:24And you pretend that it doesn't matter
02:31And that you're not scared
02:35Oh, here comes that day
02:41Oh, here comes that rain on your parade
02:54Oh, here comes that night
04:37What are you doing here?
04:42You can't be here.
04:43This is my house.
04:45Now I have to go to work, if you'll excuse me.
04:46Please.
04:47I'm guessing you've been called out to attend that burnt-out wreck on the beach near Alguero.
04:50What do you know about that?
04:54I'll put it this way.
04:55Not as much as I need to.
04:57I don't follow.
04:59You're leading the investigation, right?
05:00I mean, it's in your jurisdiction.
05:03So what?
05:04Do you know something about this?
05:05Do you want to make a report?
05:05No.
05:07Oh, good.
05:09I need to know who these people are.
05:12Why?
05:14Because someone's looking for me.
05:16It doesn't matter who, but he's offering a lot of money to whoever finds me.
05:20I mean, a lot of money, millions.
05:24I need to know how dangerous they are.
05:26What are you talking about?
05:34Put a name to these faces for me.
05:36Where they come from, where they stay in, how many of them are there.
05:40Do that for me, and everything's going to be all right for you.
05:45And if I don't, somehow things will not be all right for me?
05:48Come on, don't be like this.
05:49No, no, no, no.
05:50I want you to say it.
05:51If I don't, exactly how things will not be all right for me.
05:56So, I feed you information about a possible homicide, or you tell my wife about us.
06:07Is that it?
06:09No, that's not it at all.
06:12Then I don't understand what you're saying.
06:14Well, all right then.
06:17That, for the last six months, you and I have been planning to kill your wife.
06:24Except that's not true.
06:26Now you need to get out.
06:27Huh?
06:28Get out.
06:29Of course it's not.
06:30But I can make it true.
06:35What do you mean?
06:36Are you insane?
06:37Probably.
06:38Stephanie really suggested.
06:40But several times over the last few months, when you were sleeping, or showering, or peeing,
06:45I sent text messages from your phone and mine, and these messages make it very clear that
06:51you want us to kill your lovely wife.
06:54So, we could be together.
06:56This is a joke.
06:57You're joking.
06:58Try me and see.
06:59Of course, the messages aren't on your phone anymore.
07:05I raised them as soon as I sent them, but they're still on the server, and expect any police
07:10officer can retrieve them in a few minutes with a relevant warrant.
07:14Who are you, Monica?
07:20My name's not actually Monica.
07:23Just do this one thing for me, Teo.
07:26I promise that's all I want, just some names, and I'm gone.
07:30Is this your husband?
07:40Yes?
07:42Listen, I'm warning you.
07:49Who are you?
07:50What are you doing at my house?
07:52I had some of my items stolen from the hotel, and, um, your husband, in so much as take
08:03a fingerprint, I want to lodge a personal complaint.
08:08Yes, I insist you leave.
08:10Well, I don't know how else I'm supposed to get your attention.
08:13Okay.
08:16Now, I have more important places to be, but, yes, during tourist season, things can get
08:21a little bit overwhelming, but I will make sure the matter is looked into, okay?
08:25Are you sure now?
08:28You promise?
08:30He said he dealt.
08:32Now you need to go, please.
08:34Right now.
08:35You need to leave my house.
08:38I'm so sorry to walk in you.
08:45It's wrong, too.
08:46He's out of the test.
08:48Now, I'll give you a call, and I'll never see you.
08:51Go.
09:01Run!
09:03I'm regretting you.
09:04Go.
09:05Go.
09:06Go.
09:08Go.
09:09Go.
09:14Go.
09:15Go.
09:16Go.
09:46What do we have?
09:57Occhio cruci, it's a bad story.
10:05It seems that someone gave fire to the car and then it was sent to the car.
10:10Who?
10:11We've found a scar, a small house, a boy, for a woman.
10:17A woman?
10:19For a woman.
10:24Who are they?
10:29Are they in sight?
10:35I'm Krauss, Vice-Commissario Battista, Specialist Anticrimine.
10:40Are you from Bruni's squad?
10:42Yes.
10:43What do we do here?
10:46We're looking for him.
10:50Do you know him?
10:52No, he's one of ours.
10:56He's a police officer?
10:58Yes, he was.
11:00All right.
11:04Here you are.
11:05I think she found her before.
11:09Excuse me, who are we talking about?
11:16You know this woman?
11:17No, I don't know who she is.
11:23She's called Iris Nixon.
11:26She's a celebrity, at least in certain angles of the web.
11:34And who's combined?
11:36Apart to kill the police.
11:38All right.
11:45All right.
11:46All right.
11:47All right.
11:49All right.
11:50All right.
11:51All right.
11:52All right.
11:54All right, can you please?
11:56I know.
11:57All right.
11:59All right, let me ask you a little bit.
12:02What, excuse me?
12:04C'è una famiglia qui d'inglesi, a Villa Ferrante,
12:07e questa mi sembra la tutrice della figlia.
12:10I capelli sono diversi, ma...
12:12sono certa, è lei.
12:14Ottimo.
12:15Andiamo a farci due chiacchiere.
12:19Puoi darmi un passaggio?
12:21Eh sì, certo.
12:22Nessun problema.
12:23Battista può seguirci.
12:27Theo?
12:29Tutto a posto.
12:34Il Porto
12:52Un'imperatore
12:54Un'imperatore
12:57Un'imperatore
12:58La nostra questa è!
12:59Un'imperatore
13:00Un'imperatore
13:01Un'imperatore
13:02Oh, my God.
13:32Oh, my God.
14:02Oh, my God.
14:32Oh, my God.
15:02Oh, my God.
15:32Oh, my God.
16:02Oh, my God.
16:04Oh, my God.
16:08Oh, my God.
16:09It's absolutely gorgeous.
16:12You should keep it that way and not come.
16:15I have to say, and I don't mean to be rude,
16:17but it's a weird place for a fugitive to hang out.
16:19Such an intelligent one, anyway.
16:21An island with limited points of ingress and egress.
16:26The point of a random choice is its randomness.
16:29Oh, that's right.
16:30You didn't want to be predictably unpredictable.
16:33There you go.
16:34How predictable?
16:36Well, we found you in the end.
16:38So let's summarize.
16:39You've got no money, God knows you've got no friends,
16:42you've got nowhere to run,
16:43and, well, you're on an island,
16:45so come on, play fair, game over.
16:47Give me back the diary you stole.
16:50Mmm.
16:53Yeah.
16:55No, sorry.
16:57You'd rather the money defenestrate me,
16:59dash my brains out against the wall,
17:01douse me in petrol and burn me alive.
17:05Well, I mean, I'm not saying that I would prefer it,
17:08but, you know, it would definitely make things simpler
17:10from my perspective.
17:12Hmm.
17:13Except, can I just play devil's advocate for a second?
17:15Oh, be my absolute guest.
17:17In an infinite universe,
17:18there are infinitely many versions of you
17:20that just say, fuck him, give him what he wants,
17:23so why not be one of them?
17:25Give me the activation sequence,
17:27let me wake Charlie up and set him to work,
17:29make the money happy,
17:31and then no one needs to set fire to anyone,
17:33or wrap them in razor wire
17:35and drop them out of a helicopter into a lake.
17:39I can't, Cameron.
17:43I need to know why Jensen did what he did.
17:45He killed five people,
17:48and I need to find out why.
17:50Wait, wait, wait,
17:51which means you haven't finished decoding it yet.
17:54The diary.
17:55I'd like to see you try.
17:57He changed the key every week.
18:00One week, it was the DNA of bloody nematode.
18:03Next week, it was the 12th,121,863 digital pie.
18:08All right, I have to ask, I know you want me to.
18:13Because the artist, Edward Monk,
18:16was born on the 12th of December, 1863.
18:2012, 12, 1, 8, 6, 3.
18:27That's the one who painted the scream.
18:29Yeah, I'm aware of him, thank you, Iris.
18:34Every week, a new unbreakable head fuck.
18:37So, that's a no, then.
18:43As if.
18:45You know I can't resist a puzzle.
18:48It's a compulsion, evidently.
18:52One more code to crack.
18:54Five more pages to read.
18:59What does he say?
19:03He calls the machine the lamentation of God.
19:08The silence of the dead voices.
19:13The abomination of desolation.
19:18Kali Yuga.
19:19You wrote that?
19:25Mm-hmm. Yeah.
19:30Then he's insane.
19:32But what if he's not?
19:37Because if he's not, and Charlie frightened him that much,
19:42then it should frighten us, too.
19:44Either way, we don't have the right to just flick a switch
19:48and turn it back on.
19:50Not until we know for sure.
19:55They're gonna murder me, Iris.
19:58No offence.
20:00It might just be better to let that happen.
20:03No offence, but fuck off.
20:05Fuck off.
20:09See you soon.
20:10Okay.
20:11Okay.
20:13Now, let's go.
20:16To let it go.
20:19Just a few seconds.
20:20I'm not sure.
20:22But who's not gonna go?
20:23No offence.
20:25Who's not gonna go?
20:27No offence.
20:29I'm not sure.
20:31I'm not sure.
20:33You gotta hurt a new person.
20:35My goodness.
20:36Thank you for the passage, I wanted to take the opportunity to do a private conversation.
21:01Of course, no problem.
21:04I wanted to tell you that Iris Nixon has the ability to...
21:12...to have relationships with the people of the Order,
21:17...and then use their relationships in case of Pedro.
21:21So, the ideal would be that she, with discretion...
21:38...to have some kind of indagine...
21:41...to understand how she was able to infiltrate her.
21:44Is there someone who has problems with the copia?
21:49I don't know.
21:51A marriage in crisis.
21:52Problems of alcohol.
21:54Pastig.
21:55A marriage in crisis.
21:56A marriage in crisis.
21:57A marriage in crisis.
21:59A marriage in crisis.
22:00A marriage in crisis.
22:01That's true.
22:02I hope there's a lot of unexpected.
22:03A marriage in crisis.
22:05Crazy.
22:06Teo, they found me.
22:16I need to get off this island or I'm dead.
22:19I can't do it without you.
22:21Where are you?
22:23Shit.
22:36I can't do it without you.
23:06I can't do it without you.
23:36I can't do it without you.
24:06I can't do it without you.
24:13Why weren't you answering me?
24:15I need you to do something for me right now.
24:21I can't do it without you.
24:23I can't do it without you.
24:28I can't do it without you.
24:30I can't do it without you.
24:37I can't do it without you.
24:38No.
24:39No, that's not possible.
24:40That doesn't make any sense.
24:42A police officer from where?
24:43I haven't committed any crimes.
24:45Well, none to speak of.
24:47Well, none to last night.
24:49Okay, I need you to create a suspect for me.
24:53Tell them that you have a description of a man leaving the crime scene.
24:57Any man.
24:58Doesn't matter.
24:59Buy me a few hours.
25:00Do they use the name Iris?
25:07Eh sì.
25:08Esatto.
25:09Sono esperti in questo.
25:10Devono solo capire dove cercare, ma non ci vorrà molto tempo.
25:14Teo, they're lying.
25:16They might be police, but they're not here as police.
25:18They're here chasing money.
25:19Don't trust them.
25:20Mi piacerebbe, amore, ma proprio non si può fare.
25:23Tu stai tranquilla, stai a casa, io ti richiamo appena posso, va bene?
25:26Ok.
25:32Tutto bene?
25:34Sì.
25:35Sì, sì, sì, assolutamente.
25:41Abbiamo un ratto in cucina.
25:43Oggi odiai ratti.
25:48Troppe di fogna, sono dappertutto.
25:50Non li posso soffrire.
25:57Edita, entriamo?
26:13Sì, noi conosciamo lei come Harriet Brooke, ovviamente.
26:16Ma la halla è diversa.
26:18Ma la halla è diversa.
26:19Ma è sicuramente lei.
26:20Ma è sicuramente lei.
26:22Non capisco.
26:23Non capisco.
26:24E' stata...
26:25Ma è sicuramente consigliata.
26:26Ma è sicuramente lei.
26:27Ma è sicuramente lei.
26:28Ma è sicuramente lei.
26:29E le recensioni possono essere fatti.
26:31Puglia, questa è sicuramente lei è verifica.
26:33Guardate, non è verifica lei, non è verifica lei.
26:36Would you happen to have her address?
26:38Uh, of course, yes, hang on.
26:42She's in town.
26:46She's in apartment seven, 352 Piazza Sandoriano.
26:58Joy, sit down, please.
27:06I'm afraid to ask her, are we safe here?
27:10The assumption has to be known.
27:13This is a very dangerous woman.
27:29Joy, I understand that you might feel a tug of loyalty to this woman,
27:34but however you might feel, it's important to remember,
27:37the woman you believe her to be isn't real.
27:40Harriet the Brook is an invention.
27:42The invention of a very dangerous woman.
27:44Hey!
27:55Let's go.
28:10Hey.
28:11Forse we found the room of Liz Nixon.
28:13Piazza San Doriano 352 Interno 7.
28:16Let's go.
28:22Go, go, go!
28:25Do you know what a psychopath is?
28:28Oh, my God.
28:29It's stupid.
28:30Joy, please.
28:31Joy, show some respect.
28:33Remember who you're talking to.
28:34I'm so sorry, officer.
28:36Who is Sario?
28:44She's not a psychopath.
28:46Interesting.
28:47What makes you say so?
28:50Psychopaths don't have empathy.
28:52Huh?
28:53Do they fake it to get what they want from people?
28:56That's often the case, yes.
28:58So if she were a psychopath, she'd pretend to care about me to get what she wanted?
29:02And she doesn't do that?
29:04She doesn't pretend to care about you?
29:06No.
29:07She doesn't.
29:08What does she do, pretend not to care?
29:11Huh?
29:13Forgive me, Joy.
29:14I'm confused.
29:16What makes you think she's pretending?
29:18Fuck off.
29:19Joy.
29:20What?
29:21He can fuck off.
29:22Right, okay, that's enough.
29:23Go to...
29:25You'll never catch her.
29:27She's much too clever.
29:28Joy, room now.
29:30God, I'm so sorry, Commissioner.
29:33She's...
29:34Her behavior is inexcusable.
29:35She was raised to be better.
29:37Do...
29:40...
29:49Tell?
29:50Do you have any idea what they'll do to me if they find out I'm helping a cop killer?
29:55a cop killer. Get out of my life, you fucking psychopath. Leave me alone. Leave everyone
30:02I know alone.
30:04Yeah, yeah, yeah. Now listen, the minute I'm arrested, the first words that are coming
30:08out of my mouth are your name.
30:10Fuck you, such bullshit.
30:12Oh, well, why don't you give it a whirl and see?
30:18An assault team has been dispatched to your apartment in Delta Sandoriano.
30:25A piazza Sandoriano, allora. Theo, mi può portare lei? Battista, tu ci segui.
30:55I just want to go.
30:56Let's go.
31:26Let's go.
31:56Let's go.
32:26Let's go.
32:56Let's go.
33:26Let's go.
33:56Let's go.
34:26Let's go.
34:56Let's go.
34:57Let's go.
34:58Let's go.
34:59I'm sorry.
34:59I'm sorry.
35:00Shut up.
35:01Please!
35:02Oh!
35:03Oh!
35:04Oh!
35:05Oh!
35:06Oh!
35:07Oh!
35:08Oh!
35:09Oh!
35:10Oh!
35:11Oh!
35:12Oh!
35:13Oh!
35:14You will.
35:15Say it.
35:17Oh!
35:18I'm a cop-killer.
35:19What?!
35:20I don't know what you're talking about!
35:23I am a cop-killer.
35:26Say it.
35:27I don't know who you think I am.
35:28Please.
35:29Look at my face.
35:30And say it.
35:31But I didn't hurt anyone. Please, I didn't hurt anyone.
36:01Tender, get up and we'll see if I can shoot you.
36:06No! No, please, I don't know what she means.
36:09I have the wrong person. I didn't hurt anyone.
36:12No! No!
36:31Please, please, please, please.
36:36Who is she?
36:38Who is she?
36:39Who is she?
36:40Who is she?
36:44Who is she?
36:46Who is she?
36:48Who is she?
36:49If you say anything to anyone,
36:52I'll make sure you wish you hadn't.
36:55You understand me?
36:56Yes, yes, yes, yes, yes, I do.
36:58You need to go!
37:01Go, go, go!
37:03Let's go!
37:04Let's go!
37:05They are alive!
37:09No!
37:10This is for help!
37:13Exactly.
37:15Let's go!
37:17Let's go!
37:22Mom!
37:25This is a 이bek!
37:27So, how did you get to know?
37:47Who?
37:52Who is your wife? Carlotta, right?
37:57Carlotta, yes.
37:58We knew that we were little.
38:01We were six and five.
38:04Are you happy?
38:07Yes.
38:09A lot.
38:11And the twins are almost two?
38:13Almost two.
38:14What's the most beautiful thing?
38:17What's the most beautiful thing?
38:22Three.
38:24I love all of them.
38:27Each one of them is the love of my life.
38:31I'm not ashamed to admit it,
38:35but I'm tired.
38:37I know...
38:39The paternity.
38:40The lack of sex.
38:44The desire to discover.
38:47I love my wife.
38:49But after my first daughter...
38:51her libido was evaporated.
38:56And I didn't want to be afraid.
38:58Our children have united us.
39:00He has been more affectionate with each other.
39:04That desire to stop.
39:09It's our worst part, right?
39:13It's so deep.
39:19It's like if we were attached to an affamable dog.
39:28It's like when we met him.
39:33It's like when we met him.
39:44It's better if he doesn't like it.
39:58I can't do anything.
40:01I can't do anything.
40:04If she doesn't want to use it,
40:07no one will ever know.
40:10No one, no one, no one, no one, no one.
40:15Come?
40:16Aspetti che chiami,
40:17perché è sicuro che chiamerà bisogno del suo aiuto.
40:21E quando lo farà, faccia quello che le dico.
40:23Come?
40:41Two years ago, an enigmatic group calling itself Nine Horses
40:44began an online search for highly intelligent individuals.
40:48A growing collective of puzzle solvers
40:50began cooperating on chat rooms and message boards
40:53across the world.
40:54But then Nine Horses went quiet.
40:58Deadly quiet.
41:00Until 18 months ago, it posted another mystery.
41:03A different kind of mystery.
41:05One that really set the conspirosphere alight.
41:08Exactly who and where is Iris Nixon?
41:12And soon, Nine Horses was offering a massive cash reward
41:15for information leading to the whereabouts of Iris Nixon.
41:18Now, to be sure,
41:19many people believe the entire thing
41:20to be some kind of online hoax,
41:22but with the reward standing
41:24at over four million euros,
41:28there are plenty of people out there
41:30who believe the search for Iris Nixon
41:32to be something literally worth,
41:36well, believe it in.
41:38Yeah?
41:43Joy!
41:44It's Ms. Brock.
41:46No, it's not.
41:48No.
41:49No.
41:50No, it's not.
41:52I take it the police have been around?
41:54Just a bit, yeah.
41:57And what did you tell them?
41:59Nothing.
42:00Good.
42:01Ms. Brock, are you all right?
42:02You sound...
42:04Is everything okay?
42:05Oh, it's just, I mean...
42:07It's...
42:08It's been a bit of a rough all morning,
42:09but, um...
42:11I'm fine.
42:13Um...
42:15Listen.
42:16I don't want to do this, I really don't, but, um...
42:17I'm in a bit of a...
42:18a bind, and, um...
42:19there's literally no one else I can trust.
42:20The men who've come to find me are...
42:22are very dangerous.
42:23What men?
42:24You mean the police?
42:25The men who've come to find me are...
42:26are very dangerous.
42:27What men?
42:28You mean the police?
42:29The police?
42:30No.
42:31No.
42:32No.
42:33No.
42:34No.
42:35No.
42:36No.
42:37No.
42:38No.
42:39No.
42:40No.
42:41No.
42:42No.
42:43No.
42:44No.
42:45No.
42:46No.
42:47No.
42:48No.
42:49No.
42:50No.
42:51You mean the police?
42:52No.
42:53Well, yes, but not primarily.
42:55Miss Brooke...
42:56Is everything okay?
42:57I need to hide something from them.
43:01It's something that they want...
43:03very badly and...
43:05they mustn't be allowed to have, not under any circumstances.
43:09Something like what?
43:09Like, evidence or something?
43:12No, it's, it's, um...
43:13It's a book, sort of a diary.
43:16What's in it?
43:17Well, I'm still trying to figure that out.
43:18Okay.
43:19Okay. Where is it?
43:22At my house.
43:24Right, well, tell me where you live and I'll go there now and get it.
43:31I'm so sorry, Joy. I don't know what I was thinking. I shouldn't have done this.
43:36Come on, it's not like it's drugs or anything.
43:38I have to go.
43:40Is it drugs or something?
43:44Sadly not, no. No, it really is just a book.
43:47So let me help you.
43:51I can't. Thank you.
43:54Now you look after yourself.
43:56You don't lie to the police. You tell them as much as you know and you do not try to protect me.
44:01Honestly, I don't mind.
44:05Miss Brooke?
44:09Miss Brooke?
44:17Let's take it back right here.
44:23Die of Batman.
44:25Who has it?
44:26...
44:34okay listen to me use the front door that's the one facing the sea it'll be open go to the
44:55cooker remove the handle don't worry it's magnetic the hatch you want is beneath the rug
45:03open it now listen carefully you need two combinations the first is three one four five
45:13nine okay now here's where you're going to need that magnetic handle because there's a second
45:22safe hidden under the first and the combination of that safe is one four five eight eight six nine
45:30there's a briefcase inside please be very very careful with it there's something very precious
45:40inside now mind the man traps
45:47they'll have your leg off seriously
45:51find a hollow tree about 200 meters north northwest of the cottage hide the briefcase in there
46:01then go home don't try to contact me i won't be using this phone
46:07so
46:11so
46:14so
46:18so
46:21so
46:25so
46:27and joy joy listen to me this is very very important under absolutely no circumstances
46:53and I say again under no circumstances whatsoever can you let anyone see you or get their hands
47:01on that briefcase that absolutely cannot happen do you understand me
47:23I'll see you next time
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