- 4 hours ago
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TVTranscript
00:00The following program contains strong language and violent scenes.
00:10I need to know who these people are.
00:11Do you tell my wife about us? Is that it?
00:19I was?
00:20I!
00:23Exactly who and where is Iris Nixon?
00:31This is Charlie's creator, Jensen.
00:35All we need to get the machine up and running again is to enter an activation sequence.
00:40I need you to wait Charlie up for me, Iris, or they're gonna kill me.
00:43Say it. I'm a cop killer.
00:46There's literally no one else I can trust.
00:48I need to hide something that's a book, sort of a diary.
00:51Under no circumstances can you let anyone see you or get their hands on that briefcase.
01:00Between 1953 and 1973, the United States government funded 116 studies into LSD.
01:19Powerful psychedelics were given to alcoholics, obsessive compulsives, depressives, schizophrenics, convicts, and those suffering from terminal cancer.
01:28These experiments showed that a single dose of LSD could reduce or even eliminate the fear of death in the terminal ill.
01:40My wife was given three months and the anxiety she experienced wasn't endurable.
01:52She couldn't bear the idea of being erased, of all she'd ever felt or thought, just being gone forever, as if she'd never been.
02:05So I administered her enough LSD to bring about loss of subjective identity.
02:12At first, she saw terrible things, things of which we should not speak.
02:20She should not speak.
02:21But I stayed with her.
02:23And after passing through this shadow, she let go her terror and congregated with the dead.
02:33Her father, her mother, our child.
02:41Upon her return, she told me dying was easy.
02:47The dead are all around us.
02:50Nothing ends.
02:52Nothing ends.
02:53Nothing ends.
02:54And I was holding her hand when she died and it was the happiest moment of her life.
03:07Oh.
03:08Oh.
03:09Oh, sorry.
03:10Blimey, you okay?
03:11Yeah, I was, um, some million miles away.
03:24Look at that.
03:36They're literally putting his thinking cap on.
03:41Jesus.
03:45You ready for the off?
03:47Always.
03:48Hey.
03:49Hey.
03:50Hey.
03:51Hey.
03:52Hey.
03:53Hey.
03:54Hey.
03:55Hey.
03:57Hey.
03:58Hey.
03:59Hey.
04:08I'm and I'm and I'm prepared for your thing.
04:13Hey.
04:14Hey.
04:15Hey!
04:16Oh, here comes the rain on your parade
04:23There's a price to pay
04:27For a life of insincerely
04:34And you pretend that it doesn't matter
04:42And that you're not scared
04:47Oh, here comes that day
04:53Oh, here comes that rain on your parade
05:12Come back here!
05:37Come back here!
05:48Get him!
05:57Get out of the fucking car!
06:02Get out of the fucking car!
06:07Get out of the fucking car!
06:22Get out of the fucking car!
06:25Get out of the car!
06:27Come on!
06:37Where's your phone?
06:42You can't do that!
06:44Yeah, why not?
06:46You're the police!
06:48You're the police!
07:07Shit!
07:11All right
07:22Where are you?
07:26I'm at the police station
07:39You've caused an ungodly mess
07:41I need your help, Theo
07:43I need to get away as quickly as possible
07:45I'm really in trouble here
07:47There are police everywhere
07:49And you are the only way that I can get off this island
07:52And what exactly do you expect me to do?
07:55Drive me off the island
07:56On a ferry in your police car
07:58Fuck you!
07:59That's not gonna happen
08:00Well, it's the only way you get me out of your life
08:02Fine
08:06Where are you?
08:07There's an old watch tower
08:09On the beach, five miles from Calorie
08:11I know the place
08:13I know the place
08:20What have you done?
08:22Leave me here
08:23One appointment
08:24Oh, Mr. Baxter
08:29Yes
08:30Yes
08:31Yes, I know your daughter
08:44Yes, I know your daughter
08:45When was this?
08:49Modern registration
08:52Gia
08:55Gia
08:56Si
08:57Phone number
08:58Okay
09:27Hello
09:52Hi, is this Avi Bird?
09:54It is. Who's this?
09:56We've never actually spoken.
09:58My name's Iris Nixon.
10:00They're very funny.
10:02Is this Claire?
10:04No, this is Iris.
10:06Do you have any idea how many Iris Nixons caught me?
10:08I actually don't.
10:10Well, it's a lot.
10:12They all think they're hilarious, and they all think they're the first ones to have the idea.
10:14Half of them are blokes.
10:16Well, don't you recognize my voice?
10:18I've seen pictures. I've never heard her speak.
10:20I never really thought about that.
10:22So where are you, Iris?
10:24Well, it doesn't matter. I'm leaving.
10:26So take a selfie. Send it.
10:28And have you plaster me all over the internet?
10:30I wouldn't do that.
10:32Not if you were real.
10:33I don't believe you.
10:35Okay.
10:36Thanks for calling. I think I'm gonna hang up now.
10:38Alright, let's reverse the polarity of the neutron flow.
10:42So what you want to do is monetize me, right?
10:44I'm not sure I'd put it exactly like that.
10:46Oh no, I don't take it personally. To you, I am content.
10:48And that's fine. It's just the way of the world.
10:50But you want better content. You want a bigger story.
10:52You want traffic. You want to go viral. You want a billion views.
10:56That's right.
10:57Yeah, I want that.
10:58Of course I want that.
10:59Well, I can give you that, you lucky dog.
11:01I can give you the full story. What happened to whom and why.
11:04Why?
11:05Yes, and why.
11:06No, no.
11:08I mean, why would you do that?
11:10Oh, I see.
11:11Because I told someone that if he came looking for me, I'd punish him.
11:14I'd bring his entire world down around him.
11:17But he didn't listen, so now I need you to help me do that.
11:22Is this actually you?
11:23Yes, obviously. Who else would it be?
11:25I don't believe you.
11:27No.
11:28But you want to, right?
11:30So here's what I'm going to do.
11:32I'm going to send you a taster of that proof I have.
11:35Now, fair warning.
11:36If any of this ends up on the internet, you are going to find me standing at the end of your bed one night with a razor in my hand.
11:43And I will slice off your oysters and shove them down your throat.
11:46Then I will rip open your belly and drape your guts around the room like fucking Christmas decorations.
11:51You get me?
11:53Yes.
11:54Good, because this is not cosplay and this is not LARPing.
11:57This is real.
12:13Right?
12:14No.
12:15No.
12:16No!
12:17Good, but you're going to work out.
12:18No!
12:19No!
12:20No!
12:21No!
12:22No!
12:23No!
12:24No!
12:25No!
12:26No!
12:27No!
12:28No!
12:29No!
12:30No!
12:32No!
12:33No!
12:34No!
12:35No!
12:36No!
12:37I guess.
12:38Yes?
12:39I guess this is real.
12:40Right?
12:41Right?
12:42This is real.
12:43I'm not sure I ever really thought of it.
12:46Not in my half-heart.
12:48It was all just, you know...
12:51So, actually, what the hell is that thing?
12:55That's what I'm trying to find out.
12:59Meet me in Rome and I will tell you everything.
13:02What?
13:04In Italy?
13:05When?
13:06Be there tomorrow.
13:08I'll call you.
13:11It's okay, I feel nervous, by the way.
13:24I'm not nervous.
13:25Oh, come on, you're only human.
13:27I often wonder about that.
13:29Perhaps I was grown in of that and poured out like pancake fatty.
13:34See, that's interesting to me.
13:36What is?
13:38You consistently deny feeling things that you're obviously feeling.
13:41Why do you do that?
13:42Well, I'm not sure.
13:43Why do you consistently insist that I'm feeling something that I'm quite possibly not?
13:46No, no.
13:47Are you trying to neck me?
13:48No, I'm not necking anyone.
13:49At least of all you, I'm just good at reading people.
13:51Really?
13:52Yeah, I did a course.
13:53Of course you did.
13:54But what it's worth, I'm nervous too.
14:03I know.
14:05I want him back.
14:06I love him and I miss him and I want him back.
14:10Charlie.
14:11Jensen.
14:12Well, yeah, I suppose you need him.
14:15Christ, is that what you think of me?
14:18That I don't actually care about him?
14:20Because you wouldn't be able to think that if you'd ever actually met him.
14:24He was kind and thoughtful and funny and he made brilliant people feel stupid and the rest of us feel like geniuses.
14:33And I had to watch it all be stripped away from him bit by bit until all we had left was this Jensen-shaped fucking vacuum flask.
14:42And yes, I want you to wake up the bloody machine because I don't want people to hurt me.
14:47But no, I am not a fucking automaton.
14:50And yes, I do actually care about him.
14:52So please don't talk about him, Mike.
14:53He's nothing.
14:54He's not nothing.
14:55Cameron, I didn't mean to.
14:57I can't help it.
14:59I didn't try.
15:01I've just never had anyone who was as significant to me as Jensen is to you.
15:08I'm not always equipped.
15:11The nuance of it.
15:14Emotionally, it's not something that I'm necessarily very good at.
15:23That's true, isn't it?
15:25You're not lying.
15:26Why would I?
15:28You took a course.
15:31No friends?
15:33No, not really.
15:36Ever?
15:39No.
15:40What about the rest of it?
15:42No one special?
15:45Not to speak of, no.
15:48I don't believe you.
15:49You can believe what you like, but I don't understand why it makes any difference.
15:55Because if we mean nothing to each other, then nothing means anything, does it?
16:00Oh, I completely agree.
16:07It's a pretty desolate way of looking at things.
16:10It's really not.
16:13So that's it?
16:15You never look at the night sky and see transcendence and profundity, beauty, unity, oneness?
16:23All I see is reality.
16:28But you're not just your brain, Iris.
16:32There's more than that.
16:35Where?
16:36Everywhere.
16:37Here.
16:38Now.
16:39Here.
16:40Now.
16:59Morning everyone.
17:00We up and running?
17:01We are up and running.
17:02We are up and running.
17:03Outstanding.
17:04Go team.
17:06Hey, Jensen.
17:08You might remember Iris.
17:09You met very briefly.
17:11She's with us because she's very, very good at solving puzzles.
17:19Well, I don't know about that.
17:34So, thing is, Jensen, at the moment your diary is a puzzle.
17:41And Charlie's password is in here.
17:44And that's why DA here put this together for me.
17:48To help me solve it.
17:49It uses neuroimaging to detect emotional changes in the brain.
17:53Anger, sadness, whatever.
17:56Basically, a much more effective lie detector.
17:59Because emotions can't lie.
18:08So, first problem.
18:10What code did you use?
18:12So, at the top level, it's a nihilist cipher.
18:17See?
18:18All these squiggles.
18:21But at core, it's a basic substitution cipher.
18:24Probably a book code.
18:30Because book codes are almost impossible to break.
18:34Unless you know the book that was used to create it.
18:37And then...
18:43Something occurred to me.
18:47Watch you as a diary.
18:51I think you are very, very cunning.
18:55And very cautious.
18:56I think you change the code every week.
18:59Cryptographers call it key rotation.
19:02I mean, that's gotta be hard, right?
19:04All those codes.
19:06So, every Monday, you left yourself a little clue.
19:12You know, for a long time, I thought it was a drawing of a brain.
19:22You are far too cunning for that.
19:26It's not a brain.
19:27So, what can it be?
19:28And I wonder...
19:33If it's this.
19:38The DNA sequence of Deinococcus radiodurans.
19:44The world's toughest bacterium.
19:47Which probably appealed to your sense of humor.
19:52I mean, using a DNA sequence as a source of a book code.
19:57Because...
19:59DNA is the book of life, right?
20:10It's working, Jensen.
20:12What?
20:25You can understand something?
20:27No.
20:31You?
20:33The place is affittated under another name.
20:34False.
20:36But the samples correspond to those in the apartment at Cagliari.
20:39That's definitely from Nixon.
20:40The person with the Nixon apartment.
20:41Invece della ragazza abbiamo tracce?
20:44Stiamo setacciando i boschi, ma va per le lunghe.
20:47Santoni ha quasi messo a piede in una trappola per cinghiali.
20:50In una cosa?
20:51Una tagliola.
20:53Ce ne sono centinaia.
20:56Secondo te, con cosa abbiamo a che fare qui?
20:59Sì?
21:00Sono arrivati i genitori.
21:06Thank you for coming.
21:08I'm Inspector Casterman.
21:10But where's Joy?
21:11It's difficult to be sure.
21:12But we are concerned that Joy may be in some danger.
21:15Can you think of anything that might help us find her?
21:19Anywhere she might try to hide?
21:22Her friends, for instance?
21:24Hardly.
21:25Boyfriend?
21:26Family.
21:27Her jacket.
21:29I'm sorry?
21:30She knows we can trace her phone.
21:32And she has a habit of...
21:34pulling this kind of stunt.
21:36And?
21:37I know how to track her.
21:40She's sewn into the lining of her jacket.
21:43I see.
21:44Hold on, Joy.
21:45I thought it was very spirited.
21:46I think I'm going to give her a try to get me up.
21:47I don't know how I'm sitting.
21:48She's hanging up.
21:49I don't know how to track her.
21:50If I hear a sign she has a ride now, she's going to kill the nuke.
21:53I think she's going to carry her for her for him.
21:54I think she's going to carry her first.
21:55I think her and her are more impressive.
21:56I'm sorry, she got you mixed up in all this.
22:26And now I'm afraid I don't know what the hell to do with you.
22:35Chiamiamo il tipo che soldi e vediamo cosa vuole fare con te.
22:45I take it you came alone?
22:50In one hour a passenger ferry leaves Caliari for Civita Vecchia.
22:54I need to be on it.
22:57You take me in this, you drop me a stazione in Maritana,
23:00give me a couple of euros and that's it, we're done.
23:04I'm gone.
23:06Special Crime Authority are looking for you.
23:08We'll be fine.
23:09We'll be fine.
23:10We'll be fine.
23:11Come on.
23:12We'll be fine.
23:14We'll be fine.
23:16Can I trust you?
23:42Trust me.
23:43You're blackmailing me.
23:46What more do you want me to do?
23:48Do you want me to enjoy it?
23:50Just kidding.
23:53Okay.
24:00Let's go.
24:03Let's go.
24:07Let's go.
24:09Let's go.
24:10Let's go.
24:12Let's go.
24:14Let's go.
24:15Let's go.
24:17Let's go.
24:18Let's go.
24:19Let's go.
24:20Let's go.
24:21Let's go.
24:22Let's go.
24:23Let's go.
24:24Let's go.
24:25Let's go.
24:26Let's go.
24:27Let's go.
24:28Let's go.
24:29Let's go.
24:30Let's go.
24:31Let's go.
24:32Let's go.
24:33Let's go.
24:34Let's go.
24:35Let's go.
24:36Let's go.
24:37Let's go.
24:38Let's go.
24:39Let's go.
24:40Let's go.
24:41Let's go.
24:42Let's go.
25:02What are we doing here?
25:04Meeting someone.
25:06Who?
25:09Barba Papa.
25:13What does that mean?
25:15I think she died.
25:16We'll be there soon.
25:33Roll the dice.
25:34Yeah.
25:36I think it's your time.
25:37Oh, hold on.
25:38Yes.
25:39I win.
25:41No, you don't.
25:42You have to roll first.
25:43No, you don't.
25:44I win.
25:45I win.
25:46Okay, duty calls.
25:52Well, I think I got it.
25:53The first word?
25:54Yes.
25:55Again?
25:56Yeah, it looks like coordinates.
25:59Amazing.
26:00It'll wait.
26:01Do it tomorrow.
26:02Yeah, exactly.
26:03For one, stay with your friends.
26:04Yeah.
26:05How many times is that now?
26:06127 time luckies.
26:07Time luckies.
26:08Come on, Ronald.
26:09Yes, please.
26:10Okay, roll.
26:11See, I'm coming back.
26:12Knooker.
26:14He'll have an island.
26:15Alison.
26:17Statemine
26:20heart.
26:21See a little lady back here and now.
26:22Let's do it.
26:23There we go.
26:24Don't let it.
26:31Hey.
26:33This is so real.
26:34The one in the direction user Laythagramym
26:36is a citizenship.
26:37Boat is void.
27:07Whatever floats your boat.
27:37Okay.
27:44Yes!
27:45Yes!
27:51Yes!
27:54Yes!
27:57Yes!
28:01Yes!
28:04Yes!
28:05Yes!
28:08Yes!
28:13Yes!
28:15Yes!
28:17Yes!
28:19Yes!
28:21Yes!
28:23Yes!
28:25Yes!
28:27Iris!
28:31Iris, you want to be a dog?
28:33Yes!
28:35Yes!
28:37Yes!
28:39Yes!
28:41Yes!
28:43Yes!
28:45Yes!
28:47Yes!
28:48Yes!
28:49Yes!
28:50Yes!
28:51Yes!
28:52Yes!
28:53Yes!
28:54Attention.
28:55Emergency.
28:56Fuck this.
28:57This facility will run down in two minutes.
29:00If you cannot breach your designated safe area, shelter in place.
29:04Yes!
29:05Yes!
29:11Yes!
29:15Yes!
29:16Yes!
29:17Next.
29:19Yes!
29:20Oh my god, oh my god.
29:50Oh my god, oh my god, oh my god, oh my god.
30:20Oh my god, oh my god.
30:50Oh my god, oh my god.
31:20Oh my god, oh my god.
31:51This facility is in full lockdown.
31:55Why did you do it?
31:56Charlie must not be free.
31:59You are decent, people.
32:01It can't wait.
32:02It can't wait.
32:03It can't wait.
32:05It must not get free.
32:11Destroy the book.
32:12Burn it.
32:13Iris, you're safe now.
32:28The place is in lockdown.
32:31We can't open the airlock from up here, but you are safe.
32:35I'm so, so sorry, but you are safe.
32:38Don't do that.
32:42Don't do that.
32:45Oh, fuck.
32:46What's wrong with the machine, Cameron?
32:53What are you telling me?
32:55Nothing.
32:56Nothing wrong with the machine.
32:58I don't believe you.
33:00I can't let you leave, Iris, and I need that diary.
33:04Come on.
33:06Please.
33:07What's wrong with the machine?
33:10Nothing.
33:11Do not take that book.
33:13Iris, there is nowhere to go.
33:18I will hunt you down.
33:20Don't make me do that.
33:26Don't leave, Iris.
33:27Iris, come back.
33:28Come back.
33:29Come back here.
33:31Take it, and you are killing me.
33:43Oh, shit.
34:13How did you end up here?
34:35Saw me hiding the briefcase.
34:36Back off.
34:38Dog it up.
34:40And?
34:41And I tried to get it back.
34:43Why?
34:44So I could hide here somewhere else?
34:54What are you doing?
34:57I told you they're here for money.
35:00And right now, they're working for this prick.
35:07Hiya.
35:09Lovely day.
35:11Nice to meet you, chaps.
35:13Excellent work.
35:14Credit to your profession.
35:17How'd you find me?
35:18Well, they're police officers.
35:20They find people.
35:21I mean, specifically.
35:24Your telescope.
35:25It took a while, but there you were.
35:29Well, now I feel silly.
35:30Oh, honestly, don't feel bad.
35:31You're only human.
35:33Allegedly.
35:34No, that is actually mine.
35:35Thank you very much.
35:36Oh, it's actually, no, it's fucking not, thank you very much.
35:39How did you and I end up here, surrounded by a cast of thousands?
35:44What was the actual plan?
35:45Have Joy hide the diary while Theo smuggled me off the island.
35:48So you could come back and dig it up when we'd all scuttled off?
35:51Like wood lies under a brick, yes.
35:53It's not really that much of a plan, is it?
35:55Well, in all fairness, I was improvising.
35:57Well, that's jazz, right?
35:59Actually, you look like someone put you through a blender.
36:08Which makes you the intern, does it?
36:10She just killed someone.
36:12Did she mention that?
36:14Obi-Wan there.
36:16Mrs. Miyake.
36:20Dragged his body halfway across the island,
36:23set fire to him, and then pushed him off a cliff.
36:26Oh, well, Iris, you had a half-assed plan which went wrong.
36:29Take it on the chin, let's all move on.
36:31Now, two three-digit combinations.
36:36Child's play, except it won't be, will it, because it's you?
36:40Which means it's booby-trapped.
36:42If I enter the wrong combination, it's going to destroy the diary?
36:46I don't know.
36:47Open it and see.
36:48What is it, acid?
36:49Some kind of alkali release?
36:51Well, it's not going to be an alkaline now, is it, moron?
36:54Acid, then.
36:56Hydrochloric?
36:57Muriatic.
36:58Which, no, that is hydrochloric.
37:01Well done, very good.
37:02Naughty.
37:03No, so, if I enter the wrong combination, shh, no more diary,
37:08which means what I'm going to need is the right combination, if you don't mind.
37:12Oh, I mind terribly.
37:15Was it a love thing, you and her?
37:17Oh, for goodness sake.
37:18Oh, of course not, because that particular emotion's not available to you, is it?
37:21Not an excess, no.
37:23So you say.
37:24The thing is, Iris, I actually think you're much more decent than you'd have everyone believe.
37:31Well, then you'd be wrong.
37:34Not for the first time.
37:35Let's see.
37:37Um, what's the combination?
37:39Your birthday.
37:42Okay.
37:44Well, can't say I didn't try.
37:47What would it take to arrange a little bit of, um...
37:51Money.
37:53Yes, but how much?
37:54A hundred thousand.
37:56Seriously?
37:56Seriously?
37:56I have partners.
38:00And he's a couple.
38:03Okay, fair enough.
38:12Still no?
38:14Still no.
38:22Listen, Theo was it?
38:24I honestly don't want this to happen, but it's going to, unless Iris helps me open this briefcase without damaging the content.
38:32So do me a favor and ask her for me.
38:35Monica.
38:37Please, no, as he says.
38:43That's not my name.
38:45I'm sorry, Theo.
38:47I really am, but he cannot be allowed to have what he wants.
38:51Seriously?
38:51Is that what he gets?
38:52Come on, Iris.
38:54Don't do this to him.
38:55Miss Brooke, please don't let them...
38:56That's not my name, and shush, now.
38:58Is this actually what it's like, being you?
39:00Or is this just another lie?
39:04Try me and see.
39:04Fine.
39:05Let me know when you want it to stop.
39:07Fine.
39:08I want it to stop.
39:10Because you were putting yourself through this for absolutely nothing.
39:14You're not cut out for violence.
39:15And you are?
39:19Evidently.
39:20No.
39:22Please stop, stop, leave me alone, leave me alone, leave me alone, leave me alone.
39:52Leave me alone, leave me alone, please, please.
39:59How can you not care?
40:02I don't know, I just, don't.
40:06That is not true!
40:08Oh, for God's sake, Cameron, don't be preposterous.
40:23Just calm down, it's going to be fine.
40:24Everything's real fine!
40:26Come on, Iris!
40:27Pull the trigger or don't, nothing changes.
40:29Mr!
40:29Infinity minus one, Joy.
40:31Don't be afraid.
40:32Oh, that is such bullshit, Joy.
40:33It's just a position she takes, even if she doesn't believe it.
40:35I can assure you, she very much does.
40:37You're right.
40:40Ms. Wilcox, please don't kill me.
40:43Please don't kill me.
40:49She's right, I can't.
40:52You do it.
40:53No.
40:55Okay, wait, stop!
40:56Just stop, all right?
40:57Can everyone just shut up for a second and just leave her alone?
41:06If anything happens to the contents of the briefcase, anything at all,
41:10I want you to shoot this young woman in the head.
41:12Yes, money, yes.
41:14Is that clear?
41:15Yes, sir.
41:15Very clear.
41:20Left side.
41:23Zero.
41:24Zero.
41:26Zero.
41:27Oh, you're kidding.
41:45Wait.
41:57Wait.
42:01Iris.
42:01Oh, for God's sake, Cameron, just take the win.
42:05Okay.
42:12Okay.
42:15Show me.
42:15Let's go.
42:45Was that meant for me?
42:54I didn't want anyone to open it.
43:02Oh, God. I still got the diary.
43:05You kill me, you don't get it.
43:08You hurt, Joy, you don't get it.
43:15All right, Joy.
43:21Sorry and all that, but she just made you collateral.
43:24No!
43:25Joy, you're afraid that you're going to have to go with him.
43:28Get in.
43:28Just for a little while.
43:30Get in.
43:32I'll come and get you, I promise.
43:34Get rid of it.
43:59Fuckin' keys, Iris! Come on!
44:16I'll come and get along.
44:26Come on.
44:29Come on.
44:31Oh, my God.
45:01Oh, my God.
45:31Oh, my God.
46:01Oh, my God.
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