27-11-2025 ماہرہ اور فواد کی دلچسپ کہانی سنئے

Apna Tv New  York

ماہرہ اور فواد کی دلچسپ کہانی سنئے - پاکستانی ٹیلی ویژن کی مشہور جوڑی ماہرہ خان اور فواد خان کی کہانی ایک دلچسپ اور رومانوی کہانی ہے۔ اس ویڈیو میں ہم ان کی زندگی کے بارے میں بات کرتے ہیں، ان کی ملاقات، ان کی محبت، اور ان کی شادی کی کہانی۔ ماہرہ اور فواد کی جوڑی کو پاکستان میں بہت पसند کیا جاتا ہے اور وہ دونوں بہت ہی ٹیلنٹڈ اداکار ہیں۔ اس ویڈیو میں ہم ان کی زندگی کے بارے میں подроб جानकاری دیتے ہیں اور ان کی کہانی کو سناتے ہیں۔ ماہرہ اور فواد کی کہانی سننے کے لیے یہ ویڈیو دیکھیں اور ان کی زندگی کے بارے میں جانئے۔

Transcript

00:00foreign

00:02so

00:04it's rare

00:06that I get a

00:08I get a

00:10I get a

00:12I get a

00:14to

00:16which is

00:18that I

00:20I

00:22Myra, how did you feel to be Nilofer?

00:26Yesterday, I was telling a very good friend.

00:29She said, this is your usual.

00:31I said, no, this is a very special film.

00:34Very special.

00:35That's why it's special,

00:37because I feel to be Nilofer,

00:39to work in this film,

00:41I feel very, very good.

00:44Why?

00:45Why?

00:47Because it's very rare

00:49that I have a friend.

00:52She was a different thing.

00:55She's an innocence.

00:57She has a bravery in Nilofer.

01:00She's a very unique world.

01:03She's a very strange girl.

01:07She's a very sweet girl.

01:09Mahira is playing titular role.

01:12What are you doing for this?

01:14What am I doing for this?

01:15Yes.

01:16What's your friend?

01:17My friend is a writer, a sonnet.

01:20I feel like a creative block hit.

01:25If I can define it in a summary.

01:28And Lahore always seems to come and go.

01:32And for such a visit,

01:34there are such a place.

01:37There are such people.

01:39And she becomes an inspiration for him in the process.

01:50To write again.

01:52I think initially challenging.

01:53Believe.

01:54I think initially challenging.

01:55Believe.

01:56I think it was challenging.

01:57Believe.

01:58I think it was challenging.

01:59I think it was challenging.

02:00Believe.

02:01Believe.

02:02I think it was challenging.

02:03Believe.

02:04Believe.

02:05I think it was challenging.

02:06Believe.

02:07Believe.

02:08I think it was challenging.

02:09I think it was challenging.

02:10Believe.

02:11I think it was challenging.

02:12Believe.

02:13Beard.

02:14Believe.

02:15I think it was challenging.

02:16I thought.

02:17Maybe not.

02:18Possibly not.

02:19A girl.

02:20That black girl.

02:21She is the limit.

02:22It is the limit.

02:23It's the limit.

02:24The limit.

02:26The limit war.

02:27It's the limit.

02:28But as they said, it was not a visible.

02:31It was a good thing.

02:33But the way it is, it was necessary to me to put it in it.

02:40That Neelofar thinks how the world looks, how the world looks, how the world looks, how the world looks.

02:48So I think that was very interesting for me.

02:51The rest of the things you do, they do.

02:55But there were other things that were really important to me.

02:59And I hope that I had the right outcome.

03:03So your leader is feeling the Neelofar's feelings inside.

03:10I think that your leader's name is Mansoor.

03:12Yes, yes.

03:13Meir Mansoor Ali Khan.

03:15Meir Mansoor Ali Khan.

03:16This story or the leader is where you have inspired me, where you have some understanding.

03:25No, I don't say that.

03:28It's a mixed bag of things.

03:32Akash, our director, because now he had to go to Lahore back to Lahore.

03:40Otherwise, he's here.

03:41He would be a better person to explain that these characters are based on which characters are based on what they thought.

03:56He gave me 2-3 films for watching.

03:58So you can see the mannerisms and things like that.

04:01But at the end of the day, I think that a writer is just like any other person.

04:05He had to study the mannerisms to make things, you know, interesting.

04:11Fawad, you're an actor, you're a producer.

04:14So you're an actor, you're an actor.

04:15You're an actor.

04:16So you're an actor.

04:17You're an actor.

04:18You're an actor.

04:19You're an actor.

04:20So when you're acting, there was a producer in your head.

04:22Yes, absolutely.

04:23You will see in the film that my eyes are like this.

04:24You're a good actor.

04:25Yes, but this was going to be back in my mind.

04:28It was going to be a good job.

04:30It was a fun experience.

04:49It was my first production.

04:52I think producer.

04:56I think it is a process of give and take and in that give and take process, you win

05:08some, you lose some.

05:10And that is the interesting part of being Abbir Soher.

05:12Okay, now you have a very false story, honestly, Pakistan, because it's been a long time for

05:17your films.

05:18So what is this?

05:20Just understand.

05:21We're making Mughal Aazam.

05:23In your opinion, what will Neil O'Far prove to you?

05:26Is it the magic or the fairy tale of Mughal Aazam or Mughal Aazam or Mughal Aazam?

05:32I think it's Neil O'Far is that.

05:35Okay.

05:36I hope it is that Neil O'Far is that Neil O'Far is that Neil O'Far is that.

05:39Inshallah, when Neil O'Far comes, I don't know what to say.

05:43You don't forget it.

05:44But you don't forget it, but you don't forget it.

05:46Then you say comparison to Neil O'Far.

05:48How much pressure is the box office or how nervous it is?

05:52I always tell you that I want to get the producer of his money and get a little bit on it.

06:00In this moment, I'm a producer of mine.

06:02Not a little bit.

06:03There are a lot of money on it.

06:05Inshallah.

06:06But I just feel that a lot of money is needed to keep God's love and the rest of the stuff.

06:16It's a simple thing.

06:17Is there a dance chance?

06:19We do it.

06:20We do it.

06:21Oh, yes.

06:22It's such a dance that you've never seen the first dance before.

06:25It's a dance.

06:26Yes.

06:27It's two times.

06:28Yes.

06:29Two times.

06:30Good.

06:31None.

06:32Two times.

06:35Yes.

06:37One.

06:39Five.

06:40Two.

06:41One.

06:42One.

06:43Five.

06:44Five.

06:45Two.

06:46Five.

06:46One.

06:47Two.

06:48Four.

06:49Five.

06:50Three.

06:52Seven.

06:52Two.

06:53Five.

06:54Five.

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