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00:00What is this?
00:00Oh, birds of water
00:02The sky wakes up
00:03I'll walk you off
00:04Don't give up
00:05Don't give up
00:05Don't give up
00:05Don't give up
00:06The wind of water
00:07There's no power
00:08It's των
00:08The wind of water
00:09As long as it's in the sky
00:09Look, you're not
00:10I can't believe, that it is
00:11The voice of hot water
00:11I'm a bit ter ngut
00:13It's a weak
00:14To be honest
00:15To feel the work
00:16You make a smile
00:17King Kong
00:18I have a face
00:19You make a smile
00:20May me
00:21I can't believe
00:22I can't believe
00:23I'm a Institute
00:25You've been
00:25A lot of people
00:26It's a wonderful thing
00:26I know
00:27It's not a minute
00:28Oh
00:58Oh
01:28Oh
01:55Please just hear me either
01:57There you are
01:58What is it?
02:01You'll never guess who I saw in the crowd
02:03Tokyo Blade's author
02:04Abiku Semejima
02:06Bring her to me
02:08Yes sir
02:09All I need to do is be hospitable
02:11Wow
02:14I never imagined you'd want to come to see the show
02:18I would have been more than happy to have gotten you a ticket if you'd ask me
02:22Well, what did you think?
02:24Did you enjoy it?
02:25So I guess this is what plays are like nowadays
02:29It was completely different than I thought it'd be
02:32It will be a great reference while I write the script
02:35Oh, I'm delighted to hear that
02:38That's great
02:39It's wonderful to think that you're personally writing the script
02:42I can't wait to read it
02:44The casting crew will also be pleased to have it crafted by the manga author herself
02:48But still
02:50This show needs you
02:52Only you can fix this
02:53Listen
03:01I think we must have a little heart to heart
03:05Right now, I'm in a very weak position
03:08If I don't maintain good relations with the publisher
03:12I won't be able to secure future jobs
03:14One of the rights that you as the author is entitled to is the insured right of integrity
03:19So without your permission, we absolutely can't stage a Tokyo Blade play
03:23Again, as the creator, you have the final say in this matter
03:28But I ask you please bear this in mind
03:31It is completely and utterly possible that the script you come up with will be used exactly as it is no matter what
03:38So what?
03:40That decision doesn't bother me in the slightest
03:42No, please think this overcame
03:44Even if the script you write is awful
03:47There's a chance it'll go ahead as is
03:49And actors need time to rehearse
03:51Let me put it this way
03:53Say there was a gifted novelist
03:56If they were to draw manga storyboards for the very first time
03:59Would they score a perfect 100?
04:01Of course not
04:02It's the same with stage play scripts
04:04However much of a genius manga artist you may be
04:07You won't be able to write an exceptional script on your first try
04:10I'll say it one more time
04:12If you wield your personal rights as an author
04:15It's possible we'll greenlight it with no questions asked
04:18It'll likely end up as a sluggish amateur play
04:22Are you threatening me?
04:24That goes both ways, doesn't it?
04:28Bargaining of this sort is nothing new for me
04:30My job is to protect the jobs of over 100 people involved with the production
04:34Look here, I'm ready to fuck the dick of a geezer or two if that's what it takes
04:39How filthy
04:41You don't have to be so graphic
04:43You saw the show just now, right?
04:46The script for that production was written by Goa
04:49Will you please trust in the work he does?
04:57I met them halfway
04:58Media franchises are collaborative works
05:01They're a collection of tasks that you can't accomplish alone
05:05All right
05:11I'll trust in the work of a professional
05:13However
05:15I have one condition
05:17I understand
05:22So that's how it's going to be
05:24We'll all share the text on the cloud in real time as we work together
05:29All right
05:30Abiko and Goa will talk as they work together on revising the script as a team
05:34As the producer
05:36This is the best setup I'm able to sign off on
05:38Let's jump right into it
05:40Shall we begin?
05:43Yes, we shall
05:44Please go ahead
05:46Okay, start at page one
05:48With this decision
05:52The original creator and script writer will either become friendly
05:55Or their dislike for one another will grow
05:57Many sessions we've held in the past have led to disputes that wrecked projects
06:02So as a mediator, this is a totally ill-advised plan
06:05But hell, I doubt things can get any worse than they are now
06:09There's nothing left to lose at this point
06:11So they might as well go ahead and fight it out
06:13That said
06:15I do have one major point of concern
06:17I understand where you're coming from
06:19All right
06:21What's going to happen?
06:23God only knows
06:24You can go ahead and cut the scene where Blade defeats the ruffians
06:29Instead
06:30During the subsequent battle with Tsurugi
06:32We'll add some lines that make it so Tsurugi is able to grasp Blade's personality
06:37Wouldn't doing so deviate from how things unfold in the manga?
06:41That's fine
06:42The core of the characters is what's really important
06:45So long as those don't change, it's okay to do whatever
06:48Okay, I see
06:49I'm starting to get a better idea of the extent of what you'll allow
06:53In that case, how about after the battle, Blade rests his sword on his shoulder and then he speaks?
07:00Ah, that works
07:02You're understanding it now
07:04Then we'll go with this here
07:07Huh? Why?
07:09It might be kind of hard for you to visualize if you don't understand how the stage works
07:13But moving in front of the screens as they converse would give a sense of traveling
07:18Makes sense
07:19That would work
07:21I lack that kind of knowledge and experience
07:23Well, this is how I make my living
07:26Whether or not I look at, I'm in high demand
07:28That reminds me
07:31I saw a play you wrote the script for
07:34Oh
07:35What did you think?
07:38Well, I...
07:40I really enjoyed it
07:42That's the kind of stuff I usually write
07:47Please bring out that feeling in the Tokyo Blade play as well
07:51Are you sure?
07:52That will alter the vibe quite a bit
07:54That's completely alright
07:55We should continue to play up your strengths
07:58Well then
08:00Let's get through this part using stage effects
08:02Cut this part too
08:03We can also cut this line, right?
08:07The acting alone should be able to cover this part too
08:10You're really getting after it now
08:12Let's cut this too
08:13Cut, cut
08:15Thanks to Goa's brilliance
08:27We have a really good draft ready to go
08:29I can envision the cast performing all of the scenes
08:33Yeah, absolutely
08:35I'll be going to all who are here
08:38Thank you so much for working through the night
08:40Well, I'll be going now
08:42Please excuse me
08:44Well, Goa?
08:49Yeah
08:50We started having fun
08:52And before I knew it
08:53Oh my god
08:55It's just as I feared
08:56Sure enough
08:57When creators seem up
08:58They tend to produce something quite striking
09:00But we're low on time
09:03So I have to go with it
09:04If it comes together well
09:06I can tell it'll be amazing
09:08Damn it
09:10I've got a whole new headache on my hands now
09:13Wow
09:17What an outrageous script they've come up with
09:20The expository lines have been aggressively cut
09:24And there are so many scenes to carry out with movement alone
09:27Everything rides on our performances
09:31I gotta say
09:32It's a killer draft of a script
09:34So if the show is a failure
09:36All the blame will rest on us
09:38It's a pretty bold thing to ask
09:39This lineup of thespians
09:41And now
09:42The script's interpretation of Princess Sia fits with mine
09:46I think this draft will allow me to uncover a whole new side of her
09:49It sure looks like it's worth sinking my teeth into
09:53But it's gonna be incredibly difficult to pull off
09:57It won't be a problem for me
09:58Huh?
09:59I mean, I thought the previous script was somewhat lacking
10:02I like it
10:04It suits my skills better
10:05After all
10:06Acting's all a matter of speaking with your body
10:08This has the markings of a Goa script all over
10:11Well
10:12We have acted in several of his plays
10:15And we are able to grasp the key points
10:17So it should be fine
10:18Now's our chance to show who the true top star is
10:21Of theater company La La Lie
10:23All the La La Lie members are excited about the new script
10:27However
10:29This can't be happening
10:33I have some serious doubts that I can hack it
10:36We've only got two weeks till showtime
10:39Am I gonna be ready by then?
10:41I bet situations like this are walks in the park for you, Auk
10:44Actually, I'm not so sure
10:47Huh?
10:51All right, let's get started
10:54So you're the new leader of Shinjuku?
10:57It's time to find out what you're made of
11:00And what's wrong with despising the Shibuya thugs?
11:03Those monsters killed my parents and siblings
11:06So it seems in the end that lot is just a rabble
11:09I dare say us being defeated is one in a million
11:12Or rather, one in a billion really
11:15Kyakume, you can be more dramatic there
11:17Yes
11:18Toki
11:24Princess Saya
11:26Stop there
11:27Toki
11:28This is your biggest scene
11:31Put more heart into it
11:34My apologies
11:35It's the climax of the play
11:38Amid the battle, Princess Saya has suffered a severe injury and collapsed
11:42Toki despairs
11:44Fortunately, Princess Saya miraculously comes too
11:48What emotions would wash over him now?
11:51Intense release from his anxiety
11:53A strong sense of joy and hope
11:55I suppose
11:56That's right
11:57Your acting is indeed in line with the source material
12:00However, here on stage
12:03You won't reach the audience unless you project emotions with greater intensity
12:06Draw out more emotion
12:08This scene calls for emotional acting
12:12Mortal enemy of my kin
12:14Alright, let's go with that
12:16Where's the proof?
12:18I've slain so many, I can hardly remember them all
12:20There, there
12:21It's no surprise you can't strike the right balance
12:23This is your first play
12:25Gradually bring your acting in line
12:28Don't baby him like that
12:29Aqua
12:30You've never done emotional acting, have you?
12:34Ultimately, one's persona shows in their performance
12:37And you never show your true emotions to others
12:40Which is why they don't come out in your execution
12:43Up until this moment, you've always reproduced some performance you've seen elsewhere
12:48It all comes down to your core nature
12:51You talk like you know him inside and out
12:53Of course I do
12:54After all, I have the longest relationship with Aqua of anybody else here
12:59I mean, hey, we've known each other since we were little kids
13:02We've basically been friends our whole lives
13:04It's nothing like the relationship with his purely business girlfriend
13:07Who we've only just met
13:09So you say, but we only reconnected recently
13:14Still, I get it
13:19Kana is completely dead on
13:21I can't do emotional acting
13:24Me, performing to the point that I get worked up and cry
13:28Forget it
13:30Maybe I was too hard on him
13:35But if not me, no one else would tell him
13:38Hey, Kana, how do you get yourself to shed tears?
13:42Hmm, there are various methods you can try
13:45There's emotional crying and physical crying
13:47But in the world of child actors, the most used is
13:51Hey, Aqua
13:52Tell me, what would you do if your mom were to die?
13:56That's it
14:00Aqua
14:02Place in front of you the things you hold dear
14:05In this situation, Toki is overcome with joy when he sees that Princess Saya is still alive
14:11So basically, you should remember things that make you happy as you perform
14:15After all, even you must have things that make you happy, don't you?
14:26Out of my way, Tsurugi
14:28Trying to march into Shibuya empty-handed?
14:31You're more of a foolhardy samurai than Blade
14:33For this part, play it like you're always going to outsmart your opponent
14:37You got it
14:38Memories of when I was happy
14:43Every time you hear me
14:48It was fun
14:49My first day
14:51nya
14:51that
14:52You got it
14:55You got it
14:57Something that needs
14:59I didn't know
15:01What you trig your 초�pum
15:04Life
15:05Paper
15:05Back
15:06But
15:07Back
15:07Men
15:08So
15:08You got it
15:09Right
15:09Paper
15:10So
15:10That
15:11Don't you dare enjoy yourself
15:30Never forget that you couldn't save her
15:41You have no right
15:45Aqua! Aqua!
15:56Hey, what is it? What's wrong?
15:59I'm alright
16:00I just got a little dizzy
16:02I'm going to rest until I regain my composure
16:06Anemia?
16:16Probably a hangover
16:17This isn't King Daichi we're talking about
16:20He's still in high school
16:21Akane
16:24You're his girlfriend, right?
16:26You should be with him
16:27Uh, right
16:29How convenient for her
16:34Here, have some water
16:45I appreciate it
16:46Sweating?
16:52I'm steady on his feet?
16:54It could be a panic attack
16:55You look really pale
16:57Maybe you should lie down
16:59We should call your family
17:02And have someone...
17:02And have someone...
17:03No, don't!
17:03I don't want my sister to find out
17:06She's looking toward the future now
17:10I don't want to remind her of things she doesn't need to remember
17:13Yeah, but you should still have someone come over to get you
17:19In that case
17:21You know, it's not like I'm this kid's dad or anything
17:29Ugh
17:31Let's see
17:36And are you...
17:38Aqua's girlfriend or something?
17:41Mm-hmm
17:42Really?
17:44I thought for sure that he...
17:46Hmm
17:48It seems he's been getting up to stuff I had no idea about
17:53I'm really sorry for barging in on you like this
18:03No problem
18:04I'm about the only one who knows this situation
18:08Besides, it's not like this is the first time
18:11You mean something like this has happened to him before?
18:14Well, you're his girlfriend, so I guess I could tell you
18:24Long ago, he got caught up in an extremely traumatic incident
18:28And when he remembers it, he sometimes ends up like this
18:33PTSD
18:34You mean he experiences psychologically traumatic flashbacks?
18:39Yeah
18:39He received counseling for quite a while to deal with it
18:43But he probably didn't want to worry his family with it this time
18:46He pretended he made a full recovery
18:49Well, I suppose there's no forgetting it
18:53I mean, it haunts even me to some extent
18:57I'm gonna do some work
18:59Keep an eye on how he's doing, okay?
19:02Sure
19:03The nose-piercing, rusty metal smell of blood is something I simply can't forget
19:27The feeling of her hand gradually growing cold
19:30Never leaves my mind
19:33Had you been more careful?
19:40Had you protected her with your life?
19:47Hi
19:48The idol that Aqua's devoted to who died 14 years ago
19:57She was with the same agency as he is
20:00And his sister, who's also working as an idol, revived Bikomachi
20:04Both of them have a strong attachment to her
20:09Psychological trauma
20:11The incident Aqua Hoshino was involved in as a child
20:14Counseling
20:15Eye's murder
20:16The possibility of multiple culprits
20:19The strawberry production's representative they live with
20:22Is named Miyako Saito
20:24Adopted children and a foster parent
20:26Their biological father
20:27The reason they used the family name Hoshino
20:29Eye's family name was never made public
20:33Maybe I actually had a child
20:37In secret
20:38I...
20:47Akane...
21:02Why are you crying?
21:04It's just that
21:07I imagined something scary
21:09And then I thought
21:11What if it were really true?
21:13It made me feel sad
21:14Thinking how lonely it must have been
21:17Not being able to tell anyone
21:19I want you to know
21:28No matter what happens
21:30I'll be on your side
21:31I'll shoulder the pain
21:33Right alongside you
21:36What are you talking about?
21:42Oh, it's nothing really
21:44Just my imagination
21:46Oh, it's just my imagination
21:47Oh, it's something huge
21:48I've come to see
21:49Love Okay
21:49Oh, it's amazing
21:50Don't be was�런
21:50I've come to see
21:50Wow
21:51Thank you
21:54Thank you
21:54Thank you
21:55Thank you
22:01Hi, buddy
22:01And finally
22:01I'll read
22:02Yes
22:02I'll read
22:04Yes
22:04You
22:05And finally
22:05Bye
22:06All that
22:06I'll read
22:07All that
22:07Bye
22:07Ma
22:08Here
22:08Hill
22:09No
22:09Ten
22:09Bye
22:10Bye
22:10Me
22:11Hu
22:11I'll read
22:12Really
22:13Hollywood
22:13I'll read
22:14facebook
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