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Theorizing Fanfiction: The Importance of Remixed Social Genres Composed on the Internet
Erick Valverde
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24 minutes ago
Bibliography:
Magnifico, A. M., & Jones, K. (2025). Theorizing Fanfiction: The Importance of Remixed Social Genres Composed on the Internet. Computers and Composition, 75, 102916. https://www.sciencedirect.com/science/article/pii/S8755461525000039
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📚
Learning
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00:00
If you've ever gone down an internet rabbit hole, you've probably seen it.
00:03
A place where your favorite characters are living entirely new lives.
00:07
It's this huge, sprawling, and honestly, unbelievably creative world.
00:12
Welcome to the world of online fan communities.
00:15
And right at the heart of this universe is fan fiction.
00:18
Yeah, we're talking about millions upon millions of stories,
00:21
all created in this massive, collaborative literary movement
00:25
that exists completely outside of the normal publishing world.
00:28
It's a gift culture, you know?
00:30
The only payment is passion and creativity.
00:33
But here's the thing.
00:34
It is so much more than just a hobby.
00:36
It's this really complex cultural phenomenon.
00:39
A space that's pushing back on our old ideas about who gets to be an author,
00:43
what it means to be a reader, and what a story can even be.
00:46
So that leads us right to the big question of this whole explainer,
00:50
which is based on an amazing academic paper called
00:52
Theorizing Fan Fiction by Magnifico and Jones.
00:55
What can this world of fan-written stories actually teach us
00:59
about how we create and connect with each other in this digital age?
01:03
To really get what's happening now, we've got to look back.
01:06
Because fan fiction is definitely not some new internet fad.
01:10
Nope.
01:11
It has a long, and often kind of secret, history.
01:15
I mean, just look at this timeline.
01:17
People have been remixing stories for centuries.
01:20
You could even argue that Dante's Inferno was basically fan fiction
01:23
for his favorite poet, Virgil.
01:24
We saw it with Sherlock Holmes fans,
01:26
and then in the 60s, Star Trek fans were creating these things called zines,
01:30
homemade magazines they'd literally trade through the mail.
01:33
Fans have always been the first to jump on new tech,
01:35
all in the name of sharing their stories.
01:37
And it all leads up to Archive of Our Own,
01:39
a library built by fans for fans, winning a Hugo Award.
01:43
That's like the Oscars for science fiction.
01:45
And what's so critical about this history is
01:47
who was doing all this writing?
01:50
For decades, this space was shaped and led by women and queer authors.
01:54
They were often dismissed, even faced legal threats,
01:57
but they used fan fiction to re-story the pop culture they loved.
02:01
They were literally rewriting these huge narratives to write themselves in,
02:06
to see their own experiences in worlds where they were totally invisible.
02:10
So how does this whole universe even work?
02:13
Well, these fan communities have built up their own incredible language,
02:16
their own structure for organizing millions of stories.
02:19
It is truly the art of the remix.
02:22
Okay, first thing you've got to know is The Ship.
02:25
It's short for Relationship.
02:27
And it's all about pairing up two characters romantically.
02:30
The Ship is the engine that drives so much of this creativity.
02:34
It can be a straight pairing, which fans call het,
02:37
or an LGBTQIA plus pairing, which is known as slash.
02:41
Then you have my personal favorite, the Alternate Universe, or AU.
02:45
This is where writers take characters we love and just drop them into a completely new world.
02:52
Think coffee shop AU or high school AU.
02:54
A really cool one from the Teenage Mutant Ninja Turtles fandom is the Swanatello AU,
02:59
where Donatello is reimagined in a story inspired by the ballet Swan Lake.
03:04
I mean, the possibilities are absolutely endless.
03:06
Now, let's talk about a super popular genre, hurt slash comfort.
03:12
It is exactly what it sounds like.
03:14
One character gets hurt, physically or emotionally, and another character takes care of them.
03:18
It's a really powerful way to explore deep emotional connections,
03:22
and you'll find it in pretty much every fandom out there.
03:24
And on the total opposite end of that spectrum, we have fluff.
03:30
These are stories with zero drama, zero angst.
03:33
It's all about pure happiness.
03:35
Just cute, cozy, romantic moments.
03:38
And when it gets really, really sweet, fans have the perfect name for it.
03:42
Tooth Rotting Fluff.
03:44
Okay, so these tags and tropes, they aren't just quirky little labels.
03:48
According to Magnifico and Jones,
03:49
they actually show us a whole new way of thinking about writing.
03:52
Fan fiction is like a living, breathing laboratory for how stories get made in the 21st century.
03:59
So, the paper uses three big academic ideas to show us why this all matters.
04:04
First, there's rhetorical genre studies.
04:06
That just means that genres like fluff aren't just categories.
04:09
They're social actions people take together.
04:12
Then there's reader response theory,
04:14
which says a story's meaning isn't just on the page.
04:16
It's created when you, the reader, bring your own experiences to it.
04:20
And finally, TransLiteracies helps us see how one little idea can spark on Tumblr,
04:25
become a story on AO3, and then explode across the whole internet.
04:29
And this is how it happens.
04:31
It's like a wave.
04:32
It starts with a spark, an idea that emerges in a conversation on a site like Tumblr.
04:36
Then, a writer has an uptake moment.
04:39
They grab that idea and write a story.
04:40
If the community loves it, you get resonance, comments, fan art, memes, you name it.
04:46
And finally, if it gets big enough, it achieves scale,
04:49
spreading so far that it might even bubble up into the mainstream.
04:53
But this whole creative playground exists in a constant state of tension with the traditional media world.
04:59
It really sets up this fundamental clash, a gift culture going head-to-head with copyright law.
05:05
And when you put them side-by-side like this, the difference is just stark.
05:10
Fandom values sharing and transformation.
05:13
The publishing industry values profit and ownership.
05:16
Fandom thrives on collaboration and open discussion.
05:18
The industry's all about control.
05:20
They're basically playing two completely different games with totally different rules.
05:24
The scholar Anne Jameson puts it perfectly.
05:27
She says fandom can't be about money because, at its core, it's about a free exchange of ideas.
05:34
It's a community-first philosophy, which is always going to be at odds with a market-first one.
05:39
And this isn't just some abstract debate.
05:42
This conflict got very real in the early 2000s.
05:45
Media companies started sending cease and desist letters to Harry Potter fan sites,
05:49
trying to shut down what they considered copyright infringement.
05:52
It was a huge deal.
05:55
But here's the wild part.
05:56
Despite all that tension, the influence of fanfiction has only gotten bigger.
06:01
It's not some hidden subculture anymore.
06:04
It is actively shaping the future of storytelling,
06:06
which means the next big thing probably won't come out of a boardroom.
06:10
It'll come from a fan forum.
06:12
Okay, let's talk about the most famous example of all time.
06:15
It started with a writer in the Twilight fandom who wrote an alternate universe story,
06:19
reimagining the main characters as adults in a, well, a very different kind of relationship.
06:25
Well, that fanfic had its direct ties to Twilight removed, a process fans call filing off the serial numbers,
06:32
and it got published as Fifty Shades of Grey.
06:35
And yeah, it became a multi-million dollar global franchise.
06:38
This was the moment everyone realized that fan-created ideas didn't just have an audience.
06:43
They had massive, world-changing commercial potential.
06:47
But its influence goes so much deeper than just one bestseller.
06:50
Think about it.
06:51
For decades, Slash Fan Friction was one of the only places you could find complex,
06:55
well-developed stories about queer relationships.
06:58
Fans were doing the work.
06:59
And now, those very same dynamics, those same narrative beats that were perfected in fandom for years,
07:06
are being celebrated in huge mainstream shows.
07:09
The central relationship in Netflix's She-Ra is a perfect example of a fan-favorite enemies-to-lovers dynamic becoming canon.
07:16
It proves that fans aren't just consuming culture anymore.
07:19
They are teaching studios what we all actually want to see.
07:22
Which leaves us with one last big idea to think about.
07:26
fan-fiction is showing us that the old, clear line between the person who makes a story and the person who enjoys it,
07:34
well, that line is getting blurrier every single day.
07:37
So in this new age of remixing, sharing, and re-storying,
07:41
what does it even mean to be an author anymore?
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