La tradition du kali pekiti. La République des Philippines est le seul pays à dominante catholique en Asie. Colonisée par l'Espagne et les États-Unis, cette nation arbore un mélange culturel typique. Dans cette lointaine contrée, le kali pekiti, l'art de combat indigène des Philippines, est au cœur de la culture populaire. Tout au long de l'histoire du peuple philippin, aucune identité culturelle nationale n'est apparue. Ceci est en partie dû au nombre impressionnant de langues parlées dans le pays, que l'on estime aujourd'hui à 80, ainsi qu'aux très nombreux dialectes qui en découlent. L'isolement relatif entre populations voisines, que ce soit de village à village, ou d'île en île, a également contribué à cette absence d'identité unifiée. Ainsi, le kali pekiti apparaît comme le dénominateur commun de ces populations éparses. Porteur de valeurs culturelles et philosophiques, son histoire est vieille de 1500 à 2000 ans. Art suprême d'auto-défense, enseigné aux forces de sécurité à travers le monde, il est très efficace. Mais le kali pekiti contient aussi sa part de spiritualité, et enseigne une philosophie positive de confiance en soi, censée apporter santé et succès à ses pratiquants assidus
11:14I am the second director of the Pekki Tresha System.
11:20The Pekki Tresha System is a close quarter in combat, based on concentration.
11:27The Pekki Tresha is old for more than 100 years.
11:31He was developed by my brother-in-law, and now the Pekki Tresha is not only in the Philippines,
11:37but is part of most of the international training programs.
11:40The difference between the Pekki Tresha and other martial arts, like Judo, Jujutsu and other martial arts, is that they are based on the sport or the submission martial arts.
12:01They are all passive arts.
12:05Passive arts means that it is based on submission arts or sports arts.
12:11Here, we are oriented against weapons.
12:17We start from weapons.
12:19.
12:21So, without the absence of weapons, our discipline is completely different compared to non-variable weapons.
12:27Compared to the weapons of weapons, we start with weapons and end with weapons, at hand free, so that we automatically get our hands with the weapon.
12:39and end up to empty hands.
12:43Meaning to say, as far as empty hands is concerned,
12:46your orientation, your hand, is automatically become a weapon,
12:51in the absence of weapon.
12:53Because our philosophy, if you're not at the weapon,
12:56you can get out of empty hands.
12:58And in the weapon, you can't afford to put a mistake.
13:02And against a weapon, you can't afford to put a mistake.
13:05You can't afford to put a knife or any kind of weapon,
13:09and you're blind.
13:10So when you're blind, you know?
13:12You can't afford to put a mistake.
13:15That's why you can't afford to commit to a mistake.
13:18That's why, here, what we're trying to develop
13:22is the perfection of the movement.
13:25We could call it the movements offensive and counteroffensive.
13:29No defense.
13:30Because we need the defense, the best defense.
13:34You can't allow that.
13:35When you're running a button to be 아니足,
13:36you can now
13:49But this is the extension,
13:51it's like a knife,
13:52To bypass the movement through being annoyed.
13:53That's right.
13:55This is EinsatzapOO
13:58It's Medicine
14:01This is needs chakra
14:02For the following activityillah,
14:34Okay guys, everybody's in tech.
14:41Actually, the name Karambit is based on the word very common in Central Philippines.
14:57Karambit is Indonesian.
15:02So your edge rep is one, you can do uppercut.
15:08One, two, flip, uppercut, switch to the right.
15:15One, two, flip, uppercut, switch to the left.
15:21One, two, uppercut, switch to the right.
15:32So now this time, this is your angle one.
15:39I use my angle one to counter his angle one.
15:45I cut.
15:47So cut the artery and cut the throat.
15:51So you break your moves, cut, cut.
15:54I'll make her.
15:55One, two, three, four, five.
15:59Two, three, four, five.
16:01One, two, three, four, five.
16:02One, two, three, four, five.
16:04One, two, three, four, five.
16:07Here, as far as the Pekki Trisha, we teach people to survive in the street.
16:14The most important n'est pas vraiment le sport en lui-même, mais de se défendre.
16:21Car quand vous habitez dans les zones urbaines, vous devez savoir vous défendre.
16:24Car maintenant, il n'y a plus d'endroit sûr.
16:27Parce qu'aujourd'hui, il n'y a pas de chose comme un endroit safe.
16:44En une semaine, on peut apprendre à quelqu'un comment survivre dans la rue en cas d'agression.
16:57Voilà.
16:58który s'adventus, football, graduate en cas d'agression.
17:02Et un facturé de plage de
17:27Great.
17:36Okay, up.
17:57A good drop.
18:01A good drop.
18:27I'm Jane, I'm training in the Philippine Art Art Martial Philippine
18:32of the Pekiti Tirtia Kali, known as the combat of the arm rapprochée.
18:37I'm from Philippine origin and I wanted to do something
18:40that would be approached by my roots, so I was teaching
18:42the Philippine Art Art Martial Philippine.
18:44The Kali is widely known as an excellent combat system.
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