- 16 hours ago
L’escrime médiévale a pour objet l’étude du maniement de l’épée. Cette dénomination est à placer dans le contexte des arts martiaux médiévaux et englobe tout un panel d’armes : épée longue, épée, dague, lance, bouclier...
Elle fait partie des mouvances d’escrime historique et se base sur l’étude des manuscrits et traités anciens qui nous sont parvenus.
L’escrime médiévale rassemble de plus en plus d’aficionados. L’art martial en question est mis en application dans un assaut libre ou en duel.
Comme tout sport de combat, cette activité a ses restrictions propres liées à la sécurité des pratiquants qui utilisent une épée en bois ou une arme métallique aux tranchants émoussés. Elle comprend aussi un volet artistique pour les démonstrations au cours de spectacles ou de fêtes populaires
Elle fait partie des mouvances d’escrime historique et se base sur l’étude des manuscrits et traités anciens qui nous sont parvenus.
L’escrime médiévale rassemble de plus en plus d’aficionados. L’art martial en question est mis en application dans un assaut libre ou en duel.
Comme tout sport de combat, cette activité a ses restrictions propres liées à la sécurité des pratiquants qui utilisent une épée en bois ou une arme métallique aux tranchants émoussés. Elle comprend aussi un volet artistique pour les démonstrations au cours de spectacles ou de fêtes populaires
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Short filmTranscript
00:00For more information, visit www.fema.org
04:54We're in a room room.
04:56We are in Florence, in the art room of Cili Marosso,
04:59the most Italian association that studied the ancient writing from the antiquity until the 18th century.
05:05And more precisely, between the 14th and the 15th century.
05:12We can find out in this time,
05:13some real testimonies of real techniques used,
05:16and not just simple suppositions.
05:19Yes, I practice in this room since 2004.
05:24I was maître d'armes since 2007.
05:29Before, I only focused on the ancient studies of this discipline.
05:33And now, I can transmit and transmit them in this room.
05:37I have brought them to the Art Room of Cili Marosso,
05:39with which we can really put them in practice.
05:46You will not see, in our days,
05:47real clothes of the time,
05:49but rather clothes made by the students
05:51mixed with protections
05:53from hockey-on-glace
05:54and sometimes from the forces of the order.
05:57The face of the face,
06:00it is protected by a mask of a screamer.
06:06The face of the face,
06:07it is protected by a mask of a screamer.
06:10While I travel into the room of Cili Marosso,
06:24I have been practicing this discipline
06:27so that I found,
06:29Alessandro,
06:30who has a lot of talent
06:31and a great passion
06:32of which he gave me.
06:34All of those items,
06:37thanks to his audio records,
06:39on the French screen from the beginning of the 15th century
06:41and in the search of the internet,
06:42we published these two volumes
06:46that trace the ancient practices of the French screen
06:49and show that in the 15th century,
06:50there was not only the French screen from the city of Bologna,
06:53but also the French screen.
07:09Here is the Bible of the practitioners of the European martial arts.
07:18This book dates from the Middle Ages
07:22and explains the different techniques of combat,
07:24with and without weapons.
07:39Here is the association.
07:41You can count on the times of what they were doing,
07:44because they taught me the test.
07:46Here we go.
07:47Here we go.
07:49Here we go.
07:50Here we go.
07:52You can certainly notice that the patterns of the practitioners
07:54are sometimes different.
07:56This reminds us of what we said earlier.
07:59The patterns are made according to the means of each one,
08:01which means some differences between each one to the other.
08:09There are many other weapons that do that!
08:31In the Middle Ages, the mass and other weapons are trained
08:35to test the techniques of the time.
08:39I'm going to go.
08:41I'm going to go.
08:43I'm going to go.
08:45I'm going to go.
08:47I'm going to go.
08:49I'm going to go.
08:55Good boy.
08:59It's a show of the one.
09:09This is the one.
09:11I'm going to go.
09:13I'm going to go.
09:15Here you can see a technique
09:17at the cap,
09:19which reminds that
09:21of a Torreador
09:23who would expect the attack
09:25of his Taureau.
09:27Here you can see
09:29a technique
09:31that reminds the one
09:33of the Torreador who would expect
09:35to be the attack of his Taureau.
09:39Go ahead, move on!
09:41狄
09:43There you go.
09:50There you go.
09:54Slow up,
09:59ready,
10:03The French family is the most rich and most influential in Florence.
10:33This is the name of the bulls in their blason.
10:42Everyone can practice this sport. We encourage him to do it.
10:46We can start from 16 years old.
10:49We also have courses for children and women.
10:52Today she is not here, but we have here the champion italian of the scrum,
10:56originate of Udine and study at Florence.
10:59We also have a number of young escrimeuses who fight with us
11:04without any difference between men and women.
11:07We also have many women who fight with each other,
11:12not separately, but together.
11:15For training, we use all sorts of armes with reproductions in acier,
11:20of course, which are not aigisées.
11:23D'autres more modernes in nylon or even in wood,
11:26are using, with the same techniques of the time,
11:28a sort of fibre wood,
11:29which allows a total security in case of rupture.
11:42Several chains were used at the time,
11:45such as the duels judiciaires,
11:47or the bockles.
11:48It's a small chain with also a point called umbo.
11:51Umbo.
11:52Umbo.
11:53Umbo.
11:54Umbo.
11:55Umbo.
11:56Umbo.
11:57Umbo.
11:58Umbo.
11:59Umbo.
12:00Umbo.
12:01Umbo.
12:02Umbo.
12:03Umbo.
12:04Umbo.
12:05Umbo.
12:06Umbo.
12:07Umbo.
12:08Umbo.
12:09Umbo.
12:10Umbo.
12:11Umbo.
12:12Umbo.
12:13Umbo.
12:14Umbo.
12:15Umbo.
12:16Umbo.
12:17Umbo.
12:18Umbo.
12:19Umbo.
12:20Umbo.
12:21Umbo.
12:22Umbo.
12:23For the heaters, there are no real stones that are used, but stones in wood.
12:53In the center, in the center...
13:00And now we're going to play the game.
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16:59The territory in Italy and in Europe.
17:08To validate the results during training sessions,
17:11some practitioners pass the grades under the eye of an examiner,
17:16which will allow them to get the badge of the medieval screamers.
17:29The clinic says that there are some also three families.
17:32There are five guys.
17:33In the first half the gym is up to the max.
17:35We have the most in the case of the religious
17:38and thegeting with theboot.
17:41This is the post.
17:42We have the two hours of writing andMeer.
17:43We have the last half of the start but we have the most in the last half.
17:45We have the three families.
17:47You have the rest of the men.
17:50They are the ones.
17:52I'm going to move on.
17:53I'm going to move on.
17:54I'm going to move on.
17:55I'm going to move on.
17:56Look at the front of theCenter's and the next half of course.
20:28There is a phrase that my old maitre d'armes repeated.
20:34Maybe it doesn't matter in life,
20:37because we are in the 21st century
20:39and the conflicts and wars in society
20:41will be solved differently.
20:43But if you like it,
20:45it will be the best thing you will do in your life.
20:51I can confirm, it's true.
20:58I can confirm, it's true.
21:03This is the day to come to the world.
21:08This is the day of the day of the day of the day.
21:10Let's go.
21:11Let's go.
21:13Let's go.
21:15Let's go.
21:17Let's go.
21:19Let's go.
21:20After a good training session, the clan will be around a good table
21:32to share a comfortable time.
21:50N'oublions pas que l'Italie est une terre gourmande grâce à ses pizzas et ses glaces dont la réputation n'est plus à faire.
22:20La cathédrale Santa Maria del Fiore est impressionnante par son architecture.
22:47Elle est la cinquième église d'Europe par sa taille et à ce jour, elle est la cathédrale de l'archidiocèse de Florence.
22:57Visité chaque année par beaucoup de touristes qui viennent du monde entier, Florence est l'une des villes d'art les plus importantes et charmantes d'Italie.
23:04Florencia est l'ancien nom de la moderne Florence, la ville qui a traversé et marqué l'histoire de l'Italie et de l'Europe.
23:11Son centre historique rayonne de monuments, palais religieux, d'œuvres architecturales et de jardins uniques au monde.
23:23Coeur de la culture et de la langue italienne, elle est considérée comme le symbole de la Renaissance
23:29quand elle s'est distinguée pour son pouvoir politique et pour sa riche floraison des arts et des lettres.
23:41Sous les dynasties des Médicis et en particulier pendant les règnes de Lorenzo, la Magnifico et de Cosimio,
23:46la ville est devenue l'un des centres culturels les plus importants d'Europe.
23:50Elle est classée par l'UNESCO au patrimoine mondial de l'humanité.
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26:00De nombreuses manifestations sont organisées dans le monde par les aficionados de la marque Ferrari,
26:18afin de montrer leurs bijoux aux yeux des curieux, mais aussi à ceux des autres propriétaires.
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36:08C'est dans ce genre de décor naturel en plein coeur de Dijon que différents membres de l'association,
36:25n'hésitent pas à faire des démonstrations d'arts martiaux historiques pour le plus grand plaisir des passants.
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37:40It's always impressive to see that these practitioners
38:09don't hesitate to use real weapons for their demonstration.
38:39They're not too bad.
38:40It's all good.
38:41They're not too bad.
38:42They're not too bad.
38:44You're good.
38:45Let's get a little help.
38:46They're not too bad.
38:47They're not too bad.
38:48They're not too bad.
38:49This is the age that appears at the end of the 14th century, but it develops during the 15th century.
39:13This is the age of nobles at the time, especially at the court of Bourgogne, in the 15th century,
39:22who was the most influential and rich in Europe at the time.
39:26This is a great age, which is about a height of the height of a man,
39:31according to the French manuscript in 1987, which dates from the 15th century.
39:35This is an anonymous text, which recense several dozen techniques.
39:41In this case, this is the game from the right to the right,
39:44but this source, this manuscript, also talks about the game from the left to the left.
39:48It has nothing to do with the direct hand, it's just a way of holding its hatch.
39:51These techniques could be used on the battlefield, but we see them
39:53especially at their zenith, at their maximum,
39:59in the pas d'armes, in the combat chevaleresque,
40:03which was the most famous one that was financed by the Duc Philippe de Bourgogne in 1450,
40:07at Chalon-sur-Saône, where Jacques Delalin had defended the pas for a year.
40:11They had a lot to play at the H.
40:12The H, it's really a norm that the bourguignons loved,
40:14the chroniqueurs bourguignons in particular, Olivier Delamarche.
40:17In his memory, we feel that it was a practicant,
40:20even someone who was very accomplished in the game of the H.
40:25in French and French,
40:26you can take a walk,
40:27it's really nice to see the ball.
40:28It's really beautiful.
40:29I really want to give you all seats to the back.
40:31I'll take a look.
40:33So, I'm going to take a look.
40:34I'll take a look.
40:35So, I'll try to make a look,
40:36you can take a look.
40:37Man on the back there.
40:39I can see.
40:40I can see.
40:42So, even the-
40:46The efficiency, well, it's very important.
41:16But that's what we're looking for, in any case, if we're going to look at the Renaissance, the Renaissance, the Middle Ages, the modern era, the 18th century or the beginning of the 20th century,
41:24it's because we know that these people had a knowledge and a knowledge and a knowledge that worked.
41:29What we're doing is not just an algorithm empiric, where we take things like swords, and we're going to see what it was doing.
41:35This connection that we have through the sources, through the writings, the publications, the memories, the memories, the knowledge, the knowledge of the arts,
41:45it's the only connection that we have with something that worked, with something that we know that it was effective.
41:50Because we have other sources, we have chronicles, we have other texts, we have other ways to know that it was effective and that it worked.
42:05'?
42:09Oké!
42:16…
43:03At this time, the Christian religion holds a very important place in society.
43:10Can we say that something in the medieval or modern culture has nothing to do with the Christian religion?
43:20It's more or less what it was defined with a lot of relativity, but what it was defined in the West for at least a half-million.
43:28So it's hard to say that.
43:30Well, it's true that the maitre d'armes, they wrote, like,
43:33''Apprends à aimer Dieu, respecter les femmes, etc., etc.
43:36There was the ritual religieux that was part of it.
43:39For example, for the combat in Shanko, for the judicial, etc.
43:43There were people that were at the messe.
43:45It is important to think that in the primitive church, where there is still a portal here, and then the tour, the tour du duc,
44:10it was an accueillie the three tombeaux des ducs.
44:17It is necessary to think that the tombeaux des ducs are at the Museum of the Gosar should be there.
44:25This environment served to a necropole.
44:31Philippe Lardi a voulu faire de ce cadeau qu'il a reçu en appannage de la Borgogne,
44:40il a voulu faire un lieu de nécropole pour sa dynastie et puis pour la prière.
44:45C'est pour ça qu'il avait fait venir deux communautés de Chartreux, de la grande Chartreuse de l'Isère.
44:52Terre des pèlerinages les plus importants du monde, l'Italie est parsemée de lieux de dévotion et de culte.
44:58La cathédrale d'Issan Pietro à Bologne en fait partie.
45:01L'intérieur est de style fortement baroque, on peut notamment y trouver une fresque dans la lunette centrale du presbytère de Lodovico Caracci
45:09ou un crucifix en bois de cèdre de style roman.
45:15Cette cathédrale est dédiée à Saint-Pierre, la majeure partie du bâtiment actuel remonte au XVIIe siècle,
45:22certaines autres parties datant de la fin du XVIe siècle.
45:31La cathédrale est dédiée à Saint-Pierre, la majeure partie du XVIe siècle.
45:39La cathédrale est dédiée à Saint-Pierre.
45:41La cathédrale est dédiée à Saint-Pierre.
45:43La cathédrale est dédiée à Saint-Pierre.
45:45La cathédrale est dédiée à Saint-Pierre.
45:59La cathédrale est dédiée à Saint-Pierre.
46:04A Florence, in winter, in the end of the day,
46:23we enjoy the freshness of the evening to go along the Arnaud.
46:34Florence shows us her interest in art by giving us the entire land of her territory.
46:50We'll see you next time.
47:20We'll see you next time.
47:50We'll see you then.
48:20We'll see you then.
48:50We'll see you then.
49:20We'll see you then.
49:50We'll see you then.
49:52We'll see you then.
49:54We'll see you then.
49:56We'll see you then.
49:58We'll see you then.
50:00We'll see you then.
50:02We'll see you then.
50:04We'll see you then.
50:06We'll see you then.
50:08We'll see you then.
50:10We'll see you then.
50:12We'll see you then.
50:14We'll see you then.
50:16We'll see you then.
50:18We'll see you then.
50:20We'll see you then.
50:22We'll see you then.
50:24We'll see you then.
50:26We'll see you then.
50:28We'll see you then.
50:30We'll see you then.
50:32Transcription by CastingWords
51:02Transcription by CastingWords
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