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00:00Previously on Traveler.
00:02Did you get out?
00:03Yeah, yeah, we're at the corner. Where are you?
00:05I'm sorry I had to do this.
00:09You think Will framed us for this?
00:11Will apologized right before the museum exploded,
00:13and our faces are on TV.
00:15You think a friend of ours was in the building?
00:17His name's Will Traveler.
00:18We found Traveler in the museum.
00:20Dead.
00:21Yes, it was destroyed in the Drexler bombing.
00:23I want to know what I have.
00:25Will asked me to keep this room.
00:26It could help us fight back.
00:28You and Will were...
00:31I don't know about Traveler.
00:34You're lying.
00:36It's Will.
00:52Will!
00:53Everything has been taken care of,
00:55except for Bertschel and Fogg.
00:58Will!
01:10Will!
01:11Will!
01:13Let's go.
01:43Let's go.
02:13Did you know Will was alive?
02:15I didn't think he was dead.
02:16Let's go.
02:46Wait, the other van's got the ones we want.
03:13Let's go.
03:43Just tell me you got a lead.
04:03Tax traced a call to Kim Doherty this morning.
04:06Small town in Maine, Deer Harbor.
04:09Are we on that?
04:10Chambers gave it to the Boston field office.
04:12That's the only solid lead we've had since New Haven.
04:15Boston's three hours closer and humping him all the way up there just to interview a few witnesses ain't my idea of a productive day.
04:21Besides, we've got something else going on down here.
04:24What is that thing?
04:40Tracking device.
04:42Tracking device.
04:42They cut it out of him.
04:45How do you know?
04:47Because I shot him with it.
04:49What do you want with Will?
04:52The girl in Deer Harbor.
04:54The one at the bookstore.
04:55Did she give you anything?
04:57What?
04:58You've been watching us?
05:07Your need is more than me.
05:08You put one of those things in my watch, didn't you?
05:15Hey, you know, we've almost died like eight times out there, huh?
05:18Where the hell have you been?
05:20This is never badass for you, was it?
05:22Just using us to find Will?
05:24Nothing personal.
05:25Well, did she give you anything?
05:30No.
05:33She didn't.
05:48We're not done with you.
05:52Mort called.
05:53Jenny's on her way down.
05:54It said she had something interesting on the dead guy from the Drexler.
05:59Don't worry, I haven't told him yet.
06:01Good.
06:01Because I don't think he would approve of this little detour in the investigation.
06:05Why not?
06:06Because right now he's focused on those two boys.
06:09And this is about Will Traveler.
06:24Do you think he's in there?
06:28Probably a switch point.
06:30Ten minute lead, they could be anywhere.
06:32Yeah, well, they're in there waiting for us.
06:35One way to find out.
06:37John Doe from the Drexler, right?
06:41Adult male, Caucasian, average build, nice dental work.
06:44Where are we on DNA?
06:46Running it through CODIS as we speak.
06:48So why are you down here?
06:48I know you'd like my company, but...
06:50It seems your victim was dead before the blast.
06:52What?
06:53No smoke in his lungs.
06:55Plus, he had some minor contusions and a broken neck.
06:58See there?
06:59The anterior displacement between C3 and C4.
07:02Usually what you see in a quick kill scenario.
07:03So Birxland fog snap, Traveler's neck, plan with the body.
07:06Fits right with the initial theory.
07:08Sure, until you see this.
07:10I just finished the facial reconstruction.
07:18That's not a guy.
07:20So whoever Will Traveler is, he didn't die in a Drexler.
07:33It's the middle of nowhere.
07:54It's worth it.
07:55Will is alive.
07:56How do you know Will is alive, Jay?
07:58There's blood in that van.
07:59If they were going to kill him, they would have done it at the train station.
08:02That's comforting.
08:04Um, so, which way do we go?
08:07We don't go anywhere.
08:10You said after the Drexler you're the only one who believes our side of the story.
08:13Why?
08:14Because I know there were other people behind the bombing that day.
08:17Who?
08:19We're not going anywhere until you tell us.
08:21What about Will?
08:22How do we find him?
08:24You don't.
08:25He's not your friend.
08:26And he's not someone you want to find.
08:31Someone's out there.
08:37What?
08:41Get out of here.
08:42This is a trap.
08:45Go!
08:46Get the hell out of here!
08:47We're not going anywhere, Jay.
08:48Tell us.
08:52I can't protect you if you stay.
08:54Now go!
08:55Go!
08:56Go!
08:56Go!
08:57Go!
08:58Go!
08:59Go!
09:00Go!
09:01Go!
09:02Go!
09:03Go!
09:04Go!
09:05Go!
09:06Go!
09:07Go!
09:08Go!
09:09Go!
09:10Go!
09:11Go!
09:12Go!
09:13Go!
09:14Go!
09:15Go!
09:16Go!
09:17Go!
09:18Go!
09:19Go!
09:20Go!
09:21Go!
09:22Go!
09:23Hello, Will.
09:38Who are you?
09:40My name is Kate.
09:45You don't remember me.
09:47We met once at a dinner party.
09:49You were charming and I was tipsy.
09:53Come, sit.
10:20You part of hometown?
10:22Yes.
10:23And I am sorry for the way things went in the van.
10:28Were you on your way to see Maya?
10:30I thought I needed the safe house.
10:32Yeah.
10:33Well, we'll save that for later.
10:36But right now, I'd like to talk to you about what happened on the day of the Drexler bombing.
10:40You think that guy made it out of there alive?
10:53I don't know.
10:55Do you think we'll make it?
11:08Let's just find Will.
11:10You heard the guy.
11:12You said Will is not our friend.
11:13Well, Maya said something different.
11:15You know, I would love to think that some part of Will's friendship was real.
11:19That he can help us.
11:20But going back to Deer Harbor, to Maya, whatever it is you're thinking, finding Will is a bad idea until we can figure out who he really is.
11:34Hey.
11:41Hey.
11:41Maya said he'd come back for the key.
11:48Yeah.
11:49It's got to mean something.
11:50Let's find out.
12:03Sir, I just got word regarding our John Doe from the Drexler.
12:06Codis matched the DNA.
12:07And?
12:08Name's not travel.
12:09It's a murder.
12:09Could be an alias, no?
12:11I don't think so.
12:21So Will Traveler lives.
12:26You get anything else on Merton?
12:28Checking accounts from old W-4s and address in Harlem.
12:31Good.
12:31Check it out.
12:32I want you to see how this guy connects to Birchland Fogg.
12:34I'll have Agent Randall activate the Will Traveler search.
12:37Hopefully we'll dig something up.
12:40Marlo.
12:41Good work.
12:48Come on.
12:50This key's over a hundred years old.
12:59A guy couldn't help us much beyond that.
13:00He said we might have more luck with a historian.
13:03Check this out.
13:05Found it under my seat.
13:09Bay Point Marina.
13:10Yeah, it's a receipt for a boat slip in Boston.
13:12It's reserved for the 12th.
13:13Tomorrow.
13:14Will was going to Boston.
13:16Maybe, just maybe,
13:17he was going there to use this.
13:25Yeah, Tyler was, uh,
13:26into the Drexler prank from the beginning.
13:28He liked the idea, but
13:29Jay...
13:31Took some convincing?
13:32Yeah.
13:33It was part for the course.
13:34The guy was a Boy Scout.
13:35So you've said tea.
13:38No, thank you.
13:40So, uh,
13:41I let Tyler do most of the talking.
13:43He was usually good at bringing Jay around.
13:46And we headed inside.
13:48And I had them in the East Wing,
13:50ready to roll at half past on the nose
13:52for my directive.
13:55And then?
13:55Then you know what happened.
13:58East Wing's gutted.
14:05How did they get out, Will?
14:09I don't know.
14:11Did you pull the fire alarm?
14:14Of course not.
14:16And who did?
14:19Could have been anybody.
14:21Some people panicked
14:22when they took off down the stairs.
14:23They were supposed to die in the blast.
14:26Your directive was to activate the bomb
14:28and get out.
14:29The bomb was already activated
14:30by the time I got there.
14:31I did as I was told.
14:32I didn't change the plan.
14:33Someone else did.
14:45Who are you?
14:48Time to go, Will.
14:51Job's done.
14:51We only needed you
14:53to get your friends here.
14:56It's time to go.
15:13We only needed you
15:14to get your friends here.
15:18What was he doing there?
15:19Making sure the job got done.
15:21Will.
15:25It is very important
15:27that I believe what you tell me.
15:28Do you understand?
15:29Absolutely.
15:30And I was going to do my job.
15:41Did you get out?
15:42Will.
15:43Did you get out?
15:44Yeah, yeah.
15:44We're at the corner.
15:45Where are you?
15:48I'm sorry I had to do this.
15:49No, I think clearly
15:53you changed the plan, Will.
15:55So, what do we know, Will?
16:12We know that you're not telling me everything.
16:15We know that you pulled the fire alarm that morning.
16:18Wait a minute.
16:18We know that when you got the order
16:20to carry out the job
16:21and kill your friends,
16:22you hesitated.
16:22Joseph knew you couldn't do it.
16:27And that is why the second man was there.
16:31I wanted them to get clear.
16:41That's all.
16:42But that wasn't the plan.
16:45Joseph still got what he wanted.
16:46He got his patsies.
16:47That wasn't the plan.
16:49Let's not forget,
16:50you were the one who asked
16:51for this assignment two years ago.
16:53I didn't know how it was going to end.
16:54Hey, I'm going to hold.
17:10Anything?
17:11No, nothing but a bunch of out-of-work actors.
17:13Well, keep looking.
17:14Yeah.
17:15Hi.
17:16Okay.
17:19Excellent.
17:20Thank you very much.
17:21Bye-bye.
17:21What?
17:26Finest historical tour in Boston.
17:29The guy's name is Benedict,
17:30for God's sake.
17:32Trevor Gamble will.
17:34What?
17:36Best assignment I ever had was Vegas.
17:39Tracking the high rollers,
17:40winning the money back
17:41if it got in the wrong hands,
17:43and learning to read the tells
17:45these billionaires try to hide
17:46at the big tables.
17:47Look at me.
17:54I can read you,
17:56so no more lies, understand?
17:58Do you understand?
18:01Yes.
18:04Good.
18:10So Jay and Tyler
18:11are still unaccounted for.
18:12It's important that you help us clarify
18:16just how big a liability
18:17they may be.
18:23Folks,
18:24this ends our time together,
18:26but I'll have you know,
18:28Washington himself considered this
18:30among the finest watering holes
18:31in all of Boston.
18:32So step inside,
18:33have a drink,
18:34have a few,
18:35and good day.
18:52Benedict Carver, right?
18:54The tour's over, kid.
18:56Next one's at six
18:56if I'm awake.
18:58Actually,
18:59I don't want a tour.
18:59I was hoping
19:00I could show you something.
19:03Well,
19:04should we go
19:04into the bathroom
19:05for this?
19:09What do you want?
19:10It's, uh,
19:11Grandpa's key.
19:14He just passed
19:16and left it to me
19:17in his will.
19:18Thing is,
19:18I don't know
19:19where it opens
19:19and, uh,
19:20Locksmith's
19:21haven't been much help.
19:29You one of these
19:30snobby blue bloods
19:31from Harvard, kid?
19:32I'm sorry?
19:33Are you not
19:34from around here?
19:37No.
19:38Gloria City
19:39spent some time.
19:42I've seen
19:43these keys
19:44a few times.
19:45Nothing to get
19:46excited about.
19:47The bee in this case
19:47represents a place
19:48called Boston Hall.
19:53It's a library, kid,
19:54a couple miles
19:55from here.
19:56This is a key
19:57to one of the
19:57research lockers.
19:59A research locker?
20:00Do you take
20:08one of my tours
20:09before, kid?
20:10You look familiar.
20:12No, sir.
20:13Maybe next time.
20:14Thanks.
20:15Thanks for your help.
20:20They're nobody.
20:22These guys
20:22couldn't buy a clue.
20:25And yet they seem
20:26strangely adept
20:27at life on the run.
20:28Are they
20:29exceptionally lucky
20:30or is someone
20:31helping them?
20:32I'm not helping them.
20:33But you are
20:34concerned for their
20:35well-being.
20:39I've studied you, Will.
20:41And I know
20:42when you're lying,
20:43it's written
20:44all over your face,
20:44all those ticks
20:45and hesitations.
20:47You became friends
20:49with them,
20:49didn't you?
20:51No.
20:51What did I just
20:53say?
20:55Okay.
20:58You lost your
20:59objectivity
21:00as it related
21:00to this assignment.
21:03Yes.
21:09Have you spoken
21:09to them?
21:11Not since that
21:12morning.
21:13Do they know
21:13what's going to
21:13happen at the
21:14museum?
21:15No.
21:16Say we're getting
21:17the hang of this.
21:18Did you tell them
21:18anything about the
21:19people you work for?
21:20No.
21:21Nothing.
21:21No names,
21:22no associations?
21:23Nothing.
21:24Never once a
21:25drunken conversation
21:25about your background
21:26or your training.
21:27Nothing beyond
21:28what was approved.
21:31Interesting.
21:33I'd expect it worse.
21:37Oh,
21:38one last loose end.
21:41What'd you do
21:41with the painting?
21:44More painting.
21:47Wrong answer.
21:48Founded in 1807,
21:55it is one of the
21:55oldest independent
21:56libraries in the
21:57country.
21:59I interviewed up here
22:00a few months ago
22:01from the top law
22:03firms.
22:04You wouldn't have
22:05been happy in Boston,
22:06Jay.
22:07I don't know.
22:08Seems nice.
22:10Came on in New York.
22:11Yeah, well,
22:12like my dad always
22:13said, there's no
22:14success like New
22:15York's success.
22:19Hey.
22:21You said we'd find
22:22out what Will was
22:23doing there?
22:23Yeah.
22:45What if?
22:57What's up?
23:01What?
23:03Come on.
23:04Hang on in.
23:05How will daughters
23:06do?
23:07Have fun?
23:08All right.
23:09How will our
23:10come out?
23:11Have fun with us?
24:42It's hard to believe he died in that museum.
24:49Such a terrible thing, terrible thing.
24:52Anyway, this is it.
24:54Murden's apartment.
24:54There you go.
25:04Whoa.
25:04Show your hands now.
25:06Let's go.
25:06In the air.
25:07Do it.
25:09I thought you said this guy lived alone.
25:10He did.
25:11Sir, what are you doing here?
25:14Hey, you hearing us?
25:15You got them?
25:20Mm-hmm.
25:36What's this?
25:36You smell that?
25:39Bleach.
25:40Watch them.
25:47Clear.
25:48Clear.
25:48The tub's filled with some kind of acid.
26:00He's wiping the place clean.
26:02Still think this guy might have been our friend?
26:18Oh, which guy?
26:25Stephen Swift?
26:27Or Christian Malbeck?
26:29Check this out.
26:30This is Will's school expenses.
26:40Paid for by three continents investing.
26:43You ever heard of them?
26:44Nope.
26:46It's gonna mean something.
26:47We made copies.
26:48We need a computer.
26:49The painting, Will.
26:59What did you do with it?
27:01Look, I don't know anything.
27:03Of the nine canvases in the East Gallery that morning,
27:06our source on the cleaning crew found the remains of only eight.
27:09You can trust him.
27:12I don't know what happened to the painting,
27:14but I didn't take it.
27:19Yes?
27:23Hello, Kate.
27:24Sir?
27:25You're looking well after your vacation.
27:27I trust you enjoyed the Seychelles.
27:29Very much.
27:29It was just as you described.
27:31Good.
27:32What's your assessment there?
27:34It's just a matter of time.
27:36It's already taken too long.
27:38I put you there because of your work in Chicago.
27:40I understand.
27:41And I believe we're very close.
27:42Well, I'm afraid he's controlling this interview.
27:45Kate, I'm having the call put through.
27:47Get some answers and close his file.
27:49It doesn't have to go like this, Will.
27:55Like what?
28:06Say hello.
28:08Will.
28:10We already know about your indiscretions, Will.
28:12You and Maya are getting involved.
28:15Will.
28:17Please, hon.
28:18Will.
28:19I'm sorry.
28:20No!
28:22No!
28:22Mama!
28:31You're only making this harder on yourself, pal.
28:33You're impeding the federal investigation just by being in that apartment, not to mention
28:37trying to destroy evidence.
28:39You tell us what you were burning in that bathtub and might help you avoid standing trial as a
28:43traitor.
28:44We have forensics going through the messy left.
28:47They're going to find out what it was either way.
28:49It's going to look a lot better for you if we do it with your help.
28:58It's expiry, doesn't it?
29:00What'd you say?
29:01There's nothing on three continents investing.
29:03It's not even registered with the SEC.
29:06What about, um...
29:09What about this guy, Derek Sellers, the one who sent me checks?
29:14Let's take a look.
29:15I mean, his name pops up in some insider trading thing a few years back, but the other night
29:30is a ghost.
29:31He's got a New York address.
29:43What?
29:44No.
29:44No.
29:45No way.
29:46Look, we gotta find out who Will is, and this guy backed him.
29:49He paid for everything.
29:51I mean, there's checks here dating back to the day Will moved in.
29:54You got a better idea?
30:01I'm open to hearing it.
30:05You know that going back there is crazy, right?
30:09There's no success like New York's success.
30:14We've seen you with Maya, Will.
30:18Listen to me.
30:20I want to know what happened to that painting, okay?
30:22Stay away from me.
30:23I want you to tell me.
30:25No!
30:26She is in pain, and it will get worse.
30:28Don't.
30:29You have the ability to help her if you tell me the truth.
30:32No!
30:44Listen to Mr. This is a fire alarm.
30:46Just follow a dosage or security guard to the nearest exit.
30:53All right.
31:07All right.
31:08Wait.
31:08All right.
31:09All right.
31:16I'm как.
31:17Would you get out?
31:25Talk.
31:27Will, please.
31:29No more, please.
31:31So why'd you take it?
31:35When I saw the second man, I knew I was no longer trusted.
31:38I knew if I needed to disappear, I could sell it and go underground.
31:41See, that's the thing.
31:43You let that painting out in the open,
31:45it attracts a lot of unwanted attention,
31:48and as you know, we can't have that.
31:50So where is it?
31:52No!
31:55A locker. It's in a locker.
31:57Please!
31:58Grand Central Station, Lower Concourse, number 893.
32:01Your tells are so obvious.
32:03Will, he's got a gun!
32:05Where is it, Will?
32:08I'm gonna kill you, I swear to God.
32:10But not before he kills her. Now tell me where it is.
32:15It's at the Port Authority.
32:17Lie!
32:18You have one more chance, and then I promise you, he will kill her.
32:22No!
32:24He will!
32:25Tell me where!
32:28It's in a car.
32:29Will!
32:31It's in a car.
32:32No, no, no, no!
32:33In the trunk.
32:35Go on.
32:37Just do it, just do it.
32:39It's in LaGuardia.
32:40Gold four-door.
32:42Long-term parking lot 3.
32:44Clit number.
32:49A&M.
32:5256 V8.
32:54Please.
32:55No.
32:55Oh, God.
32:59Please.
32:59That is good.
33:00No.
33:01No.
33:01No.
33:02No.
33:03No.
33:04You did the right thing.
33:05Please.
33:06Ah!
33:07I'll let her go.
33:09He's gone away.
33:10I...
33:10Oh, unfortunately.
33:11I talked to him.
33:12Please.
33:12Please.
33:13Please.
33:14I put...
33:15I talked to him.
33:16No!
33:22I...
33:23I...
33:23I told you.
33:27I told you!
33:30It was a recording, Will.
33:31I killed her two hours ago.
33:32Never let it get personal.
33:40Not in this business.
33:55Who's in the hall?
33:56You've got no chance.
33:58The building's covered.
33:58How many guards?
34:00We're dead, Will, no matter what.
34:01If I do this right, I promise you it won't suffer.
34:04Give it to me.
34:05No.
34:06You have tells two, Kate.
34:07Come on.
34:07Come on.
34:08Come on.
34:08Come on.
34:09Come on.
34:09Come on.
34:10Come on.
34:11What?
34:11Come on.
34:12You have tells two, Kate.
34:42You have to go.
35:12Check it out.
35:34It's a route we were going to take on a road trip.
35:42Got to hand it to the guy, being such a cold-blooded son of a bitch from day one.
35:53You think he was really a Cubs fan?
35:56Please, how could he not be?
35:58Right?
35:59I mean, you don't lie about something like that.
36:01It's sacrilegious.
36:03Speaking of, they're going to be looking for Cubs fans.
36:12He picked our own guys to frame.
36:17Yeah.
36:18Yeah, he did.
36:23Yeah.
36:28He picked our own guys to frame.
36:32Yeah.
36:35Yeah, he did.
36:53Yeah, he did.
36:56He did.
36:59That could be a good
37:23Let's go.
37:54They dispatch your calls off the hotline?
37:56Thanks.
37:57Anything new?
37:58Twelve calls about shots fired in Deer Harbor, Maine.
38:01That's where the call to Doherty originated.
38:03Boston field agents find anything?
38:05So far, nothing.
38:06What about the sludge in Merton's bathtub?
38:08Forensics couldn't salvage anything.
38:10The solvents used were so powerful.
38:15Marlow.
38:16Frazier escaped.
38:17We have an escape.
38:18How the hell did he escape?
38:19What's going on down here, Marlow?
38:29We got men down in here.
38:31How did he get out?
38:38Who the hell are we dealing with?
38:41You studied the Drexler plans?
39:06Yes.
39:07Good.
39:10We've set the date and we'll move forward in two weeks.
39:15Now, the past two years have all led up to this point.
39:19You should be proud of yourself.
39:20Thank you, Joseph.
39:26You know, there is one aspect to this that we haven't discussed yet, and that's your roommates.
39:30Good morning.
39:36They will be framed for the bombing.
39:39And they are expected to die in the blast.
39:41Is that going to be a problem for you?
39:52No.
39:54Not at all.
39:58Good.
39:59The country appreciates it.
40:00I want to know what happened to that painting.
40:10It's in LaGuardia.
40:11Gold four-door.
40:13A&M.
40:14Five-six.
40:15V-eight.
40:15They will be framed for the bombing, and they are expected to die in the blast.
40:31I didn't know how it was going to end.
40:32You became friends with them, didn't you?
40:34I promise you, he will kill her.
40:36Die!
40:37I promise you, he will kill her.
40:38I just passed out.
40:40I promise you, he will kill you.
40:41I will tell you, he will kill you, he will kill you.
40:44I will tell you that in St. Louis, you know, it's been on lined up for years.
40:48They've made these signs, I tried to die for years, but he'll cut them intoues and they are done well.
40:50At the bottom of the box, I think that is a good meeting for you to take you an Napoleon unofficial plan.
40:54I'll take Sie card on, and next to you, he will be getting a clear meeting for years and at the opening.
40:58Rose, jeśli will be possible to take you for the Monday to Friday, but he'll be pleased to come for you to come for you.
41:02At the bottom of the box again, and he will맙ile into the place where you are wohlせful for you.
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