- 2 days ago
Category
🎥
Short filmTranscript
00:01Previously on Traveler
00:03Looks like it's time to say goodbye to the castle.
00:05Shotgun.
00:06Three best friends
00:07You guys head down first, I'll be right behind you taping the whole thing.
00:10Good luck.
00:11And one innocent prank lead to an unthinkable betrayal.
00:17Did you get out?
00:18Yeah, yeah, we're at the corner. Where are you?
00:20I'm sorry I had to do this.
00:22Do what?
00:25We didn't have anything to do with the Drexler bombing.
00:28We're set up and I have proof.
00:30This is a recording of some guy named Joseph telling Will to blow up the Drexler.
00:34Saying he should frame Tyler and me for doing it
00:36and the Drexler is just the first step in a much larger plan.
00:40Sue's Traveler has left us quite a mess.
00:42Do you know what to do?
00:43He's an undercover federal agent.
00:45He's one of us.
00:46My father is working with the FBI trying to have us killed.
00:58Freeze!
01:12Put your hands where I can see them.
01:18You dropped the gun.
01:20Come on Tyler, let this man go.
01:22Jay, she's lying.
01:23The FBI is involved, I have proof.
01:25Jay, what I know is that you are telling the truth about Will Traveler.
01:28We've got him on video.
01:29Drop that gun.
01:30Come on Tyler, you're not gonna shoot anyone.
01:32No, but I will.
01:36Will, you son of a bitch.
01:38Shut up Jay, I'm here to help you.
01:39Then turn yourself in.
01:40This is the guy who bombed the Drexler.
01:42Your friends are counting on you to do the right thing, Traveler.
01:45He's not our friend.
01:46Tyler, keep your gun on him.
01:48You, put your gun on the ground.
01:51NYPD has this area surrounded.
01:55Put your weapon on the ground and kick it over to Jay.
02:00Do it, now!
02:04Grab the gun, let's go.
02:07We're not coming with you.
02:12She tried to arrest you tonight, Jay.
02:14Jay, if you all come in together, it'll be a different story.
02:17The FBI is part of this, Jay.
02:23He's right, they're involved.
02:25You want answers?
02:26You want your life back?
02:27You come with me.
02:33You're making a mistake!
02:37Don't move.
02:42Up against the wall.
02:43Grab the fence.
02:47Go.
02:48Get out of here.
02:49Go!
02:50Go!
02:51Go!
02:52Go!
02:53Go!
02:54Go!
02:55What?
02:56Go!
02:57Go!
02:58Go!
03:00Go!
03:01Go!
03:02Go!
03:03Go!
03:04Go!
03:05Go!
03:06Go!
03:07Go!
03:13Dammit!
03:14This is Agent Marlow, suspects, virtual fog, traveler, last seen on East 16th Street, all
03:29three are armed.
03:30What's their lead?
03:31Five minutes, traveler's with them.
03:34All right, suspects, last seen East on 16th, S.A. Marlow, request all units establish a
03:4710-block grid and begin a search.
03:48I think we're headed east.
03:49Yeah, well, we gotta get off the island before they close the city.
03:52Just keep moving.
03:53One, two step, please.
03:56We got a tip, the doorman spotted three guys matching our suspects, destroyed them.
04:03A suspect's description coming out of a building on 18th.
04:06Don't even think about it, Marlow.
04:07Sir?
04:08You've continually compromised this investigation.
04:11Tonight was no different.
04:12You're off the case.
04:13Birchall had evidence about the Drexler, about people that knew this.
04:16What evidence?
04:17A recording of real traveler getting orders to bomb the museum.
04:21And where is it, this recording?
04:22Birchall took it with him.
04:25Get back to the field office.
04:26All I want to see from you today is a report.
04:28That's bull!
04:29All right, go ahead, Marlow.
04:30Marlow, keep pushing and you'll be out of a job.
04:33Yeah, I'm a blind man!
04:34Four Apes, you're on point now!
04:36Woof, woof, woof, woof, woof, woof, woof, woof, woof!
04:49Jack.
04:51Yeah, yeah, yeah.
04:52There's no phone line. The alarm can't dial out.
05:13Come on. Who are you?
05:16Answer the question. Who the hell are you?
05:18Right now, I'm your chance to make things right.
05:21Why?
05:22Why, Will? Why'd you do this to us?
05:26Hey! You used us!
05:28I came to help you get your lives back.
05:33Trust me. Don't trust me. I really don't care.
05:36Whoa! Whoa, whoa, Will!
05:51You put the gun down now, you hear me?
05:55He's not gonna shoot me, are you, Will?
05:59Not until you get whatever it is you came back for.
06:05Pull the trigger if I'm wrong.
06:07Jay, you're bleeding.
06:15It's not my blood.
06:17Never seen a gunshot before.
06:31Never seen a gunshot before.
06:38Was anything you told us true, Will?
06:40And what about your father? You said he drowned.
06:43Dead father wished to get Jay to identify with me.
06:55What's your name? Traveler? Taft? One of these in your five passports?
06:59Just call me Will. I'm used to it.
07:01Is he some kind of spy?
07:03Yeah.
07:05What government do you work for?
07:07Yours.
07:09At least I used to.
07:11I'll explain it to you once we get moving again.
07:15You think we're gonna follow you?
07:17Well, I don't think you really have a choice, Jay.
07:20You're not exactly 100% right now.
07:23And even if the FBI is involved, we can still take you to the cops.
07:27You're not gonna do that.
07:28Oh, yeah?
07:29Why not?
07:32Because I know him.
07:33He likes to fix things.
07:35That's the reason you're here instead of Canada or Mexico.
07:38You wanna fix this?
07:40You come with me.
07:47You come with me.
08:14Tyler, you drive. You know the city.
08:16You and my lady.
08:19Oh.
08:21You and my lady.
08:32OH!
08:34there was a fight how sure are we our guys we're here it puts our suspects within two blocks when
09:00the alarm went off looks like Marlowe hit one of them should slow him down and they're still walking away
09:30so
09:38We didn't have anything to do with the Drexel bombing.
10:02We were set up, and I have proof.
10:08What's this?
10:12Names of people who sold Holloway insurance, who profited from the Drexel bombing.
10:20This is a recording of some guy named Joseph telling Will to blow up the Drexel.
10:26We need the Tyler's car.
10:31We have a car.
10:32We need yours.
10:33If you want the car, then tell us why.
10:36No more secrets.
10:37You ever hear the name Jack Freed?
10:40Freed knows my father.
10:41He's on list of people who benefited from the Drexel bombing and his former deputy director of the FBI.
10:46I'm impressed.
10:48After 9-11, Freed started a domestic espionage program called Operation Hometown.
10:57Spying on American citizens.
10:59That's right.
11:01He recruited me into the program, then he left the FBI to help run Homeland Security.
11:05Wait, what are you saying? Homeland Security's behind this?
11:08Freed's behind this.
11:10He picked you two as patsies.
11:12You were perfect.
11:13Two guys who had every reason to hate the government for what happened to your fathers.
11:17Hadn't you set us up?
11:19You don't know it, but I saved your lives at the Drexel.
11:29Did you get out?
11:30The bomb had a fail safe.
11:32It went off anyway.
11:34You framed us, Will.
11:36I had orders to kill you.
11:39I kept you alive.
11:41We're supposed to buy this?
11:43Look, Freed's the one who took your lives away.
11:47He's the one who can give them back.
11:49I saw Freed yesterday with my father.
11:52In New York?
11:54Yeah.
11:55How did we get to him?
11:57I left something Freed wants in Tyler's car.
12:01That's why we need it.
12:03Kim told me the FBI found it.
12:07Then that's where we're going.
12:10Our top story once again centers on Drexler bombing suspects Tyler Fogg and Jay Burchell.
12:28Eyewitness reports confirm that a confrontation took place between the suspects and federal agents outside a lower Manhattan nightclub approximately 4am this morning.
12:37The FBI have now implemented a series of checkpoints at all access points to Manhattan and limited subway access will be in effect through the day.
12:50We want this mess cleaned up today.
12:52It's a go.
12:54I want updates from NYPD and transit police and let me know if you've heard anything from the hospital.
13:05Already on it.
13:07One chance.
13:08You understand?
13:09You helped Jay meet with Agent Marlow.
13:10I'm guessing you had something to do with the power outage at the club.
13:23Now Jay and his friends are on the run again.
13:26Where are they going?
13:28I don't know.
13:30I don't know.
13:42Stand up.
13:50Turn around.
13:51I tried to help you, Kim.
14:00Told you what was best for Jay and what was best for you.
14:04You have the right to remain silent.
14:06Anything you say can and will be used against you in a court of law.
14:10It looks like they're going to move it soon.
14:27We're going to do this.
14:29Whoa.
14:30Where are you going?
14:31The thing is on a flatbed.
14:33We can't waste time.
14:34No.
14:35I'll do this.
14:37No way.
14:38Jay's going.
14:41What, are you going to shoot me, Tyler?
14:43After the week we've been through?
15:08It looks bad for you, doesn't it?
15:09What'd you say?
15:10It looks bad for you, doesn't it?
15:11It looks bad for you, doesn't it?
15:12What'd you say?
15:13It looks bad for you, doesn't it?
15:14What'd you say?
15:15It looks bad for you, doesn't it?
15:16What'd you say?
15:17It looks bad for you, doesn't it?
15:21What'd you say?
15:36Hi, Harold. Marlo. I need another favor.
15:40We need one more NSA database search.
15:42I only have a first name, Joseph.
15:45Key words. Drexler Museum.
15:48Real Traveler.
15:51Holloway Insurance.
15:54Fallbrook Dunn.
15:56John Ellington.
15:58Otis Whaley.
16:02I'll call you back in 10.
16:04Hi.
16:06What are you doing?
16:08Pushing paper like I was told.
16:15You forced Chambers' hand when you went out on your own last night.
16:20Could have at least called me in.
16:22I made a judgement call.
16:23And it almost got you killed.
16:25We're supposed to be partners.
16:27Yeah, we are.
16:36We'll have him by tonight.
16:37To the years in Canada.
16:38Who ever asked?
16:39Yes.
16:40In your own way?
16:41I'm about to tell you what to do.
16:42I'm about to tell you what I want.
16:43I'm about to tell you I have a holiday.
16:44My new year, this is the city of Britain.
16:45My new year is 10.
16:46And it's off.
16:47I have to tell you what you want.
16:48It's coming to a village.
16:49I'm about to tell you what you want.
16:50It's coming to the village.
16:51We're not allowed to talk to you yet.
16:52It's coming to the village.
16:55I'm about to tell you what you want.
17:27Okay, great.
17:57This better be worth it.
18:27This better be worth it.
18:57This better be worth it.
19:27This better be worth it.
19:28Come on.
19:29Get out.
19:30Come on.
19:31Come on.
19:32Go.
19:33Go.
19:34Hey.
19:35Hey.
19:36Hey.
19:37Hey.
19:38Hey.
19:39Hey.
19:40Hey.
19:41Hey.
19:42Hey.
19:43Hey.
19:44Hey.
19:45Hey.
19:46Hey.
19:47Hey.
19:48Hey.
19:49Hey.
19:50Hey.
19:51Hey.
19:52Hey.
19:53Hey.
19:54Hey.
19:55Hey.
19:56Hey.
19:57Hey.
19:58Hey.
19:59Hey.
20:00Hey.
20:01Hey.
20:02Hey.
20:03Hey.
20:04Hey.
20:05Hey.
20:06Hey.
20:07Hey.
20:08Hey.
20:09Hey.
20:10Hey.
20:11Hey.
20:12Hey.
20:13Hey.
20:14Hey.
20:15Hey.
20:16Hey.
20:17Hey.
20:18Hey.
20:19Hey.
20:20Hey.
20:21Hey.
20:22Hey.
20:23Hey.
20:24Hey.
20:25Hey.
20:26Hey.
20:27Hey.
20:28Hey.
20:29Hey.
20:30Hey.
20:31Hey.
20:32Hey.
20:33Hey.
20:34Hey.
20:35Hey.
20:36Hey.
20:37Hey.
20:38Hey.
20:39Hey.
20:40Hey.
20:41Hey.
20:42Hey.
20:43Hey.
20:44Hey.
20:45Hey.
20:46Hey.
20:47Hey.
20:48Hey.
20:49Hey.
20:50Hey.
20:51Hey.
20:52Hey.
20:53Hey.
20:54He took someone from me.
20:56Who?
20:59Maya?
21:02That's it, isn't it?
21:04You want to kill him?
21:06He used me too.
21:07Forget it, he's no use to us dead.
21:10This painting wasn't destroyed in the blast
21:11like everyone thought.
21:12If we connect it to Freed, people start asking questions.
21:15I know you are not that naive.
21:16Freed is never going to let that happen.
21:18We're not killing the only guy who can prove our asses.
21:20Hold on, wait, wait, stop.
21:22What if there's another way?
21:23Because you kill Freed and it's over.
21:27But if we can expose him, then we can make him suffer.
21:36So what are you saying?
21:37I'm saying, is that something you'd be interested in?
21:47Borges, I've got those Carlton tapes queued up.
21:50It's Jack Freed, right?
21:52Former deputy director?
21:53Yeah, you're right.
21:53Yeah, you're right.
21:55What's he doing with Carlton Fog?
22:00Wait, who's that?
22:02Isolate him?
22:04More?
22:04No way.
22:15No way.
22:16No way.
22:16No.
22:17No way.
22:18No way.
22:18No way.
22:31Yes?
22:33FBI Special Agent Marlow.
22:35Oh, what can I do to help you?
22:37Joseph Langdon?
22:38Yes.
22:39May I ask you a few questions?
22:41About?
22:42The Drexel Museum bombing.
22:43Why don't you come inside?
22:54Nice house.
22:55It's my wife's doing entirely.
22:57I'm told I have no taste.
22:59I'll be quick, sir.
23:01You're employed by the crisis management firm Fallbrook Dunn?
23:06Well, I'm not on their payroll, if that's what you mean.
23:09But yes, they are one of my clients.
23:10Meaning?
23:11I'm a consultant.
23:13I work for a number of firms.
23:15Do you know a man by the name of John Ellington?
23:17Uh-huh.
23:18Only by name.
23:19I didn't know him personally, but that was a tragedy.
23:22I certainly hope to catch the men responsible.
23:25When was the last time you were employed by the firm?
23:28Is Fallbrook Dunn under investigation?
23:31Just the background search as part of the job.
23:33Uh-huh.
23:34Uh, excuse me.
23:35I'm gonna have to get that.
23:43Yes, this is Joseph.
23:44That's good to know.
23:59We have to get a good job.
24:00We'll see.
24:01I can't get some~!
24:02Let's go!
24:03Uh!
24:04I can't get the right stuff.
24:05We'll be putting a good party to escape.
24:06I think we are the live in the basement.
24:08We'll be putting a good party to escape.
24:09Let's go!
24:10Let's look!
24:11Let's go!
24:12We'll be putting a good party!
24:14Let's go!
24:15We'll be putting a good guy.
24:16Let's go!
24:17Get the right now!
24:18I'll be tying them!
24:19Just go!
24:20What do you want me?
24:22Come on.
24:52Tell me who was on that phone.
25:03Give me a name.
25:07Give me a name.
25:22Give me a name.
25:52Put me through the chambers.
26:05Chambers.
26:06Sir, this is Borges.
26:08I found evidence detailing contact between Carlton Fogg and his son yesterday in Manhattan.
26:13Where?
26:13Fogg's club.
26:14We had that place staked out.
26:17Tyler Fogg slipped into his father's limo.
26:18All right, what's your action?
26:20I'm on my way to arrest Carlton Fogg at his club.
26:22It's our best bet at finding Tyler's location.
26:25I'll meet you there.
26:35Sir?
26:36Yeah?
26:37I have a call for you on the secure line.
26:39Who is it?
26:41Representative Trumbull.
26:47I'll take it.
26:48And close the door on your way out.
26:50Good afternoon, Representative.
27:05I have the painting.
27:07Are you interested?
27:08Well, it's nice to finally speak with you.
27:10It's been some time.
27:11Are you interested?
27:12You know, this would have been much easier if you had just given it to us the first time
27:16we'd ask.
27:18I want an exchange.
27:20Okay.
27:21But you know that I want more than just the painting.
27:26Yes.
27:28And you're okay with this arrangement?
27:31Yes.
27:32Great.
27:33Name the time and place.
27:35Washington Square Park, one hour.
27:36Come alone.
27:37We're good.
27:46Let's go.
27:58You guys get more presumptuous every day.
28:00Who told you you could come in here?
28:01You did, sir.
28:02By meeting with your son yesterday and not reporting it.
28:05I got it.
28:05I got it.
28:07All right, you listen to me.
28:08He is my next of kin.
28:10I'm under no obligation whatsoever to tell you anything.
28:13Well, we'll let a judge decide that.
28:14Cuff him.
28:15Get your hands off of me.
28:16I'm placing you under arrest for harboring a few...
28:18You have any idea who you're talking to?
28:20Yeah, I do.
28:21Let's go.
28:22For his.
28:24Tell this man he's making one hell of a mistake.
28:30Not this time.
28:31I told you to tell me if you had contact with your son.
28:36Proceed with the arrest.
28:41Let's go.
28:42Is this your first big score, Boris?
28:56Bet you already notified the press.
28:58Know my style, sir.
29:00Worked for your boss.
29:02No more talking.
29:03Get down!
29:09Get down!
29:09Get down!
29:10Get down!
29:11It's Whaley, sir!
29:13Help me here!
29:14I got him!
29:15I got the shooter!
29:16Boris!
29:16It's Otis Whaley!
29:18Radio!
29:19Radio!
29:20I'm staying with him!
29:22Hold it!
29:22Ah!
29:22Ah!
29:44Ah!
29:45Ah!
29:46That was that one.
30:16Freeze!
30:41Drop the weapon.
30:42Put your hands on your head.
30:44Drop it now, Horace!
30:46I got him covered.
30:50Don't move a muscle.
30:54This is Whaley, sir.
30:56I know.
30:58Good work.
31:00Horace.
31:14Make sure you dispose of this.
31:28Yes, sir.
31:30You did good work, Borace.
31:44Too good.
31:46This is S.H.C. Chambers!
31:48S.H.C. Chambers!
31:49I got a man down!
31:52This is S.H.C. Chambers!
31:54S.H.C. Chambers!
31:55S.H.C. Chambers!
31:56I got a man down!
31:58I got a man down!
32:00I got a man down!
32:02I got a man down!
32:04I got a man down!
32:06I got a man down!
32:08I got a man down!
32:10We'll do SAC will notify, hostiles through.
33:12Yeah, four men, Washington Square Park.
33:21Look out for any activity.
33:25I'm leaving now.
33:26I should be there in about ten minutes.
33:27Hello, Will.
33:40Hey, Jack.
33:40Keep going.
33:55Mr. Birchall.
33:58And Mr. Fogg.
34:00Surprise.
34:01You two have caused quite a few problems this week.
34:06Sit down.
34:09Is this where we share our feelings?
34:12Tell each other how much we've suffered, sacrificed?
34:15Sit.
34:16Don't forget who you're talking to, Will.
34:28Oh, I get it now.
34:37This is about Maya.
34:39You think I bear some responsibility for her death?
34:42You didn't have to kill her.
34:43Will, put it down, Will.
34:45It's not why we're here.
34:48Yeah, why are you here, Will?
34:49I thought we had an arrangement.
35:02Sorry.
35:04What?
35:07You were part of the bargain.
35:08No.
35:12I'm out.
35:13No questions asked.
35:15You don't come looking for me, I don't reveal what I know.
35:19What about the rest of our bargain?
35:23Give him the painting, Tyler.
35:27We trusted you.
35:29Give it to him.
35:30I will shoot him, Tyler.
35:38Give him the painting.
35:42Give him the painting!
36:00What's the fourth branch?
36:12I know the history of the painting.
36:16Then you should know the evidence was to have been destroyed in the bombing.
36:20All this was about getting rid of a painting?
36:23No.
36:25The Drexler bombing was about fear and control.
36:28This is just the beginning.
36:30The Drexler bombing was about fear and control.
37:00Even this is just the beginning.
37:03So this is it, Will.
37:04So you're going to choose two dead men over an oath you took for your country.
37:09Who do you think they're going to listen to?
37:29Three known terrorists?
37:30Three known terrorists were a director of Homeland Security.
37:37I'll say the tape was doctored.
37:38We've got enough evidence to get people's attention.
37:42Make them question the story they've been told.
37:46The police aren't going to charge me.
37:50Yeah, but we're not taking you to the police.
37:54There are other ways of holding you accountable.
37:57The evidence and your confession.
38:00Truth about the Drexler will come out in the press.
38:03Let's go.
38:05You want to know about the fourth branch?
38:16It's the reason your father served his country, Jay.
38:19What?
38:20It's the reason Carlton Fogg offered up his eldest son.
38:25Don't listen to him.
38:25He's desperate.
38:30Will, you've been working for the fourth branch this whole time.
38:33He's reaching.
38:34I'm not reaching.
38:38Let me go.
38:38I'll tell you the truth about everything.
38:42Leave me here.
38:44The truth stays with me.
38:50Tell him to them.
39:08Agent Marlow?
39:24You wanted the last incoming number off the dead suspect's cell phone?
39:29Yeah, thanks.
39:30Thanks.
39:38Hello?
39:46Hello, who is this?
39:50Hello?
39:50Hello?
40:08Where are we?
40:17Where's Agent Chambers?
40:19Where are you taking me?
40:20News desk.
40:21What do you got?
40:23The truth about what happened at the Drexler is in the black limo parked outside your front
40:27lobby.
40:28The man responsible is in the back seat.
40:30When you get to the car, call back at this number.
40:32Interesting.
40:33Be right down.
40:38They're on their way down.
40:43Okay, so if this works and the story gets out, then what?
40:49Then we keep telling people.
40:51It's going to take a lot of convincing.
40:54It doesn't work like that for me.
40:55I was part of this.
41:00When the truth comes out, we'll tell people you tried to stop free.
41:08Go, come on, come on, go!
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